September 23, 2013
September 22, 2013
TRAFFIC - Brentwood Centre Brentwood, UK - 09/22/1994
1994-09-22
Brentwood Centre
Brentwood, UK
Excellent Audience Recording
320 kbps
CD 1:
01. Pearly Queen
02. Medicated Goo
03. Riding High
04. Out Of Control
05. 40,000 Headmen
06. Mozambique
07. Rock & Roll Stew
08. Empty Pages
09. The Low Spark Of High-Heeled Boys
Disc 2:
01. Glad / Freedom Rider
02. Light Up Or Leave Me Alone
03. Dear Mr. Fantasy
04. John Barleycorn
05. Gimme Some Lovin'
Steve Winwood - guitar, keyboards, vocals
Jim Capaldi - drums, vocals; Rosco Gee - bass
Randall Bramlatt - winds, keyboards
Mike McEvoy - guitar, keyboards
Walfredo Reyes Jr. - drums, percussion
SPIRIT ''THE LAST EURO TOUR, RECORDED LIVE IN NOVEMBER 1991
''THE LAST EURO TOUR,
RECORDED LIVE IN NOVEMBER 1991
FEBRUARY 1 2010
143:34
DISC ONE
1. Love From Here /9:25
2. Uncle Jack /3:03
3. Fresh Garbage /7:42
4. Tent Of Miracles /5:03
5. Nature's Ways /3:25
6. Like A Rolling Stone /6:07
7. Ship Of Fools /5:24
8. Animal Zoo /3:49
9. Darlin' If /3:18
10. Miss This Train /4:55
11. Hey Joe /7:49
12. Zandu /5:39
13. Deep In This Land /4:04
14. Kokomo /3:53
DISC TWO
1. Downer /5:58
2. Stone Lover /8:30
3. Mr. Skin /3:45
4. Turn To The Right /4:10
5. Dark Eyed Woman /3:49
6. Old Black Magic /5:37
7. Going Up, Going Down /5:00
8. All The Same / I Got A Line On You /14:54
9. Prelude: Nothing To Hide /4:29
10. All Along The Watchtower /9:45
11. Wild Thing /4:01
Randy California/Guitar, Vocals
Ed Cassidy/Drums
Mike Nile/Bass Guitar, Vocals
INFO
BY CD UNIVERSE
With the 2010 release of The Last Euro Tour, the ongoing series of posthumous releases by Spirit continues under the aegis of Floating World Records' Retroworld imprint, having moved from the Acadia label. But Spirit archivist Mick Skidmore is still in charge of preparing vintage tapes of the band for release, and the album chronicles what turned out to be the final European outing by the trio of singer/guitarist Randy California, drummer Ed Cassidy, and bassist/singer Mike Nile in November 1991. They played eight shows in England, Germany, and Austria, and came home with DAT soundboard tapes from which Skidmore has assembled an idealized, lengthy performance containing versions of all but one of the songs performed on the tour. (He deemed neither of the two takes of "Love Tonight" releasable.) Spirit was promoting its then-recently released Tent of Miracles album, and they played half-a-dozen tracks from it, including several written by Nile, who also took lead vocals on them, mak
REVIEW
by William Ruhlmann
With the 2010 release of The Last Euro Tour, the ongoing series of posthumous releases by Spirit continues under the aegis of Floating World Records' Retroworld imprint, having moved from the Acadia label. But Spirit archivist Mick Skidmore is still in charge of preparing vintage tapes of the band for release, and the album chronicles what turned out to be the final European outing by the trio of singer/guitarist Randy California, drummer Ed Cassidy, and bassist/singer Mike Nile in November 1991. They played eight shows in England, Germany, and Austria, and came home with DAT soundboard tapes from which Skidmore has assembled an idealized, lengthy performance containing versions of all but one of the songs performed on the tour. (He deemed neither of the two takes of "Love Tonight" releasable.) Spirit was promoting its then-recently released Tent of Miracles album, and they played half-a-dozen tracks from it, including several written by Nile, who also took lead vocals on them, making him much more than a hired bassist accompanying principals California and Cassidy. Wisely, however, the group also presented an extensive "hits" repertoire, drawing ten songs from the four albums made by the original Spirit lineup, 1968-1970, including such favorites as "Nature's Way" and "I Got a Line on You." The rest consisted largely of blues covers by the likes of Mance Lipscomb and Jimmy Reed, plus the Jimi Hendrix arrangements of songs like "All Along the Watchtower" and "Hey Joe," reminding listeners of California's connection to Hendrix, with whom he played as a teenager. This is not the fully loaded Spirit of the early days, but it is a tight power trio led by California's psychedelic and bluesy guitar leads and Cassidy's powerful drumming, which means it is the version of Spirit that actually maintained the band's name for more than a quarter-century after the breakup of the original lineup, pleasing a lot of fans along the way, many of them in Europe.
