Bob Dylan – The Bootleg Series, Vol. 10: Another Self Portrait 1969-1971 (2013)
UnknownAlmost three years after the release of Bob Dylan’s The Bootleg Series Vol. 9 – The Witmark Demos 1962-1964, Columbia Records has announced a tenth volume in the acclaimed series dedicated to the unreleased recordings of The Bard of Hibbing.
On August 27, the label deliver Vol. 10: Another Self Portrait (1969-1971), drawing on the treasure trove of material mainly used to assemble the 1970 studio albums New Morning and Self Portrait. A special box set edition of The Bootleg Series Vol. 10 also premiere a rare live concert from 1969 with Dylan and The Band.
Greil Marcus infamously asked, “What is this shit?” in his review of Dylan’s tenth album, Self Portrait. A mix of frankly strange cover versions, instrumentals, live recordings and originals…
320 kbps | 385 MB
…spread over 2 LPs, Dylan told young journalist Cameron Crowe that the intention was to put out “his own bootleg record” consisting of studio warm-ups “just to get things right, and then we’d go on and do what we were going to do.” Prior to the Crowe interview, the singer had asserted that the album was a pointed slap in the face to his own overzealous fans: “I said, ‘well, fuck it. I wish these people would just forget about me. I wanna do something they can’t possibly like, can’t possibly relate to. They’ll see it, and they’ll listen, and they’ll say, ‘Well, let’s get on to the next person. He ain’t sayin’ it no more.’” Indeed, Dylan appeared anxious to shed his standing as a message-carrying prophet of song and get down to the simple business of making music. Self Portrait still managed to go gold as listeners wanted to hear what the hell it was all about. Like many of Dylan’s albums, a number of outtakes were generated in the sessions held between April 1969 and March 1970; some might wonder about the quality of the songs left off such a maligned album! But Another Self Portrait aims to place Dylan’s sessions of the era in context, allowing them to be viewed in a revelatory new light.
For Self Portrait, Dylan was joined by a small ensemble of musicians, primarily folk hero David Bromberg (guitar) and “Like a Rolling Stone” organist/all-around musical renaissance man Al Kooper (keyboards, guitar), with producer Bob Johnston later adding overdubs to the basic tracks in Nashville. Another Self Portrait presents these original session masters for the first time without overdubs. Following the odd hybrid Self Portrait, Dylan concentrated his own compositions to create his eleventh studio album, New Morning.
New Morning began to take shape on May 1, 1970 when Dylan was joined by George Harrison, Charlie Daniels and Russ Kunkel at Columbia’s Studio B in New York City. With Johnston, Dylan began recording an eclectic blend of material in rough-hewn versions. These sessions yielded more cover versions, although the ultimate album sequence consisted entirely of original compositions including “If Not for You,” “Went to See the Gypsy” and “Time Passes Slowly.” The latter was originally written for a stage musical Dylan had been exploring with poet and playwright Archibald MacLeish (J.B.) based on The Devil and Daniel Webster. When the writing of the stage show stalled, “New Morning” and “Father of Night,” along with “Time Passes Slowly,” found a home on New Morning. Previously unreleased alternates of “If Not for You,” “Went to See the Gypsy,” “New Morning” and “Time Passes Slowly” all appear on Another Self Portrait.
The Bootleg Series, Vol. 10 – Another Self Portrait (1969-1971) will be available in a standard two-disc edition as well as in a four-disc deluxe box set which will include, for the very first time, the complete performance by Bob Dylan and The Band from the Isle of Wight Festival on August 31, 1969. Housed in a slipcase, the deluxe edition will also include a newly remastered version of the 1970 Self Portrait album, in its entirety with original sequencing, in addition to two hardcover books featuring liner notes penned by (who else?) Greil Marcus.
To cap off this remarkable set, Bob Dylan has provided a new cover painting, as he did for the original Self Portrait.
