7/27/01 Oak Mountain Amphitheatre, Pelham, AL
WIDESPREAD PANIC
DISC ONE
SET ONE
Conrad
(8:37)
One Arm Steve
(3:13)
Barstools and Dreamers
(10:08)
Action Man
(4:14)
This Part of Town
(5:15)
Greta
(11:29)
Christmas Katie
(7:05)
Let It Rock
(7:10)
Radio Child
(5:54)
DISC TWO
SET TWO
Disco
(5:37)
Bear's Gone Fishin'
(10:36)
Driving Song > Blight
(14:55)
The Waker
(3:43)
Last Dance
(7:42)
The Harder They Come
(10:30)
Drums
(25:20)
DISC THREE
Fixin' To Die
(5:13)
Low Rider
(6:59)
Love Tractor
(5:42)
ENCORE
Ride Me High
(7:36)
Dream Song
(5:17)
May 31, 2013
THE ALLMAN BROTHERS BAND - ICON
The Allman Brothers Band – Icon (2013)
Simply put, this is a compilation of most of the Allman Brothers Band‘s best-known tunes during their tenure with Capricorn. While it’s disappointing that the studio version of “Whipping Post” appears in lieu of the live one from At Fillmore East, a just compensation is made by the inclusion of “In Memory of Elizabeth Reed” from that historic recording. The other live cut here is the long version of “Jessica,” from Wipe the Windows, Check the Oil, Dollar Gas, though the studio version might well have sufficed.
For anyone who is looking for a single-disc Allman Brothers compilation, Icon might serve. That said, one has to wonder why the compilation producers chose songs from more erratic recordings such as Enlightened Rogues and the awful Win, Lose or Draw when more excellent material from Eat a Peach was there for the picking (i.e., “Ain’t Wastin’ Time No More,” “Trouble No More,” “Blue Sky”). That curious decision is troubling.
1. Whipping Post
2. Midnight Rider
3. Melissa
4. Ramblin’ Man
5. Wasted Words
6. Can’t Lose What You Never Had
7. Crazy Love
8. In Memory of Elizabeth Reed (Live)
9. Jessica (Live)
http://fp.io/m87b4245/
YES - Westfalenhalle Dortmund Germany. - 06/24/1986
Yes - Dortmund, 1986
Westfalenhalle
Dortmund
Germany.
June 24, 1986
Soundboard Recording
01 Cinema
02 Leave It
03 Hold On
04 I've Seen All Good People
05 Changes
06 Owner Of A Lonely Heart
07 It Can Happen
08 City Of Love
09 Starship Trooper
http://fp.io/8b64mfda/
May 30, 2013
THE GRATEFUL DEAD - Parc des Expositions, Dijon, France - 09/18/1974
Grateful Dead
1974-09-18
Parc des Expositions, Dijon, France
Set I:
d1t01 - Uncle John's Band
d1t02 - Jack Straw
d1t03 - Friend Of The Devil
d1t04 - Black Throated Wind
d1t05 - Scarlet Begonias
d1t06 - Mexicali Blues
d1t07 - Row Jimmy
d1t08 - Beat It On Down The Line
d1t09 - Deal
d1t10 - The Race Is On
d1t11 - To Lay Me Down
d2t01 - Playing In The Band
d2t02 - Seastones (Phil & Ned)
Set II:
d2t03 - Loose Lucy
d2t04 - Big River
d2t05 - Peggy-O
d2t06 - Me & My Uncle
d3t01 - Eyes Of The World >
d3t02 - China Doll
d3t03 - He's Gone >
d3t04 - Truckin' >
d3t05 - Drums >
d3t06 - Caution Jam >
d3t07 - Ship Of Fools
d3t08 - Johnny B. Goode
Encore:
d3t09 - U.S. Blues
Lineage:
SBD > Master Reel > Dat > Sonic Solutions > CD > EAC > SHN
(3 Discs Audio / 2 Discs SHN)
SHN'd By Charlie Miller from Pre-FM GDH Production Discs
11/19/03
This shn set has fixed a pop on d1t07 (see notes). Otherwise it is
unchanged from the original seed (http://db.etree.org/shn/20675)
Notes:
-Two pops removed in Peggy-O with Cool Edit Pro v1.2
Note added 11/29/2003 by Matt Vernon
- fixed pop d1t07 ~ 6:17. If you have the original source you only need this "fixed" track, the rest are uneffected (sector boundaries unchanged)
- added notations where between song tuning appears not continuous
http://fp.io/8d776774/
1974-09-18
Parc des Expositions, Dijon, France
Set I:
d1t01 - Uncle John's Band
d1t02 - Jack Straw
d1t03 - Friend Of The Devil
d1t04 - Black Throated Wind
d1t05 - Scarlet Begonias
d1t06 - Mexicali Blues
d1t07 - Row Jimmy
d1t08 - Beat It On Down The Line
d1t09 - Deal
d1t10 - The Race Is On
d1t11 - To Lay Me Down
d2t01 - Playing In The Band
d2t02 - Seastones (Phil & Ned)
Set II:
d2t03 - Loose Lucy
d2t04 - Big River
d2t05 - Peggy-O
d2t06 - Me & My Uncle
d3t01 - Eyes Of The World >
d3t02 - China Doll
d3t03 - He's Gone >
d3t04 - Truckin' >
d3t05 - Drums >
d3t06 - Caution Jam >
d3t07 - Ship Of Fools
d3t08 - Johnny B. Goode
Encore:
d3t09 - U.S. Blues
Lineage:
SBD > Master Reel > Dat > Sonic Solutions > CD > EAC > SHN
(3 Discs Audio / 2 Discs SHN)
SHN'd By Charlie Miller from Pre-FM GDH Production Discs
11/19/03
This shn set has fixed a pop on d1t07 (see notes). Otherwise it is
unchanged from the original seed (http://db.etree.org/shn/20675)
Notes:
-Two pops removed in Peggy-O with Cool Edit Pro v1.2
Note added 11/29/2003 by Matt Vernon
- fixed pop d1t07 ~ 6:17. If you have the original source you only need this "fixed" track, the rest are uneffected (sector boundaries unchanged)
- added notations where between song tuning appears not continuous
http://fp.io/8d776774/
THE GRATEFUL DEAD - Olympiahalle, Munich, West Germany - 09/14/1974
Grateful Dead
1974-09-14
Olympiahalle, Munich, West Germany
Set I:
d1t01 - Bertha (aud)
d1t02 - Me And My Uncle (aud)
d1t03 - Deal (aud)
d1t04 - Jack Straw (aud)
d1t05 - Scarlet Begonias (aud > sbd)
d1t06 - Promised Land
d1t07 - Loser
d1t08 - El Paso
d1t09 - Row Jimmy
d2t01 - Weather Report Suite >
d2t02 - Let It Grow
d2t03 - Tennessee Jed
d2t04 - Around And Around
d2t05 - Seastones (Phil and Ned)
Set II
d2t06 - Big River
d2t07 - Sugaree
d2t08 - Mexicali Blues
d2t09 - Mississippi Half-Step Uptown Toodeloo
d2t10 - It Must Have Been The Roses
d3t01 - Truckin' >
d3t02 - Mind Left Body Jam >
d3t03 - Wharf Rat >
d3t04 - Sugar Magnolia
Encore:
d3t05 - Eyes Of The World >
d3t06 - One More Saturday Night
d3t07 - U.S. Blues
Recording Info:
SBD > Master Reel > Dat
Transfer Info:
Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional > FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred & Edited By Charlie Miller
August 23, 2005
Patch Info:
AUD > Master Reel >Dat > CD supplies:
Bertha through 5:20 of Scarlet Begonias
Notes:
-- I did a 10db bass boost on the AUD patch (not that you can tell).