BIOGRAPHY
by William Ruhlmann
Spirit was a highly regarded rock band that achieved modest commercial success, charting 11 albums in the U.S. between 1968 and 1977. Founded in Los Angeles in 1967 by musicians who had a mixture of rock, pop, folk, blues, classical, and jazz backgrounds, and who ranged in age from 16 to 44, the group had an eclectic musical style in keeping with the early days of progressive rock; they were as likely to play a folk ballad featuring fingerpicked acoustic guitar, a jazz instrumental full of imaginative improvisation, or a driving rhythm tune dominated by acid rock electric guitar playing. The diverse tastes of the original quintet produced a hybrid style that delighted a core audience of fans but proved too wide-ranging to attract a mass following, and at the same time the musicians' acknowledged talents brought them other opportunities that led to the breakup of the original lineup after four years and four albums, then kept them from committing fully to regroupings as their music began to be recognized in later years. While two bandmembers, singer/guitarist Randy California and drummer Ed Cassidy, maintained the Spirit name, the others came and went as their schedules allowed, such that the group never fulfilled its early promise, although, as a vehicle for California's songwriting and guitar playing, it continued to produce worthwhile music until his death.
Randy California was born Randolph Craig Wolfe on February 20, 1951, in Los Angeles, CA. His mother, Bernice Pearl, was the sister of Ed Pearl, who owned the Ash Grove, a nightclub in Hollywood, and California, who began playing guitar as a child, grew up listening carefully to the folk, blues, and jazz musicians who performed there. In early 1965, the Rising Sons, a folk-blues group featuring Taj Mahal and Ry Cooder, played the Ash Grove; the band's drummer was Ed Cassidy (born May 4, 1923, in Chicago, IL; died December 6, 2012, in San Jose, CA), who met and married California's recently divorced mother, becoming his stepfather. Cassidy had been drumming professionally since his teens in almost every conceivable style, though lately largely in jazz groups before he joined the Rising Sons. He left the band after injuring his wrist during a solo.
Meanwhile, California had met two aspiring musicians from the San Fernando Valley, singer/percussionist Jay Ferguson (born John Arden Ferguson, February 5, 1947, in Burbank, CA) and bassist Mark Andes (born February 19, 1948, in Philadelphia, PA) at a folk music camp, and in September 1965, along with Cassidy and a second guitarist, they formed a band called the Red Roosters that played the Ash Grove.
The Red Roosters broke up when Cassidy moved his family to New York in search of work in the spring of 1966. There California had a fateful encounter with another guitarist at a music store in Manhattan; he met the then-unknown Jimi Hendrix, who was going by the name Jimmy James, and who invited him to join his band, Jimmy James & the Blue Flames, which was appearing at the Café Wha? in Greenwich Village. Since there was already a musician named Randy in the band, bass player Randy Palmer, Hendrix distinguished the two by their home states, calling Palmer "Randy Texas" and Randy Wolfe "Randy California," which he subsequently retained as a stage name. California played with Hendrix that summer, which was when Hendrix was spotted by Animals bassist Chas Chandler, who became his manager and took him to England to form the Jimi Hendrix Experience. Hendrix asked California to go to England with him, but at 15 he was too young. Instead, California moved back to his home state with his mother and stepfather.
After returning west, California and Cassidy formed a band called Spirits Rebellious, after a book by the religious mystic Kahlil Gibran, also featuring pianist John Locke (born September 23, 1943, in Los Angeles, CA; died August 4, 2006, in Ojai, California), who had played with Cassidy previously in the New Jazz Trio. In the spring of 1967, California and Cassidy ran into Ferguson and Andes, who had continued to work as musicians while attending UCLA. After the demise of the Red Roosters, they had a band called Western Union, also including Andes' guitar-playing brother, Matt Andes, then Ferguson had tried to launch a solo career while Mark Andes served brief tenures with Yellow Balloon and Canned Heat. Now, they joined Spirits Rebellious, a name soon shortened to Spirit. By June, they were playing gigs and looking for a record contract. With Barry Hansen (later known as Dr. Demento, the novelty-song radio host) producing, they cut a demo tape. They also auditioned for record executive and producer Lou Adler. Adler, best known for his work with the Mamas & the Papas and his company Dunhill Records, had sold Dunhill to ABC Records and formed a new label, Ode Records, which had a distribution deal with Epic Records, an imprint of the major label CBS Records. Adler signed Spirit to Ode in August 1967.
