December 31, 2011
UMPHREY'S MCGEE - The Pageant, St. Louis, MO - 12/30/2011
Umphrey's McGee - The Pageant, St. Louis, 2011-12-30
Set One:
Jazz Odyssey > Conduit, #5, The Bottom Half, Uncle Wally@, Nemo@, All Things Ninja, Slacker > Dear Lord > Slacker
Set Two:
40's Theme, The Triple Wide, Maneater*^, Night Nurse^, Plunger, The Fussy Dutchman, Nopener, Rocker Part 2
Encore:
Nothing Too Fancy**
Notes
@ with Brendan and Jake on acoustics
* first time played, Hall & Oates
^ with Jeff Coffin on saxophone
** with Natural Mystic jam, including vocals
http://www.fileserve.com/file/eMRzbhc
FURTHUR - Bill Graham Civic Auditorium, San Francisco, CA - 12/30/2011
Furthur
2011-12-30
Bill Graham Civic Auditorium, San Francisco, CA
01 - Jack Straw
02 - Bertha
03 - Eyes of the World
04 - Music Never Stopped
05 - Cold Rain and Snow
06 - Lost Sailor >
07 - Saint of Circumstance
08 - Deal
09 - Dear Mr. Fantasy
10 - Passenger >
11 - Wharf Rat >
12 - New Potato Caboose
13 - Cryptical Envelopment >
14 - The Other One >
15 - Caution >
16 - King Solomon's Marbles >
17 - Death Don't Have No Mercy >
18 - The Eleven >
19 - Turn On Your Lovelight
20 - Donor Rap
21 - Touch of Grey
http://www.fileserve.com/file/RQZfr7s
DISCO BISCUITS - Best Buy Theater, New York , NY - 12/26/2011
Disco Biscuits
2011-12-26
Best Buy Theater - New York, NY
Set 1
Resurrection > (24:49)
Plan B > (11:49)
Aceetobee 1 > (10:36)
You and I (7:51)
Mr. Don (15:58)
Set 2
Intro (1:44)
Spraypaint (16:07)
Shelby Rose > (16:52)
Crickets 2 > (13:57)
The Great Abyss > (17:54)
Crickets 3 > (8:42)
Shelby Rose (8:46)
Encore
I Remember When (8:29)
Notes:
1 Unfinished
2 Inverted (Middle Section)
3 Inverted (Ending/Beginning)
http://www.fileserve.com/file/EVxeVVr
FURTHUR / Bill Graham Civic Auditorium, San Francisco, CA - 12/29/2011
Furthur
2011-12-29
Bill Graham Civic Auditorium, San Francisco, CA
01 - Help on the Way
02 - Slipknot!
03 - Estimated Prophet
04 - Brown Eyed Women
05 - Cassidy
06 - Tennessee Jed
07 - Any Road
08 - Weather Report Suite
09 - Box of Rain
10 - Big Bad Blues
11 - China Cat Sunflower
12 - Scarlet Begonias
13 - Truckin'
14 - New Speedway Boogie
15 - Unbroken Chain
16 - Standing on the Moon
17 - Goin' Down the Road Feelin' Bad
18 - Slipknot!
19 - Franklin's Tower
20 - Donor Rap
21 - It's All Over Now Baby Blue
http://www.fileserve.com/file/uyFsUGW
DEREK TRUCKS BAND - Live at Milestones February 1, 2000 Rochester, NY
Derek Trucks Band - Live at Milestones
February 1, 2000
Rochester, NY
Source: SBD
Disc 1:
1. Preachin' Blues
2. Naima
3. Ain't That Lovin' You
4. Young Funk
5. Schoolgirl
6. Afro Blue
7. Yield Not
8. Lovelight
Disc 2:
1. Rastaman Chant
2. Alright
3. Bock To Bock
4. Forty-Four
5. Chicken
6. 555-Lake
7. Otto
8. Travelin' South
E: 9. Cissy Strut - Lively Up Yourself http://www.fileserve.com/file/7crwZY6
JOE BONAMASSA - NO HITS, NO HYPE, JUST THE BEST
Exclusive release in the January 2012 issue of "Classic Rock Magazine". The best of his solo albums, Black Country Communion & with Beth Hart.