-- Cut in Truckin' Jam removed with crossfade.
-- Last few seconds of Sugar Magnolia missing (Fade Out).
-- Cut in U.S. Blues.
http://fp.io/77a3e241/
1974-09-14
Olympiahalle, Munich, West Germany
Set I:
d1t01 - Bertha (aud)
d1t02 - Me And My Uncle (aud)
d1t03 - Deal (aud)
d1t04 - Jack Straw (aud)
d1t05 - Scarlet Begonias (aud > sbd)
d1t06 - Promised Land
d1t07 - Loser
d1t08 - El Paso
d1t09 - Row Jimmy
d2t01 - Weather Report Suite >
d2t02 - Let It Grow
d2t03 - Tennessee Jed
d2t04 - Around And Around
d2t05 - Seastones (Phil and Ned)
Set II
d2t06 - Big River
d2t07 - Sugaree
d2t08 - Mexicali Blues
d2t09 - Mississippi Half-Step Uptown Toodeloo
d2t10 - It Must Have Been The Roses
d3t01 - Truckin' >
d3t02 - Mind Left Body Jam >
d3t03 - Wharf Rat >
d3t04 - Sugar Magnolia
Encore:
d3t05 - Eyes Of The World >
d3t06 - One More Saturday Night
d3t07 - U.S. Blues
Recording Info:
SBD > Master Reel > Dat
Transfer Info:
Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional > FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred & Edited By Charlie Miller
August 23, 2005
Patch Info:
AUD > Master Reel >Dat > CD supplies:
Bertha through 5:20 of Scarlet Begonias
Notes:
-- I did a 10db bass boost on the AUD patch (not that you can tell).
-- Cut in Truckin' Jam removed with crossfade.
-- Last few seconds of Sugar Magnolia missing (Fade Out).
-- Cut in U.S. Blues.
http://fp.io/77a3e241/
DEREK AND THE DOMINOS - Johnny Cash Show Taping Ryman Auditorium Nashville, TN - 11/05/1970
Derek and the Dominos
1970-11-05
Johnny Cash Show Taping
Ryman Auditorium
Nashville, TN
Soundboard Recording
320 kbps
Artwork Included
01. It's Too Late
02. Got To Get Better In A Little While
03. Matchbox
04. Matchbox
05. Matchbox
06. Blues Power
http://fp.io/d6dfma64/
Taping for show. Actually aired on Januay 6, 1971
DEREK AND THE DOMINOS With Duane Allman - Curtis Hixon Hall, Tampa, FL - 12/10/1970
Derek and the Dominos
With Duane Allman
1970-12-10
Curtis Hixon Hall,
Tampa, FL
Very Good Audience Recording
320 kbps
Artwork Included
CD 1:
01. Layla
02. Got To Get Better In A Little While
03. Key To The Highway
04. Why Does Love Got To Be So Sad
CD 2:
01. Blues Power
02. Have You Ever Loved A Woman
03. Bottle Of Red Wine
04. Let It Rain
Notes: Notes: This is the only known live performance of Derek and the Dominos with Duane Allman. The insert claims that he joined the band on at least one other occasion but so far nothing has been documented. Relatively good sound quality for a D&D show. An upgrade over the circulating "Second Source Remix," but it may have some noise reduction in there. And, of course, Duane! (Taken from original info file). http://fp.io/1a4b92m1/
JAMES TAYLOR - The Complete Carnegie Hall Concert Carnegie Hall, New York City - May 26-27, 1974
James Taylor
The Complete Carnegie Hall Concert
Carnegie Hall, New York City
May 26-27, 1974
First Set
1. You Can Close Your Eyes
2. Riding On A Railroad
3. Blossom
4. Long Ago And Far Away
5. Sunshine Sunshine
6. Me And My Guitar
7. Country Road
8. You’ve Got A Friend
9. Promised Land
Second Set
10. Migration
11. Let It All Fall Down
12. Brighten Your Night With My Day
13. One Man Parade
14. Anywhere Like Heaven
15. Don’t Let Me Be Lonely Tonight
16. Fire and Rain
17. You’re The One (That I Adore)
18. Rock 'N' Roll Is Music Now
19. Mockingbird
Encore
20. Ain’t No Song
21. Sweet Baby James
Time: 79:10
Source: KBFH master reels > dat > cdr > EAC > Sound Forge 6.0 > CD Wave > 1shn/1cdr
Remastered by ALS, March 2003
Comments:
James Taylor performed at Carnegie Hall on May 26th and May 27th in 1974.
These two shows were probably the final two shows of JT's four-week U.S. tour to promote
"Walking Man." The DIR Concert Network had permission to tape both shows and it is not
clear whether this version represents one of the shows or a combination of both shows.
My gut feeling is that it is probably a combination of both shows. KBFH broadcasted this
version of the show on June 30, 1974. This version is superior in every way to the hugely
popular and widely circulated "Carnegie Hall" KTS bootleg. The overall sound quality is
stunning, crystal clear stereo. The soft songs are perfect, although the loud songs are
so full the sound nearly distorts. The KTS bootleg was probably sourced from a second or
third generation cassette. The addition of the six songs not included on the KTS bootleg
dramatically changes the flow of the show. KTS would have you believe that JT jumped from
"Fire and Rain" to "Mockingbird." Not so. JT beautifully built the show to a peak
culminating with Carly's arrival just after the start of "Mockingbird." For JT fans this
version is essential. Some minor editing was necessary to best represent the original
concert experience from the perspective of the audience. I edited out the KBFH
announcements. I edited in several "soft endings" where the audience applause would have
otherwise abruptly ended (due to harsh KBFH edits or announcements). No edits were made
to the music or stage banter.
http://fp.io/a6abe56c/
JOHN FOGERTY & Friends - Oakland Alameda County Coliseum Oakland, CA - 05/27/1989
John Fogerty & Friends
1989-05-27
Oakland Alameda County Coliseum
Oakland, CA
Soundboard Recording
01. Born On The Bayou.
02. Green River
03. Down on the Corner
04. Rock And Roll Girls
05. Centerfield
06. Proud Mary
07. Midnight Special
08. Bad Moon Rising
09. Fortunate Son
10. Suzy Q
11. Long Tall Sally
Notes:
Entire Show with:
Jerry Garcia, Clarence Clemmons and Bob Weir
Source: SBD > Cassette > Nak DR-3 > RME 96/8 PST > CDR
DEREK AND THE DOMINOS - Civic Center Santa Monica CA - 11/20/1970
Derek & The Dominoes
1970-11-20
Civic Center
Santa Monica CA
November 20, 1970
320 kbps
CD 1:
Early Show
01. Got To Get Better In A Little While
02. Key To The Highway
03. Why Does Love Got To Be So Sad
04. Blues Power
05. Have You Ever Loved A Woman
06. Tell The Truth
07. All Night Long - Derek's Boogie
08. Let It Rain
CD 2:
Late Show
01. Tuning
02. Got To Get Better In A Little While
03. Key To The Highway
04. Why Does Love Got To Be So Sad
CD 3:
Late Show (continued)
01. Tuning
02. Blues Power
03. Stormy Monday
04. Tell The Truth
05. Let It Rain
06. Everyday I Have The Blues
Derek and the Dominos’ first official onstage appearance was at the Lyceum in London on June 14. This show is five months later in California. Much of the time in between was spent in Miami, Florida at Criteria Studios recording Layla And Other Assorted Love Songs from late August to early October, 1970.
