UMPHREY'S MCGEE - Los Angeles, CA. - 03/16/2012

Set One...
Disc I:
Jekyll & Hyde (4:14)    
Domino Theory (8:44)    
Resolution (15:05)    
Mulche's Odyssey (11:12)    
2x2 (15:04)    
All In Time (11:00)    
The Floor (6:11)    

Set Two...
Disc II:
The Triple Wide (12:37)    
Puppet String (7:59)    
Booth Love (13:20)    
1348 (4:12)    
Baba O'Riley (6:18)    

Disc III:
Partyin' Peeps (6:34)    
Hajimema****e (4:42)    
1348 (5:00)    
Push The Pig (8:37)    
All In Time (7:28)    
Encore:
Wizard Burial Ground (9:33)

http://fp.io/4bdcm32m/

THE WHO - QUADROPHENIA: The Director’s Cut [Super Deluxe Edition]

The Who – Quadrophenia: The Director’s Cut [Super Deluxe Edition] (2011)

Quadrophenia: The Director’s Cut is true bounty of Who music and archival material. Discs one and two are comprised of the newly remastered album. Discs three and four are a collection of 25 demos from Pete Townshend’s archives, including five songs not on the album that portray the original version of the Quadrophenia concept.
The film adaptation of the Who‘s rock opera Quadrophenia couldn’t have been different than the film of Tommy. Where that was garish, star-studded, and wrong-headed, Franc Roddam’s Quadrophenia was lean, incisive, and nearly brilliant, thanks in no small part to his gritty, matter-of-fact approach and a searing, star-making performance by Phil Daniels.
It was focused, dramatic, and affecting, the best illustration of what a rock musical can do, so it shouldn’t be a surprise that the accompanying soundtrack is equally fine. It repeats much of the Who’s album of the same name, plus a generous share of re-recordings, which may be subtly different (there are an abundance of grace notes on “I’m One,” for instance), but different, more produced all the same. Even better, they’re all pretty good, and help give this a different — yet, again, subtly different — feel than the album that’s welcome. Then there’s the last side of the record, containing a bunch of mod anthems — which means there’s a bunch of early-’60s soul, plus a couple of girl group numbers and “Louie Louie,” all of which are familiar, yet still offer a good portrait of what mods actually listened to. Along the way, a song by the High Numbers — the early incarnation of the Who — is thrown in for good measure, along with the Cross Section’s take on “Hi Heel Sneakers,” plus three new songs, all added to assist the film narrative, all enjoyable but only “Four Faces” really standing out (and it sounds more Who by Numbers than Quadrophenia, anyway). So, unlike the Tommy soundtrack, this not just stands apart from the film, it’s a nice little record on its own merits — one that many passionate Who fans will enjoy, even as they realize it’s hardly a monumental effort.
Disc One:
1. I Am The Sea
2. The Real Me
3. Quadrophenia
4. Cut My Hair
5. The Punk And The Godfather
6. I’m One
7. The Dirty Jobs
8. Helpless Dancer
9. Is It In My Head?
10. I’ve Had Enough
Disc Two:
1. 5:15
2. Sea And Sand
3. Drowned
4. Bell Boy
5. Doctor Jimmy
6. The Rock
7. Love Reign O’er Me
Disc three – the demos
1. The Real Me (demo)
2. Quadrophenia – Four Overtures (demo)
3. Cut My Hair (demo)
4. Fill No. 1 – Get Out and Stay Out (demo)
5. Quadrophenic – Four Faces (demo)
6. We Close Tonight (demo)
7. You Came Back (demo)
8. Get Inside (demo)
9. Joker James (demo)
10. Punk (demo)
11. I’m One (demo)
12. Dirty Jobs (demo)
13. Helpless Dancer (demo)
Disc four – the demos
1. Is It In My Head (demo)
2. Any More (demo)
3. I’ve Had Enough (demo)
4. Fill No. 2 (demo)
5. Wizardry (demo)
6. Sea & Sand (demo)
7. Drowned (demo)
8. Is It Me (demo)
9. Bell Boy (demo)
10. Dr Jimmy (demo)
11. Finale-The Rock (demo)
12. Love Reign O’er Me (demo)
2CD Edition
1.01 I Am The Sea (02:09)
1.02. The Real Me (03:20)
1.03. Quadrophenia (06:13)
1.04. Cut My Hair (03:44)
1.05. The Punk And The Godfather (05:11)
1.06. I’m One (02:37)
1.07. The Dirty Jobs (04:28)
1.08. Helpless Dancer (02:33)
1.09. Is It In My Head? (03:43)
1.10. I’ve Had Enough (06:14)
1.11. 5:15 (05:00)
1.12. Sea And Sand (05:01)
1.13. Drowned (05:28)
2.01. Bell Boy (04:59)
2.02. Doctor Jimmy (08:35)
2.03. The Rock (06:37)
2.04. Love Reign O’er Me (05:51)
2.05. The Real Me (Demo) (04:25)
2.06. Cut My Hair (Demo) (03:30)
2.07. Punk (Demo) (04:56)
2.08. Dirty Jobs (Demo) (03:47)
2.09. Is It In My Head? (Demo) (04:12)
2.10. Anymore (Demo) (03:21)
2.11. I’ve Had Enough (Demo) (06:23)
2.12. Drowned (Demo) (04:15)
2.13. Is It Me? (Demo) (04:39)
2.14. Doctor Jimmy (Demo) (07:30)
2.15. Love Reign O’er Me (Demo) (05:11)