Adler produced the self-titled debut album Spirit, which was released in January 1968. (Most of the songs were written by Ferguson, though California contributed a delicate instrumental called "Taurus" that would prove inspirational to Led Zeppelin, which based the introduction to the 1971 standard "Stairway to Heaven" on it.) Spurred by the single "Mechanical World," which had some regional success, the LP entered the Billboard chart in April and spent more than six months there, peaking in the Top 40 in September. Spirit toured extensively while working on their second album and preparing a score for French director Jacques Demy's film Model Shop (January 1969), in which they also appeared. (Sundazed Records belatedly released a soundtrack album from the film in 2005.) In October 1968, they issued a single, "I Got a Line On You," a driving rocker written by California. Peaking at number 25 in the Hot 100 in March 1969, it was the group's only Top 40 single. The second album, The Family That Plays Together, followed in December 1968. With the hit single spurring sales, it peaked at number 22 in March 1969. (Ferguson again dominated the songwriting, penning six of the 11 tracks, although California wrote or co-wrote the other five.)
With the accelerated schedules typical of record releases in the 1960s, Spirit had to have another album ready quickly, and Clear appeared in July 1969. The album led off with the California/Ferguson composition "Dark Eyed Woman," another rocker in the "I Got a Line on You" mold that was released as a single but did not hit; the LP also contained material written for the Model Shop score that, not surprisingly, sounded like background music. Clear was a disappointment after the success of The Family That Plays Together, peaking at number 55 in October. In December, the band released a one-off single, California's "1984," and it gave early indications of becoming a hit, rising to number 69 by March 1970 before radio became resistant to its ominous lyrics, which referred to the dystopian novel of the same name by George Orwell. Produced by the band itself, it was their last release on Ode. Adler had negotiated a split from CBS in order to move his label to A&M Records, and in so doing he agreed to leave Spirit with Epic. The band then hired David Briggs, who had worked on Neil Young's albums, to produce its fourth LP. Sessions for that album commenced in April 1970, but they were interrupted when California suffered a fractured skull due to a fall from a horse and spent a month in the hospital. A single, Ferguson's "Animal Zoo," emerged in July and grazed the bottom of the charts, but it ultimately took six months to complete the LP, released as Twelve Dreams of Dr. Sardonicus in November.
Spirit toured in support of the album during the winter and spring of 1971, but Epic failed to break a successful single from the LP, and it peaked at number 63 in February. Ferguson and Andes, frustrated at the band's lack of broad commercial success, quit Spirit to form a new band, Jo Jo Gunne, with Matt Andes and drummer Curly Smith. Initially, Spirit hired bassist John Arliss and played as a quartet. Then, California quit to launch a solo career. Remaining members Cassidy and Locke brought in two new musicians, brothers Al Staehely (bass) and Chris Staehely (guitar), and in November they began recording a new Spirit album. It appeared in February 1972 under the title Feedback. Like Twelve Dreams of Dr. Sardonicus, it peaked at number 63 in the charts. When Cassidy left the band, followed by Locke, the Staehely brothers brought in a drummer and briefly toured as Spirit. They didn't get away with that for long, but it was easy to see why promoters were interested in having a Spirit band on the road, no matter who was in it. Twelve Dreams of Dr. Sardonicus, though off the charts, had become an FM radio favorite and a perennial seller (it would be certified as a gold record in 1976), and Epic re-released The Family That Plays Together, which reentered the charts in July 1972.
Meanwhile, California had signed a solo contract with Epic and in the fall of 1972 he released his debut album, Kapt. Kopter & the (Fabulous) Twirly Birds. He reconnected with Cassidy, and the two hired a bass player, Larry "Fuzzy" Knight, to tour Europe during the spring of 1973. They also worked on a concept album called Potatoland, but Epic rejected it, and California temporarily dropped out of the music business and moved to Hawaii. Epic released a compilation album, The Best of Spirit, in the summer of 1973 and saw it reach the charts along with a single release of "Mr. Skin," a song from Twelve Dreams of Dr. Sardonicus that was a sly allusion to Cassidy's shaved head. Epic also released a two-fer LP combination of Spirit and Clear, and it too got into the charts. Responding to the resulting demands for a live act, Cassidy, having reacquired legal right to the name Spirit from the Staehely brothers, teamed up again with Knight and added some side musicians to hit the road from July 1973 to April 1974.
