December 23, 2014

JOE COCKER - Joe Cocker Mad Dogs and Englishmen - The Complete Fillmore East Concerts

                                                                   2 SHOWS ON 6 CDS
Joe Cocker Mad Dogs and Englishmen turned 35 years old in 2005. Commemorating this birthday was the release of the limited edition Joe Cocker Mad Dogs and Englishmen – The Complete Fillmore East Concerts, documenting the entire four shows (on 6 discs) preformed on Friday, March 27th and Saturday, March 28th, 1970 at New York City’s Fillmore East Auditorium and Dance Hall.
The Mad Dogs and Englishmen tour was a hastily organized appendage to a longer tour Cocker was completing in early 1970 in support of With A Little Help From My Friends and Joe Cocker!, which were released in 1969. The subsequent months had been dedicated to a grueling promotional tour for both albums with his Grease Band, anchored by pianist Chris Stainton.
As legend would have it, Cocker arrived in Los Angeles on March 11, 1970 for some rest and relaxation after the stressful and decadently excessive tour. While in LA, Cocker intended to spend his time resting and putting together a new band. However, on March 12th, Cocker’s manager Dee Anthony revealed other plans for him.
Anthony announced that he had booked a seven-week (48 nights in 52 cities) tour set to commence in eight days, on March 20th in Detroit, Michigan. Anthony further explained that should Cocker not agree to the tour, the Musician’s Union, immigration authorities, and concert promoters involved would be disinclined to allow him back in the States to tour in the future. Needless to say, Cocker was caught flat-footed, exhausted, and perhaps a bit burned out.
Seeing an opportunity to help his friend and promote his own growing front-man status, famed producer Leon Russell assembled a group made up of members Cocker’s Grease Band plus several notable studio wonks and became their musical director. After several 10-plus hour rehearsals with his new twenty-person band, Cocker and Company hit the studio, recorded the single ”The Letter/Space Captain” and then took to the road, first in Detroit, Michigan and ultimately last in San Bernardino, California.
The concert tapes that ultimately became Mad Dogs and Englishmen were derived from the four shows performed at The Fillmore East eight days into the tour. The original two-LP set assembled 14 performances from the 61 pieces performed over the Good Friday and Holy Saturday, 1970. Notable in this original release were those songs that were not included. For instance, where was “With a Little Help from My Friends?” Cocker had slayed the Woodstock crowd just eight months prior to Mad Dogs with the Beatles’ classic as well as Dylan’s “I Shall Be Released.” The Beatles’ “Something” was quite a standout from Joe Cocker! but was not included.
Fortunately, these songs have been restored on The Complete Fillmore East Concerts and digitally remastered. Also restored are compelling performances of The Band’s “The Weight,” John Sebastian’s “Darlin’ Be Home Soon,” “Further on Up the Road,” performed by Don Preston and “Let it Be,” performed by Claudia Lennear. Also added are Leon Russell’s “Hummingbird” and “Dixie Lullaby.” These pieces have the added distinction that they were not repeated in the course of the four shows. They are evidence of the loose circumstances surrounding the performances that added to the excitement of the “Rock & Roll Show.”
