July 10, 2012
THE DISCO BISCUITS - Starland Ballroom, Sayreville, NJ - 07/07/2012
The Disco Biscuits
2012-07-07
Starland Ballroom, Sayreville, NJ
Set One...
Disc I:
The Very Moon > (27:08)
Crickets > 1 (11:02)
Spacebirdmatingcall (15:42)
Aquatic Ape > 2 (9:25)
Svenghali 3 (5:17)
Set Two...
Disc II:
Intro (1:35)
Spraypaint > (17:11)
Sound One > (7:56)
Astronaut > 1 (13:31)
And The Ladies Were The Rest Of The Night > 4 (14:18)
Cyclone > (9:33)
Spraypaint (5:08)
Disc III:
Once The Fiddler Paid (15:16)
Encore:
Munchkin Invasion (14:55)
Notes:
1 middle section only
2 unfinished
3 ending only
4 inverted
http://fp.io/76cm4bfe/
THE DISCO BISCUITS - House of Blues, Atlantic City, NJ - 07/06/2012
The Disco Biscuits
2012-07-06
House of Blues, Atlantic City, NJ
Set I:
M.E.M.P.H.I.S. >
Run Like Hell >
Confrontation 1 >
Shem-Rah Boo 2 >
Bombs >
Crystal Ball 3
Set II:
Above The Waves
Magellan
House Dog Party Favor
Crystal Ball 3 >
The Great Abyss >
Run Like Hell
Enore:
Wet
Notes:
1 Inverted
2 unfinished
3 Dyslexic version
http://fp.io/db4e68aa/
THE GRATEFUL DEAD - Fillmore East - New York, NY - 04/26/1971
Grateful Dead
1971-04-26
Fillmore East, New York, NY
Recording Info:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit ->
Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips)
Transfer Info:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k)
Mastering Info:
WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
(2 Discs Audio / 2 Discs FLAC)
Master Reels Baked and Transferred By David Gans
All Mastering By Charlie Miller
charliemiller87@earthlink.net
February 1, 2010
Patch Info:
SBD -> 16 Track Master Reel -> Dat supplies:
Big Boss Man (0:00 - 2:52)
Wharf Rat (0:24 - 2:07) (2:46 - 2:51)
Mama Tried (complete track)
Notes:
-- Disc change is seamless
-- Sugar Magnolia, It Hurts Me Too and BIODTL with Duane Allman
-- I Know You Rider is cut at "north bound train"
-- Thanks to Bill Gadsden for supplying the reels
-- Thanks to Joe B. Jones for his help with the pitch correction
Set 1:
xxxxx - Bertha (MISSING)
xxxxx - Me And My Uncle (MISSING)
d1t01 - Big Boss Man
d1t02 - Loser
d1t03 - Playing In The Band
d1t04 - Hard To Handle
d1t05 - Dark Star ->
d1t06 - Wharf Rat
d1t07 - Casey Jones
Set 2:
d1t08 - Tuning
d1t09 - Sugar Magnolia
d2t01 - It Hurts Me Too
d2t02 - Beat It On Down The Line
d2t03 - China Cat Sunflower ->
d2t04 - I Know You Rider
xxxxx - Deal (MISSING)
d2t05 - Mama Tried
d2t06 - Good Lovin'
d2t07 - Sing Me Back Home
d2t08 - Not Fade Away ->
d2t09 - Goin' Down The Road Feeling Bad ->
d2t10 - Not Fade Away
http://fp.io/6f749dd7/
THE GRATEFUL DEAD - Fillmore East - New York, NY - 04/25/1971
Grateful Dead - April 25, 1971
Fillmore East - New York, NY
Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 29, 2008
Patch Info:
SBD -> Master Reel -> Cassette -> Dat -> CD supplies:
Morning Dew (0:00 - 0:08)
Goin' Down The Road Feeling Bad (2:07 - 5:08)
Notes:
-- All disc changes are seamless
-- Master Reel transferred to CD at the Mastering Plant in L.A.