After the dissolution of that unit, Cassidy traveled to Hawaii and got back in touch with California. Joined by Mark Andes, who had left Jo Jo Gunne, they began playing dates by September 1974; Locke also performed with them at the start of 1975, but neither he nor Andes stayed permanently. Instead, California and Cassidy hired another bass player, Barry Keene, and carried on. They recorded an album that they shopped, signing to Mercury Records, which released the double LP Spirit of '76 in May 1975. It made the lower reaches of the charts. They quickly followed in October with Son of Spirit, another modest seller. For Farther Along, released in June 1976, they were again joined by Andes and Locke, as well as Matt Andes. The album spent several weeks in the charts, and in August Ferguson, who had folded Jo Jo Gunne and was preparing a solo career, rejoined for a few shows, marking the first reunion of the original quintet in five years. He did not stay, however, and Mark Andes, who had already launched his new band Firefall, also departed, as did Locke. Once again California and Cassidy engaged a bassist, John Turlep, to continue as a trio.
Future Games (A Magical Kahauna Dream), the fourth Spirit album on Mercury, released in January 1977, found California standing alone and bare-chested on the front and back covers, and he played all the instruments on the record. Sales again were modest, and the Mercury contract expired. The band toured as a quartet including Locke and Knight, then carried on as a trio when Locke dropped out again. In March 1978, the group toured Europe, and their show at the Rainbow Theatre in London on March 11 was recorded for a live album. The LP appeared that fall on different record labels and in different configurations in different countries. The U.K. version of Live Spirit, released by Illegal Records, contained the Rainbow show; the American version, issued by Spirit's own Potato imprint, substituted some tracks recorded in Florida; and the West German version, titled Made in Germany, included a single track recorded in West Germany.
Spirit became inactive in 1979, as California formed the Randy California Band and Cassidy began playing in a group called the Urge, then joined Rainbow Red Oxidizer. By the fall of 1980, however, they were back together, adding bassist Steve "Liberty" Loria and later keyboardist George Valuck to perform again as Spirit. Spurred by a fan petition sponsored by the British music magazine Dark Star, they found a label, Beggars Banquet, interested in issuing the early-'70s Potatoland project, and they reworked it for release in April 1981, when it appeared under the title The Adventures of Kapt. Kopter and Commander Cassidy in Potatoland and briefly made the U.K. charts. Rhino Records brought the disc out in the U.S. In 1982, California again began performing under his own name, as he released his second solo album, Euro-American, in Europe. The album featured guest performances by the other four original members of Spirit, though they were never all together on one track.
By the end of 1982, however, the quintet did re-form. In the interim since 1976, Ferguson had enjoyed a successful solo career including the Top Ten hit "Thunder Island" and was moving into film soundtrack work; Andes had joined Heart; and Locke had joined Nazareth. Nevertheless, they reunited with California and Cassidy to make a live-in-the-studio recording at the A&M Soundstage in Hollywood that included re-recordings of old Spirit favorites and a few new songs. The album was shopped around and eventually sold to Mercury, which released it in March 1984 in the U.K. under the title The Thirteenth Dream. It appeared that summer in the U.S. renamed Spirit of '84, and the band played a few dates on the West Coast to promote it, but their various commitments made the reunion short-lived. California and Cassidy then recruited keyboard player Scott Monahan and bass player Dave Waterbury and continued to tour into 1985. That spring, California released his third solo album, Restless, again only in Europe, and toured the continent under his own name to promote it. But by late summer, Spirit was again on the road as part of a package tour of '60s acts raising money for the restoration of the Statue of Liberty in a lineup that included California, Cassidy, and Ferguson, along with bassist Freeman James and keyboardist Michael Lewis.
California and Cassidy continued to lead configurations of Spirit over the next few years. After California participated in I.R.S. Records' Night of the Guitar tour, the label signed Spirit for a new album, and Rapture in the Chambers appeared in April 1989 with California, Cassidy, and Locke listed as the bandmembers and Mark Andes, who played bass on two cuts, credited as a guest artist. A year later, Spirit released another new album, Tent of Miracles, on its own Dolphin label with a lineup consisting of California, Cassidy, and Mike Nile. By now, the band had become an established U.S. club act that also undertook yearly tours of Europe. In July 1991, Epic/Legacy released the two-disc retrospective Time Circle (1968-1972), and two months later, Spirit issued its own complementary collection, Chronicles (1967-1992), consisting of previously unreleased recordings, on its own W.E.R.C. C.R.E.W. Records label. In October, the original lineup of California, Cassidy, Ferguson, Andes, and Locke played two concerts opening for the Doobie Brothers, their first appearances together in seven years and the last time that the group was reunited. But California and Cassidy continued to lead other configurations as Spirit for the next five years, releasing Live at La Paloma in 1995 and completing California Blues in 1996. On January 2, 1997, California was swimming with his family off the coast of Molokai, HI, when he and his 12-year-old son Quinn were caught in a riptide. California succeeded in pushing his son to shore, but he was swept out to sea, and his body was never recovered.