How they managed to record an album and tour, even briefly, is a modern miracle, considering the drugs and vice that swirled around the band. At the time, they were doing hard drugs. Years later, the Dominos’ Bobby Whitlock was quoted in the Layla Sessions liner notes that “We didn’t have little bits of anything. There were no grams around, let’s just put it like that. Tom (Dowd) couldn’t believe it, the way we had these big bags laying out everywhere. I’m almost ashamed to tell it, but it’s the truth. It was scary, what we were doing, but we were just young and dumb and didn’t know. Cocaine and heroin, that’s all and Johnny Walker.”
When you listen to this show, the band is steamin’ with Clapton singing authoritatively, while throwing licks with quicksilver speed. Did the drugs do the trick? This audience recording is fantastic, up close capturing a stereo image with nice bass, and also the atmosphere of a pre-Heavy Metal show. This was blues rock with the emphasis on the blues as heavy music, soon to be upended by the brute force of metal. This pre-Heavy Metal show is distinguished by the flair of Clapton’s soloing, his musicality and variety.
The downer hit while the band was back in London recording their second album. It was never completed. Eric Clapton said the second album “broke down halfway through because of the paranoia and tension. And the band just… dissolved.” Too much drugs and a band relationship that didn’t have enough time to cement was to blame. Clapton and Whitlock did not speak for years. Carl Radle was the only Domino to continue working with Clapton. And according to Wikipedia Jim Gordon, “who was an undiagnosed schizophrenic, killed his mother with a hammer in 1983 during a psychotic episode. He was confined to a mental institution in 1984, where he remains today”.
This was among the earliest Derek and the Dominos show to emerge on bootleg. This version has the benefit of being cleaned by grner1 and is also from a low-generation source tape. It has been “meticulously remastered to eliminate most of the quality issues that were introduced in this source over time. This version is not going to fool anyone into thinking it was mastered on a 24-bit R-09, but it is now a pleasant listen that has clearly audible vocals, good dynamics, and limited hiss” says sharer ademotte.
The bonus of this show is the appearance of Delaney Bramlett on second guitar on both the afternoon and evening shows. http://fp.io/bb31527d/
THE BLUE VIPERS OF BROOKLYN - PERMANENT MAGIC
THE BLUE VIPERS OF BROOKLYN
''PERMANENT MAGIC''
2010
44:11
1/Blue Drag
Josef Myrow/3:40
2/Nadine
Billy Nemec/2:38
3/Stay a Little Longer
T. Duncan/2:30
4/Georgia
Hoagy Carmichael/4:13
5/Some of These Days
S. Brooks/3:16
6/Don't Pretend
Billy Nemec/3:23
7/On the Sunny Side of the Street
Jimmy McHugh/2:42
8/You Can Depend on Me
C. Carpenter / E. Hines/4:27
9/Viperation
Tom Abbott/3:34
10/Permanent Magic [AKA Bathroom Wall]
Billy Nemec/2:21
11/Hey Good Lookin'
Hank Williams/3:11
12/Nightlife
Walt Breeland / Paul Buskirk / Willie Nelson/4:17
13/All Night Long
Clifton Chenier/2:48
14/Happy Trails
Dale Evans/1:11
Billy Nemec/Guitar, Lead Vocals
Chris Pistorino/Bass, Vocals
David Langlois/Washboard Percussion, Vocals
Sam Hoyt/Trumpet, Vocals
Tom Abbott/Saxophone
The Vipers are often joined by the following fine musicians:
Sean Condron, Mikey Hart – Guitar/Vocals
Andrew Hall, George Rush – Upright Bass
Rich Levinson, Jeremy Noller – Percussion
David Luther, Adrian Cunningham, Peter and Will Anderson – Sax, Clarinet
Dan Blankinship, Charlie Caranicas – Trumpet
Matt Mussulman, James Zeller – Trombone
ABOUT
The Blue Vipers of Brooklyn are an early jazz, swing, and blues band, composed of acoustic guitar/vocals, upright bass, homemade washboard percussion, trumpet and saxophone. Their repertoire of witty songs from the 1920′s and 30′s, New Orleans & Dixieland, classic Blues, R&B and Western Swing is augmented by original tunes with moving yet often bawdy lyrics and catchy 4 part vocal harmony.
http://fp.io/7886a573/ thanks to old rocker for post
''PERMANENT MAGIC''
2010
44:11
1/Blue Drag
Josef Myrow/3:40
2/Nadine
Billy Nemec/2:38
3/Stay a Little Longer
T. Duncan/2:30
4/Georgia
Hoagy Carmichael/4:13
5/Some of These Days
S. Brooks/3:16
6/Don't Pretend
Billy Nemec/3:23
7/On the Sunny Side of the Street
Jimmy McHugh/2:42
8/You Can Depend on Me
C. Carpenter / E. Hines/4:27
9/Viperation
Tom Abbott/3:34
10/Permanent Magic [AKA Bathroom Wall]
Billy Nemec/2:21
11/Hey Good Lookin'
Hank Williams/3:11
12/Nightlife
Walt Breeland / Paul Buskirk / Willie Nelson/4:17
13/All Night Long
Clifton Chenier/2:48
14/Happy Trails
Dale Evans/1:11
Billy Nemec/Guitar, Lead Vocals
Chris Pistorino/Bass, Vocals
David Langlois/Washboard Percussion, Vocals
Sam Hoyt/Trumpet, Vocals
Tom Abbott/Saxophone
The Vipers are often joined by the following fine musicians:
Sean Condron, Mikey Hart – Guitar/Vocals
Andrew Hall, George Rush – Upright Bass
Rich Levinson, Jeremy Noller – Percussion
David Luther, Adrian Cunningham, Peter and Will Anderson – Sax, Clarinet
Dan Blankinship, Charlie Caranicas – Trumpet
Matt Mussulman, James Zeller – Trombone
ABOUT
The Blue Vipers of Brooklyn are an early jazz, swing, and blues band, composed of acoustic guitar/vocals, upright bass, homemade washboard percussion, trumpet and saxophone. Their repertoire of witty songs from the 1920′s and 30′s, New Orleans & Dixieland, classic Blues, R&B and Western Swing is augmented by original tunes with moving yet often bawdy lyrics and catchy 4 part vocal harmony.
http://fp.io/7886a573/ thanks to old rocker for post
THE BLUE VIPERS OF BROOKLYN - GOOD NIGHT HARRY
THE BLUE VIPERS OF BROOKLYN
''GOOD NIGHT HARRY''
JANUARY 15 2009
47:28
1. Ragg Mopp/2:56
2. My Bucket's Got a Hole in It/3:13
3. Let It Roll/3:01
4. Margie/4:05
5. I'll Fly Away/3:40
6. Gangster of Love/4:03
7. Ice Cream/4:40
8. St. James Infirmary/5:01
9. Shake, Rattle and Roll/3:43
10. Down By the Riverside/3:24
11. Bei Mir Bist Du Schon/4:20
12. I'll See You in My Dreams/4:01
13. Good Night Irene/1:21
Billy Nemec/Guitar, Lead Vocals
Chris Pistorino/Bass, Vocals
David Langlois/Washboard Percussion, Vocals
Sam Hoyt/Trumpet, Vocals
Tom Abbott/Saxophone
The Vipers are often joined by the following fine musicians:
Sean Condron, Mikey Hart – Guitar/Vocals
Andrew Hall, George Rush – Upright Bass
Rich Levinson, Jeremy Noller – Percussion
David Luther, Adrian Cunningham, Peter and Will Anderson – Sax, Clarinet
Dan Blankinship, Charlie Caranicas – Trumpet
Matt Mussulman, James Zeller – Trombone
ABOUT
The Blue Vipers of Brooklyn are an early jazz, swing, and blues band, composed of acoustic guitar/vocals, upright bass, homemade washboard percussion, trumpet and saxophone. Their repertoire of witty songs from the 1920′s and 30′s, New Orleans & Dixieland, classic Blues, R&B and Western Swing is augmented by original tunes with moving yet often bawdy lyrics and catchy 4 part vocal harmony.