http://fp.io/m6871ac3/

WARREN HAYNES BAND - (The Godfather of Soulshine An Evening of James Brown Music) 2011-10-31 Ogden Theater, Denver, Colorado

Warren Haynes Band (The Godfather of Soulshine
An Evening of James Brown Music)
2011-10-31
Ogden Theater, Denver, Colorado

Source:
XM onyX Radio> Technics SA-DX950 Reciever> Computer line in> Total Recorder Pro8.3> WAV (44/16)
- Tracks split with Audacity> Trader's Little Helper (FLAC level


Set One...
Disc I:
01. Intro
02. Tear Me Down
03. River's Gonna Rise
04. Sick Of My Shadow
05. On A Real Lonely Night
06. Tit For Tat

Disc II:
01. Invisible
02. Man In Motion

Set Two...
03. Intro> Papa's Got A Brand New Bag (Pt. 1)> Papa Don't Take No Mess
04. I Got A Bag Of My Own
05. Ain't That A Groove> Talking Loud

Disc III:
01. Intro> Georgia On My Mind
02. Out Of Sight
03. Down & Out In NYC
04. Superbad
05. It's A Man's World
06. Think About It> Cold Sweat
07. Try Me> Intro> Pass The Peas
08. Please, Please, Please
09. I Feel Good
** Encore **
10. Papa's Got A Brand New Bag (PT. 2)
11. Soulshine

Lineup:
- Warren Haynes - guitar, vocals
- Nigel Hall - keyboards, vocals
- Ron Johnson - bass
- Terrence Higgins - drums
- Ron Holloway - saxophone
- Alicia Chakour - vocals

+ Guests:
- Big Sam Williams - trombone
- Rashawn Ross - trumpet
http://fp.io/47ebe4dd/

UMPHREY'S MCGEE - Las Vegas, NV. - 03/15/2012

Set One...
Disc I:
A Minor Intro (4:18)
Wife Soup (11:02)
Bridgeless (13:04)
Cemetery Walk (7:44)
Hurt Bird Bath (12:10)
Dear Lord (4:30)
Hurt Bird Bath (5:23)
Andy's Last Beer (6:48)

Set Two...
Disc II:
Conduit (12:43)
Wappy Sprayberry (20:05)
Bridgeless (5:34)
Higgins (14:03)