The additional performances of previously released music plus the remaining unreleased material represents an important document of the beautifully decadent state of Rock & Roll in the early 1970s, before the music was antiseptically homogenized and stripped of its inherent danger and romance. This is bracing, exciting music newly presented with pristine sonics and rowdy ambiance.
It has never been a secret that Joe Cocker was no song writer. Save from a few compositions (“Black-Eyed Blues,” “High Time We Went”) the singer produced precious few originals of note. But that is no matter. It is Cocker’s voice, That Voice that does the trick. Cocker is a superb, no, supreme interpreter of other’s music in the same way that Frank Sinatra was, and this is no mean feat. Where Jimi Hendrix might be considered the definitive interpreter of Bob Dylan and Johnny Winter of the Rolling Stones, Joe Cocker can be considered the last word in interpreting Randy Newman, Dave Mason, Jackson Browne, and yes, the Beatles. This is demonstrated by his riveting treatments of “With a Little Help from My Friends,” “She Came in Through the Bathroom Window,” and “Something.”
While Ray Charles needs no interpretation, Cocker served splendidly as an introduction to the Genius with his covers of “Let’s Go Get Stoned,” “Sticks and Stones,” and “Drown in My Own Tears.” Ditto for Sam and Dave and Otis Redding (“When Something is Wrong with My Baby,” “I’ve Been Loving You Too Long”). It was perhaps Cocker more than anyone who reintroduced America to its musical divinity. This is Joe Cocker’s true and indispensable value.
-----
Artist: Joe Cocker Mad Dogs and Englishmen
Album: The Complete Fillmore East Concerts
Release Date: Mar 17, 2006
Label: Hip-O Select
Type: Compilation, Live
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TRACKS CD1
1. Honky Tonk Women (Previously Unreleased Performance)
2. Let’s Go Get Stoned
3. Sticks And Stones
4. Bird On A Wire
5. Cry Me A River
6. Superstar (featuring Rita Coolidge)
7. Delta Lady
8. Something
9. Feelin’ Alright
10. Blue Medley: I’ll Drown In My Own Tears, When Something Is Wrong With My Baby, I’ve Been Loving You Too Long
11. Space Captain
12. The Letter
13. Girl From The North Country (featuring Joe Cocker & Leon Russell)
TRACKS CD2
1. Honky Tonk Women
2. She Came In Thru The Bathroom Window
3. Let’s Go Get Stoned
4. Bird On A Wire
5. Cry Me A River
6. Superstar (featuring Rita Coolidge)
7. Feelin’ Alright
8. Something
9. Sticks And Stones
10. Blue Medley: I’ll Drown In My Own Tears, When Something Is Wrong With My Baby, I’ve Been Loving You Too Long
TRACKS CD3
1. Space Captain
2. Hummingbird (featuring Leon Russell)
3. Dixie Lullaby (featuring Leon Russell)
4. Delta Lady (from original release)
5. The Letter
6. With A Little Help from My Friends
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MUSICIANS
Joe Cocker Vocals, Imaginary Guitar
Leon Russell Guitar, Piano, Vocals
Don Preston Guitar
Bobby Keys Tenor Saxophone
Jim Price Trumpet
Chris Stainton Piano, Organ
Carl Radle Bass
Chuck Blackwell Drums, Percussion
Jim Gordon Drums
Jim Keltner Drums
Bobby Torres Congas
Sandy Konikoff Percussion
Rita Coolidge Vocals, Background Vocals
Claudia Lennear Vocals, Background Vocals
Daniel Moore, Donna Weiss, Matthew Moore, Pamela Polland, Bobby Jones, Donna Washburn, Nicole Barclay Background Vocals
http://fp.io/mc41465d/

