April 29, 2012

PETER GREEN - CARRY MY LOVE



01. Funky Jam
02. A Fool No More
03. Cryin' Won't Bring You Back
04. Last Train To San Antone
05. In The Skies
06. Apostle
07. Little Dreamer
08. Bay When The Sun Goes Down
09. Slabo Day
10. Loser Two Times
11. Carry My Love
12. Gotta See                                                                                                                                        http://fp.io/d89c7c12/

PETER GREEN - BACKTRACKIN'




http://fp.io/18d14613/

PETER GREEN - ALONE WITH THE BLUES




After acknowledging Eric Clapton and George Harrison in the audience at a concert at London's Royal Albert Hall in 1969, B.B. King was heard to have said 'But I've got to say that I'm sorry, Peter Green is best'. With this budget-priced 16 track compilation featuring over 30 years of great recordings by one of the world's best blues guitarists, you and your customers will probably be of the same opinion! From recent solo work through classic early Fleetwood Mac tracks and even earlier John Mayall & The Bluesbreakers cuts, this is an essential overview of the development of one of rock's most intriguing, talented and misunderstood enigmas. Contains 'Kind Hearted Woman', 'Born Under A Bad Sign' and 'A Fool No More'. - amazon.com

01. Walkin' the Road
02. Trying So Hard to Forget
03. Coming, I'm Coming
04. Kind Hearted Woman
05. Jumping at Shadows
06. Sandy Mary
07. Same Old Blues
08. Born Under a Bad Sign
09. Tribal Dance
10. Time for Me to Go
11. Fool No More
12. Loser Two Time
13. Fallin' Apart
14 Just for You
15. Last Train to San Antone
16. Give Me Back My Freedom                                                                                                            http://fp.io/f7fm18md/

PHISH - Darien Lake Performing Arts Center, Darien Center, New York - 09/14/2000







03: 9/14/00, Darien Lake Performing Arts Center, Darien Center, New York

"Punch You in the Eye"
"Reba"
"Albuquerque"
"Carini"
"The Oh Kee Pah Ceremony"
"Suzy Greenberg"
"Drowned"
"Crosseyed and Painless"
"Dog-Faced Boy"
"Prince Caspian"
"Loving Cup"
"Driver"
"Tela"
"Sample In A Jar"

http://fp.io/2735319a/

PEARL JAM - Parkbühne Wuhlheide Berlin - 08/15/2009





Pearl Jam
2009-08-15
Parkbühne Wuhlheide
Berlin


01.  Intro
02.  Why Go
03.  Hail Hail
04.  The Fixer
05.  Corduroy
06.  I Am Mine
07.  Nothing As It Seems
08.  Untitled / MFC
09.  God's Dice
10.  Even Flow
11.  Unemployable
12.  Severed Hand
13.  Light Years
14.  Daughter (Blitzkrieg Bop)
15.  Got Some
16.  Glorified G
17.  Brother
18.  Insignificance
19.  Do The Evolution
20.  Bee Girl
21.  Better Man
22.  Given To Fly
23.  Hard To Imagine
24.  Alive
25.  Angie
26.  Small Town
27.  Faithfull
28.  Sonic Reducer
29.  Rockin' In The Free World
30.  Yellow Ledbetter

PHIL LESH & FRIENDS - Concert At Calaveras County Fairgrounds, Angel's Camp, CA, - 05/29/1999


Phil Lesh & Friends
''Concert At Calaveras County Fairgrounds, Angel's Camp, CA, Set One''
May 29, 1999


1 - Blue Sky 14:18
2 - Wolfman's Brother; Bertha 16:34
3 - Patchwork Quit; The Other One Jam 12:55
4 - Confusion 8:17
5 - She Said She Said; Tomorrow Never Knows 16:12

Phil Lesh/Bass, Vocals
Donna Jean Godchaux McKay/Vocals
Warren Haynes/Guitar, Vocals
Steve Kimock/Guitar
Merl Saunders/Keyboards, Vocals
John Molo/Drums

Out of the dozens of The Grateful Dead spin-off bands, none has been more consistently successful at capturing the exploratory essence of the original experience than Phil Lesh & Friends. Lesh and his ever-evolving cast of characters have maintained a level of excellence that few other improvisational jambands can lay claim to and all have proven adept at the long, exploratory jams that were a trademark of the Dead. An air of unpredictability was always at the core of the Grateful Dead experience and this is something Lesh thoroughly understands and embraces in every performance.