01. Blue and Evil
02. Dust Bowl
03. The Balled Of John Henry
04. Sloe Gin (live)
05. Miss You, Hate You
06. Black Lung Heartache
07. The Battle For Hadrians Wall
08. One Last Soul
09. Sinner's Prayer
10. Woke Up Dreaming
11. Palm Trees, Helicopters & Gasoline
12. Asking Around For You http://www.fileserve.com/file/Aau3gxJ
December 30, 2011
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WIDESPREAD PANIC - The Fox Theatre , Atlanta, GA - 2/14/2011
DISC ONE
SET ONE
Surprise Valley
(13:21)
Pilgrims
(9:06)
Tie Your Shoes
(11:36)
Walkin' (For Your Love)
(5:34)
Walk On
(8:19)
Little Kin
(7:39)
Travelin' Light
(8:19)
Basically Frightened
(7:51)
DISC TWO
Smokestack Lightning
(10:55)
Born Under A Bad Sign
(7:29)
SET TWO
Disco
(6:36)
Diner
(17:34)
City Of Dreams
(8:09)
Pleas
(6:22)
North
(7:57)
Big Wooly Mammoth
(8:48)
DISC THREE
Atlanta Jam
(10:56)
Vacation
(10:18)
Dear Mr. Fantasy
(8:13)
Last Dance
(11:39)
ENCORE
May Your Glass Be Filled
(5:10)
Ain't Life Grand
(5:58)
Sultans of Swing
(6:53) http://www.fileserve.com/file/KG3QdkY
WIDESPREAD PANIC - The Classic Center Athens, GA - 2/11/2011
DISC ONE
SET ONE
No Sugar Tonight
(7:43)
Tall Boy
(5:29)
Red Hot Mama
(6:23)
Machine
(3:12)
Barstools and Dreamers
(12:51)
Can't Get High
(3:42)
Henry Parsons Died
(9:21)
This Part of Town
(6:03)
Nights In White Satin
(10:41)
Love Tractor
(5:45)
DISC TWO
SET TWO
Worry
(7:15)
Imitation Leather Shoes
(11:35)
Blue Indian
(6:46)
Blight
(7:52)
You Got Yours
(11:14)
Impossible
(9:32)
New Speedway Boogie
(8:56)
DISC THREE
Fishwater
(17:43)
Conrad The Caterpillar
(13:51)
FIRST ENCORE
Don't Be Denied
(7:25)
Postcard
(5:57)
Driving Song
(15:11)
SECOND ENCORE
Porch Song
(4:26) http://www.fileserve.com/file/J3wJCSC
WIDESPREAD PANIC - The Classic Center Athens, GA - 2/10/2011
DISC ONE
SET ONE
For What It's Worth
(7:47)
Sleepy Monkey
(7:55)
Chilly Water
(11:27)
Saint Ex
(6:27)
One Arm Steve
(6:57)
Mr. Soul
(6:32)
You'll Be Fine
(5:50)
This Cruel Thing
(5:10)
DISC TWO
Holden Oversoul
(7:55)
Contentment Blues
(4:50)
Bowlegged Woman
(12:04)
SET TWO
Pigeons
(13:00)
Jack
(7:21)
DISC THREE
Proving Ground
(9:02)
Goin' Out West
(11:10)
Arleen
(24:37)
Drums
(16:34)
DISC FOUR
Fire on the Mountain
(12:12)
Space Wrangler
(9:44)
Coconut
(6:58)
Knocking 'Round The Zoo
(7:08)
ENCORE
Greta
(7:47)
Heaven
(6:18) http://www.fileserve.com/file/SqTGDu3
CAT STEVENS - Remember Cat Stevens: The Ultimate Collection (1999)
Cat Stevens - Remember Cat Stevens: The Ultimate Collection (1999)
24 tracks, mp3, 320 kbps
167 MB
Cat Stevens
01-Moonshadow
02-Father And Son
03-Morning Has Broken
04-Wild World
05-The First Cut Is The Deepest
06-Lady D'Arbanville
07-Oh Very Young
08-Matthew And Son
09-Sitting
10-Hard Headed Woman
11-I Love My Dog
12-Rubylove
13-Don't Be Shy
14-Can't Keep It In
15-Here Comes My Baby
16-Into White
17-(Remember The Days Of The) Old School Yard
18-Where Do The Children Play?