''GOOD NIGHT HARRY''
JANUARY 15 2009
47:28
1. Ragg Mopp/2:56
2. My Bucket's Got a Hole in It/3:13
3. Let It Roll/3:01
4. Margie/4:05
5. I'll Fly Away/3:40
6. Gangster of Love/4:03
7. Ice Cream/4:40
8. St. James Infirmary/5:01
9. Shake, Rattle and Roll/3:43
10. Down By the Riverside/3:24
11. Bei Mir Bist Du Schon/4:20
12. I'll See You in My Dreams/4:01
13. Good Night Irene/1:21
Billy Nemec/Guitar, Lead Vocals
Chris Pistorino/Bass, Vocals
David Langlois/Washboard Percussion, Vocals
Sam Hoyt/Trumpet, Vocals
Tom Abbott/Saxophone
The Vipers are often joined by the following fine musicians:
Sean Condron, Mikey Hart – Guitar/Vocals
Andrew Hall, George Rush – Upright Bass
Rich Levinson, Jeremy Noller – Percussion
David Luther, Adrian Cunningham, Peter and Will Anderson – Sax, Clarinet
Dan Blankinship, Charlie Caranicas – Trumpet
Matt Mussulman, James Zeller – Trombone
ABOUT
The Blue Vipers of Brooklyn are an early jazz, swing, and blues band, composed of acoustic guitar/vocals, upright bass, homemade washboard percussion, trumpet and saxophone. Their repertoire of witty songs from the 1920′s and 30′s, New Orleans & Dixieland, classic Blues, R&B and Western Swing is augmented by original tunes with moving yet often bawdy lyrics and catchy 4 part vocal harmony.
http://fp.io/m6989935/ thanks to old rocker for post
THE BLUE VIPERS OF BROOKLYN - FORTY DAYS AND FORTY NIGHTS
THE BLUE VIPERS OF BROOKLYN
''FORTY DAYS AND FORTY NIGHTS''
2007
36:31
1. When You're Smiling/3:51
2. Leave You Then/2:32
3. Five Guys Named Moe/2:47
4. Forty Days & Forty Nights/2:51
5. Stardust/3:31
6. Up, Up & Away/3:46
7. Cross The Room/3:15
8. Outskirts Of Town/3:51
9. Gloryland/3:36
10. World Is Waiting/2:48
11. Perdon/3:43
Billy Nemec/Guitar, Lead Vocals
Chris Pistorino/Bass, Vocals
David Langlois/Washboard Percussion, Vocals
Sam Hoyt/Trumpet, Vocals
Tom Abbott/Saxophone
The Vipers are often joined by the following fine musicians:
Sean Condron, Mikey Hart – Guitar/Vocals
Andrew Hall, George Rush – Upright Bass
Rich Levinson, Jeremy Noller – Percussion
David Luther, Adrian Cunningham, Peter and Will Anderson – Sax, Clarinet
Dan Blankinship, Charlie Caranicas – Trumpet
Matt Mussulman, James Zeller – Trombone
ABOUT
The Blue Vipers of Brooklyn are an early jazz, swing, and blues band, composed of acoustic guitar/vocals, upright bass, homemade washboard percussion, trumpet and saxophone. Their repertoire of witty songs from the 1920′s and 30′s, New Orleans & Dixieland, classic Blues, R&B and Western Swing is augmented by original tunes with moving yet often bawdy lyrics and catchy 4 part vocal harmony.
''FORTY DAYS AND FORTY NIGHTS''
2007
36:31
1. When You're Smiling/3:51
2. Leave You Then/2:32
3. Five Guys Named Moe/2:47
4. Forty Days & Forty Nights/2:51
5. Stardust/3:31
6. Up, Up & Away/3:46
7. Cross The Room/3:15
8. Outskirts Of Town/3:51
9. Gloryland/3:36
10. World Is Waiting/2:48
11. Perdon/3:43
Billy Nemec/Guitar, Lead Vocals
Chris Pistorino/Bass, Vocals
David Langlois/Washboard Percussion, Vocals
Sam Hoyt/Trumpet, Vocals
Tom Abbott/Saxophone
The Vipers are often joined by the following fine musicians:
Sean Condron, Mikey Hart – Guitar/Vocals
Andrew Hall, George Rush – Upright Bass
Rich Levinson, Jeremy Noller – Percussion
David Luther, Adrian Cunningham, Peter and Will Anderson – Sax, Clarinet
Dan Blankinship, Charlie Caranicas – Trumpet
Matt Mussulman, James Zeller – Trombone
ABOUT
The Blue Vipers of Brooklyn are an early jazz, swing, and blues band, composed of acoustic guitar/vocals, upright bass, homemade washboard percussion, trumpet and saxophone. Their repertoire of witty songs from the 1920′s and 30′s, New Orleans & Dixieland, classic Blues, R&B and Western Swing is augmented by original tunes with moving yet often bawdy lyrics and catchy 4 part vocal harmony.
http://fp.io/3c66mee1/ thanks to old rocker for post
May 29, 2013
RUSH - London - O2 Arena London - 05/24/2013
Rush - 2013-05-24 - London
Rush
May 24, 2013
O2 Arena
London
01. Gearing Up - intro video
02. Subdivisions
03. The Big Money
04. Force Ten
05. Grand Designs
06. The Body Electric
07. Territories
08. The Analog Kid
09. Bravado
10. Where's My Thing? (including drum solo)
11. Far Cry
12. The Appointment - intro video
13. Caravan
14. Clockwork Angels
15. The Anarchist
16. Carnies
17. The Wreckers
18. Headlong Flight (including drum solo)
19. Halo Effect (guitar solo intro)
20. Seven Cities of Gold
21. The Garden
22. Manhattan Project
23. Drum Solo (The Percussor)
24. Red Sector A
25. YYZ
26. The Spirit of Radio (without String Ensemble)
27. Tom Sawyer - intro video
28. Tom Sawyer
29. 2112 Part I: Overture
30. 2112 Part II: The Temples of Syrinx
31. 2112 Part VII: Grand Finale
32. The Office of the Watchmaker - outro video
Geddy Lee - vocals, bass, synthesizers
Alex Lifeson - guitar, vocals, synthesizers
Neil Peart - drums, cymbals, electronic percussion
Clockwork Angels String Ensemble
http://fp.io/be4793e7/
GOD STREET WINE - GOD STREET WINE
GOD STREET WINE
''GOD STREET WINE''
OCTOBER 7 1997
59:51
1. Diana /6:13
2. Feather /5:18
3. A Good Dream /4:22
4. Wall /4:20
5. Silver /5:06
6. She Comes Up Softly /4:37
7. Don't Speak Of These Things /4:14
8. Happy Birthday, Mr. President /4:24
9. I'll Still Like You /4:44
10. Water /5:03
11. Goodbye Oklahoma /6:03
12. Angeline /5:25
Lo Faber/Guitar, Vocals
Denny Fongheiser/Drums, Percussion
Aaron Maxwell/Guitar, Vocals
Bill Payne/Guest Artist, Keyboards, Organ, Piano
John Popper/Guest Artist, Harmonica
Tomo/Drums, Vocals
Bill Wray/Arranger, Sound Effects
REVIEW
by Stephen Thomas Erlewine
God Street Wine's eponymous second album for Mercury Records finds the band settling into a groove, accentuating their blues roots and stretching out a bit musically. The band still can't quite translate the kinetic appeal of their live show to disc, but God Street Wine succeeds because it concentrates on the songs, showcasing them as much as the group's playing. Of course, jamming is still a priority -- John Popper guests on three tracks and Little Feat's Bill Payne plays on "Silver" -- but the songs have more weight than before, making God Street Wine one of the band's best efforts to date.