An ongoing project for well over a decade now, the consistent factors are bassist Phil Lesh and drummer John Molo, arguably one of the most adventurous and melodically sophisticated rock rhythm sections ever. Acclaimed for breathing new life into the Grateful Dead's vast repertoire, including long abandoned material deemed too difficult to perform, Lesh specifically recruits friends who are comfortable with these challenges and who enjoy playing without boundaries. In addition to the Dead material, they explore an unlimited range of covers, spanning nearly every musical genre over the past century. Blues, rock, country, jazz, avant garde, are all fuel for Phil Lesh & Friends and this irreverence for any one tradition, while simultaneously appreciating all of them, is one of the appealing facets that continue to draw legions of fans from far and wide.

The performance presented here is a particularly interesting one, as not only does it capture the Phil & Friends experience early on it's development, but also features a spectacular one-off lineup that would unfortunately never be repeated. Recorded at the 1999 Mountain Aire Music Festival on a beautiful sunny day at Calavaras County Fairgrounds, this permutation of Phil & Friends features Lesh and Molo providing the foundation for soloists, Warren Haynes and Steve Kimock on guitars and one of the most gifted Bay Area musicians of all time, keyboardist Merl Saunders, who had sparked Jerry Garcia to many of his creative peaks. In addition to this core quintet, former Grateful Dead harmony vocalist, Donna Jean Godchaux-McKay lends her voice to the proceedings.

The first set of the afternoon contains four extended sequences, beginning with a nice breezy take on The Allman Brother's classic "Blue Sky" to set the scene. A pairing of the Phish song "Wolfman's Brother" with "Bertha" comes next. Although the vocals are primarily a shambles, both serve to gradually increase momentum for the rest of the set, which really begins taking off on the next sequence.

As shaky as the vocals were up to this point, Warren Haynes redeems the band on that front by delivering the most penetrating vocal of the entire set on his own "Patchwork Quilt," which has the band burning at a new intensity level. This is a wonderful performance in every regard, with no better example of Lesh's beautiful melodic bass work right up front in the mix. As the final verse trails off, Lesh and Molo propel the group into a jam on "The Other One," one of the Dead's primary jam vehicles. Things continue to heat up and then really take off after they launch into "Confusion." Once Merle struggles through the vocal, this becomes one hot funky jam, with everyone contributing. In fact, Lesh has never sounded funkier than he does right here and the jam heads for the psychedelic stratosphere where the band remains for the duration of this set.

In fact, they close this first set by pairing two classic Lennon songs from The Beatles "Revolver" album that have literally come to define the psychedelic stratosphere in terms of music, "She Said She Said," which was written about an acid trip experience and the apocalyptic "Tomorrow Never Knows."

Phil Lesh & Friends
''Concert At Calaveras County Fairgrounds, Angel's Camp, CA, Set Two, Disc One''
May 29, 1999


1 - Alligator; Mountain Jam; Ressurrection 26:45
2 - Soul Shine 8:15
3 - Merles Tune 11:44

Phil Lesh/Bass, Vocals
Donna Jean Godchaux McKay/Vocals
Warren Haynes/Guitar, Vocals
Steve Kimock/Guitar
Merl Saunders/Keyboards, Vocals
John Molo/Drums



Phil Lesh & Friends
''Concert At Calaveras County Fairgrounds, Angel's Camp, CA, Set Two, Disc TWO''
May 29, 1999


1 - Days Between 12:29
2 - Like A Rolling Stone; In The Midnight Hour 25:32
3 - Mountains Of The Moon 6:45

Phil Lesh/Bass, Vocals
Donna Jean Godchaux McKay/Vocals
Warren Haynes/Guitar, Vocals
Steve Kimock/Guitar
Merl Saunders/Keyboards, Vocals
John Molo/Drums
http://fp.io/59c7f631/

PAVLOV'S DOG / LIVE AND UNLEASHED (2011)



"Live and Unleashed" is the first Pavlov's Dog livealbum in it's 36 year history. The band is touring again regulary since 2004, and receives terrific reviews for energetic, emotional, and congenial concerts. "Live and Unleashed"captures the unique spirit of a Pavlov's Dog show authentically. The 7 piece live-lineup, incl. violin, melotron, piano, guitar and David Surkamp's unique voice, generates the typical Pavlov's Dog sound. Some arrangements are quite different to the studio versions, and overall the band is live more heavy. Powerful rock songs such as Breaking Ice or Looking For My Shadow, take turns with ballads such as Standing Here With You or Angel's Twilight Jump. Branded by beautiful violin melodies and Surkamp's affecting vocals, Pavlov's Dog live gives the heebie-jeebies for granted. Live and unleashed comprehends a cross-section of all Pavlov's Dog and David Surkamp periods. The album contains not only tracks of any Pavlov's Dog album, but as well Heart Of Mine (a track originally by HIFI, Surkamp's band in the 80ies together with Ian Matthews), and with Wrong and Looking For My Shadow two tracks of Surkamp's 2006 soloalbum Dancing On The Edge Of A Teacup. And despite Live and unleashed was recorded in 2009, it comprehends already four tracks of the brand new studioalbum Echo & Boo, which was released in 2010. - germusica.com