CD 1
1 Went To See The Gypsy (demo)
2 In Search Of Little Sadie (without overdubs, Self Portrait)
3 Pretty Saro (unreleased, Self Portrait)
4 Alberta #3 (alternate version, Self Portrait)
5 Spanish Is The Loving Tongue (unreleased, Self Portrait)
6 Annie’s Going To Sing Her Song (unreleased, Self Portrait)
7 Time Passes Slowly #1 (alternate version, New Morning)
8 Only A Hobo (unreleased, Greatest Hits II)
9 Minstrel Boy (unreleased, The Basement Tapes)
10 I Threw It All Away (alternate version, Nashville Skyline)
11 Railroad Bill (unreleased, Self Portrait)
12 Thirsty Boots (unreleased, Self Portrait)
13 This Evening So Soon (unreleased, Self Portrait)
14 These Hands (unreleased, Self Portrait)
15 Little Sadie (without overdubs, Self Portrait)
16 House Carpenter (unreleased, Self Portrait)
17 All The Tired Horses (without overdubs, Self Portrait)
CD 2
1 If Not For You (alternate version, New Morning)
2 Wallflower (alternate version, 1971)
3 Wigwam (original version without overdubs, Self Portrait)
4 Days Of ’49 (original version without overdubs, Self Portrait)
5 Working On A Guru (unreleased, New Morning)
6 Country Pie (alternate version, Nashville Skyline)
7 I’ll Be Your Baby Tonight (Live With The Band, Isle Of Wight 1969)
8 Highway 61 Revisited (Live With The Band, Isle Of Wight 1969)
9 Copper Kettle (without overdubs, Self Portrait)
10 Bring Me A Little Water (unreleased, New Morning)
11 Sign On The Window (with orchestral overdubs, New Morning)
12 Tattle O’Day (unreleased, Self Portrait)
13 If Dogs Run Free (alternate version, New Morning)
14 New Morning (with horn section overdubs, New Morning)
15 Went To See The Gypsy (alternate version, New Morning)
16 Belle Isle (without overdubs, Self Portrait)
17 Time Passes Slowly #2 (alternate version, New Morning)
18 When I Paint My Masterpiece (demo)
Isle of Wight – August 31, 1969
1 She Belongs To Me
2 I Threw It All Away
3 Maggie’s Farm
4 Wild Mountain Thyme
5 It Ain’t Me, Babe
6 To Ramona/ Mr. Tambourine Man
7 I Dreamed I Saw St. Augustine
8 Lay Lady Lay
9 Highway 61 Revisited
10 One Too Many Mornings
11 I Pity The Poor Immigrant
12 Like A Rolling Stone
13 I’ll Be Your Baby Tonight
14 Quinn The Eskimo (The Mighty Quinn)
15 Minstrel Boy
16 Rainy Day Women #12 & 35
August 23, 2013
UMPHREY'S MCGEE - Meadowbrook Music Festival, Rochester Hills, MI - 08/18/2013
8/18/13 Meadowbrook Music Festival, Rochester Hills, MI
DISC ONE
SET ONE
Miss Tinkle's Overture
(9:29)
Booth Love
(19:30)
Soul Food I
(8:00)
Web Tangle
(5:08)
JaJunk
(10:29)
Ringo
(9:17)
DISC TWO
Jessica
(8:28)
Day Nurse
(6:38)
JaJunk
(5:50)
Comma Later
(4:39)
Nothing Too Fancy
(11:20)
DISC ONE
SET ONE
Miss Tinkle's Overture
(9:29)
Booth Love
(19:30)
Soul Food I
(8:00)
Web Tangle
(5:08)
JaJunk
(10:29)
Ringo
(9:17)
DISC TWO
Jessica
(8:28)
Day Nurse
(6:38)
JaJunk
(5:50)
Comma Later
(4:39)
Nothing Too Fancy
(11:20)
GOV'T MULE - Bank Of America Pavilion Boston, Massachusetts - 05/31/2013