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Patch in GDTRFB had to be extended 3 minutes to due reel flutter
Set 1:
d1t01 - Truckin'
d1t02 - Loser
d1t03 - Hard To Handle
d1t04 - Me And Bobby McGee
d1t05 - Cold Rain And Snow
d1t06 - The Rub
d1t07 - Playing In The Band
d1t08 - Friend Of The Devil
d1t09 - China Cat Sunflower ->
d1t10 - I Know You Rider
d1t11 - Casey Jones
Set 2:
d2t01 - Morning Dew
d2t02 - Beat It On Down The Line
d2t03 - Next Time You See Me
d2t04 - Bertha
d2t05 - Sugar Magnolia
d2t06 - I Second That Emotion
d2t07 - Good Lovin'
d2t08 - Sing Me Back Home
d2t09 - Spanish Jam Tuning
d3t01 - Not Fade Away ->
d3t02 - Goin' Down The Road Feeling Bad ->
d3t03 - Not Fade Away
Encore:
d3t04 - Uncle John's Band http://fp.io/4c6m8c15/
NICK LOWE - THE CONVINCER
Nick Lowe -The Convincer
01 Homewrecker
02 Only a Fool Breaks His Own Heart
03 Lately I've Let Things Slide
04 She's Got Soul
05 Cupid Must Be Angry
06 Indian Queens
07 Poor Side of Town
08 I'm a Mess
09 Between Dark and Dawn
10 Bygones (Won't Go)
11 Has She Got a Friend?
12 Let's Stay in and Make Love
Bonus Disc -
1 There Will Never Be Any Peace (Until God is Seated at the Conference Table)
2 Different Kind of Blue
3 Mama Said
http://fp.io/ebbae7f9/
MAHAVISHNU ORCHESTRA - Berkeley Community Theatre Berkeley, CA - 11/09/1972
Mahavishnu Orchestra
November 9, 1972
Berkeley Community Theatre
Berkeley, CA
01. Birds Of Fire
02. Miles Beyond
03. You Know, You Know
04. Dream
05. One Word
06. The Dance Of Maya
07. Sanctuary
08. A Lotus On Irish Streams
09. Vital Transformation
Concert Summary
Most of the musicians that recorded and performed with Miles Davis during his early explorations into electric instrumentation went on to form bands of their own. Of these groups intent on further exploring the new ground that Miles was forging into, few were as adept or as influential as the Mahavishnu Orchestra, a globally diverse group formed by legendary English guitarist John McLaughlin. Combining the…entire summary
John McLaughlin - guitar
Jerry Goodman - violin
Richard Laird - bass
Jan Hammer - keyboards
Billy Cobham - drums
Most of the musicians that recorded and performed with Miles Davis during his early explorations into electric instrumentation went on to form bands of their own. Of these groups intent on further exploring the new ground that Miles was forging into, few were as adept or as influential as the Mahavishnu Orchestra, a globally diverse group formed by legendary English guitarist John McLaughlin. Combining the improvisational elements of jazz with the volume and energy of rock music, the group - who also brought elements of Far Eastern music, R&B, Classical and occasionally even Country to the table - created music that was often intricate and complex, performed by musicians who's virtuosity thrilled audiences and critics alike. The group had a firm grip on dynamics and were equally adept at dense, aggressive flights of musical intensity as they were at creating moments of impassioned, spiritual contemplation.
This performance, significantly captured between their groundbreaking first and second album releases, finds the group at the peak of creativity and power. Recorded at the intimate Berkeley Community Theater, this concert is not only a stellar example of the band's high energy and fluid virtuosity, but is one of the longest and most intense performances to ever be captured on tape.
The first half hour features highly expanded versions of the yet to be recorded opening tracks of the group's second album. Opening with the title track "Birds Of Fire," followed by McLaughlin's tribute to the master himself, "Miles Beyond," the group displays their breathtaking improvisational abilities, expanding both pieces to almost three times the length of their studio counterparts.