BIOGRAPHY
by Richard Skelly
God Street Wine, a New York-based jam band in the tradition of the Spin Doctors and Blues Traveler, blend funk, reggae, folk-rock, post-punk, pop/rock, and blues-rock into a cohesive whole that is unique and original. God Street Wine formed in New York City in the late '80s and lived there until they moved to Westchester County, NY, in 1991. Comprised of Lo Faber on guitar and lead vocals, Aaron Maxwell on guitar and lead vocals, Dan Pifer on bass guitar and vocals, Jon Bevo on piano, organ, and vocals, and Tomo (or John Thomas Osander) on drums, God Street Wine played their first show on December 13, 1988, at the Nightingale Bar in New York City.
They became legendary for putting on shows in excess of three hours, and with their two guitarists and reliance on improvisation, began to draw comparisons to another great twin-guitar band, the Allman Brothers. Even though God Street Wine's sound was considerably less bluesy, the band wasn't afraid to take chances in front of a live audience, not unlike the Spin Doctors or Blues Traveler. They maintained a large mailing list, in excess of 15,000 names, and continued developing a dedicated fan base often referred to as "Winos." It was this grassroots following that attracted the attention of record executives, not unlike the way Phish took off up in that band's home state of Vermont.
God Street Wine's first album, Bag, a self-produced affair, was released in 1992. They followed it up with a live compilation, Who's Driving?, in October 1993 on the Ripe and Ready label. After attracting the attention of Geffen Records executives and a management company, McGhee Entertainment, they signed with Geffen in January 1994 and released $1.99 Romances in September on a label co-venture between Geffen and McGhee. Since no one at Geffen knew the band, there was little promotion or advertising of the record. They signed with Mercury Records in 1995 after an executive there caught them at the Beacon Theater in New York. The partnership produced Red the following year and the eponymous God Street Wine in 1997. The group continued to tour until 1999 and disbanded the following year. They released Good to the Last Drop, a collection of highlights from their farewell tour, in July of 2000.
http://fp.io/557ed1e5/
''GOD STREET WINE''
OCTOBER 7 1997
59:51
1. Diana /6:13
2. Feather /5:18
3. A Good Dream /4:22
4. Wall /4:20
5. Silver /5:06
6. She Comes Up Softly /4:37
7. Don't Speak Of These Things /4:14
8. Happy Birthday, Mr. President /4:24
9. I'll Still Like You /4:44
10. Water /5:03
11. Goodbye Oklahoma /6:03
12. Angeline /5:25
Lo Faber/Guitar, Vocals
Denny Fongheiser/Drums, Percussion
Aaron Maxwell/Guitar, Vocals
Bill Payne/Guest Artist, Keyboards, Organ, Piano
John Popper/Guest Artist, Harmonica
Tomo/Drums, Vocals
Bill Wray/Arranger, Sound Effects
REVIEW
by Stephen Thomas Erlewine
God Street Wine's eponymous second album for Mercury Records finds the band settling into a groove, accentuating their blues roots and stretching out a bit musically. The band still can't quite translate the kinetic appeal of their live show to disc, but God Street Wine succeeds because it concentrates on the songs, showcasing them as much as the group's playing. Of course, jamming is still a priority -- John Popper guests on three tracks and Little Feat's Bill Payne plays on "Silver" -- but the songs have more weight than before, making God Street Wine one of the band's best efforts to date.
BIOGRAPHY
by Richard Skelly
God Street Wine, a New York-based jam band in the tradition of the Spin Doctors and Blues Traveler, blend funk, reggae, folk-rock, post-punk, pop/rock, and blues-rock into a cohesive whole that is unique and original. God Street Wine formed in New York City in the late '80s and lived there until they moved to Westchester County, NY, in 1991. Comprised of Lo Faber on guitar and lead vocals, Aaron Maxwell on guitar and lead vocals, Dan Pifer on bass guitar and vocals, Jon Bevo on piano, organ, and vocals, and Tomo (or John Thomas Osander) on drums, God Street Wine played their first show on December 13, 1988, at the Nightingale Bar in New York City.
They became legendary for putting on shows in excess of three hours, and with their two guitarists and reliance on improvisation, began to draw comparisons to another great twin-guitar band, the Allman Brothers. Even though God Street Wine's sound was considerably less bluesy, the band wasn't afraid to take chances in front of a live audience, not unlike the Spin Doctors or Blues Traveler. They maintained a large mailing list, in excess of 15,000 names, and continued developing a dedicated fan base often referred to as "Winos." It was this grassroots following that attracted the attention of record executives, not unlike the way Phish took off up in that band's home state of Vermont.
God Street Wine's first album, Bag, a self-produced affair, was released in 1992. They followed it up with a live compilation, Who's Driving?, in October 1993 on the Ripe and Ready label. After attracting the attention of Geffen Records executives and a management company, McGhee Entertainment, they signed with Geffen in January 1994 and released $1.99 Romances in September on a label co-venture between Geffen and McGhee. Since no one at Geffen knew the band, there was little promotion or advertising of the record. They signed with Mercury Records in 1995 after an executive there caught them at the Beacon Theater in New York. The partnership produced Red the following year and the eponymous God Street Wine in 1997. The group continued to tour until 1999 and disbanded the following year. They released Good to the Last Drop, a collection of highlights from their farewell tour, in July of 2000.
http://fp.io/557ed1e5/
GOD STREET WINE - RED
GOD STREET WINE
''RED''
APRIL 2 1996
59:40
1/Get on the Train
Lo Faber/4:43
2/Red & Milky White
Lo Faber/3:37
3/Ru4 Real?
Lo Faber/7:15
4/Untitled Take Two
Lo Faber/3:12
5/Which Way Will She Go?
Lo Faber/5:49
6/Chop!