Gov't Mule
Bank Of America Pavilion
Boston, Massachusetts
5/31/2013
Source: Schoeps CCM4V'S(din)>Sound Devices 722 (24/48)
FOB/DLFC/KFC/ZFC/AARP Center Section, Row J, Between Seats 28 & 29, 7' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man
Seeded By: Z-Man
Disc I 1st Set
01 Tuning
02 Blindman In The Dark >
03 Bad Man Walking
04 Inside Outside Woman Blues >
05 She Said >
06 *Tomorrow Never Knows
07 Forevermore
08 No Need To Suffer >
09 Hope She'll Be Happier >
10 I'm A Ram
11 I Think You Know What I Mean >
12 When The Levee Breaks >
13 I Think You Know What I Mean
Disc II 2nd Set
01 #There's No Way Out Of Here >
02 Railroad Boy >
03 Scared To Live
04 Larger Than Life >
05 Temporary Saint >
06 Captured
07 Thorazine Shuffle >
08 Drum Solo >
09 Thorazine Shuffle >
10 Funny Little Tragdy >
11 Thorazine Shuffle
Encore:
12 Don't Let Me Be Misunderstood >
13 30 Days In The Hole >
14 I Don't Need No Doctor
* With Lucy In The Sky With Diamonds Ending
# Missing About A Minute Of The Beginning
http://fp.io/m32d81ab/
Bank Of America Pavilion
Boston, Massachusetts
5/31/2013
Source: Schoeps CCM4V'S(din)>Sound Devices 722 (24/48)
FOB/DLFC/KFC/ZFC/AARP Center Section, Row J, Between Seats 28 & 29, 7' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man
Seeded By: Z-Man
Disc I 1st Set
01 Tuning
02 Blindman In The Dark >
03 Bad Man Walking
04 Inside Outside Woman Blues >
05 She Said >
06 *Tomorrow Never Knows
07 Forevermore
08 No Need To Suffer >
09 Hope She'll Be Happier >
10 I'm A Ram
11 I Think You Know What I Mean >
12 When The Levee Breaks >
13 I Think You Know What I Mean
Disc II 2nd Set
01 #There's No Way Out Of Here >
02 Railroad Boy >
03 Scared To Live
04 Larger Than Life >
05 Temporary Saint >
06 Captured
07 Thorazine Shuffle >
08 Drum Solo >
09 Thorazine Shuffle >
10 Funny Little Tragdy >
11 Thorazine Shuffle
Encore:
12 Don't Let Me Be Misunderstood >
13 30 Days In The Hole >
14 I Don't Need No Doctor
* With Lucy In The Sky With Diamonds Ending
# Missing About A Minute Of The Beginning
http://fp.io/m32d81ab/
LEFTOVER SALMON - Wild Duck, Eugene, OR - 04/01/1997
Leftover Salmon
1997-04-01
Wild Duck, Eugene, OR
Set 1
01. Voodoo Queen Marie
02. Shame n scandle
03. ???
04. amnensia
05. Lick it
06. Country Blues
07. Head Bag
08. This is the time ^
09. Honky Tonk women
10. Madame Rosin
11. Beter
Set 2
01. Little Maggie
02. Shape I'm in
03. Shortest song
04. Calonda
05. Steam powered aeroplane
06. 4:20 polka>Blame it on the bosa nova>Moose's lucky day>Lillipop guild>Stairway to gillian's isle>freebird riff>Ironman>Smoke on the water
07. Whippin post ^
08. Foggy Mountain fogdown
09. Hotel Rocky top>Rocky road blues>I know my mother>Passaway>Low rider jam>Lively up yourself>Glendale train> Rocky road blues @
10. Lonesome rd
11. Planet Claire
12. Green thing>whiskey before breakfast> goin over that waterfall
13. Salty dog
14. E: wake n bake
Here is a old LoS tape I decided to convert to digital format.