Following this segment of initial intensity, the group settles into a more relaxed groove with a track from their debut album, "You Know, You Know." A much slower piece, the song's dominated by an R&B influenced bassline and contains tasteful arpeggios and unusual accent placements. The rhythm section of Laird and Cobham is showcased here, and is shown to be just as adept creating subtlety as intensity. One of the band's most popular first album tracks, "The Dance Of Maya," is featured, and likewise gets a highly expanded treatment. Many subtle changes occur during its extended explorations, and the track is certainly one of the most intriguing and accessible pieces for newcomers to the band.
After all the fury that occurred during the last hour of the show, the comparatively tranquill "Sanctuary" provides a wonderful contrast in mood. Jan Hammer's introspective synthesizer solo weeps while Goodman's wailing violin compliments McLaughlin's guitar. The "A Lotus On Irish Streams" continues in a contemplative mode with a gentle, serenading atmosphere. Hammer's keyboards propel the track, but it's the occasional speed soloing from McLaughlin, and especially the poignant violin contributions of Jerry Goodman, that provide the flavor and spiritual atmosphere of this track.
Many consider the Mahavishnu Orchestra to be the most influential of all the jazz-rock fusion groups to follow in the wake of Miles Davis' groundbreaking Bitches Brew sessions. While the genre would continue to grow and diversify in the years to come, few groups would approach the originality or musicianship that the Mahavishnu Orchestra displayed.
http://fp.io/6db312be/
BRUCE SPRINGSTEEN - Paris Bercy, Palais Omnisports de Paris - 07/04/2012
Bruce Springsteen 4th july 2012 Paris Bercy
3H30 minutes show
recorded with Olympus LS 11 + Church audio CA 14 with battery box
01. La vie en rose
02. We Take Care Of Our Own
03. Wrecking Ball
04. Badlands
05. Death To My Hometown
06. My City of Ruins
07. Spirit In The Night
08. E Street Shuffle
09. 4th of July, Asbury Park (Sandy)
10. Jack of All Trades
11. Because The Night
12. Darkness On The Edge of Town
13 Johnny 99
14. Darlington County
15. Easy Money
16. Waitin? On A Sunny Day
17. Promised Land
18. Apollo Medley
19. INDEPENDENCE DAY (solo piano)
20. The River
21. The Rising
22. Out In The Street
23. Land Of Hope And Dreams
24. We Are Alive
25. Born In The USA
26. Born To Run
27. Bobby Jean
28. Dancing In The Dark
29. Tenth Avenue Freeze Out
30. American Land
http://fp.io/612b1f1a/
BRUCE SPRINGSTEEN - Paris Bercy, Palais Omnisports de Paris - 07/05/2012
Bruce Springsteen
Paris Bercy, Palais Omnisports de Paris
2012-07-05
1. The Ties that Bind
2. No Surrender
3. Two Hearts
4. Downbound Train
5. Candy's Room
6. Something In The Night
7. We Take Care of Our Own
8. Wrecking Ball
9. Death To My Hometown
10. My City of Ruins
11. Spirit In The Night
12. Incident on 57th Street
13. Because The Night
14. She's the One
15. Working on the Highway
16 I'm Goin' Down
17. Easy Money
18. Waitin' On a Sunny Day
19. Apollo Medley
20. FoR yOu (SoLo PiAnO)
21. Racing In The Street
22. The Rising
23. Out In The Street
24. Land of Hope & Dreams
25. We Are Alive
26. Thunder Road
27. Born To Run
28. Glory Days
29. Seven Nights to Rock
30. Dancing In The Dark
31. Tenth Avenue Freeze Out
BRUCE HORNSBY - Furthur Festival Molson Amphitheatre Toronto, Canada - 07/09/1997
Bruce Hornsby - 1997-07-09 - Toronto, Canada (SBD)
Bruce Hornsby
1997-07-09
Furthur Festival
Molson Amphitheatre
Toronto, Canada
Soundboard Recording
192 Kbps
Artwork Included
01. Across The River >
02. Big Rumble
03. Long Tall Cool One
04. On The Western Skyline >
05. A Night On The Town
06. Franklin's Tower
07. Another Day
