June 9, 2014

THE ROLLING STONES - LOS ANGELES, USA, INGLEWOOD FORUM (2ND SHOW) - 11/08/1969



L.A. 69 , 2nd Show (DAC-120)

ROLLING STONES
NOVEMBER 8, 1969
LOS ANGELES, USA, INGLEWOOD FORUM (2ND SHOW)



01 Sam Cuttler Introduction
02 Jumping Jack Flash
03 Carol
04 Sympathy For The Devil
05 Stray Cat Blues
06 Prodigal Son
07 You Gotta Move
08 Love In Vain
09 I m Free
10 Under My Thumb
11 Midnight Rambler
12 Live With Me
13 Little Queenie
14 Satisfaction
15 Honky Tonk Women
16 Street Fighting Man
17 Sister Morphine*

* Olympic Sound Studios, London,
* February 10 – March 31, 1969

http://fp.io/db5cf641/

BOB MARLEY AND THE WAILERS - Boston Music Hall Boston, MA - 06/08/1978


Bob Marley
1978-06-08
Boston Music Hall
Boston, MA
Soundboard Recording
320 kbps


01. Concrete Jungle
02. Burnin' And Lootin'
03. Them Belly Full (But We Hungry)
04. Rebel Music (3 O'Clock Roadblock)
05. Crazy Baldhead > Running Away
06. I Shot The Sheriff
07. Easy Skanking
08. No Woman, No Cry
09. Lively Up Yourself
10. Jammin'
11. War > No More Trouble
12. Get Up, Stand Up
13. Exodus"

Band lineup

    * Bob Marley, vocals, rhythm guitar
    * Aston Barrett, bass
    * Carlton Barrett, drums
    * Junior Marvin, lead guitar
    * Earl Lindo, organ
    * Tyrone Downie, keyboards
    * Alvin Patterson, percussion
    * The I-Threes, backing vocals                                                                                                    http://fp.io/754e5cf8/

UMPHREY'S MCGEE - Similar Skin

Umphrey’s McGee – Similar Skin (2014)

Umphrey Genre-defying sextet Umphrey’s McGee announces the release of their highly anticipated seventh studio album Similar Skin. Similar Skin will be released via the band’s newly formed independent label, Nothing Too Fancy Music, named after one of their most beloved songs.
As one of the most progressive and forward thinking DIY bands around, Umphrey’s McGee continues to set new industry standards where music and the fan experience intersect. Umphrey’s McGee’s dynamic sounds, virtuosic playing and cutting edge live spectacles continue to draw fans as they sell out major venues throughout the US. Their groundbreaking approach to fan-friendly, communal live experiences have raised the bar in the music industry.
Their pioneering live interactive efforts include fan curated sets, “audio immersion” via their Headphones & Snowcones experience, the Stew Art series and the annual UMBowl events to only name a few. These extraordinary fan relations efforts have been the subject of stories in numerous other outlets, including Billboard, Mashable, Pollstar, Relix, Chicago Tribune and Time.com, who said, “As the record business continues to struggle, bands like Umphrey’s McGee are expanding the notion of what a rock band can offer to their fans.”
Similar Skin features 11 new songs; some part of their vast live repertoire that have been recorded here for the first time. While Umphrey’s calling card for years has been their grand live events, the band’s focus in the studio has continued to evolve and break new ground with each album. The culmination of past recording experiences has brought them to Similar Skin.
Following the overall success of2009’s Mantis and 2011’s Death By Stereo, the band decided to forgo some of the dense productions of the past and create a work that includes more concise tracks filled with addictive melodies and memorable choruses. Fans need not worry though, there is plenty of signature Umphrey’s throughout the entire album.
Diversity is a trademark of Umphrey’s McGee and it is well represented on Similar Skin. There are few bands that could have so many stylistic touchstones on the same album while blending them seamlessly
and brilliantly. From the intricate prog-infused (“The Linear”, “Bridgeless”) to the pop-influenced (“No Diablo”, “Hourglass”) to thick heavy guitars tracks (“Little Gift”, “Hindsight”) and epic rock crescendos (“Cut The Cable”, “Loose Ends”), Similar Skin represents a band that continues to push forward in its 16th year.
Umphrey’s McGee will spend most of the next four months on the road, featuring some very special stops along the way. For the first time in four years the band will return to London for a long-awaited three-night stand at the new Brooklyn Bowl June 19-21.
1. The Linear [03:45]
2. Cut the Cable [03:50]
3. Hourglass [03:21]
4. No Diablo [04:10]
5. Similar Skin [06:03]
6. Puppet String [06:26]
7. Little Gift [03:12]
8. Educated Guess [05:45]
9. Loose Ends [04:58]
10. Hindsight [03:21]
11. Bridgeless [08:57]
12. Morning Song (Bonus) [07:21]
13. Room To Breathe (Bonus) [05:49]
http://fp.io/f92d2me2/

WIDESPREAD PANIC - Red Hat Amphitheater Raleigh, NC - 06/06/2014


Widespread Panic
June 6, 2014
Red Hat Amphitheater
Raleigh, NC

SET ONE
Weak Brain, Narrow Mind (4:22)
Send Your Mind (3:34)
Walkin' (For Your Love) (5:31)
Little Lilly (10:25)
Flicker (9:18)
Makes Sense To Me (5:07)
Blackout Blues (7:33)
Thought Sausage (4:47)
Barstools and Dreamers (11:28)

SET TWO
I'm Not Alone (7:20)
Rock (7:10)
Solid Rock (7:42)
Machine (3:15)
Action Man (7:44)
Mercy (13:15)
Weight Of The World (6:16)
Ain't No Use* (10:03)
Red Hot Mama* (10:20)
Love Tractor (6:47)

ENCORE
Honky Red (6:51)
Sharon (10:41)

SHOW NOTES
*with Rich Vogel, keys; Ben Ellan, sax; Cory Henry, trombone

http://fp.io/m8e9819e/
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