19-Land O'Freelove And Goodbye
20-Another Saturday Night
21-The Foreigner Suite (Excerpt)
22-Just Another Night
23-Peace Train
24-If You Want To Sing Out, Sing Out
http://www.fileserve.com/file/K9C6eNp
GARY GLITTER – The Hey Song (Rock & Roll, Pt. 2): The Greatest Hits
Gary Glitter – The Hey Song (Rock & Roll, Pt. 2): The Greatest Hits (2011)
Although the late ’90s apparently saw the end of Gary Glitter‘s career, following his conviction for sexual offenses, there is no doubting that for a full 25 years before that tragic denouement, Glitter ranked among Britain’s best-loved performers of all time. The hits which catapulted him to fame in the early ’70s, the anthemic “Rock and Roll” of course, but also the likes of “I’m the Leader of the Gang,” “Do You Wanna Touch Me,” and “I Love You Love Me Love,” still have the capacity to stir an audience — as “Rock and Roll” itself proves, every time it airs at a major sporting event in the U.S. And, if it is at all oxymoronic that the King of British Glam should be responsible for one of the national anthems of American Football, then that is simply further testament of what made Gary…
…glitter so brightly. Musically, visually, and emotionally, he transcended so many barriers that even categorizing him as a rock & roller seems somehow stingy. He was so much more than that.
Gary Glitter emerged on the U.K. scene in 1972, although he had been touring and recording for over a decade beforehand. Still in his mid-teens, the young Paul Gadd performed at the legendary 2 I’s Coffee Bar in London’s Soho district, moving onto the Laconda and the Safari clubs before his repertoire of rock & roll classics and sweetly executed ballads brought him to the attention of Robert Hartford Davis, a small-time movie producer looking to break into the music industry. He financed the teenager’s first recording session and landed him a deal with Decca, who released “Alone in the Night” in January, 1960, under the first of the multitude of pseudonyms which the singer would utilize through the remainder of the decade, Paul Raven.
In 1961, new manager Vic Billings landed Raven a deal with Parlophone and producer George Martin. Two singles, “Walk on Boy” and “Tower of Strength,” followed, but neither sold well and by 1964, Raven was working as a studio warm-up man for the cult television show Ready Steady Go. He also appeared in a handful of television commercials and auditioned unsuccessfully for the lead role in the movie Privilege (Paul Jones ultimately took the part). It was a meeting with producer/arranger Mike Leander which marked the turning point in Raven’s fortunes. The singer joined Leander’s eponymous Show Band in April, 1965; Leander also arranged for his young protégé to oversee a handful of recording sessions, producing singles by Thane Russell and Scottish beat band the Poets.
The Mike Leander Show Band collapsed in late 1965 and Raven formed a new group, Boston International (later truncated to the Bostons), with saxophonist John Rossall. They spent much of the next five years touring Germany, the schedule interrupted by occasional recording dates back in England with Leander. Between 1968-1970, “Musical Man” and a cover of George Harrison’s “Here Comes the Sun” were issued under the name Paul Monday. “Soul Thing” and Sly Stone’s “Stand” returned Paul Raven to the racks and “We’re All Living in One Place” debuted Rubber Bucket and, though the records themselves flopped, the sound was slowly crystallizing. By late 1971, with the glam rock movement now exploding across the U.K., Leander and Raven were convinced they had finally found the elusive formula they had been searching for.
