September 15, 2014

NEIL YOUNG - Red Rocks Amphitheater Morrison, Colorado - 09/09/1989



Neil Young
1989-09-09
Red Rocks Amphitheater
Morrison, Colorado
HQ Audience Recording


01. My My, Hey Hey
02. Rockin' In The Free World
03. Sugar Mountain
04. Someday
05. Helpless
06. Pocahontas
07. Crime In The City
08. Talking
09. This Old House
10. Too Far Gone
11. Roll Another Number
12. This Note's For You
13. The Needle And The Damage Done
14. No More
15. After The Goldrush
16. Heart Of Gold
17. Ohio
18. Rockin' In The Free World
19. Powderfinger
http://fp.io/m7876dm4/


JERRY GARCIA BAND with Clarence Clemons - 1989-09-11 The Centrum Worcester, MA


Jerry Garcia Band
with Clarence Clemons
1989-09-11
The Centrum
Worcester, MA
Soundboard Recording
320 kbps


1st Set:
01. How Sweet It Is (To Be Loved By You)
02. Stop That Train
03. Get Out Of My Life Woman
04. Run For The Roses
05. Like A Road
06. My Sisters And Brothers
07. Deal

2nd Set:
01. Harder They Come
02. Mission In The Rain
03. Dear Prudence
04. Waiting For A Miracle
05. Think
06. Don't Let Go >
07. Lonesome And A Long Way From Home

http://fp.io/8a323846/

RUSH - Spirit of the Airwaves


                                               Rush – Spirit of the Airwaves (2014)

This outstanding live broadcast captures a superb gig by Rush during the band s extensive Permanent Waves tour in 1980 at St. Louis Kiel Auditorium – the Permanent Waves album the group were promoting having been released on 1st January that year.
The tour began on 12th January in Michigan, took in some Canadian dates and eventually wound up back in New York on the 23rd of May, before they headed overseas to perform a further 18 dates in the UK during June. At this stage, Rush were at a highpoint in their lengthy career. Since forming in Willowdale, Toronto twelve years earlier, Rush had released seven albums to increasing acclaim and sales. The band s line-up had been rock solid since drummer, percussionist and lyricist Neil Peart had completed the trio format with Geddy Lee and Alex Lifeson shortly after the recording of the group s eponymously titled debut in 1974. Onstage Neil has always been a showman, inspired by flamboyant sticksmen Keith Moon, John Bonham and Ginger Baker. Initially the band was clearly influenced by British hard rock and heavy Blues groups, particularly Cream and Led Zeppelin – indeed Geddy Lee s vocal style has often been compared that of Robert Plant. Three tracks from the Rush album are included as part of this broadcast: Working Man, In The Mood, and just a snippet of Finding My Way. Neil Peart s recording debut with Rush was on their sophomore album Fly by Night released in February 1975. In addition to his magisterial rhythmic skills, Peart also assumed much of the responsibility for writing lyrics from a grateful Geddy Lee.
The more complex arrangement and episodic structure of By-Tor and the Snow Dog was an excellent illustration of the way the band would develop as it highlighted Peart s favoured themes of fantasy and sci-fi. Beneath, Between, Behind and Anthem also represent their second record in this performance. Undoubtedly Peart influenced the band s shift towards a more Progressive rock orientation which was more fully reflected on Rush s next collection of songs, Caress of Steel , released just seven months after Fly By Night . Eschewing the lengthy pieces The Necromancer and The Fountain of Lamneth, which occupied all 20 minutes of side two of the album, only the short, snappy and Zeppelinesque Bastille Day was performed during this show. 1976 s 2112 was Rush s breakthrough album and their first to enter the Billboard Top 100 (it peaked at 61). It went on, however, to become a platinum seller. The whole of Side One of the album is a multi-faceted concept piece based on Anthem , a futuristic novella by Russian-born American author Ayn Rand (first published in England in 1938) – and all bar the short Oracle: The Dream is played during the first section of this concert. Representing 1977 s A Farewell to Kings is that album s magnum opus, Xanadu, whilst La Villa Strangiato is drawn from the following year s Hemispheres . It is another complex piece. Geddy Lee: We spent more time recording Strangiato than the entire Fly by Night album. It was our first piece without any vocals at all. So each section had to stand up with a theme and musical structure of its own. Finally, Rush s then-current album, Permanent Waves contributes The Spirit of Radio and Natural Science. The former was something of a departure for the band as it utilises a reggae style, which was explored further on later albums Moving Pictures (1981) and Signals (1982). A three-minute edit of the track reached number 13 on the UK singles chart and remains a strong fan-favourite. Natural Science is more traditional Rush fare, with multiple movements, and has proved a hugely popular live number ever since.
1. 2112: Overture
2. The Temples Of Syrinx
3. Discovery
4. Presentation
5. Soliloquy
6. Grand Finale
7. By-Tor And The Snow Dog
8. Xanadu
9. The Spirit Of Radio
10. Natural Science
11. Beneath, Between, Behind
12. Working Man
13. Finding My Way Intro
14. Anthem
15. Bastille Day
16. In The Mood
17. Drum Solo
18. La Villa Strangiato
http://fp.io/855m98m1/