Randy California's death meant the end of Spirit, of course, although the indefatigable Cassidy, by now in his seventies, toured with a band called Spirit Revisited. Music journalist Mick Skidmore, while working on a Spirit biography, began to assemble collections of unreleased recordings from California's extensive archives, which were issued in the first decade of the 21st century. These included Cosmic Smile (2000) (on the Phoenix Rising label, produced by Bruce Gary, with liner notes by Skidmore), Sea Dream (2002), Blues from the Soul (2003), Live from the Time Coast (2004), Son of America (2005), The Original Potato Land (2006), Salvation...the Spirit of '74 (2007), and Rock and Roll Planet: 1977-1979 (2008), the last seven put out by the British Acadia label. Meanwhile, Sundazed Records released LPs containing outtakes from Spirit's Ode/Epic discs, Now or Anywhere and Eventide, in 2000, before issuing Model Shop in 2005. Ode/Epic/Legacy had reissued Spirit, The Family That Plays Together, Clear, and Twelve Dreams of Dr. Sardonicus, each with bonus tracks, in 1996, and Mercury had California compile the two-disc The Mercury Years just before his death.
http://fp.io/b7f6caba/
ROBERT PLANT - Waterfront Blues Festival Portland, OR. - July 7, 2013
Waterfront Blues Festival
Portland, OR.
July 7, 2013
Again this year recorded from KBOO FM 90.7 here in Portland. A volunteer radio station that
has broadcast the festival each and every year. It has become a huge festival & we stopped
going due to the big crowds. I now record all that I can & enjoy sharing with you all. As
with any all volunteer station there are a few blurps along the way, which I have "fixed"
as well as I can. Enjoy, twofthrs
FM> H2 Zoom> SD card> HD> FLAC> U.
Before his recent projects in Nashville with Alison Krauss and Band of Joy, Plant worked
alongside the very interesting force, “Strange Sensation”, recording the critically acclaimed,
multi-Grammy nominated albums – “Dreamland” and “Mighty Rearranger”. From this platform,
Sensational Space Shifters has developed. Now together these confederates and conspirators
dig deeper and more intensely, always twisting and turning, bringing the past into a brilliant
technicolour present.
It's impressive company:
Justin Adams - a childhood in the Middle East and teenage years with a soundtrack of UK punk set the tone for Adams ' musical adventures. He has produced Grammy winning Desert poets Tinariwen and Algerian Rai rebel Rachid Taha, as well as playing guitar and writing with Jah Wobble, Sinead O' Connor , Natasha Atlas and many more. Three award winning albums with Juldeh Camara for Peter Gabriel's Real World label have been the latest in a series of collaborations with Master Musicians from North and West Africa.
John Baggott - one of the originators of the Bristol Trip hop sound, Baggott cut his teeth as
a teenage piano prodigy playing with visiting US legends like Jimmy Witherspoon and Charlie
Feathers. He contributed to seminal work by Portishead, combining musicality with cutting edge
sonic texturing and sampling, which led him to become a member of the Massive Attack team. He
has also composed film and tv music for Emmy award winning documentaries and most recently
worked with songstress Anna Calvi on a new album.
Juldeh Camara - Juldeh was taught the Ritti ( one- string African Violin) by his blind Griot
father , who was reputedly taught himself by the forest spirits of Gambia who took his eyesight
in return for the gift . A traditional Fulani village musician , Juldeh's exceptional talent
and charisma took him first to Banjul , Gambia's capital and then around the world with Ifang
Bondi . Hearing Adams' Desert inflected Blues he decided the two should collaborate , which
led to the groundbreaking Juju records, and in turn to his work with Plant ,where the
connections between the Blues and Mother Africa turn full circle.
Billy Fuller - Fuller has been exceptionally creative in the past few years, as a founder member
of post rock trio Beak , together with Portishead's Geoff Barrow, he has made two albums and
played at the ultra- cool All Tomorrow's Parties Festival amongst many others. He has
contributed to albums by Massive Attack , the soundtrack for the Banksy movie "Exit via the
Gift Shop", guested with Portishead, and toured with Adams and Camara in JuJu. A rock solid
bassist he is a vinyl junkie with consummate taste.
Liam “Skin” Tyson - a surreal Scouser ( Liverpudlian ) who now lives in the Misty Mountains
of North Wales, his combination of Pastoral acoustic open tuned guitars and electric 21st
century psychedelia make him a perfect foil for Plant’s balladry and fire. He made a massive
impact with Brit Pop group Cast in the 90s who had a succession of chart hits, mentored by
figures like producer John Leckie. He built a studio in his Barn where he recorded his Men
from Mars project and from where he nurtures local bands in between surfing and touring.