JOE COCKER - THE ULTIMATE COLLECTION 1968-2003



John Robert "Joe" Cocker (20 May 1944 – 22 December 2014) was an English rock and blues singer, who came to popularity in the 1960s, and was known for his gritty voice, his spasmodic body movement in performance and his cover versions of popular songs, particularly those of the Beatles. His cover of the Beatles' "With a Little Help from My Friends" reached number one in the UK in 1968, and he performed the song live at Woodstock in 1969. His version also became the theme song for the TV series The Wonder Years. His 1975 hit single, "You Are So Beautiful", reached number five in the US. Cocker is the recipient of several awards, including a 1983 Grammy Award for his US number one "Up Where We Belong", a duet with Jennifer Warnes. In 1993 he was nominated for the Brit Award for Best British Male, and in 2008 he received an OBE at Buckingham Palace for services to music. Cocker was ranked #97 on Rolling Stone's 100 greatest singers list.

Last year he broke all his own records in arenas across Europe, with a number one album in Germany and what was to be his final concert in Hammersmith, London, in June. Marshall said "he was without the doubt the greatest rock/soul voice ever to come out of Britain- and remained the same man throughout his life.

"Hugely talented, a true star, but a kind and humble man who loved to perform. Anyone who ever saw him live will never forget him."

DISC 1:
01. Unchain My Heart
02. Feelin' Alright
03. Summer In The City
04. You Can Leave Your Hat On
05. Up Where We Belong
06. You Are So Beautiful
07. With A Little Help From My Friends
08. Cry Me A River (Live)
09. The Letter (Live)
10. Delta Lady
11. Many Rivers To Cross
12. When The Night Comes
13. Night Calls
14. Don't You Love Me Anymore
15. She Came In Through The Bathroom Window

DISC 2:
01. Could You Be Loved
02. Civilized Man
03. First We Take Manhattan
04. The Simple Things
05. N'oubliez Jamais
06. That's All I Need To Know-Difendero (Live)
07. Have A Little Faith In Me
08. Don't Let The Sun Go Down On Me
09. Now That The Magic Has Gone
10. Sweet Lil' Woman
11. (All I Know) Feels Like Forever
12. My Father's Son
13. Sorry Seems To Be The Hardest Word
14. Never Tear Us Apart
15. Ruby Lee
http://fp.io/c5239756/

JOE COCKER - Alive in America

                                                   Joe Cocker – Alive in America (2014)

Joe Cocker – Alive in America (2014)


CD1:

01. Feelin’ Alright
02. I Can’t Say No
03. Put out the Light
04. Look What You’ve Done
05. Whiter Shade of Pale
06. Sweet Little Woman
07. I Don’t Wanna Live Without Lovin’ You
08. Just Like Always
09. Shocked
10. Seven Days

CD2:

01. Jealous Kind
02. Hitchcock Railway
03. Watching the River Flow
04. You Are so Beautiful
05. Sweet Forgiveness
06. With a Little Help from My Friends
07. The Letter
08. The Moon Is a Harsh Mistress
09. I Heard It Through the Grapevine                                                                                                 http://fp.io/mc2a4e63/

JERRY GARCIA - Capital Theater, Passaic, NJ June 24, 1982 - Early Show & Late Show



Jerry Garcia Band

Capital Theater, Passaic, NJ
June 24, 1982 - Early Show

Recording by Jim Wise:
Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII)
Transfer and FLAC encoding by David Minches:
Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC


disc  1:

How Sweet It Is (To Be Loved By You)
Catfish John
Valerie
Knockin' On Heaven's Door

disc 2:

I Second That Emotion
Mississippi Moon
That's What Love Will Make You Do >
Tangled Up In Blue

--------------------------------------------

Jerry Garcia Band
Capital Theater, Passaic, NJ
June 24, 1982 - Late Show

Recording by Jim Wise:
Master Audience Cassette; Senn MD-421s> Sony D-5 (Row Q Center; Maxell UDXLII)
Transfer and FLAC encoding by David Minches:
Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC


disc 1

Sugaree
They Love Each Other
Love In The Afternoon
It's No Use
Let It Rock

disc 2:

Simple Twist Of Fate
Dear Prudence >
Run For The Roses
Encore
Deal

Tagging notes:
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A Mills 9/16/14        FLAC... http://fp.io/73bmde9a/   MP3... http://fp.io/18fe89f2/

JOE COCKER - MAD DOGS & ENGLISHMEN (DELUXE EDITION)