Disc III:
In The Kitchen (13:29)
Live and Let Die (6:34)
Encore:
Pay The Snucka (8:22)
Bulls On Parade (1:20)
Pay The Snucka (1:38)

http://fp.io/5542cm7c/

CHRIS ROBINSON BROTHERHOOD - Santa Barbara, CA. 5/10/2011

Chris Robinson Brotherhood-2011/05/10 Santa Barbara, CA

Chris Robinson Brotherhood
2011/05/10
Santa Barbara, CA

• Chris Robinson - voc,
• Neal Casal - guitar,
• Adam MacDougall - keyboards,
• George Sluppick - drums
• Mark "Muddy" Dutton -bass

1. Someday Past The Sunset
2. Poor Elijah
3. Reflections On A Broken Mirror
4. Tough Mama
5. Beware
6. Tomorrow Blues
7. He Was A Friend Of Mine
8. Rosalee
9. Tulsa Yesterday
10. Tumbleweed In Eden
11. Blue Suede Shoes
12. If Your Wheel Dont Roll
13. Star Or Stone
14. Vibration And Light Suite
15. Ride
16. I Ain't Hiding
17. Mr. Charlie
18. Mississippi, You're On My Mind

       http://fp.io/2a2173m8/                                                                                                 

CHRIS ROBINSON BROTHERHOOD - CRB Roadshow, Los Angeles, CA. - 3/28/2011

Chris Robinson Brotherhood

2011-03-28

CRB Roadshow, Los Angeles, CA

DISC I:

40 Days (9:15)

Appaloosa (5:58)

Star Or Stone (9:49)

Mr. Charlie (4:21)

Tomorrow Blues (7:12)

Girl I Love You (4:12)

Vibration & Light Suite (10:41)

DISC II:

Eagles On The Highway (11:36)

Tulsa Yesterday (9:45)

Tough Mama (9:32)

Beware (7:37)

Sunday Sound (7:03)

DISC III:

Star Crossed Lonely Sailor (10:48)

So Sad (4:18)

Ride (14:19)

ENCORE:

Older Guys (3:51)

Shouldn't Take More Than You Give (7:48)

http://fp.io/c2192e65/

THE BLACK CROWES / LIVE , The Fillmore - San Francisco, CA - 12-14-2010

The Black Crowes
2010-12-14
The Fillmore Auditorium, San Francisco, CA


- acoustic set -
Cold Boy Smile
Whoa Mule
Ballad In Urgency ->
Wiser Time
The Dolphins
Darling Of The Underground Press
Tonight I'll Be Staying Here With You
Smile
Time Will Tell
Wee Who See The Deep

- electric set -
Movin' On Down The Line
Could I've Been So Blind
Song Of Love
Lady Of Avenue A
By Your Side
Hard To Handle
A Train Still Makes A Lonely Sound
Sting Me
Wounded Bird
- encore -
You've Got Hide Your Love Away
Yer Blues
I Wanna Be Your Man (1st time played)

- Steve sang lead vocal on "I Wanna Be Your Man"
Friday, February 4, 2011

http://fp.io/4ea6d7e5/

LEVON HELM - Take Me to the River: 1978-1982

Levon Helm – Take Me to the River: 1978-1982 (2011)