Dave Smith - originally trained as a jazz drummer and orchestral percussionist, a chance
encounter with West African music led Smith to study sabar drumming in Gambia over a ten year
period. He is the hub of a scene of Jazz and electronic improvisers based around the Vortex
club in London, where he leads groups such as Fofoulah and Ruhabi , incorporating polyrhythmic
African drive into their music. Headhunted by Adams and Camara , he brought a Ginger Baker like
energy to their music which now moves to another level in the context of the Sensational
Space Shifters.
Plant revels in the excitement generated by the collision of these remarkably powerful forces.
Though his contribution to Pop Culture began with his work with Led Zeppelin, his path since
has been uncompromising: keep it fresh, spin the bottle, dig deep, embrace the past - visit it
– celebrate it – but don’t build a home in it.
Set List
01 Babe, I'm Gonna Leave You
02 In The Mood
03 Tin Pan Valley
04 Spoonful
05 Black Dog
06 Another Tribe
07 Going To California
08 The Enchanter
09 Freedom Fries
10 Four Sticks
11 Friends
12 Fixin' To Die
13 What Is & What Should Never Be
14 Whole Lotta Love > Who Do You Love > WLL
Encore
15 Satan You Kingdom Must Come
16 Rock & Roll http://fp.io/da73b985/
BOB MARLEY AND THE WAILERS - Uprising Tour Madison Square Garden New York, NY - 09/20/1980
1980-09-20
Uprising Tour
Madison Square Garden
New York, NY
Soundboard Recording
01. Them Bell Full
02. The Heathen
03. Running Away
04. Crazy Baldhead
05. Zimbabwe
06. Zion Train
07. War
08. No More Trouble
09. I Shot The Sheriff
10. No Woman No Cry
11. Jammin'
12. Exodus
13. Could You Be Loved
September 21, 2013
THE GRATEFUL DEAD - Baton Rouge International Speedway Baton Rouge, LA - 09/01/1969
1969-09-01
Baton Rouge International Speedway
Baton Rouge, LA
Soundboard Recording
224 kbps
Artwork Included
CD 1:
01. Introduction > Casey Jones
02. Morning Dew >
03. Mama Tried >
04. High Time
05. Easy Wind
CD 2:
01. D//ark Star >
02. St. Stephen >
03. The Eleven >
04. Turn On Your Love Light
Lineage: SBD > MC (Ampex C-90 cassette) > DAT > CD-R
Source: MSC (Ampex C-90 cassette) > DAT > CD-R via Andy Lemieux and Kingbee
Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by Matt Vernon
Thanks to Andy for the source disks!
notes
- this source differs from the most recent previously circulating copy (http://db.etree.org/shninfo_detail.php?shnid=5216) in that
a). Casey Jones is not clipped
b). The Yellow Dog Story which appears before Dark Star is not on this tape. The transition from the end of Easy Wind to the start of Dark Star on this tape is continuous. This would suggest that the Yellow Dog Story on the other source may not be from this date.
c). The version of Lovelight on this source is complete (~24 minutes) except for a brief gap. The previous source cut after ~ 9 minutes
http://fp.io/2b478619/
THE GRATEFUL DEAD - Madison Square Garden New York, NY - 09/19/1987
1987-09-19
Madison Square Garden
New York, NY
Soundboard Recording
320 kbps
Artwork Included
1st Set:
01. Mississippi Half-Step
02. It's All Over Now
03. High Time
04. Mexicali Blues
05. Big River
06. When Push Comes to Shove
07. Box of Rain
08. Don't Ease Me In
2nd Set:
01. Crazy Fingers
02. Uncle John's Band
03. Playin' in the Band
04. Drums
05. Space
06. I Need a Miracle*
07. Maggie's Farm*
08. Black Peter*
09. Around and Around
10. Turn on Your Love Light
Encore:
01. Black Muddy River
* Broadcast Live for Farm Aid (TV)
http://fp.io/c8259649/
GOV'T MULE - Déja Voodoo + Mo' Voodoo
Mo' Voodoo is an EP by Gov't Mule. In May 2005, Gov't Mule released this five song EP of additional material recorded during breaks of their last tour. It is now included as a bonus CD of the Deja Voodoo album.