Jon Bevo / Lo Faber / Aaron Maxwell / Dan Pifer / Tomo / God Street Wine /5:59
7/Don't Tell God
Jon Bevo/5:29
8/Girl on Fire
Jon Bevo / Lo Faber / Aaron Maxwell / Dan Pifer / Tomo / God Street Wine/6:36
9/Maybe
Lo Faber/7:18
10/Made of Blood
Jon Bevo/5:10
11/When the White Sun Turns to Red
Lo Faber / Aaron Maxwell/4:32
BIOGRAPHY
by Richard Skelly
God Street Wine, a New York-based jam band in the tradition of the Spin Doctors and Blues Traveler, blend funk, reggae, folk-rock, post-punk, pop/rock, and blues-rock into a cohesive whole that is unique and original. God Street Wine formed in New York City in the late '80s and lived there until they moved to Westchester County, NY, in 1991. Comprised of Lo Faber on guitar and lead vocals, Aaron Maxwell on guitar and lead vocals, Dan Pifer on bass guitar and vocals, Jon Bevo on piano, organ, and vocals, and Tomo (or John Thomas Osander) on drums, God Street Wine played their first show on December 13, 1988, at the Nightingale Bar in New York City.
They became legendary for putting on shows in excess of three hours, and with their two guitarists and reliance on improvisation, began to draw comparisons to another great twin-guitar band, the Allman Brothers. Even though God Street Wine's sound was considerably less bluesy, the band wasn't afraid to take chances in front of a live audience, not unlike the Spin Doctors or Blues Traveler. They maintained a large mailing list, in excess of 15,000 names, and continued developing a dedicated fan base often referred to as "Winos." It was this grassroots following that attracted the attention of record executives, not unlike the way Phish took off up in that band's home state of Vermont.
God Street Wine's first album, Bag, a self-produced affair, was released in 1992. They followed it up with a live compilation, Who's Driving?, in October 1993 on the Ripe and Ready label. After attracting the attention of Geffen Records executives and a management company, McGhee Entertainment, they signed with Geffen in January 1994 and released $1.99 Romances in September on a label co-venture between Geffen and McGhee. Since no one at Geffen knew the band, there was little promotion or advertising of the record. They signed with Mercury Records in 1995 after an executive there caught them at the Beacon Theater in New York. The partnership produced Red the following year and the eponymous God Street Wine in 1997. The group continued to tour until 1999 and disbanded the following year. They released Good to the Last Drop, a collection of highlights from their farewell tour, in July of 2000.
http://fp.io/85584cd5/
''RED''
APRIL 2 1996
59:40
1/Get on the Train
Lo Faber/4:43
2/Red & Milky White
Lo Faber/3:37
3/Ru4 Real?
Lo Faber/7:15
4/Untitled Take Two
Lo Faber/3:12
5/Which Way Will She Go?
Lo Faber/5:49
6/Chop!
Jon Bevo / Lo Faber / Aaron Maxwell / Dan Pifer / Tomo / God Street Wine /5:59
7/Don't Tell God
Jon Bevo/5:29
8/Girl on Fire
Jon Bevo / Lo Faber / Aaron Maxwell / Dan Pifer / Tomo / God Street Wine/6:36
9/Maybe
Lo Faber/7:18
10/Made of Blood
Jon Bevo/5:10
11/When the White Sun Turns to Red
Lo Faber / Aaron Maxwell/4:32
BIOGRAPHY
by Richard Skelly
God Street Wine, a New York-based jam band in the tradition of the Spin Doctors and Blues Traveler, blend funk, reggae, folk-rock, post-punk, pop/rock, and blues-rock into a cohesive whole that is unique and original. God Street Wine formed in New York City in the late '80s and lived there until they moved to Westchester County, NY, in 1991. Comprised of Lo Faber on guitar and lead vocals, Aaron Maxwell on guitar and lead vocals, Dan Pifer on bass guitar and vocals, Jon Bevo on piano, organ, and vocals, and Tomo (or John Thomas Osander) on drums, God Street Wine played their first show on December 13, 1988, at the Nightingale Bar in New York City.
They became legendary for putting on shows in excess of three hours, and with their two guitarists and reliance on improvisation, began to draw comparisons to another great twin-guitar band, the Allman Brothers. Even though God Street Wine's sound was considerably less bluesy, the band wasn't afraid to take chances in front of a live audience, not unlike the Spin Doctors or Blues Traveler. They maintained a large mailing list, in excess of 15,000 names, and continued developing a dedicated fan base often referred to as "Winos." It was this grassroots following that attracted the attention of record executives, not unlike the way Phish took off up in that band's home state of Vermont.
God Street Wine's first album, Bag, a self-produced affair, was released in 1992. They followed it up with a live compilation, Who's Driving?, in October 1993 on the Ripe and Ready label. After attracting the attention of Geffen Records executives and a management company, McGhee Entertainment, they signed with Geffen in January 1994 and released $1.99 Romances in September on a label co-venture between Geffen and McGhee. Since no one at Geffen knew the band, there was little promotion or advertising of the record. They signed with Mercury Records in 1995 after an executive there caught them at the Beacon Theater in New York. The partnership produced Red the following year and the eponymous God Street Wine in 1997. The group continued to tour until 1999 and disbanded the following year. They released Good to the Last Drop, a collection of highlights from their farewell tour, in July of 2000.
http://fp.io/85584cd5/
THE GRATEFUL DEAD - Memorial Coliseum, University of Alabama - 05/17/1977
Grateful Dead
1977-05-17
Memorial Coliseum,
University of Alabama
Soundboard Recording
224 kbps (vbr)
CD 1:
1st Set
01. New Minglewood Blues
02. Mississippi Half Step Uptown Toodeloo >
03. El Paso
04. They Love Each Other
05. Jack Straw
06. Jack-A-Roe
07. Looks Like Rain
08. Tennessee Jed
09. Passenger
10. High Time
CD 2:
1st Set (continued)
01. Big River
02. Sunrise
03. Scarlet Begonias >
04. Fire On The Mountain
2nd Set
05. Samson And Delilah >
06. Bertha >
07. Good Lovin'
08. Brown Eyed Women
09. Estimated Prophet
CD 3:
2nd Set (continued)
01. Terrapin Station >
02. Playin' In The Band >
03. Drums >
04. Wharf Rat >
05. Playin' In The Band
Encore:
06. Sugar Magnolia
http://fp.io/2a1ff8e8/
THE GRATEFUL DEAD - Hollywood Sportatorium Pembroke Pines, FL - 05/22/1977
Grateful Dead
1977-05-22
Hollywood Sportatorium
Pembroke Pines, FL
Soundboard Recording
320 kbps
1st Set:
01. The Music Never Stopped*
02. Sugaree*
03. El Paso**
04. Peggy-O**
05. New Minglewood Blues**
06. Friend Of The Devil**
07. Lazy Lightnin'* >
08. Supplication*
09. Ramble On Rose**
10. Dancing In The Street*
2nd Set:
01. Help On The Way* >
02. Slipknot!* >
03. Franklin's Tower*
04. Samson And Delilah*
05. Brown Eyed Women**
06. Good Lovin'**
07. Sunrise*
08. Estimated Prophet* >
09. Eyes Of The World* >
10. Wharf Rat* >
11. Terrapin Station* >
12. Morning Dew*
Encore:
Sugar Magnolia**
* Not included - officially released on Dick's Pick's 3
** Included - not on Dick's Picks 3
ecording Info:
SBD > Master Reel > Dat
Transfer Info:
Dat > Sonic Solutions > CD Samplitude Professional v11.2 > FLAC
Notes:
Dicks Picks Three had a lot of problems. The CD release was a partial show, it was pitched wrong and recently Charlie Miller decided to remaster the entire show pitched correctly. The original Dick's Picks Three was a partial show.