Though The Band remains a likely candidate for Group Least Likely to Reunite, Levon Helm hasn’t been resting on his laurels.  After a 25-year year hiatus from his career as a solo artist (during which time he participated in the recording of three Band albums sans Robbie Robertson and successfully underwent treatment for throat cancer) Helm returned to recording with 2007’s acclaimed Dirt Farmer.  Since then, he’s maintained a busy live schedule, and Ramble at the Ryman preserved a gig at the legendary Ryman Auditorium with special guests Sheryl Crow, Buddy Miller, John Hiatt and Billy Bob Thornton. Australia’s Raven Records, however, is now turning back the clock and compiling two original albums from Helm in one package entitled Take Me to the River.
Though the singer/multi-instrumentalist didn’t evince much creativity in titling Levon Helm (1978) and Levon Helm (1982), the albums demonstrate his mastery of all forms of American music.
A previous Raven two-fer brought together Helm’s first and third solo albums, 1977’s Levon Helm and the RCO All-Stars (ABC) and 1980’s American Son (MCA), and this companion set features his second and fourth outings.   Hit the jump for the scoop on both albums including track listing and pre-order link!
The first of his two eponymous albums was produced by Donald “Duck” Dunn of Booker T. & the MG’s, so it was no surprise that it features the soulful, funky side of The Band’s drummer and multi-instrumentalist.  It was recorded at Cherokee Studios in Hollywood and at Muscle Shoals in Alabama.  Helm was free to interpret songs by some of his favorite songwriters and performers, hence the covers of Al Green’s “Take Me to the River,” Tony Joe White’s “I Came Here to Party” and Allen Toussaint’s “Brickyard Blues,” also known as “Play Something Sweet.”  The pairing of Gerry Goffin and Barry Goldberg is represented by “Audience For My Pain.”
After the demise of the ABC label, Helm signed with Capitol.  Levon Helm (1982) was produced by Jimmy Johnson and Barry Beckett of Muscle Shoals and primarily featured tracks by Southern writers peppered with some covers such as Johnny Otis’ “Willie and the Hand Jive.”  The first European pressing of the album featured one additional track, Eddie Cochran’s “Summertime Blues,” which was also released as a single in Holland.  Raven has included that track, as well.
Ain’t No Way To Forget You
Driving At Night
Play Something Sweet (Brickyard Blues)
Sweet Johanna
I Came Here To Party
Take Me To The River
Standing On A Mountain Top
Let’s Do It In Slow Motion
Audience For My Pain
You Can’t Win ‘Em All
Lucrecia
Even A Fool Would Let Go
I’ve Got A Bet With Myself
Money
Get Out Your Big Roll Daddy
Willie And The Hand Jive
The Got Song
Give A Little Bit
God Bless ‘Em All
Summertime Blues
Tracks 1-9 from Levon Helm, ABC AA-1089, 1978
Tracks 10-19 from Levon Helm, Capitol ST-12201, 1982
Track 20 from Capitol (Holland) single 006-86506, 1982
http://fp.io/294be726/

THE PRETENDERS / 'LIVE IN LONDON'' - 2010

http://fp.io/4mfb497m/

THE BLACK CROWES / LIVE , The Fillmore - San Francisco, CA - 12-12-2010

The Black Crowes
2010-12-12
The Fillmore Auditorium, San Francisco, CA


Acoustic Set

Soul Singing
Hotel Illness
Meet Me in the Morning(Bob Dylan cover)
Thorn In My Pride
My Heart's Killing Me
Girl From A Pawnshop
What is Home
Polly (Dillard & Clark cover)
She Talks To Angels
My Morning Song

Electric Set

And the Band Played On
Peace Anyway
How Much For Your Wings
Bring On, Bring On
Fearless (Pink Floyd cover)
Wiser Time
Jealous Again
Been a Long Time (Waiting on Love)

Encore:
Poor Elijah / Tribute To Johnson (Delaney and Bonnie cover)
Don't Know Why (Eric Clapton cover)
Comin' Home (Delaney and Bonnie cover)

http://fp.io/94d3c793/

CHRIS ROBINSON BROTHERHOOD - 2011.05.20 San Luis Obispo, CA

2011.05.20 San Luis Obispo, CA

Someday Past The Sunset
Poor Elijah
Tulsa Yesterday
Star Or Stone
Mr. Charlie
Tomorrow Blues
Got Love If You Want It
Rosalee
Roll Old Jeremiah
Reflections On A Broken Mirror
Beware
If Your Wheel Dont Roll
Sunday Sound
Vibration And Light Suite
Ride
I Ain't Hiding
Driving Wheel


Chris Robinson Brotherhood
Chris Robinson - voc,
Neal Casal - guitar,
Adam MacDougall - keyboards,
George Sluppick - drums
Mark "Muddy" Dutton -bass                                                                                                      http://fp.io/ae396727/

Chris Robinson - Jamming with Lesh [ 7 CD compilation]
Chris Robinson on lead vocal with Phil Lesh & Friends
all SBD


Disc 1

1- Reuben and Cherise
2- Knockin' on heaven's door
3- Help on the way
4- Brown sugar
5- The wheel
6- Wiser time
7- Truckin'
8- You've got to hide your love
9- Don't easy me