DISC 1 - Deja Voodoo (2004):
01. Bad Man Walking
02. About To Rage
03. Perfect Shelter
04. Little Toy Brain
05. Slackjaw Jezebel
06. Wine And Blood
07. Lola Leave Your Light On
08. Silent Scream
09. No Celebration
10. Mr. Man
11. My Separate Reality
12. New World Blues
DISC 2 - Mo' Voodoo [EP] (2005):
01. King's Highway
02. I'll Be The One
03. My Oh My
04. I Can't Be You
05. Ballerina http://fp.io/4636da61/
Crosby Stills Nash and Young - Wembley Stadium London, England - 09/14/1974
1974-09-14
Wembley Stadium
London, England
Soundboard Recording
320 kbps
Artwork Included
CD 1
01. Love The One You're With
02. Wooden Ships
03. Immigration Man
04. Helpless
05. Military Madness
06. Johnny's Garden
07. Traces
08. Almost Cut My Hair
09. Teach Your Children
10. Only Love Can Break Your Heart
11. The Lee Shore
12. Time After Time
13. It's All Right
14. Another Sleep Song
15. Our House
16. Hawaiian Sunrise
17. Star Of Bethlehem
18. Love Art Blues
19. Old Man
CD 2
01. Change Partners
02. Blackbird
03.. Myth Of Sisyphus
04. You Can't Catch Me > Word Games
05. Suite: Judy Blue Eyes
06. Déjà Vu
07. First Things First
08. Don't Be Denied
09. Black Queen
10. Pushed It Over The End
11. Pre-Road Downs
12. Carry On
13. Ohio
David Crosby - lead, backing & harmony vocals, rhythm guitar
Stephen Stlls - lead, backing & harmony vocals, lead & rhythm guitar, keyboards, acoustic bass
Graham Nash - lead, backing & harmony vocals, rhythm guitar, keyboards, harmonica
Neil Young - lead, backing & harmony vocals, lead & rhythm guitar, keyboards, harmonica
Russ Kunkel - drums
Joe Lala - percussion
Joni Mitchell - backing & harmony vocals
Bass player not named on artwork http://fp.io/maem39m1/
GOV'T MULE - Stage AE, Pittsburgh, Pennsylvania - 09/18/2013
Stage AE,
Pittsburgh, Pennsylvania
9/18/2013
* SET I *
DISC ONE:
1. Mule (10:24) >
2. Banks Of The Deep End (6:18)
3. Thorazine Shuffle (11:17) >
4. Funny Little Tragedy (4:43)
5. Scared To Live (8:08)
6. Whisper In Your Soul (8:23) >
7. Which Way Do We Run (6:06)
8. Kind Of Bird (15:31)
*SET II *
DISC TWO:
1. Are You Experienced (8:25)
2. Angel (5:34)
3. Bad Little Doggie (3:52) >
4. Lay Your Burden Down (8:34) >
5. Smokestack Lightning (3:30) >
6. Lay Your Burden Down (2:08)
7. Sco-Mule [with Erik Lawrence] (14:21) >
8. Drums (6:46)
DISC THREE:
1. Get Behind The Mule [with Erik Lawrence & Eric Kloss] (7:04) >
2. Low Spark Of High Heeled Boys [with Erik Lawrence & Eric Kloss] (13:28)
3. No Reward (6:59)
* ENCORE *
4. Introduction (1:21)
5. When The World Gets Small [First Time Played; Warren with Eric Kloss] (6:38)
6. John The Revelator [with Erik Lawrence & Eric Kloss] (8:28)
http://fp.io/13ebdff5/
September 20, 2013
BRUCE SPRINGSTEEN & The E Street Band - MTV broadcast The Planeterium New York, NY - 08/29/2002
2002-08-29
MTV broadcast
The Planeterium
New York, NY
Soundboard recording
01. The Rising
02. Lonesome Day
03. Waitin' On A Sunny Day
04. Darkness On The Edge Of Town
05. Mary's Place
06. Thunder Road
07. My City Of Ruins
08. Dancing In The Dark
09. Ramrod
10. Born To Run
11. Lost In The Flood*
* Bonus Track: 2002-10-07 HSBC Arena, Buffalo
Open air concert broadcast live by MTV from the Planetarium, NYC.
The band soundcheck The Rising 3 times before the actual broadcast,
which was actually only the opening track - the band then went on
to perform the above concert through the driving rain. Part of the
show is available on DVD and SVCD. The broadcast performance of
“The Rising” was officially released (in rather dubious sound
quality) on the European “Lonesome Day” CD EP later the same year.
http://fp.io/ba4d6m15/
ERIC CLAPTON - International Ampitheatre 1974 - Chicago, Illinois, USA - July 2, 1974
International Ampitheatre 1974 (I)
Chicago, Illinois, USA
July 2, 1974
CD-R1 - 68:41 - SB 4
Track List:
1) Smile
2) Let it Grow
3) Can't Find My Way Home
4) Band Introductions / Blues Power
5) Have You Ever Loved a Woman
6) Tell the Truth
7) Willie and the Hand Jive
8) Get Ready
9) Let it Rain
10) Key to the Highway
11) Presence of the Lord
Band Lineup:
Eric Clapton Guitar, Vocals
Jamie Oldaker Drums
Dick Sims Keyboards
Carl Radle Bass
George Terry Guitar
Yvonne Elliman Backing Vocals
Geetarz Comments:
A good clean soundboard, unfortunately the level is very low and there is a lot of hiss from analog.