Bruce Hornsby - 1997-07-09 - Toronto, Canada (SBD)
In the wake of Jerry Garcia's passing in 1995, the Grateful Dead disbanded rather than continue playing as a unit without their long time guitarist and spiritual leader. Over time, they reversed that decision, reforming to play in various guises such as The Other Ones, The Dead and most recently, Furthur. Furthur has always been part of the band's vocabulary, dating back to the the 1960's when it was name of the bus used by Ken Kesey and the Merry Pranksters as part of the Electric Kool Aid Acid tests, The Grateful Dead, of course, were the house band for those events! The Dead's tune The Other One references Furthur in the line "Captain Neal at The Wheel, of the bus to never never land". So, it's not surprising then that the first musical initiative after Jerry’s death by former members of the Dead was dubbed "The Furthur Festival". The Furthur Festival, which ran during the summers from 1996 to 1998, was a collection of bands with links to Dead, such as Bob Weir's Ratdog, Mickey Hart's Mystery Box, Hot Tuna, Los Lobos and former GD keyboardist, Bruce Hornsby, just to name a few. This soundboard recording captures Bruce Hornsby's set at the Further Festival on July 9, 1997, 15 years ago today, in Toronto. Download this one to hear Bruce pay tribute to his fallen comrade, Jerry, by playing Across the River and Franklin’s Tower, 2 songs well known for Garcia’s blistering guitar work.
http://fp.io/caea6d1b/
STS9 - Axe the Cables - Boulder Theater - Boulder, CO - 06/17/2012
Axe the Cables - Boulder Theater - Boulder, CO -
Equinox (9:57)
Roygbiv (3:49)
Dance (8:49)
From Now On (7:08)
Lo Swaga (7:42)
Kamuy (8:41) http://fp.io/9me9688a/
LED ZEPPELIN - THE GARDEN TAPES - VOL 3: 07/29/1973
Led Zeppelin - 1973-07-29 - New York City
Led Zeppelin
July 29, 1973
Madison Square Garden
New York City, NY
01. Rock and Roll
02. Celebration Day
03. Black Dog
04. Over The Hills and Far Away
05. Misty Mountain Hop
06. Since I've Been Loving You
07. No Quarter
08. The Song Remains The Same
09. The Rain Song
10. Dazed and Confused
11. Stairway To Heaven
12. Moby Dick
13. Heartbreaker
14. Whole Lotta Love
15. The Ocean
16. Thank You
Variety (August 1973): Led Zeppelin Wraps Up U.S. Tour with Record Gates and $4-Million Gross
Led Zeppelin’s U.S. tour, which wound up at Madison Square Garden, N.Y. Sunday (29th), shattered attendance records, many previously held by the Beatles and grossed some $4,000,000. Latter figure for the 33 dates is unofficial as the British quartet began withholding such info after breaking Beatles marks to launch the tour in Atlanta and Tampa.
The Garden concert was the third consecutive sellout at the arena, where a $7.50 top usually means a $130,000 gross potential. The three Concerts East shows would come to $390,000. The May 4 opener at Braves Stadium, Atlanta, drew 39,236 patrons who paid $246,000, the largest concert crowd in Georgia’s history. Previously high was 33,000 drawn to the same stadium by the Beatles in 1965.
Next night, Led Zeppelin drew 56,800 to Tampa Stadium with a $309,000 gross. The previous mark for a single concert in the U.S. was believed to have been the $301,000 paid by 55,000 at the fames Beatles Shea Stadium, N.Y. concert, also in 1965.
The rockers, who performed without opening acts, played to more than 100,000 customers in California in less than a week, including a California record 39,304 at Kezar stadium, San Francisco, June 2. Previous mark of45, 000 was set by Grand Funk Railroad two years ago.
They sold out Dallas and Ft. Worth back to back, virtually unheard of previously, drawing 10,000 to Dallas Memorial Auditorium May 18 and 13,500 to Tarrant County Convention Centre.