Disc 2

1- All the way home
2- All along the watchtower
3- Casey Jones
4- Comes a time
5- Caution
6- Hard to handle
7- Gimme shelter

Disc 3

1- 40 days
2- Imagine
3- Fennario
4- Not fade away
5- Big railroad blues
6- Here comes sunshine
7- This wheel's on fire
8- Mr. Charlie

Disc 4

1-Loose Lucy
2-Broken arrow
3-Hurricane
4-Everybody need somebody to love
5-The stranger
6-It hurts me too
7-Wharf rat
8-Wicked messenger

Disc 5

1-Next time you see me
2-Sitting on the top of the world
3-Do right woman
4-Goin' down the road feeling bad
5-Life is a carnaval
6-Cowboy movie
7-Just another movie
8-New speedway boogie
9-Lay it all on me

Disc 6

1-Althea
2-Eagles on the highway
3-He's gone
4-China doll
5-Shakedown street
6-Brokedown palace
7-Sugaree

Disc 7

1-Eight miles high
2-Candyman
3-Eclipse
4-Bertha
5-Direwolf
6-Jam
7-Turn on your lovelight

PART 1   http://fp.io/7572f87b/                                                                                                                           PART 2   http://fp.io/b7c8ba28/

THE GRATEFUL DEAD - Robert F. Kennedy Stadium, Washington, D.C. (Sun) 1973-June-10

Rock's longest, strangest trip, the Grateful Dead were the psychedelic era's most beloved musical ambassadors as well as its most enduring survivors, spreading their message of peace, love, and mind-expansion across the globe throughout the better part of three decades. The object of adoration for popular music's most fervent and celebrated fan following — the Deadheads, their numbers and devotion legendary in their own right — they were the ultimate cult band, creating a self-styled universe all their own; for the better part of their career orbiting well outside of the mainstream, the Dead became superstars solely on their own terms, tie-dyed pied pipers whose epic, free-form live shows were rites of passage for an extended family of listeners who knew no cultural boundaries.

The roots of the Grateful Dead lie with singer/songwriter Jerry Garcia, a longtime bluegrass enthusiast who began playing the guitar at age 15. Upon relocating to Palo Alto, CA, in 1960, he soon befriended Robert Hunter, whose lyrics later graced many of Garcia's most famous melodies; in time, he also came into contact with aspiring electronic music composer Phil Lesh. By 1962, Garcia was playing banjo in a variety of local folk and bluegrass outfits, two years later forming Mother McCree's Uptown Jug Champions with guitarist Bob Weir and keyboardist Ron "Pigpen" McKernan; in 1965, the group was renamed the Warlocks, their lineup now additionally including Lesh on bass as well as Bill Kreutzmann on drums.

The Warlocks made their electric debut that July; Ken Kesey soon tapped them to become the house band at his notorious Acid Tests, a series of now-legendary public LSD parties and multimedia "happenings" mounted prior to the drug's criminalization. As 1965 drew to its close, the Warlocks rechristened themselves the Grateful Dead, the name taken from a folk tale discovered in a dictionary by Garcia; bankrolled by chemist/LSD manufacturer Owsley Stanley, the band members soon moved into a communal house situated at 710 Ashbury Street in San Francisco, becoming a fixture on the local music scene and building a large fan base on the strength of their many free concerts. Signing to MGM, in 1966 the Dead also recorded their first demos; the sessions proved disastrous, and the label dropped the group a short time later.

As 1967 mutated into the Summer of Love, the Dead emerged as one of the top draws on the Bay Area music scene, honing an eclectic repertoire influenced by folk, country, and the blues while regularly appearing at top local venues including the Fillmore Auditorium, the Avalon Ballroom, and the Carousel. In March of 1967 the Dead issued their self-titled Warner Bros. debut LP, a disappointing effort which failed to recapture the cosmic sprawl of their live appearances; after performing at the Monterey Pop Festival, the group expanded to a six-piece with the addition of second drummer Mickey Hart. Their follow-up, 1968's Anthem of the Sun, fared better in documenting the free-form jam aesthetic of their concerts, but after completing 1969's Aoxomoxoa, their penchant for time-consuming studio experimentation left them over 100,000 dollars in debt to the label.