JOE COCKER
MAD DOGS & ENGLISHMEN (DELUXE EDITION), CD 1"
AUG 1970
MAR-APR 1970
A&M
LIVE


  1  Honky Tonk Woman (Jagger, Richards) 4:57
  2  She Came in Through the Bathroom Window (Lennon, McCartney) 3:17
  3  The Weight (Robertson) 5:57
  4  Sticks and Stones (Glover, Turner) 2:46
  5  Bird on a Wire (Cohen) 6:31
  6  Cry Me a River (Hamilton) 4:05
  7  Superstar (Bramlett, Marx, Russell) 4:59
  8  Feelin' Alright (Mason) 5:47
  9  Something (Harrison) 5:33
  10  Darling Be Home Soon (Sebastian) 5:47
  11  Let It Be (Lennon, McCartney) 3:40
  12  Further on Up the Road (Robey, Veasey) 4:00

Nickey Barclay / Choir, Chorus, Vocals (Background)
Chuck Blackwell / Drums, Percussion
Joe Cocker / Vocals, Imaginary Guitar
Rita Coolidge / Choir, Chorus, Vocals (Background)
Denny Cordell / Producer
Nick DeCaro / String Arrangements
Jim Gordon / Drums
Glyn Johns / Producer
Bobby Jones / Vocals (Background)
Bobby Lee Jones / Choir, Chorus
Jim Keltner / Drums
Bobby Keys / Sax (Tenor)
Sanford Konikoff / Percussion
Claudia Lennear / Choir, Chorus, Vocals (Background)
Daniel Moore / Choir, Chorus, Vocals (Background)
Matthew Moore / Choir, Chorus, Composer, Vocals (Background)
Pamela Polland / Choir, Chorus, Vocals (Background)
Don Preston / Choir, Chorus, Guitar (Rhythm)
Jim Price / Trumpet
Carl Radle / Bass
Leon Russell  / Arranger, Guitar, Piano, Producer
Chris Stainton / Arranger, Organ, Piano
Bobby Torres / Conga
Donna Washburn / Choir, Chorus, Vocals (Background)
Donna Weiss / Choir, Chorus, Vocals (Background)

http://fp.io/bm63d4em/

BOSTON - Feeling It In Cleveland [Live in Ohio 1976]



                                                    Boston – Feeling It In Cleveland

Boston – Feeling It In Cleveland [Live in Ohio 1976] (2014)


Tracklist:

1. Rock & Roll (3:43)
2. Help Mee (3:54)
3. Peace Of Mind (5:06)
4. Something About You (4:32)
5. A Man I’ll Never Be (6:38)
6. Smokin’ (8:04)
7. Foreplay (2:40)
8. Long Time (6:38)
9. Don’t Be Afraid (5:01)
10. More Than A Feeling (9:49)
11. Television Politician (3:44)                                                                                                              http://fp.io/dc24mf8f/

BOSTON - Boston Music Hall Boston, MA - 10/15/1976





Boston
Boston Music Hall
Boston, MA
16 October 1976

Master audience recording taped by Dan Lampinski

01 Rock & Roll Band
02 Shattered Images
03 Peace Of Mind
04 Something About You
05 Smokin'
06 Guitar solo
07 Foreplay/Long Time
08 More Than A Feeling (end cut)
09 Television Politician

The band had sound system problems.

opening for Blue Öyster Cult

Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes


Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)

Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
  16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger

No EQ'ing.

A 24-bit/96-KHz flac24 version of this recording is also available.



Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.

He recorded many of the major 70's bands: Yes, Genesis, Pink Floyd, Queen, Blue Oyster Cult, Frank Zappa, Jethro Tull, ELP, Kiss, Black Sabbath, The Who, Al Stewart, Alice Cooper, Jeff Beck, Bruce Springsteen, Supertramp, Jean-Luc Ponty, Moody Blues, Neil Young, The Faces, Rush, Rick Wakeman, Kansas, as well as several "under the radar" acts.

Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ'ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.

Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.
http://fp.io/3c255959/

THE KINKS - Stuttgart, Germany - 12/21/1994


The Kinks
1994-12-21
Stuttgart, Germany
Soundboard Recording
320 kbps


CD 1:
01. A Well Respected Man
02. Sunny Afternoon
03. Do It Again (tease)
04. Kinks intro > Countdown
05. Till The End Of The Day
06. All Day And All Of The Night
07. Low Budget
08. Celluloid Heroes
09. Apeman
10. Scattered
11. Death Of A Clown
12. Phobia
13. Dead End Street

CD 2:
01. Come Dancing
02. Father Christmas (tease)
03. Aggravation > New World > Aggravation
04. You Really Got Me
05. A Gallon Of Gas >
06. Welcome To Sleazy Town
07. Deutschland
08. Lola
09. Days
10. Twist And Shout                                                                                                                     http://fp.io/8ecbc219/

THE ALLMAN BROTHERS BAND - Keep On Wondering


The Allman Brothers Band – Keep On Wondering (Godfather Records GR 606)

Keep On Wondering (Godfather Records GR 606)
SUNY @ Stony Brook, Stony Brook, NY – July 26th, 1970
( 75:37 ) Please Don’t Keep Me Wondering / Stormy Monday / In Memory Of Elizabeth Reed / You Don’t Love Me / Dreams / Mountain Jam.

Only 1 year & 4 months after the band had formed the Allman Brothers were one of the biggest bands in America – Their second album “Idlewild South”  would have soon been released to more critical & public acclaim than it’s predecessor by turning down the gruff, moodiness that layered it, becoming a little lighter in tone & cutting shorter the lengthy jams that were part of the bands live specialties ( It might have worked for the Beatles but releasing a 7 minute song for the radio was only ever going to be gift afforded the royalty of Rock & only then of a marginal basis. )

The recording here, originally released as “Jamming In Midnight” by The Polar Bear Records (PB – 099/100) as a two CD set, ( This version omits “Whipping Post” but retains the lengthy “Mountain Jam” ) is a strong, bassy soundboard recording with only a little too much power for it’s own good. It’s not a broad stereo mix as instruments & voices all seem to come from the one place but this only bolsters it’s power. The small quibble with Allman fans might be that everyone seems to contest the recording date – The SUNY concert was reportedly on the 10th of July & not the 26th as it has been printed as before.

“Please Don’t Keep Me Wondering” boogies along like a hypnotizing snake with a flash of power in it’s eyes. it doesn’t take long for the band to break out the steam either – Gregg’s lusty voice spills out & beyond the mass of the music & it’s not long until Duane’s liquid guitar flashes in to view meandering through the rampant pulse on stage with an electric fury. “Stormy Monday” – A cover of the T-Bone Walker track – is pinpointed by Gregg’s keyboard part – the instrument that he became fluent on & pined upon playing after listening to Jimmy Smith on Nashville Radio station WLAC’s jazz broadcasts – and the instrument that he used to write the irst album upon – Gregg said recently “When my brother called me to join the Allman brothers on March 26, 1969, he said “I need you to play a Hammond.” One day they had a blindfold with ‘em, and said. “We gotta take you somewhere.” They took me into this room in Berry Oakley’s house, ripped off the blindfold, and there was a brand new 1969 B-3 Hammond, a 122 RV Leslie, and about 8 joints rolled on the bottom keyboard. And they said “We’ll see you in a couple of weeks!” When I got to the Allman Brothers, I had a heyday. I wrote the first album within, like, a week and a half” – The blues is written hard in this version although the optimism in Gregg’s Hammond shines through. Duane’s exacting soloing creates a busy spiraling launch while Berry Oakley’s fastidious & melodious “Tractor” bass lines adds a splendid & rooted backbone to proceedings.

The Dicky Betts written “In Memory Of Elizabeth Reed” is the bands second “Idlewild South” track this evening. One of the highlights of the Allman’s live experiences it has space for each member of the band to flourish & improvise in which ever way they wish to. Multiple phases pass through the fleeting 11 minutes of the track ( One of the shorter renditions as the song would be drawn out to epic lengths reaching almost 3 minutes long some nights .. ) which has been compared by Duane as close to playing as Miles Davis in the jazz- rock field – “that kind of playing comes from Miles and Coltrane, and particularly Kind of Blue. I’ve listened to that album so many times that for the past couple of years, I haven’t hardly listened to anything else”. Shifting patterns litter the path where the band played before the tempo increases to a brilliant fury & the band crash to a dead stop.

