Tin Machine
Mark Goodier’s Evening Session
Studio 5, Maida Vale
London, England
August 13, 1991
FM Broadcast Recording
FM > ? > FLAC > TLH > WAV > TLH > Flac (L8, align on sector boundaries)
Cover Art Included
01 Intro
02 Chat
03 A Big Hurt
04 Chat
05 Baby Universal
06 Stateside
07 If There Is Something
08 Heaven’s In Here
Total time 34:11
David Bowie - vocals, guitar, saxophone
Tony Sales - bass, vocals
Reeves Gabrels- guitar, vocals
Hunt Sales - drums, percussion, vocals
Normally bands pre-record their appearance on this radio program, but Tin Machine played live on the air glitches and all. This is evident when Hunt Sales has to grab for a new stick at the begining of Stateside. Nice clean and crisp recording, a must for David Bowie & Tin Machine collectors!
justdave's notes:
When I got this it had a lot of sector boundary errors. I decoded the flac files with Traders Little Helper, then re-encoded aligning all sector boundaries and packed it up for sharing I didn't remix, remaster or mess with the recording at all.
History:
Tin Machine was a hard rock band formed in 1988, famous for being fronted by singer David Bowie. The group recorded two studio albums before dissolving in 1992, when Bowie returned to his solo career. Drummer Hunt Sales said that the group's name "reflects the sound of the band," and Bowie stated that he and his bandmates joined up "to make the kind of music that we enjoyed listening to."
The Never Let Me Down album and subsequent Glass Spider Tour had been savaged by critics, and Bowie was aware of his low standing. Eager to return to making music for himself rather than the mainstream audience he had acquired following the Let's Dance album, Bowie began collaborating with Reeves Gabrels (who pushed the singer to rediscover his experimental side) and multi-instrumentalist Erdal Kizilcay on new material in 1988. The first fruits of this came with a new version of Bowie’s 1979 song "Look Back in Anger", performed at the Intruders At The Palace benefit concert on 1 July 1988. They then began to plan a concept album based on Steven Berkoff's play East as a Bowie solo album, but this idea was scrapped. Bowie and Gabrels began working with producer Tim Palmer on new material. Bowie then recruited brothers Hunt and Tony Sales (the sons of comedian Soupy Sales) as a rhythm section. Bowie had worked with them on Iggy Pop’s Lust for Life album and ran into them at a party in Los Angeles around this time.
The Sales brothers moved the tone of the sessions at Compass Point Studios in Nassau away from art-rock and more towards hard rock, and Bowie looked to one of his favorite bands at the time, The Pixies, for inspiration. The Sales brothers heckled Bowie into greater spontaneity, with most songs recorded in one take, and lyrics left unpolished, thus giving the band a ragged, punk rock edge similar to the Pixies.
The band claimed their musical influences were Gene Krupa, Charlie Mingus, Jimi Hendrix, Glenn Branca and Mountain.
The group chose the name Tin Machine after one of the songs they had written (Gabrels would later credit the Sales brothers with this choice). The group set up allowed Bowie a certain level of anonymity, much needed after his 1980s overexposure, and he was happy to let the rest of the band (notably Hunt Sales) take the lead in interviews.
The band’s self-titled first album produced mixed but generally positive reviews on release in May 1989, picking up favourable comparisons with Bowie’s three more recent solo albums. However, many critics were scornful of Bowie’s latest attempt to reinvent himself as a bearded band-member. Commercially, the album initially sold well, reaching #3 in the UK Albums Chart, but sales quickly tailed off. The band undertook a low-key tour in small venues between 14 June and 3 July 1989, before further recording sessions in Sydney, Australia. During these sessions Tin Machine contributed to a surfing compilation album, Beyond the Beach, with a new instrumental song titled "Needles on the Beach".
The group then went on hiatus while Bowie conducted his solo Sound+Vision Tour. In December 1990, Bowie split from EMI. Both parties stated that the split was amicable, although it is believed EMI refused to release another Tin Machine album in an exasperated attempt to secure another album similar to Let's Dance. In March 1991, the group signed to Victory Music, a new label launched by JVC and distributed worldwide by London Records and Polygram, and recorded more new material. This was combined with tracks from the Sydney sessions to form Tin Machine II album. This time the commercial success was even more fleeting, and Bowie was already tired of being shackled to a group set-up.From 5 October 1991 to 17 February 1992, the group undertook a larger tour, known as the It's My Life Tour. The band was joined on this tour by guitarist Eric Schermerhorn, who would go on to play with Bowie's friend Iggy Pop.
Tracks from this tour were released on the July 1992 album Tin Machine Live: Oy Vey, Baby. Shortly afterwards, Bowie returned to solo recording with his single “Real Cool World” and the band dissolved.
Bowie promised Tin Machine III or at the very least a boxed-set of unreleased material in the mid-1990s, but his solo career had taken precedence, making him reluctant to dedicate energy to an old project. He continued to work with Gabrels, spanning four albums after Tin Machine: Black Tie White Noise (Gabrels contributed to only one track), Outside, Earthling, and 'hours...' After the last album, Gabrels felt that Bowie was moving in a softer, gentler direction that he did not want to travel in, so the two parted ways professionally. In some interviews he has also indicated his disappointment in the retrospective projects Bowie was planning at the time (the Toy album as well as the Ziggy 2002 project) played a part in his parting with Bowie.
History taken from Wikipedia
Many thanks to justdave for providing this show through his blog.
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