The Dead's response to the situation was to bow to the demands of fans and record their first live album, 1969's Live/Dead; highlighted by a rendition of Garcia's "Dark Star" clocking in at over 23 minutes, the LP succeeded where its studio predecessors failed in capturing the true essence of the group in all of their improvisational, psychedelicized glory. It was followed by a pair of classic 1970 studio efforts, Workingman's Dead and American Beauty; recorded in homage to the group's country and folk roots, the two albums remained the cornerstone of the Dead's live repertoire for years to follow, with its most popular songs — "Uncle John's Band," "Casey Jones," "Sugar Magnolia," and "Truckin'" among them — becoming major favorites on FM radio.

Despite increasing radio airplay and respectable album sales, the Dead remained first and foremost a live act, and as their popularity grew across the world they expanded their touring schedule, taking to the road for much of each year. As more and more of their psychedelic-era contemporaries ceased to exist, the group continued attracting greater numbers of fans to their shows, many of them following the Dead across the country; dubbed "Deadheads," these fans became notorious for their adherence to tie-dyed fashions and excessive drug use, their traveling circus ultimately becoming as much the focal point of concert dates as the music itself. Shows were also extensively bootlegged, and not surprisingly the Dead closed out their Warners contract with back-to-back concert LPs — a 1971 eponymous effort and 1972's Europe '72.

The latter release was the final Dead album to feature Pigpen McKernan, a heavy drinker who died of liver failure on March 8, 1973; his replacement was keyboardist Keith Godchaux, who brought with him wife Donna Jean to sing backing vocals. 1973's Wake of the Flood was the first release on the new Grateful Dead Records imprint; around the time of its follow-up, 1974's Grateful Dead From the Mars Hotel, the group took a hiatus from the road to allow its members the opportunity to pursue solo projects. After returning to the live arena with a 1976 tour, the Dead signed to Arista to release Terrapin Station, the first in a series of misguided studio efforts that culminated in 1980's Go to Heaven, widely considered the weakest record in the group's catalog — so weak, in fact, that they did not re-enter the studio for another seven years.

The early '80s was a time of considerable upheaval for the Dead — the Godchauxs had been dismissed from the lineup in 1979, with Keith dying in a car crash on July 23, 1980. (His replacement was keyboardist Brent Mydland.) After a pair of 1981 live LPs, Reckoning and Dead Set, the group released no new recordings until 1987, focusing instead on their touring schedule — despite the dearth of new releases, the Dead continued selling out live dates, now playing to audiences which spanned generations. As much a cottage industry as a band, they traveled not only with an enormous road crew but also dozens of friends and family members, many of them Dead staffers complete with health insurance and other benefits.

Still, the Dead were widely regarded as little more than an enduring cult phenomenon prior to the release of 1987's In the Dark; their first studio LP since Go to Heaven, it became the year's most unlikely hit when the single "Touch of Grey" became the first-ever Dead track to reach the Top Ten on the pop charts. Suddenly their videos were in regular rotation on MTV, and virtually overnight the ranks of the Deadheads grew exponentially, with countless new fans flocking to the group's shows. Not only did concert tickets become increasingly tough to come by for longtime followers, but there were also more serious repercussions — the influx of new fans shifted the crowd dynamic considerably, and once-mellow audiences became infamous not only for their excessive drug habits but also for their violent encounters with police.

Other troubles plagued the Dead as well: in July 1986, Garcia — a year removed from a drug treatment program — lapsed into near-fatal diabetic coma brought on by his continued substance abuse problems, regaining consciousness five days later. His health remained an issue in the years which followed, but the Dead spent more time on tour than ever, with a series of dates with Bob Dylan yielding the live album Dylan & the Dead. Their final studio effort, Built to Last, followed in 1989. Tragedy struck in October of that year when a fan died after breaking his neck outside of a show at the New Jersey Meadowlands; two months later, a 19-year-old fan on LSD also died while in police custody at the Los Angeles Forum.