“Rock and Roll” first took shape as a 15-minute jam session before Leander edited it down into two three-minute gems, sensibly subtitled “Part One” and “Part Two.” Next came the matter of a new name for the performer — according to legend, Raven’s first instinct was Vicki Vomit, followed by Terry Tinsel, Stanley Sparkle, or Horace Hydrogen, working backwards through the alphabet, Gary Glitter was simply the next alliteration he thought of. And this time, it stuck.
Despite a slow start (it took six months to break into the U.K. chart) “Rock & Roll,” of course, became one of the biggest hits of 1972 and one of the most unique. A number two in the U.K. and Top Ten in America, it set Glitter up for a period of almost unassailable chart domination, as a string of barely disguised sound-alikes flew from his and Leander’s pens, unerringly affixing themselves on the British Top Ten: “I Didn’t Know I Loved You (Till I Saw You Rock and Roll),” “Do You Wanna Touch Me (Oh Yeah),” and “Hello Hello, I’m Back Again” all charted during the next 12 months. Two albums, Glitter and Touch Me, were no less successful, while Glitter’s first ever London concert in spring, 1973, saw him sell out the London Palladium, one of the first rock & rollers ever to play that venerable old pile.
Glitter lived up to his image with a vengeance. He poured a fortune into his wardrobe — at one point he owned 30 glitter suits and 50 pairs of monstrous silver platform boots. But it was worth it. Glittermania was breaking out everywhere. “I’m the Leader of the Gang (I Am)” became his first British chart-topper in the summer of 1973, “I Love You Love Me Love” repeated the success that fall, while “Remember Me This Way,” a brass-led ballad which had absolutely nothing in common with the Glitter sound, reached number three. A show at the London Rainbow was recorded for a live album (also titled Remember Me This Way). Glitter’s backing band, the aptly named Glitter Band, were launched on a parallel hitmaking career of their own and while attempts to follow up the original American success were less well-starred, “Leader of the Gang” did at least breach the Top 50, in the capable hands of Brownsville Station.
“Always Yours” gave Glitter his eighth successive hit and third number one, in June, 1974; another ballad, “Oh Yes! You’re Beautiful” reached number two, the insistent “Love Like You and Me” made number ten, and “Doing Alright With the Boys” hit number six in summer, 1975. And suddenly, it was all over. Glitter’s next single, a cover of “Papa Ooh Mow Mow,” stalled at #38 and, with successive releases proving similarly catastrophic, the singer announced his retirement in early 1976.
For the next year, Glitter existed in a twilight world of rumor alone, as financial and psychological pressures pushed him to the brink. He was drinking heavily and later admitted that he seriously contemplated suicide. A half-hearted return to action saw him take the lead role in a New Zealand production of The Rocky Horror Show and score a pair of minor U.K. Top 30 hits during 1977, “It Takes All Night Long” and “A Little Boogie Woogie in the Back of My Mind.” But it was 1980 before he truly began to come out his shell again, launching a series of low-key concerts for a post-punk audience which had, somewhat curiously, embraced him as a figurehead of sorts. In 1981, he returned to the studio and recorded a new single, a dance medley of all his greatest hits, “All That Glitters.” By 1984, he was playing upwards of 80 gigs a year, mainly around the college and club circuit, and returned to the chart with “Dance Me Up” and “Another Rock and Roll Christmas.”
Two years later, Doctor & the Medics invited him to guest with them on TV performances of their decidedly Glitter-esque reworking of “Spirit in the Sky.” And in 1988, Glitter was back at number one, courtesy of the Timelords’ “Doctoring the Tardis” a tribute to television’s Dr Who set to samples of Glitter’s “Rock and Roll.” Glitter himself subsequently re-recorded “Rock and Roll” with producer Trevor Horn and only narrowly missed out on another hit.