The final New York show and the last concert of the 1973 Tour. The opening numbers are just powered through and Jimmy's playing is spectacular! "I gotta put you straight on a couple of things. This year in America we decided to work extra hard, so we did two tours and this is the last night of the last tour." stated Plant at the beginning of the concert. Jones is excellent on bass and turns in some great keyboard playing, especially on No Quarter. Dazed And Confused is an excellent version and by Stairway To Heaven, the band has left mere mortal status. Moby Dick is immensely long and rather boring but from Heartbreaker to the end, there is a riot that has the crowd, as well as the listener, in an absolute frenzy ... the music's that good!
The third and final night at Madison Square Garden used to create the 1976 concert film The Song Remains the Same and the live album of the same name. The tape begins with a brief soundcheck before Rock and Roll explodes out of the gate. Plant's voice starts off a bit rough, taking a few songs to warm up. Following Black Dog, he tells the crowd "this year in America, we decided to work extra hard, so we did two tours... and this is the last night of the last tour" adding "tonight we're gonna do our very best."
Page shreds through an excellent guitar solo as Jones explores a funky groove during Over the Hills and Far Away. As the song ends, Plant jokes "really, you could call this gig a fitness test... just to see if we can really still do it." Bonzo hammers at his drums with incredible intensity during Misty Mountain Hop. Since I've Been Loving You is dramatic and powerful. Page blazes through the guitar solos during The Song Remains the Same. Plant introduces Dazed and Confused as "one of the songs from Zeppelin's embryo." The San Francisco interlude is fantastic. The guitar solo/workout section is somewhat erratic. Page solos wildly during the outro.
Stairway to Heaven features an excellent guitar solo from Page. The end of the song is met with a tidal wave of deafening cheers from the crowd. Page's fingers fly across the fretboard during the a cappella solo in Heartbreaker. Bonzo and Jones lock into a high-speed funky rhythm as Page works his theramin wizardry during Whole Lotta Love. The Boogie Chillen' section features a fantastic guitar solo from Page. Bonzo plays a thunderous four-minute mini drum solo during the finale. Before The Ocean, Plant tells the crowd "tomorrow night I'll be lyin' on the grass in the middle of nowhere." Following an upbeat organ solo from Jones, the band closes the show with an outstanding performance of Thank You. A fitting finale to the 1973 North American tour.
http://fp.io/75dbmb5a/
ERIC CLAPTON - Montreal Forum Montreal Canada - 07/09/1974
Eric Clapton - 1974-07-09 - Montreal, Canada (SBD)
Eric Clapton
1974-09-1974
Montreal Forum
Montreal Canada
Soundboard Recording
320 Kbps
Artwork Included
CD 1:
01. Smile
02. Easy Now
03. Let It Grow
04. Layla
05. Have You Ever Loved A Woman
06. Let It Rain
07. Willie And The Hand Jive > Get Ready
CD 2:
01. Presence Of The Lord
02. Badge
03. Steady Rollin’ Man > Crossroads
04. Mean Old World
05. Little Wing
06. Little Queenie
07. Blues Power
Eric Clapton - 1974-07-09 - Montreal, Canada (SBD)
After returning to the stage in January 1973 at the Rainbow Concert, and finally kicking his addiction to heroin, Eric Clapton went into the studio in April 1973 to record his first solo album. The resulting disc, 461 Ocean Boulevard, went to #1 on the Billboard charts, as did the single I Shot The Sheriff, a remake of the Bob Marley classic. Clapton went on tour in the US in late June 1974, about the same time as the album was released. Incredibly, soundboard or FM recordings exist for almost every show of that tour. Those recordings reveal a more laid back EC, who was now battling a new addiction, alcohol. This soundboard captures him on July 9, 1974, 38 years ago today, at the Forum in Montreal. Download this one to hear EC, the man behind such legendary bands as Cream, Blind Faith, and Derek and The Dominos, on his first solo tour.
http://fp.io/e864b3f1/
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