As ever, the Dead themselves were also not immune to tragedy — on July 26, 1990, Mydland suffered a fatal drug overdose, the third keyboardist in group history to perish; he was replaced not only by ex-Tubes keyboardist Vince Welnick but also by satellite member Bruce Hornsby, a longtime fan who frequently toured with the group. In the autumn of 1992 Garcia was again hospitalized with diabetes and an enlarged heart, forcing the Dead to postpone their upcoming tour until the year's end; he eventually returned to action looking more fit than he had in years. Still, few were surprised when it was announced on August 9, 1995, that Garcia had been found dead in his room at a substance abuse treatment facility in Forest Knolls, CA; the 53 year old's death was attributed to a heart attack.

While Garcia's death spelled the end of the Dead as a continuing creative entity, the story was far from over. As the surviving members disbanded to plot their next move, the band's merchandising arm went into overdrive — in addition to Dick's Picks, a series of archival releases of classic live material, licensed products ranging from Dead T-shirts to sporting goods to toys flooded the market. Plans were also announced to build Terrapin Station, an interactive museum site. In 1996, Weir and Hart mounted the first Furthur Festival, a summer tour headlined by their respective bands RatDog and Mystery Box; in 1998, they also reunited with Lesh and Hornsby to tour as the Other Ones. In spirit if not in name, the Grateful Dead's trip continued on.

The Grateful Dead
Robert F. Kennedy Stadium, Washington, D.C. (Sun)
1973-June-10

CD1
01.Morning Dew
02.Biodtl
03.Ramble On Rose
04.Jack Straw
05.US Blues
06.Looks Like Rain
07.Box Of Rain
08.They Love Each Other
09.Race Is On
10.Row Jimmy
11.El Paso

CD2
01.Bird Song
02.Playin In The Band
03.Eyes Of The World>
04.Stella Blue
05.Big River

CD3
01.Here Comes Sunshine
02.Around And Around
03.Dark Star
04.He's Gone
05.Wharf Rat
06.Truckin

CD4
01.Sugar Magnolia
02.Train To Cry
03.That's Alright Mama*
04.Promised Land*
05.Not Fade Away*>
06.Going Down The Road Feeling Bad*>
07.Drums*>
08.NFA*
09.Johnny B. Goode*

*with Allman Brothers Band and Merl Saunders WEt Willie, then Allman Brothers Band opened - first "That's Alright Mama" - first "Train To Cry" - final "Wave That Flag" - "Half Step" appears on some tapes but is likely from a different show
http://fp.io/42b5615c/

THE GRATEFUL DEAD / 30 DAYS OF DEAD (2010)