This one was labled dsbd & sounds great with a wild ass set list. enjoy,
http://fp.io/164m66fc/
THE GRATEFUL DEAD - Dawn of the Dead Aug, 21, 1993 Autzen Stadium Eugene, OR
Grateful Dead
Dawn of the Dead
Aug, 21, 1993
Autzen Stadium
Eugene, OR
Set 1
1. x-Here Comes Sunshine
2. Walkin' Blues
3. Lazy River Road
4. Queen Jane App.
5. Bird Song
6. Promised Land
7. China Cat Sunflower
8. I Know You Rider
9. Way To Go Home
Set 2
1. Truckin'
2. *-Good Morning Little Schoolgirl
3. *-Smokestack Lightning
4. Drums > Space
5. The Last Time
6. Standing on the Moon
7. Saturday Night
Encore: 8. I Fought the Law
x-replaced by version patched at beginning with FM broadcast
*w/Huey Lewis on harmonica
mp3(cbr320)
http://fp.io/ma8eb786/
YES - Vina Robles Amphitheatre, Paso Robles, CA July 6, 2013
Yes
Vina Robles Amphitheatre,
Paso Robles, CA
July 6, 2013
Lineage: CA-14 (cardioids) > CA-9200 > GAKables mini starquad > Edirol R-09HR (@ 24bit/96kHz) > Audacity (fades, amplify, export as 16bit/44.1kHz) > CD Wave (track splits) > TLH (flac level 8)
Taper: klingklang
Location: section 203
Set One:
01. Firebird Suite
02. Close To The Edge
03. And You And I
04. Siberian Khatru
05. Going For The One
06. Turn Of The Century
07. Parallels
08. Wonderous Stories
09. Awaken
Set Two:
10. Yours Is No Disgrace
11. Clap
12. Starship Trooper
13. I've Seen All Good People
14. A Venture
15. Perpetual Change
encore
16. band introductions
17. Roundabout
Notes:
First show of the 2013 North American Summer tour and my 38th Yesshow. While I don't feel this show was better than the one I saw on the Spring 2013
leg, it was still highly enjoyable simply because I love the album format of this tour. As usual, Howe and Squire were in fine form and Davison seems
to continually strengthen in his role as the singer. Also, it was fantastic to hear "A Venture" fleshed out a bit at the end, allowing Downes a moment
to shine. White flubbed a few times in "CTTE" and once in "Awaken," but he was solid during the second set of TYA (although he looked exhausted after
the show and appeared to have some difficulty walking). And despite this show not selling that well, the band seemed genuinely touched by the very loud
and appreciative crowd--especially at the end of the night. I even saw a well worn ABWH shirt and one from the Fremont shows, so it was nice to see some
classic fashion among the hardcore. And yes, some joker shouted for "Big Generator" right before "PC." Oh, and despite the relative proximity, no Jon
Anderson sightings were made.
This was also the inaugural season and first proper show at this venue. I'm going to go off a bit about this place, so please indulge me. This county
is relatively barren when it comes to large music venues. While the university in San Luis Obispo has the Performing Arts Center, that venue is hardly
suitable for most (its seasons are usually populated by whatever touring musicals have past their prime, with one token rock act squeezed in to make it
look like the season is still breathing). In the case of Yes, they haven't performed in this area since their monumental three night stand in 1996 at
the Fremont. Since that time, I've actually expected them to perform at the local Native American casino or even the dreaded Mid-State Fair, but that
never happened.
Here enters the Vina Robles Amphitheatre. This venue is situated at a winery (where else?) of the same name and was approved a number of years ago.
For a place named after oaks, rather ironically, over a hundred oak trees were torn down to make room for this venue (in this area, that action is a
major no-no, but wineries seem to easily get the approval of City Council members to do such things). Then there was the day the 2013 season went on
sale. That moment resulted in a great deal of public criticism, namely because of the ticket fees. I don't think this area is used to--nor should it
be--the $15+ service charges, along with $3.50 for parking per ticket (and despite what the venue argued at the time, I don't feel that is a standard
practice). One characteristic that bugged me more than anything was when selecting non-center section seats, the seating allocation started you off
at the wall and then went towards the center (resulting in worse seats the sooner you buy them).
Visually, the seating layout is like a mini-Shoreline, while the stage looks like the Santa Barbara Bowl's sickly cousin. And while it's obvious a
lot of money was spent on the place, on the day of the Yesshow, I watched ushers write the seat numbers in chalk on the back of the floor seats and
write the row letters on the floor. The venue is supposed to replace the floor seats eventually, so I assume this is why they haven't bothered with
a more permanent method of numbering. Another 'joy' of the evening was having to smell the food cooking from the restaurant behind the lawn. It was
like being stuck next to a BBQ pit all night long. But after the show, I discovered that the worst thing about this venue is trying to exit the parking
lot. It took us an hour to get from our original parking spot to the street in front of the winery (something that took less than a minute on arrival).
And then, once on that street, the attempt to turn onto Highway 46--yes, that is the same Highway 46 for you James Dean fans--with no stoplight is
another exercise in futility.
Now for the two best things about this venue: the workers (the ushers and concession people were an extremely friendly bunch), and the sound (granted,
it was deafening for Yes, but it wasn't distorted). "CTTE" started off weird and wasn't helped by the fact that the bass overwhelmed everything; in
fact, if I didn't know what song it was, I would've been confused. Fortunately, that all cleared up after a few minutes and the mix improved, with
the exception of Downes (he was barely audible for most of the night). The only other major hiccup of the evening was during "Clap" when a hum
developed that caused Howe to semi-stop playing and look over to the monitor engineer.
On this evening, a painfully cold wind was blowing directly into my face and the wind unfortunately affected my recording (even though my mics have
windscreens, they just couldn't handle it). The worst of the wind is from "FS" through "AYAI," "TOTC, the quiet bit of "Awaken" and in "YIND." You
will still hear wind after "YIND," but it's not as bad.