Ever more extravagant live shows were celebrated with the 1988 live video Gary Glitter’s Gangshow, while his back catalog began spawning a succession of still more adventurous hit compilations. He became the subject of a successful London stage show, while his 1991 autobiography, The Leader, was a major bestseller. In 1994, Glitter was one of the stars at the official World [soccer] Cup concert in Chicago, broadcast live to 46 countries. He returned to the U.S. in 1996, playing the Godfather in the Who’s Quadrophenia revival and he found time to deliver a new single, the definitive reading of “The House of the Rising Sun” set to the most heart-stopping Glitter beat yet. “Rock and Roll” even claimed another new lease on life when it became one of the star turns in the movie The Full Monty.
Then came the news that Glitter was under investigation on child pornography charges and his world fell apart. Stores throughout the U.K. withdrew his records from the shelves, concerts were canceled; overnight, one of Britain’s most adored icons became public enemy number one and even his staunchest allies now doubt whether Glitter will ever be able to pull one more comeback out of the bag. What cannot be erased, however, is the contribution he has made to the history of rock & roll — the creation of “Rock and Roll” itself.
CD1
1. Rock & Roll Part 1 [03:06]
2. Rock & Roll Part 2 (The Hey Song) [03:01]
3. I Didn’t Know I Loved You (Till I Saw You Rock & Roll)[03:26]
4. The Wanderer [02:51]
5. Rock On [03:36]
6. Do You Wanna Touch Me? (Oh Yeah) [03:19]
7. I Would If I Could But I Can’t [02:51]
8. Hello! Hello! I’m Back Again [03:22]
9. I.O.U [03:09]
10. Sidewalk Sinner [02:33]
11. I’m the Leader of the Gang (I Am) [03:30]
12. Just Fancy That [02:41]
13. I Love You Love Me Love [03:16]
14. Remember Me This Way [04:25]
15. Always Yours [03:26]
16. Oh Yes! You’re Beautiful [03:50]
CD2
1. Love Like You and Me [03:21]
2. Doing Alright with the Boys [03:18]
3. Good for No Good [02:36]
4. Papa Oom Mow Mow [03:47]
5. You Belong to Me [03:32]
6. It Takes All Night Long [05:18]
7. A Little Boogie Woogie in the Back of My Mind[03:14]
8. Oh What a Fool I’ve Been [02:33]
9. I Dare You to Lay One On Me [02:32]
10. And Then She Kissed Me [03:26]
11. All That Glitters [04:05]
12. Be My Baby [03:12]
13. Dance Me Up [03:33]
14. What Your Mama Don’t See Your Mama Don’t Know[03:18]
15. When I’m On I’m On [04:03]
16. Another Rock and Roll Christmas [03:47]
December 29, 2011
CACTUS - WLIR FM BROADCAST - 1971
Cactus - WLIR FM 1971
Cactus was initially conceived in late 1969 as a supergroup of the Vanilla Fudge rhythm section of bassist Tim Bogert and drummer Carmine Appice with guitarist Jeff Beck and singer Rod Stewart. However, Beck had an automobile accident and Stewart joined Ronnie Wood in the Faces.
So Appice and Bogert brought in blues guitarist Jim McCarty from Mitch Ryder's Detroit Wheels and The Buddy Miles Express, and singer Rusty Day (born Russell Edward Davidson) from the Amboy Dukes.