01. Preludin
02. Of Once and Future Kings
03. Breaking Ice
04. I Don't Need Magic Anymore
05. Heat Of Mine
06. Late November
07. Not By My Side
08. Theme From Subway Sue
09. Episode
10. I Love You Still
11. Gold Nuggets
12. Looking For My Shadow
13. Wrong
14. Standing Here With You (Megan's Song)
15. Angeline
16. Angel's Twilight Jump                                                                                                                  http://fp.io/b8bbam71/

JOHN CIPOLLINA - Raven (1980 great us west coast rock - 2006 reissue - Flac)




John Cipollina - Raven (1980 great us west coast rock - 2006 reissue - Flac)



I saw John Cipollina once, playing with Man at Newcastle City Hall in the 1970's. Many years later I asked Deke Leonard what it was like playing with John. His face lit up and said that it was awesome. I have long been an admirer and so by it's very nature this review is somewhat biased.
This year fans will see the DVD version of an earlier VHS tape, Electric Gunslinger, now alas out of print, which will include clips of many of the bands that John played with and hopefully Raven will be part of that footage.
Originally released as a transfer to CD of some tapes by a German label (and it showed) this is a cleaned up, much improved expanded version which will be gratefully received by John's legions of devoted fans. The extensive notes of the story of Raven and their trials and tribulations so lucidly and cogently by Mike Somavilla set the scene before listening to the music itself.
I was tempted to award this album five stars at first but feel that the CD does not really do justice to the music contained therein. Given the sources the mere fact that we have the album this good at all is extremely commendable but I feel that the album does not fully reflect the performances and thus the four stars.
Given the origins of the band from the notes it should come as no surprise to find songs which reappeared under other guises later. Raven is described as John's version of a big band and the album is a testament to that idea. Throughout listeners will find John's trademark sound but within the context of playing in a band and allowing others to make their contribution. He does not dominate or overwhelm but his presence is always felt. On some of the songs John contributes more than on others bu the overall impression is one of a band playing and having fun.
The things that shine through this album are the way the band plays together. It's only rock'n'roll but they obviously like it. I think that had the recordings been better then the interplays between the various members would have been clearer but you cannot have everything. There is a tightness in the performances which shows the familiarity of the material and sense of sharing. It is clear too that the band members shared a closeness which is more than friendliness, a sort of spirituality which is very special.
I very much enjoyed this album, as a historical record, as pieces of John Cipollina playing, as a pice of the great Bay area musical legacy and just as listening to a rock'n'roll band. To me the great thing about John Cipollina is his guitar playing. But the other great thing is his willingness to play rock and roll. He was not concerned about his status as a star but clearly was a musician who liked the idiom and liked to perform and liked to do so with other kindred spirits. Sharing his wealth of talent is the mark of a special man, of a man with humility and a generous spirit and these attributes are clearly in evidence in these peformances. (By Junglies)

Tracks Listing
01. Rock & Roll Nurse                  5:29  
02. True Golden Touch                  5:19
03. Do What You Do                  6:31
04. Unvicious Circle                  6:51
05. True Reward                          3:05
06. Grass Is Always Greener  4:14
07. Clouds                                  4:43
08. All Worth the Price                  5:27  
09. Ride (Highway Song)          6:17
10. Burning Corte Madera          3:33
11. The Truth                                  4:02
12. Bad News                                  3:56
13. Razor Blade & Rattlesnake  5:03
14. Prayers                                      3:36

Credits
John Cipollina 1 - 14
Greg Douglass 1 - 14
Nicky Hopkins 1 - 4, 6 - 8, 12
Jasper "Hutch" Hutchinson 1 - 3, 5 - 12, 14
Skip Olson 1, 5, 7, 13
Olson or Hutchinson 4
David Weber 1, 3 - 14
Andrew Kirby 1 - 14
Dave Walker 13

http://fp.io/mac8m9de/
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