The people to my right talked and screamed a lot, but they moved further away from me during "AYAI." You will still hear the man scream in a drunken
state practically after every song and sometimes during the songs (by "Clap," his screams turned into testimonials of his manlove for Howe). I'm just
thankful he was not directly next to me. He and his woman are heard loudly talking during the quiet mid-section of "CTTE," in "WS" and "Awaken."
Besides that, I had to contend with their constant comings and goings. The phasing you hear in "SK," "GFTO," "Parallels," "Awaken," "YIND," "ST" and
"ISAGP" was caused by them (and for stupid reasons like going down to the floor to take photos or to retrieve their phone that she dropped).
There is brief clapping along to "FS," "WS," "Awaken," "YIND" and a bit more in "Roundabout." There's loud chatter by some men during "SK" and lighter
background chatter during "TOTC," "Awaken," "A Venture" and "PC." A group of rude people laughed at the beginning of "TOTC" (which resulted in a look
from Howe) and there's some talking by a nearby usher in that same song. A guard also talks loudly during the middle bit of "Awaken." There is also
a sneeze in "SK" and coughing at the end of "Awaken," in "YIND," "ST," "ISAGP," "A Venture" and "PC."
I amplified this but did nothing else to the recording, so be sure to turn it up. And if burning to cd, the suggested split is between "WS" and "Awaken"
(this will require an overburn on the second disc). Alternatively, you could make one cd per album.
To those who feel the need to remaster, matrix or alter this recording/text file, I'd really appreciate it if you would go to the show and make your
own recording instead. :)
I took photos and have included a selection for your viewing pleasure. If you'd like to see more pics from the evening, please refer to my photo set
at http://www.flickr.com/photos/kling_klang/
Please support the band by buying their official releases and merch, and seeing them live if you can.
http://www.yesworld.com
http://www.facebook.com/yestheband
http://www.myspace.com/yesworld
http://www.twitter.com/yesofficial
Steve Howe - guitars, vocals
Chris Squire - bass, harmonica, vocals
Alan White - drums, percussion
Geoff Downes - keyboards, vocals
Jon Davison - vocals, keyboards, percussion, guitar http://fp.io/md2m1dc1/
Vina Robles Amphitheatre,
Paso Robles, CA
July 6, 2013
Lineage: CA-14 (cardioids) > CA-9200 > GAKables mini starquad > Edirol R-09HR (@ 24bit/96kHz) > Audacity (fades, amplify, export as 16bit/44.1kHz) > CD Wave (track splits) > TLH (flac level 8)
Taper: klingklang
Location: section 203
Set One:
01. Firebird Suite
02. Close To The Edge
03. And You And I
04. Siberian Khatru
05. Going For The One
06. Turn Of The Century
07. Parallels
08. Wonderous Stories
09. Awaken
Set Two:
10. Yours Is No Disgrace
11. Clap
12. Starship Trooper
13. I've Seen All Good People
14. A Venture
15. Perpetual Change
encore
16. band introductions
17. Roundabout
Notes:
First show of the 2013 North American Summer tour and my 38th Yesshow. While I don't feel this show was better than the one I saw on the Spring 2013
leg, it was still highly enjoyable simply because I love the album format of this tour. As usual, Howe and Squire were in fine form and Davison seems
to continually strengthen in his role as the singer. Also, it was fantastic to hear "A Venture" fleshed out a bit at the end, allowing Downes a moment
to shine. White flubbed a few times in "CTTE" and once in "Awaken," but he was solid during the second set of TYA (although he looked exhausted after
the show and appeared to have some difficulty walking). And despite this show not selling that well, the band seemed genuinely touched by the very loud
and appreciative crowd--especially at the end of the night. I even saw a well worn ABWH shirt and one from the Fremont shows, so it was nice to see some
classic fashion among the hardcore. And yes, some joker shouted for "Big Generator" right before "PC." Oh, and despite the relative proximity, no Jon
Anderson sightings were made.
This was also the inaugural season and first proper show at this venue. I'm going to go off a bit about this place, so please indulge me. This county
is relatively barren when it comes to large music venues. While the university in San Luis Obispo has the Performing Arts Center, that venue is hardly
suitable for most (its seasons are usually populated by whatever touring musicals have past their prime, with one token rock act squeezed in to make it
look like the season is still breathing). In the case of Yes, they haven't performed in this area since their monumental three night stand in 1996 at
the Fremont. Since that time, I've actually expected them to perform at the local Native American casino or even the dreaded Mid-State Fair, but that
never happened.