TANGERINE DREAM - Phaedra Farewell Tour : The Concerts

                                              Tangerine Dream – Phaedra Farewell Tour:

Tangerine Dream – Phaedra Farewell Tour: The Concerts (2014)
This new triple live CD which contains all material from Tangerine Dream’s recent tour through various places around Europe, will be the last document from this Phaedra Farewell Tour. Even some titles from the gigs on the Caribbean Sea are part of the package.
2014 The final tour of the pioneers of new instrumental electronic music. Tangerine Dream, this seven time Grammy nominated European band, is a singular phenomenon. Surrounded by a strong rock n roll identity, they will hardly fit into any given musical pigeonhole. Tangerine Dream has never produced anything calculated to make the masses jump off their chairs and start screaming Top 40 tunes. Nevertheless, many of the 150 (and counting!) CD releases by the band, have their own driving hypnotic pieces and it is nearly impossible to escape from the race of fast driving bass notes. Tangerine Dream has continually striven to intertwine music into feeling on a personal level as opposed to having an audience of mere observers, watching and listening.
When Edgar Froese founded Tangerine Dream back in autumn 1967 – a period when most of the musical world had just gotten its big wake- up call from various places around the globe – he already had had visions to discover new sounds and musical techniques. After more than 40 years, through dozens of people joining and leaving the band, Edgar is still provocative and challenging in his uniquely philosophical musical universe. As a man of few words but a wry sense of humour, he has shown that music often can reach places far beyond those found by the descriptions of words. Very few artists survived the capricious music business world for such a long time period.
For many years – and still – TD did lots of hunting scores for Hollywood movie productions, a very lucrative second career within the remarkable TD artistic diary. At a time when electronic instruments were widely misunderstood and an independent music industry was virtually non-existent, Tangerine Dream became recognized as the pioneers of a new instrumental music and introduced new sounds, sound effects and production techniques.
TD released with PHAEDRA 1974 in London the first audio document using the big MOOG modular system as the main sequencing module – this record turned into gold in over 14 countries. In the meantime this TD production is known as the cornerstone for modern contemporary electronic sounds and sequences.
Great painters, photographers, actors, architects, writers and dancers have honoured Tangerine Dream for the inspiration for their own work they‘ve drawn from listening to the music of TD. Tangerine Dream‘s reputation in the world of music, their vast experience and professionalism, their unforgettable live performances as well as their record sales give them the freedom to work independently. At the very least it is the best way to keep and develop TD‘s all time trademark: Originality which can’t be copied or raped.
The current line-up consists of head and founder Edgar Froese (keyboards, guitar), Thorsten Quaeschning (keyboards), Linda Spa (flute, sax, keyboards), Iris Camaa (percussion, v- drums), Bernhard Beibl (guitar) and Hoshiko Yamane (violin).
01. Odd Welcome
02. Burning The Bad Seal
03. The Midnight Trail
04. Sorcerer Theme
05. Twilight In Abidjan
06. Hermaphrodite
07. Sleeping Watches Snoring In Silence
08. Song Of The Whale
09. Horizon
10. Hyper Sphinx
CD 2
01. Josephine The Mouse Singer
02. Logos
03. Alchemy Of The Heart
04. Grind
05. Warsaw In The Sun
06. Oriental Haze
07. Three Bikes In The Sky
08. Girl On The Stairs
09. Marmontel Riding On A Clef
10. Trauma
CD 3
01. Phaedra 2014
02. Berlin Summer Night
03. Darkness Veiling The Night
04. Love On A Real Train
05. Beyond The Cottage And The Lake 2014
06. Boat To China
07. The Silver Boots Of Bartlett Green
http://fp.io/5497d46c/
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