This line-up managed three albums (Cactus, One Way... Or Another and Restrictions) before interband troubles led to McCarty quitting at the end of 1971. Shortly afterwards Rusty Day was fired from the group. The fourth and last Cactus album ('Ot 'N' Sweaty) featured original rhythm section Bogert and Appice joined by Werner Fritzschings on guitar, Duane Hitchings on keyboards and Peter French (ex-Leaf Hound) on vocals. {src: wiki}
Tracks
01 Evil ->
02 drums->
03 Evil + band introductions
04 Bro. Bill
05 Oleo
06 No Need to Worry
07 Token Chokin'
08 Big Mama Boogie - Part I (incl. Mona) ->
09 Big Mama Boogie - Part II
CACTUS - Barely Contained - The Studio Sessions (2004)
Cactus - Barely Contained - The Studio Sessions(2004)
320kbps
This two-CD collection is a companion volume to Fully Unleashed: The Live Gigs (2004) and contains the Cactus (1970), One Way. . . Or Another (1971), Restrictions (1971) and 'Ot 'N' Sweaty (1972) LPs and associated extras. The initial aggregate was a supergroup of sorts, with both Carmine Appice (drums) and Tim Bogert (bass) having been the formidable rhythm section behind Vanilla Fudge, Rusty Day (vocals) hailing from the Amboy Dukes, and Jim McCarty (guitar) late of Mitch Ryder's backing ensemble the Detroit Wheels. Even though Cactus was overshadowed by Led Zeppelin, they created their own blues-based fusion, rivalling the likes of MC5 in terms of sheer sonic intensity. While their debut included fiery reworkings of Mose Allison's "Parchment Farm" and Willie Dixon's "You Can't Judge a Book by the Cover," some of the best material consists of the band's compositions. Among them are the ballad "My Lady From South of Detroit," the heavy rocker "Let Me Swim" and the languid bluesy "No Need to Worry." Barely Contained: The Studio Sessions (2004) also highlights three outtakes from the first album, an original thrasher titled "Sweet Little 16," as well as "The Sun Is Shining" and "Rumblin' Man." The latter originally surfaced on the single-disc Cactology: The Cactus (1996) compilation. The follow-up One Way... Or Another (1971) sported a cohesive and less raw sound, benefiting no doubt from the help of noted engineer Eddie Kramer. However, "Big Mama Boogie" and the propulsive "Rockout, Whatever You Feel Like" are evidence that Cactus remained loud, raucous and driven. The Chicago-style "Hound Dog Sniffin'" is offered here as the sole leftover circa One Way... Or Another. The personnel shifted after their next long-player Restrictions (1971) as former Atomic Rooster frontman Peter French (lead vocals), Werner Fritzsching (guitar) and Duane Hitchings (keyboards) replaced Day and McCarty -- who split at the conclusion of the Restrictions tour. Incidentally, the final performance by the earliest incarnation can be heard on Fully Unleashed: The Live Gigs. By the time of the half-studio/half-concert 'Ot 'N' Sweaty (1972), much of the magic had significantly dissipated resulting in an uneven affair. Although "Bad Stuff" -- a blatant rip-off of Jimi Hendrix' "Foxy Lady" -- is a hard groove that soars thanks to Hitchings impressive contributions.Review by Lindsay Planer(allmusic.com)
CD1
1. Parchman Farm (3:06)
2. Bro. Bill (5:13)
3. My Lady from South of Detroit (4:26)
4. You Can't Judge a Book by the Cover (6:32)
5. Let Me Swim (3:50)
6. No Need to Worry (6:15)
7. Oleo (4:51)
8. Feel So Good (6:04)
9. Sweet Little 16 (5:07)
10. Rumblin' Man (4:22)
11. The Sun Is Shining (5:14)
12. Long Tall Sally (5:54)
13. Rockout, Whatever You Feel Like (4:00)
14. Rock N' Roll Children (5:44)
15. Big Mama Boogie, Pts. 1-2 (5:29)
16. Song for Aries (3:06)
CD2
1. Feel So Bad (5:31)
2. Hometown Bust (6:39)
3. One Way...Or Another (5:09)
4. Hound Dog Sniffin' (5:19)