Here enters the Vina Robles Amphitheatre. This venue is situated at a winery (where else?) of the same name and was approved a number of years ago.
For a place named after oaks, rather ironically, over a hundred oak trees were torn down to make room for this venue (in this area, that action is a
major no-no, but wineries seem to easily get the approval of City Council members to do such things). Then there was the day the 2013 season went on
sale. That moment resulted in a great deal of public criticism, namely because of the ticket fees. I don't think this area is used to--nor should it
be--the $15+ service charges, along with $3.50 for parking per ticket (and despite what the venue argued at the time, I don't feel that is a standard
practice). One characteristic that bugged me more than anything was when selecting non-center section seats, the seating allocation started you off
at the wall and then went towards the center (resulting in worse seats the sooner you buy them).
Visually, the seating layout is like a mini-Shoreline, while the stage looks like the Santa Barbara Bowl's sickly cousin. And while it's obvious a
lot of money was spent on the place, on the day of the Yesshow, I watched ushers write the seat numbers in chalk on the back of the floor seats and
write the row letters on the floor. The venue is supposed to replace the floor seats eventually, so I assume this is why they haven't bothered with
a more permanent method of numbering. Another 'joy' of the evening was having to smell the food cooking from the restaurant behind the lawn. It was
like being stuck next to a BBQ pit all night long. But after the show, I discovered that the worst thing about this venue is trying to exit the parking
lot. It took us an hour to get from our original parking spot to the street in front of the winery (something that took less than a minute on arrival).
And then, once on that street, the attempt to turn onto Highway 46--yes, that is the same Highway 46 for you James Dean fans--with no stoplight is
another exercise in futility.
Now for the two best things about this venue: the workers (the ushers and concession people were an extremely friendly bunch), and the sound (granted,
it was deafening for Yes, but it wasn't distorted). "CTTE" started off weird and wasn't helped by the fact that the bass overwhelmed everything; in
fact, if I didn't know what song it was, I would've been confused. Fortunately, that all cleared up after a few minutes and the mix improved, with
the exception of Downes (he was barely audible for most of the night). The only other major hiccup of the evening was during "Clap" when a hum
developed that caused Howe to semi-stop playing and look over to the monitor engineer.
On this evening, a painfully cold wind was blowing directly into my face and the wind unfortunately affected my recording (even though my mics have
windscreens, they just couldn't handle it). The worst of the wind is from "FS" through "AYAI," "TOTC, the quiet bit of "Awaken" and in "YIND." You
will still hear wind after "YIND," but it's not as bad.
The people to my right talked and screamed a lot, but they moved further away from me during "AYAI." You will still hear the man scream in a drunken
state practically after every song and sometimes during the songs (by "Clap," his screams turned into testimonials of his manlove for Howe). I'm just
thankful he was not directly next to me. He and his woman are heard loudly talking during the quiet mid-section of "CTTE," in "WS" and "Awaken."
Besides that, I had to contend with their constant comings and goings. The phasing you hear in "SK," "GFTO," "Parallels," "Awaken," "YIND," "ST" and
"ISAGP" was caused by them (and for stupid reasons like going down to the floor to take photos or to retrieve their phone that she dropped).
There is brief clapping along to "FS," "WS," "Awaken," "YIND" and a bit more in "Roundabout." There's loud chatter by some men during "SK" and lighter
background chatter during "TOTC," "Awaken," "A Venture" and "PC." A group of rude people laughed at the beginning of "TOTC" (which resulted in a look
from Howe) and there's some talking by a nearby usher in that same song. A guard also talks loudly during the middle bit of "Awaken." There is also
a sneeze in "SK" and coughing at the end of "Awaken," in "YIND," "ST," "ISAGP," "A Venture" and "PC."
I amplified this but did nothing else to the recording, so be sure to turn it up. And if burning to cd, the suggested split is between "WS" and "Awaken"
(this will require an overburn on the second disc). Alternatively, you could make one cd per album.