November 1, 2010 New Speedway Boogie 23.6 MB Venue: Fillmore East  Date: September 20, 1970  
November 2, 2010 Dark Star 49.7 MB Venue: Fillmore West Date: June 5, 1969
November 3, 2010 Althea 20.6 MB Venue: Hartford Civic Center, Hartford, CT Date: March 14, 1981
November 4, 2010 Playin' in the Band 68.3 MB Venue: Iowa St. Fairgrounds, Des Moines, IA Date: May 13, 1973
November 5, 2010 Easy Wind A 23.1 MB Venue: Springer's Inn, Portland, OR Date: January 16, 1970
November 5, 2010 Easy Wind B 22.5 MB Venue: Winterland  Date: December 31, 1970
November 6, 2010 Sugaree 24.1 MB Venue: Warfield  Date: October 13, 1980
November 7, 2010 He's Gone A 30.3 MB Venue: Hartford Civic Center, Hartford, CT   Date: March 26, 1987
November 7, 2010 He's Gone B 19 MB Venue: L'Olympia, Paris, France  Date: May 4, 1972
November 8, 2010 Estimated Prophet 28.8 MB Venue: Warfield  Date: October 7, 1980
November 9, 2010 China Cat Rider 28.3 MB Venue: The Warehouse, New Orleans, LA   Date: February 1, 1970
November 10, 2010 Cream Puff War 14.3 MB Venue: Winterland   Date: March 18, 1967
November 11, 2010 St. Stephen 18.04 MB Venue: Hartford Civic Center, Hartford, CT Date: October 15, 1983
November 12, 2010 The Music Never Stopped  20.3 MB Venue: Horton Field House, Illinois St. U.  Date: April 24, 1978
November 13, 2010 Truckin'  19.4 MB Venue: Winterland  Date: May 30, 1971
November 14, 2010 New Minglewood Blues 12.5 MB Venue: Legion Stadium, El Monte, CA Date: December 26, 1970
November 15, 2010 Sailor/Saint 30.4 MB Venue: Radio City Music Hall, NY, NY Date: October 25, 1980
November 16, 2010 New Potato Caboose 15.6MB Venue: O'Keefe Toronto, ON Date: August 4, 1967
November 17, 2010 Cold Rain & Snow  15.3 MB Venue: Legion Stadium, El Monte, CA Date: December 28, 1970
November 18, 2010 So Many Roads 16.9 MB Venue: Knickerbocker Arena, Albany, NY Date: March 28, 1993
November 19, 2010 Sugar Magnolia 13.3 MB Venue: Capitol Theater, Port Chester, NY Date: February 24, 1971
November 20, 2010 Alligator 25.6 MB - 11:13 Venue: O'Keefe Toronto, ON  Date: August 5, 1967
November 21, 2010 Cassidy -> Don't Ease Me In 22.5MB Venue: Silva Hall, Eugene, OR  Date: August 31, 1983
November 22, 2010 Tennessee Jed > Let it Grow 49.8 MB Venue: Charlotte Coliseum, Charlotte, NC Date: October 23, 1989
November 23, 2010 Dupree's Diamond Blues 9.4 MB (Really!) Venuee: Avalon Ballroom, SF  Date: January 25, 1969
November 24, 2010 Help->Slipknot!->Franklins 58.2MB Venu: Cal Expo, Sacramento, CA  Date: May 5, 1991
November 25, 2010 My Brother Esau 13.4 MB 5:52   Venue: Hampton Coliseum, Hampton, VA  Date: Aril 14, 1984
November 26, 2010 Shakedown Street 30.5 MB, 13:21 Venue: Spectrum, Philadelphia, PA  Date: Aril 6, 1982
November 27, 2010 Mason's Children 10.9 MB 4:45 Venue: Golden Hall, San Diego, CA Date: January 10, 1970
November 28, 2010 Let it Grow 27.3 MB 11:54 Venue: Rich Stadium, Orchard Park, NY Date: July 16, 1990
November 29, 2010 Uncle John's Band 13.0 MB 5:41 Venue: Fillmore East, NY Date: February 11, 1970
November 30, 2010 Sugar Magnolia 30iii19.2 MB 8:25 Venue: UCSB Stadium, Santa Barbara, CA Date: June 4,1978                                                                                                                                             http://fp.io/9d8b9f95/

THE ALLMAN BROTHERS BAND - BEACON THEATRE, NEW YORK,NY. 3/13/2012

The Allman Brothers Band
2012-03-13
Beacon Theatre New York, NY


Disc I:
01. Billy Graham introduction (1971)
02. Don't Want You No More
03. It's Not My Cross To Bear
04. Leave My Blues At Home
05. Key To The Highway
06. Who's Been Talking
07. Egypt
08. Introduction 1
09. Don't Keep Me Wonderin'
10. Introduction 2
11. I've Been Loving You Too Long
12. Who To Believe
13. The Weight

Disc II:
01. Back Where I Stand
02. Introduction 3
03. Come On In My Kitchen
04. Will The Circle Be Unbroken
05. Blue Sky
06. Every Hungry Woman

Disc III:
01. And It Stoned Me
02. In Memory Of Elizabeth Reed
03. JaMaBuBu
04. In Memory Of Elizabeth Reed - reprise
05. Crowd noise
06. No One To Run With

http://fp.io/38954caf/