The complete concert set list for the 5/22/77 show at Pembroke Pines, Florida was:
1: "Funiculì, Funiculà" tuning*, "The Music Never Stopped"*, "Sugaree"*, "El Paso", "Peggy-O", "New Minglewood Blues", "Friend of the Devil", "Lazy Lightning"* > "Supplication"*, "Ramble On Rose", "Dancing in the Street"*
2: "Help on the Way"* > "Slipknot!"* > "Franklin's Tower"*, "Samson and Delilah"*, "Brown Eyed Women", "Good Lovin'", "Sunrise"*, "Estimated Prophet"* > "Eyes of the World"* > "Wharf Rat"* > "Terrapin Station"* > "Morning Dew"*
E: Sugar Magnolia
* appears on Dick's Picks Volume 3 http://fp.io/am679918/
WILCO - ROADCASE 16 SAN LUIS OBISPO CA. - 09/29/2012
Wilco.
1. One Sunday Morning [10:54]
2. Art Of Almost [07:20]
3. I Might [04:19]
4. Muzzle Of Bees [05:01]
5. Spiders (Kidsmoke) [06:50]
6. Impossible Germany [09:26]
7. Born Alone [04:56]
8. Shouldn’t Be Ashamed [04:07]
9. Handshake Drugs [06:39]
10. When You Wake Up Feeling Old [03:28]
11. Whole Love [04:36]
12. I Must Be High [03:36]
13. I’m Always In Love [04:43]
14. Heavy Metal Drummer [03:00]
15. I’m The Man Who Loves You [04:42]
16. Dawned On Me [03:43]
17. Hummingbird [03:17]
18. A Shot In The Arm [08:12]
19. Passenger Side [04:08]
20. California Stars [05:01]
21. Can’t Stand It [04:51]
22. Walken [04:31]
23. Monday [04:20]
24. Outtasite (Outta Mind) [02:43]
25. Hoodoo Voodoo [08:14]
http://fp.io/e1em3bcc/
1. One Sunday Morning [10:54]
2. Art Of Almost [07:20]
3. I Might [04:19]
4. Muzzle Of Bees [05:01]
5. Spiders (Kidsmoke) [06:50]
6. Impossible Germany [09:26]
7. Born Alone [04:56]
8. Shouldn’t Be Ashamed [04:07]
9. Handshake Drugs [06:39]
10. When You Wake Up Feeling Old [03:28]
11. Whole Love [04:36]
12. I Must Be High [03:36]
13. I’m Always In Love [04:43]
14. Heavy Metal Drummer [03:00]
15. I’m The Man Who Loves You [04:42]
16. Dawned On Me [03:43]
17. Hummingbird [03:17]
18. A Shot In The Arm [08:12]
19. Passenger Side [04:08]
20. California Stars [05:01]
21. Can’t Stand It [04:51]
22. Walken [04:31]
23. Monday [04:20]
24. Outtasite (Outta Mind) [02:43]
25. Hoodoo Voodoo [08:14]
http://fp.io/e1em3bcc/
UMPHREY'S MCGEE - Summercamp Music Festival, Chillicothe, IL - 05/26/2013
Umphrey's McGee
2013-05-26
Summercamp Music Festival, Chillicothe, IL
Slacker > White Man's Moccasins, Tribute to the Spinal Shaft, Wife Soup, Phil's Farm, She Caught the Katy1, Dear Lord2, Higgins, Smell the Mitten, August > No Comment > August
Encore: Miss Tinkle's Overture
Notes:
2w/ Luther Dickinson
1w/ Taj Mahal
flac... http://fp.io/e2214ead/ MP3... http://fp.io/354831mm/
2013-05-26
Summercamp Music Festival, Chillicothe, IL
Slacker > White Man's Moccasins, Tribute to the Spinal Shaft, Wife Soup, Phil's Farm, She Caught the Katy1, Dear Lord2, Higgins, Smell the Mitten, August > No Comment > August
Encore: Miss Tinkle's Overture
Notes:
2w/ Luther Dickinson
1w/ Taj Mahal
flac... http://fp.io/e2214ead/ MP3... http://fp.io/354831mm/
May 28, 2013
THE GRATEFUL DEAD - Hampton Coliseum, Hampton, VA - 03/24/1987
Grateful Dead
1987-03-24
Hampton Coliseum, Hampton, VA
Set I:
d1t01 - Tuning
d1t02 - Jack Straw
d1t03 - Candyman
d1t04 - New Minglewood Blues
d1t05 - Loser
d1t06 - Mama Tried >
d1t07 - Mexicali Blues
d1t08 - Ramble On Rose
d1t09 - Let It Grow
Set II:
d2t01 - Gimme Some Lovin' >
d2t02 - Black Muddy River >
d2t03 - Playing In The Band >
d2t04 - Terrapin Station >
d2t05 - Drums >
d2t06 - Space >
d2t07 - Dear Mr. Fantasy >
d2t08 - Wharf Rat >
d2t09 - Not Fade Away
Encore:
d2t10 - Brokedown Palace
Recording Info:
Set 1: SBD > Master Cassette > Cassette
Set 2: SBD > Master Cassette > Dat (44.1k)
Transfer Info:
Set 1: Cassette > Apogee MiniMe > Samplitude Professional v9.1 > FLAC
Set 2: Dat (Sony R500) > Samplitude v7.02 Professional > FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers & Mastering By Charlie Miller
charliemiller87@earthlink.net
August 30, 2008
Patch Info:
(FOB) Schoeps CMC4/MK4 > PCM > Dat > CD supplies:
Space (5:37-5:47)
Notes:
-- Thanks to Steve Marcus for the Set 1 cassette
http://fp.io/c8991e32/
1987-03-24
Hampton Coliseum, Hampton, VA
Set I:
d1t01 - Tuning
d1t02 - Jack Straw
d1t03 - Candyman
d1t04 - New Minglewood Blues
d1t05 - Loser
d1t06 - Mama Tried >
d1t07 - Mexicali Blues
d1t08 - Ramble On Rose
d1t09 - Let It Grow
Set II:
d2t01 - Gimme Some Lovin' >
d2t02 - Black Muddy River >
d2t03 - Playing In The Band >
d2t04 - Terrapin Station >
d2t05 - Drums >
d2t06 - Space >
d2t07 - Dear Mr. Fantasy >
d2t08 - Wharf Rat >
d2t09 - Not Fade Away
Encore:
d2t10 - Brokedown Palace
Recording Info:
Set 1: SBD > Master Cassette > Cassette
Set 2: SBD > Master Cassette > Dat (44.1k)
Transfer Info:
Set 1: Cassette > Apogee MiniMe > Samplitude Professional v9.1 > FLAC
Set 2: Dat (Sony R500) > Samplitude v7.02 Professional > FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers & Mastering By Charlie Miller
charliemiller87@earthlink.net
August 30, 2008
Patch Info:
(FOB) Schoeps CMC4/MK4 > PCM > Dat > CD supplies:
Space (5:37-5:47)
Notes:
-- Thanks to Steve Marcus for the Set 1 cassette
http://fp.io/c8991e32/
THE GRATEFUL DEAD - Hampton Coliseum, Hampton, VA - 03/23/1987
Grateful Dead
1987-03-23
Hampton Coliseum, Hampton, VA
Set I:
d1t01 - Touch Of Grey >
d1t02 - Little Red Rooster
d1t03 - Althea
d1t04 - Me And My Uncle >
d1t05 - Big River
d1t06 - Iko Iko
d1t07 - Tons Of Steel
d1t08 - Feel Like A Stranger
d1t09 - Don't Ease Me In
Set II:
d1t10 - Tuning
d1t11 - Box Of Rain >
d1t12 - Man Smart (Woman Smarter)
d2t01 - Ship Of Fools
d2t02 - Truckin' >
d2t03 - Drums >