5. Restrictions (6:17)
6. Token Chokin' (3:10)
7. Guiltless Glider (8:48)
8. Evil (3:17)
9. Alaska (3:40)
10. Sweet Sixteen (3:19)
11. Bag Drag (5:12)
12. Mean Night in Cleveland (2:11)
13. Bad Stuff (3:12)
14. Bringing Me Down (5:26)
15. Bedroom Mazurka (4:38)
16. Telling You (5:10)
17. Underneath the Arches (0:26)
CACTUS - Gilligan's Buffalo, NY 1971-06-26
Cactus, Gilligan's Buffalo, NY 1971-06-26
Here's yet another great find on a dedicated torrent site. From the uploader's info I can tell you that this is the soundboard of the last show of the original line- up of this terrific bad ass band. A++ quality
Tracks
01 Intro/Tuning (0:59)
02 Long Tall Sally (7:50)
03 Parchman Farm (6:03)
04 Mellow Down Easy (5:24)
05 Feel So Bad (7:00)
06 Walkin' Blues (8:51)
07 Scrambler/One Way Or Another (8:27)
08 Oleo (12:49)
09 Bro. Bill (8:31)
10 Token Chokin' (3:32)
11 Slow Blues (Medley) (20:08)
12 Heebie Jeebies/What'd I Say (12:16)
13 Evil (14:44)
Line-up
Tim Bogert - bass
Carmine Appice - drums
Jim McCarthy - guitar
Rusty Day - vocals
http://www.fileserve.com/file/AKQpAYE
LINDSEY BUCKINGHAM - Songs from the Small Machine: Live In L.A
Lindsey Buckingham – Songs from the Small Machine: Live In L.A (2011)
Songs From The Small Machine is exclusive show at the Saban Theatre in Beverly Hills in April this year. Songs From The Small Machine captures Lindsey Buckingham showcasing tracks from his new studio album Seeds We Sow, songs from across his solo career and Fleetwood Mac classics. His distinctive guitar picking style and instantly recognizable voice are joined to his dynamic on stage presence to deliver a show that brings the audience to their feet and leaves them calling for more. Starting with five solo acoustic performances, Lindsey is then joined by his band to rock their way through the rest of the set before a final acoustic encore of Seeds We Sow brings a perfect evening to an end. Lindesy Buckingham’s solo efforts have never shifted in the same way…
as his Mac records, hopefully this cd will open the door to his excellent solo repertoire. Picking songs from his Mac career and solo stuff you realise that he is a much ignored talent, not only for song writing but also his stunning guitar work.
Tracklist:
1. Shut Us Down
2. Trouble
3. Never Going Back Again
4. Big Love
5. Under The Skin
6. All My Sorrows
7. In Our Own Time
8. Illumination
9. Second Hand News
10. Tusk
11. Stars Are Crazy
12. End Of Time
13. That’s The Way That Love Goes
14. I’m So Afraid
15. Go Your Own Way
16. Seeds We Sow
http://www.fileserve.com/file/krQRtub
PEARL JAM - 9-14-2011 OTTAWA, CANADA
Pearl Jam
2011-09-14
Scotiabank Place, Ottawa, Ontario
Set 1
* Elderly Woman Behind The Counter In A Small Town
* Last Exit
* Do The Evolution
* MFC
* Unthought Known
* Low Light
* Given To Fly
* Setting Forth
* Whipping
* Corduroy
* Even Flow
* Grievance
* Lukin
* Breath
* Wishlist
* Olé
* 1/2 Full
* Better Man / Save it for Later
Encore 1
* The End
* Inside Job
* Just Breathe
* Off He Goes
* Why Go
* The Fixer
* Rearviewmirror
Encore 2
* Come Back
* The Real Me
* Alive
* Yellow Ledbetter
http://www.fileserve.com/file/FhwRWKV
PEARL JAM - 9-07-2011 MONTREAL, CANADA
Pearl Jam
2011-09-07
Bell Centre, Montreal, Quebec
Disc I:
Elderly Woman Behind The Counter In A Small Town
Last Exit
Hail, Hail
The Fixer
Amongst The Waves
Severed Hand
Setting Forth
Corduroy
Given To Fly
Insignificance
Daughter / Blitzkrieg Bop
Glorified G
1/2 Full
Do The Evolution
Unthought Known
Why Go
Disc II:
Even Flow
Come Back
Sleight Of Hand
Down
Black
Arms Aloft
Lukin
Porch
Better Man
Crazy Mary
Alive
Yellow Ledbetter
http://www.fileserve.com/file/F2vCZeS
December 28, 2011
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