With hardly a breather the band move on to a “Song that Junior Wells played long time ago ..” – “You Don’t Love Me”. A desperately funky groove follows full of splashing drums and an urgent phrase on the Hammond before Duane zips in on guitar to peel out a few more blistering chords.

“Dreams” from the Allman Brothers band’s eponymous album is a slow burner – all the hall marks are there of an Allman track & that the Hammond takes the first place puts fact to the track being written firstly on the instrument. The reason that it takes it time though is that its un-fetted of guitar until around the minute mark while the band take their time to venture in to the whole miasma of the journey. The sublime, syncopated drumming of messieurs. Johanson & Trucks form a unerring & brilliantly professional backbone that keeps it’s edge throughout. This slowly creeps towards ‘space-jam’ territory as springing feedback & wiggling histrionics are formed from out of nowhere by Duane. As the closing chorus is sung the the band fuel up, Gregg clears out all the stops with a screaming blues howl & the band turn up the tempo just enough to wind up with.

The monumental “Mountain Jam” follows. Clocking in at a glorious 35:48 the true extent of the whole should rightly be exhaustive but no matter the length of the rendition, the swooning improvisation always seems to pique interest. The song itself is based around Donovan Leitch’s 1967 track “There Is A Mountain” & features work from each of the band opening out the tune to all their strengths. Reaching through many different phrases – Classic rock, heavy metal, Jazz, Spanish classical guitar the whole melds together seemlessly. A dual drum solo at 7:13 is just one of many highlights – as Gregg put it “I went “Two full sets of drums?” I thought, train wreck, woah!” – It’s simply the thought of the cataclysmic mess that it could all turn in to that you’re waiting for but this pair are just so close in mind that not a single tic clashes & the closeness & approximation to a real jazz groove is so point perfect you could have tuned to jazz in it’s purist form before the near heavy metal chords strike up to a near ‘Bolero’ styled work out. The track then soars throughout tempos – gracefully bare then funky onslaught before settling in to deep bar blues.

The packaging is the standard Godfather trifold digi-pack featuring a b&w photo of the band sat on railway tracks with a bright orange version of the brothers logo super imposed over the top. The inside folds feature multiple pictures of Duane either live relaxing or at the “Hey Jude” session that he played at with Wilson Pickett. The back features Duane in session with a clear Biba-esque font listing the tracks.  http://fp.io/ae162c6e/

THE ALLMAN BROTHERS BAND – A&R Studios, Live In New York On 26th August 1971


The Allman Brothers Band – A&R Studios, Live In New York On 26th August 1971 (2014)



Personnel: Gregg Allman: vocals, organ; piano; Duane Allman: slide guitar, lead guitar; Dickey Betts: lead guitar, rhythm guitar; Berry Oakley: bass; Butch Trucks: drums; Jai Johanny “Jaimoe” Johanson: drums.

Tracklist:
01. Statesboro Blues (Live) ( 4:33)
02. Trouble No More (Live) ( 4:15)
03. Don’t Keep Me Wonderin’ (Live) ( 3:52)
04. Done Somebody Wrong (Live) ( 3:48)
05. One Way Out (Live) ( 5:18)
06. In Memory Of Elizabeth Reed (Live) (12:52)
07. Stormy Monday (Live) ( 9:04)
08. You Don’t Love Me (Live) ( 8:37)
09. Soul Serenade (Live) ( 4:18)
10. You Don’t Love Me (Live Version 2) ( 3:31)
11. Soul Serenade (In Memory Of King Curtis) (Live) ( 3:06)
12. Hot ‘Lanta (Live) ( 6:56)                     http://fp.io/8dad3a77/
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