d2t04 - Space >
d2t05 - The Other One >
d2t06 - Stella Blue >
d2t07 - Throwing Stones >
d2t08 - Turn On Your Lovelight
Encore:
d2t09 - U.S. Blues
Recording Info:
SBD > Cassette Master > Cassette
Transfer Info:
Cassette (Sony TC-WE475) > Sony R500 (Pass Through w/ SBM On) > SEK'D Prodif Plus > Samplitude Professional v10.1 > FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers & Mastering By Charlie Miller
charliemiller87@earthlink.net
November 6, 2008
Notes:
-- Disc change is seamless
-- Thanks to Steve Marcus for the cassettes
-- This is a pretty hissy matrix sbd with lots of audience
1987-03-23
Hampton Coliseum, Hampton, VA
Set I:
d1t01 - Touch Of Grey >
d1t02 - Little Red Rooster
d1t03 - Althea
d1t04 - Me And My Uncle >
d1t05 - Big River
d1t06 - Iko Iko
d1t07 - Tons Of Steel
d1t08 - Feel Like A Stranger
d1t09 - Don't Ease Me In
Set II:
d1t10 - Tuning
d1t11 - Box Of Rain >
d1t12 - Man Smart (Woman Smarter)
d2t01 - Ship Of Fools
d2t02 - Truckin' >
d2t03 - Drums >
d2t04 - Space >
d2t05 - The Other One >
d2t06 - Stella Blue >
d2t07 - Throwing Stones >
d2t08 - Turn On Your Lovelight
Encore:
d2t09 - U.S. Blues
Recording Info:
SBD > Cassette Master > Cassette
Transfer Info:
Cassette (Sony TC-WE475) > Sony R500 (Pass Through w/ SBM On) > SEK'D Prodif Plus > Samplitude Professional v10.1 > FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers & Mastering By Charlie Miller
charliemiller87@earthlink.net
November 6, 2008
Notes:
-- Disc change is seamless
-- Thanks to Steve Marcus for the cassettes
-- This is a pretty hissy matrix sbd with lots of audience
THE GRATEFUL DEAD - Hampton Coliseum, Hampton, VA - 03/22/1987
Grateful Dead
1987-03-22
Hampton Coliseum, Hampton, VA
Set I:
d1t01 - Hell In A Bucket >
d1t02 - Sugaree
d1t03 - It's All Over Now >
d1t04 - West LA Fadeaway
d1t05 - El Paso
d1t06 - When Push Comes To Shove
d1t07 - Cassidy >
d1t08 - Deal
Set II:
d2t01 - Tuning
d2t02 - Sugar Magnolia >
d2t03 - Scarlet Begonias >
d2t04 - Fire On The Mountain
d2t05 - Estimated Prophet >
d2t06 - Drums >
d2t07 - Space >
d2t08 - The Wheel >
d2t09 - Black Peter >
d2t10 - Sunshine Daydream
Encore:
d2t11 - It's All Over Now, Baby Blue
Recording Info:
Set 1: SBD > Master Cassette > Reel > PCM > CD
Set 2: SBD > Master Cassette > Dat (44.1k)
Transfer Info:
Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional > SHN > TLH > FLAC
(2 Discs Audio / 2 Discs flac)
Transferred & Edited By Charlie Miller
charliemiller87@earthlink.net
8/28/04
http://fp.io/f2dfc518/
1987-03-22
Hampton Coliseum, Hampton, VA
Set I:
d1t01 - Hell In A Bucket >
d1t02 - Sugaree
d1t03 - It's All Over Now >
d1t04 - West LA Fadeaway
d1t05 - El Paso
d1t06 - When Push Comes To Shove
d1t07 - Cassidy >
d1t08 - Deal
Set II:
d2t01 - Tuning
d2t02 - Sugar Magnolia >
d2t03 - Scarlet Begonias >
d2t04 - Fire On The Mountain
d2t05 - Estimated Prophet >
d2t06 - Drums >
d2t07 - Space >
d2t08 - The Wheel >
d2t09 - Black Peter >
d2t10 - Sunshine Daydream
Encore:
d2t11 - It's All Over Now, Baby Blue
Recording Info:
Set 1: SBD > Master Cassette > Reel > PCM > CD
Set 2: SBD > Master Cassette > Dat (44.1k)
Transfer Info:
Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional > SHN > TLH > FLAC
(2 Discs Audio / 2 Discs flac)
Transferred & Edited By Charlie Miller
charliemiller87@earthlink.net
8/28/04
http://fp.io/f2dfc518/
THE ROLLING STONES - MGM Arena Las Vegas, NV - 05/11/2013
The Rolling Stones - 2013-05-11 - Las Vegas
The Rolling Stones
May 11, 2013
MGM Arena
Las Vegas, NV
01. Intro
02. Get Off of My Cloud
03. It's Only Rock 'n' Roll (But I Like It)
04. Paint It Black
05. Gimme Shelter
06. You Got Me Rocking
07. Beast of Burden (with Katy Perry)
08. Emotional Rescue
09. All Down the Line
10. Doom and Gloom
11. One More Shot
12. Honky Tonk Women
13. Band introductions
14. Before They Make Me Run (Keith Richards on lead vocals)
15. Happy (Keith Richards on lead vocals)
16. Midnight Rambler (with Mick Taylor)
17. Miss You
18. Start Me Up
19. Tumbling Dice
20. Brown Sugar
21. Sympathy for the Devil
22. You Can't Always Get What You Want (with the Green Valley High School Madrigal Singers)
23. Jumpin' Jack Flash
24. (I Can't Get No) Satisfaction (with Mick Taylor)
http://fp.io/4b73ff3e/
The Rolling Stones
May 11, 2013
MGM Arena
Las Vegas, NV
01. Intro
02. Get Off of My Cloud
03. It's Only Rock 'n' Roll (But I Like It)
04. Paint It Black
05. Gimme Shelter
06. You Got Me Rocking
07. Beast of Burden (with Katy Perry)
08. Emotional Rescue
09. All Down the Line
10. Doom and Gloom
11. One More Shot
12. Honky Tonk Women
13. Band introductions
14. Before They Make Me Run (Keith Richards on lead vocals)
15. Happy (Keith Richards on lead vocals)
16. Midnight Rambler (with Mick Taylor)
17. Miss You
18. Start Me Up
19. Tumbling Dice
20. Brown Sugar
21. Sympathy for the Devil
22. You Can't Always Get What You Want (with the Green Valley High School Madrigal Singers)
23. Jumpin' Jack Flash
24. (I Can't Get No) Satisfaction (with Mick Taylor)
http://fp.io/4b73ff3e/
YES - Teatro Vivo Rio Rio de Janeiro, RJ Brazil - 05/25/2013
Yes - 2013-05-25 - Rio De Janeiro
Yes
2013-05-25
Teatro Vivo Rio
Rio de Janeiro, RJ
Brazil
01. Firebird Suite
02. Close To The Edge
03. And You And I
04. Siberian Khatru
05. Going For The One
06. Turn Of The Century
07. Parallels
08. Wonderous Stories
09. Awaken
10. Yours Is No Disgrace
11. Clap
12. Starship Trooper
13. I've Seen All Good People
14. A Venture
15. Perpetual Change
16. Roundabout
http://fp.io/6eeffc6d/
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