To those who feel the need to remaster, matrix or alter this recording/text file, I'd really appreciate it if you would go to the show and make your
own recording instead. :)
I took photos and have included a selection for your viewing pleasure. If you'd like to see more pics from the evening, please refer to my photo set
at http://www.flickr.com/photos/kling_klang/
Please support the band by buying their official releases and merch, and seeing them live if you can.
http://www.yesworld.com
http://www.facebook.com/yestheband
http://www.myspace.com/yesworld
http://www.twitter.com/yesofficial
Steve Howe - guitars, vocals
Chris Squire - bass, harmonica, vocals
Alan White - drums, percussion
Geoff Downes - keyboards, vocals
Jon Davison - vocals, keyboards, percussion, guitar http://fp.io/md2m1dc1/
NEIL YOUNG & Crazy Horse - Jul.12.2013 Lanxess Arena - Köln "Cologne", Germany
Neil Young & Crazy Horse - Jul.12.2013
Lanxess Arena - Köln "Cologne", Germany
Source: SP-CMC-u4 >SP-SPSB-10 >iRiver_H120 (rockbox)...Beer ;-)
Transfer: H120 >USB >PC >CDwave >FLAC
Taped&Transfer: Die/Wal
Support the artists. See them live, buy their merchandise.
Setlist "Okta Logue" and any artwork is very welcomed ;-)
00. Okta Logue - Support ... no Track splitting
01. A Day In The Life
02. BRD - Nationalhymne
03. Love And Only Love
04. Powderfinger
05. Psychedelic Pill
06. Walk Like A Giant
07. Hole In The Sky
08. Red Sun
09. Heart of Gold
10. Blowin' In The Wind
11. Singer Without A Song
12. Ramada Inn
13. Cinnamon Girl
14. Sedan Delivery
15. Mr. Soul
16. Encore Interval
17. Hey Hey, My My
18. Surfer Joe And Moe The Sleaze
19. Roll Another Number
20. Everyone knows this is nowhere
http://fp.io/b63dc835/
Lanxess Arena - Köln "Cologne", Germany
Source: SP-CMC-u4 >SP-SPSB-10 >iRiver_H120 (rockbox)...Beer ;-)
Transfer: H120 >USB >PC >CDwave >FLAC
Taped&Transfer: Die/Wal
Support the artists. See them live, buy their merchandise.
Setlist "Okta Logue" and any artwork is very welcomed ;-)
00. Okta Logue - Support ... no Track splitting
01. A Day In The Life
02. BRD - Nationalhymne
03. Love And Only Love
04. Powderfinger
05. Psychedelic Pill
06. Walk Like A Giant
07. Hole In The Sky
08. Red Sun
09. Heart of Gold
10. Blowin' In The Wind
11. Singer Without A Song
12. Ramada Inn
13. Cinnamon Girl
14. Sedan Delivery
15. Mr. Soul
16. Encore Interval
17. Hey Hey, My My
18. Surfer Joe And Moe The Sleaze
19. Roll Another Number
20. Everyone knows this is nowhere
http://fp.io/b63dc835/
RATDOG - Symphony Hall Springfield, MA - 08/21/1995
Ratdog
8/21/95
Symphony Hall
Springfield, MA
Whole show = one set.
Disc 1:
01. Walkin' Blues > 4:43
02. Take Me To the River 4:18
03. City Girls > 4:13
04. Fever 4:35
05. Eternity 7:51
06. Blackbird 2:39
07. K.C. Moan 3:33
08. Ain't That Peculiar 4:47
09. Maggie's Farm 4:48
10. This Time Forever > 4:42
11. Shade Of Grey 4:54
Disc 2:
01. The Winners > 4:12
02. Easy To Slip > 5:49
03. Drums > 3:32
04. Bass Solo > 7:01
05. Easy Answers 6:45
06. Josephine > 11:10
07. Wang Dang Doodle 6:40
Encore:
08. Knockin' On Heaven's Door 5:29
http://fp.io/2mc94f7m/
8/21/95
Symphony Hall
Springfield, MA
Whole show = one set.
Disc 1:
01. Walkin' Blues > 4:43
02. Take Me To the River 4:18
03. City Girls > 4:13
04. Fever 4:35
05. Eternity 7:51
06. Blackbird 2:39
07. K.C. Moan 3:33
08. Ain't That Peculiar 4:47
09. Maggie's Farm 4:48
10. This Time Forever > 4:42
11. Shade Of Grey 4:54
Disc 2:
01. The Winners > 4:12
02. Easy To Slip > 5:49
03. Drums > 3:32
04. Bass Solo > 7:01
05. Easy Answers 6:45
06. Josephine > 11:10
07. Wang Dang Doodle 6:40
Encore:
08. Knockin' On Heaven's Door 5:29
http://fp.io/2mc94f7m/
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