EC isn't nearly as chatty as on other nights of the 1974 tour, in particular the band introductions are fairly quick, although EC does take the time to introduce Blackie: "I'd like you to meet my out-of-tune guitar as well!".
Cover art tracklist is incorrect.
Trade > CD-R > LiteOn iHAP322 > EAC v. 0.99 Prebeta 4 (Secure Mode, Offset Correct @ 6, 0, +24 bytes) > FLAC (Level 6) > You !
Artwork, info file, checksums (FFP, MD5, and ST5), and EAC logs included. A whole-torrent MD5 is also included.
http://fp.io/642762am/
ERIC BURDON & WAR - 1970-09-16 - London (with Jimi Hendrix) Ronnie Scott's Club London - 09/16/1970
Eric Burdon & War
featuring Jimi Hendrix
1970-09-16
Ronnie Scott's Club
London
1st set:
101. Gun
102. Paint It Black medley
103. Spill The Wine
104. Mystery Train
2nd set:
201. Gun
202. Paint It Black medley
203. Blues For Memphis Slim (incl.Mother Earth) - with Jimi Hendrix
204. Tobacco Road - with Jimi Hendrix
This is the complete existing recording of Eric Burdon & War's concert at Ronnie Scott's Club in London September 16th, 1970. The Show consisted of two sets. The Taper however unfortunately only had a C-90 cassette, so he flipped the cassette over, and recorded the last part of the concert over the first, thereby forever losing the start of the recording. Although lossy, as it's sourced from a wma-transfer of the master tape, this version of the recording is still vastly superior to other currently circulating versions. It's also considerably longer, and includes notably more music. As for the two tracks that feature Hendrix, "Blues For Memphis Slim" (incl."Mother Earth") is now 8 minutes longer than before, and "Tobacco Road" is more than 9 minutes longer. Apart from a few (presumably) minor cuts, this recording features Hendrix's last public performance in it entirety.
http://fp.io/fcc82fam/
PHISH - Live Phish Series vol. 18 - The Bomb Factory, Dallas, Texas - 05/07/1994
Llama"
"Horn"
"The Divided Sky"
"Mound"
"Fast Enough for You"
"Scent of a Mule"
"Split Open and Melt"
"If I Could"
"Suzy Greenberg"
"Loving Cup"
"Sparkle"
"Tweezer"
"Sparks"
"Makisupa Policeman"
"Tweezer" (continued)
"Walk Away"
"Tweezer" (continued)
"Purple Rain"
"Tweezer" (continued)
"Tweezer Reprise
"Amazing Grace"
"Sample in a Jar"
"Funky Bitch"
"Yerushala Im Shel Zehav"
PHISH - Live Phish Series vol. 16 - Thomas & Mack Center, Las Vegas, Nevada - 10/31/1998
Axilla
Punch You in the Eye
Roggae
Birds of a Feather
Sneakin' Sally Through the Alley
Chalk Dust Torture
Lawn Boy
Mike's Song
Frankie Says
Weekapaug Groove
Who Loves the Sun
Sweet Jane
Rock & Roll
Cool It Down
New Age
Head Held High
Lonesome Cowboy Bill
I Found a Reason
Train Round the Bend
Oh! Sweet Nuthin'
Wolfman's Brother
Piper
Ghost
Sleeping Monkey
Tweezer Reprise
Run Like an Antelope
Stash
Manteca
Tweezer (continued)
NICU
Prince Caspian
Golgi Apparatus
Driver
Freebird
PHISH - Live Phish Series vol. 15 - The Omni, Atlanta, Georgia - 10/31/1996
Sanity
Highway to Hell
Down With Disease
You Enjoy Myself
Prince Caspian
Reba
Colonel Forbin's Ascent
Fly Famous Mockingbird
Character Zero
The Star-Spangled Banner
Born Under Punches (The Heat Goes On)
Crosseyed and Painless
The Great Curve
Once in a Lifetime
Houses in Motion
Seen and Not Seen
Listening Wind
The Overload
Brother
2001
Maze
Simple
Swept Away
Steep
Jesus Just Left Chicago
Suzy Greenberg
Frankenstein
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