February 28, 2013
STS9 - EUREKA THEATRE :: EUREKA, CA - 02/24/2013
2013.02.24 :: EUREKA THEATRE :: EUREKA, CA
STS9
2013.02.24 :: Eureka Theatre :: Eureka, CA - SET I: Move My Peeps, 20-12, King Pharaoh's Tomb*, Crystal Instrument, Tooth, By the Morning Sun,
Be Nice, Breathe In SET II: Untitled**, Satori**, Monkey Music, Rent, Somesing, Circus, Jebez, Hidden Hand Hidden Fist, Inspire Strikes Back E:
Baraka *with Russ Liquid on trumpet / ** "Axed”
TRACKS
1.
Move My Peeps (10:41)
2.
20-12 (7:47)
3.
King Pharaoh's Tomb (6:22)
4.
Crystal Instrument (8:02)
5.
Tooth (4:42)
6.
By the Morning Sun (4:55)
7.
Be Nice (6:35)
8.
Breathe In (11:57)
9.
Untitled (7:00)
10.
Satori (6:23)
11.
Monkey Music (10:15)
12.
Rent (11:22)
13.
Somesing (9:35)
14.
Circus (8:09)
15.
Jebez (6:33)
16.
Hidden Hand, Hidden Fist (7:44)
17.
Inspire Strikes Back (11:40)
18.
Baraka (11:49)
FURTHUR - 1st Bank Center, Broomfield, CO - 02/22/2013
Furthur
2013-02-22
1st Bank Center, Broomfield, CO
Set 1
1. Hell In A Bucket > 09:46
2. Dear Mr. Fantasy > 06:27
3. Good Morning Little Schoolgirl 6:22
4. It Must Have Been The Roses 9:33
5. I Need A Miracle > 9:42
6. Bird Song > 16:00
7. Promised Land 4:43
Set 2
8. Jack Straw > 13:49
9. Shakedown Street > 14:36
10. Mountain Song > 10:44
11. The Other One > 17:24
12. Scarlet Begonias > 9:52
13. Fire On The Mountain > 10:21
14. Dear Prudence > 8:27
15. Not Fade Away 11:42
Encore
16. Donor Rap 1:42
17. Knockin' On Heaven's Door 8:27
http://fp.io/mbd3334e/
ROBBEN FORD - Bringing It Back Home
Robben Ford – Bringing It Back Home (2013)
Robben Ford‘s last studio effort, 2007's Truth, received a Grammy nomination for best contemporary blues album. Where that recording focused on his workmanlike songwriting skills and his prodigious guitar technique, Bringing It All Back Home highlights other aspects of his musical persona. This is Ford putting on offer his considerable skills as a bandleader and song interpreter. There’s not a lot of superpicker athleticism on display here, and there doesn’t need to be. Backed a smoking band that includes organist Larry Goldings, drummer Harvey Mason, bassist David Pilch, and trombonist Stephen Baxter, Ford makes it look easy. On this series of mainly cover tunes, his modern blues is infused with his love of New Orleans’ R&B throughout. This is especially true on the slippery, punchy, readings of Allen Toussaint’s “Everything I Do Gonna Be Funky” and “Fair Child” — two of the first three tunes here — that are simultaneously polished and greasy. One of the three guitar burners here is “Trick Bag,” by NOLA guitar hero Earl King. It showcases the locked-in interplay between Pilch and Baxter as they ride atop Mason’s funky butt breakbeats. Even Bob Dylan’s “Most Likely You Go Your Way and I’ll Go Mine” gets a second-line backbeat treatment. Another guitar highlight, albeit a gorgeously relaxed one, is an instrumental update of the traditional “On That Morning,” wherein Ford expertly channels his inner Wes Montgomery. On “Slick Capers Blues,” by little known pre-war bluesman Charlie “Little Buddy” Doyle, he and Goldings trade knotty lines in updating the tune for the new century. A great surprise here is how fine a singer Ford has become. His voice is as much an instrument on this set as his guitar is. Whether it’s on the aforementioned cuts, his version of wife Ann Kerry Ford’s and Michael McDonald’s jazzy “Traveler’s Waltz,” or his Mose Allison-by-way-of-Ben Sidran reading of “Fool’s Paradise,” his vocals are expressive and relaxed; he displays sophisticated, savvy, seemingly effortless phrasing. The grain of his voice on the lone original, “Oh, Virginia,” establishes a seamless connection between Southern soul, New Orleans rhythm & blues, and country music — and may be the finest song he’s written. There is a precedent for Bringing It All Back Home: Lowell George’s classic, Thanks, I’ll Eat It Here. That album was misunderstood upon release because it downplayed the artist’s slide guitar and songwriting chops to focus on his consummate skill as a singer. Ford has done something similar, yet offers his fans enough of his instrumental talent to balance the equation.
http://fp.io/e93da372/
ROBBEN FORD - ANTHOLOGY: THE EARLY YEARS
ROBBEN FORD
''ANTHOLOGY: THE EARLY YEARS,
MARCH 6 2001
142:34
DISC ONE
1/Sweet Sixteen
Joe Josea / B.B. King/12:34
2/You Drive a Hard Bargain
Robben Ford/5:44
3/Raining in My Heart
Boudleaux Bryant / Felice Bryant/10:32
4/Blue and Lonesome/8:27
5/Red Rooster
Willie Dixon / Big Mama Thornton/4:26
6/Eighty-One
Ron Carter / Miles Davis/8:09
7/Miss Miss
Robben Ford/8:59
8/Sunrise
Robben Ford/11:29
DISC TWO
1/Oh Gee/6:33
2/You Don't Know What Love Is
Gene DePaul / Don Raye/8:51
3/Everyday I Have the Blues
Peter Chatman/5:28
4/It's My Own Fault
John Lee Hooker/10:29
5/Ladies' Choice
Robben Ford/6:33
6/Hawk's Theme
Robben Ford/6:25
7/S-K Blues
Sonny King/3:45
8/Low Ride
Robben Ford/2:29
9/Softly Rolling
Robben Ford/7:30
10/Stella and Frenchie
Robben Ford/8:05
11/Goin' Down Slow/6:06
Jim Baum /Drums
Robben Ford /Guitar, Guitar (Electric), Sax (Tenor), Vocals
Paul Nagle /Keyboards
Stanley Poplin /Bass
Jimmy Witherspoon /Guest Artist, Vocals
REVIEW
by Alex Henderson
Robben Ford has always been a very eclectic musician; therefore, the people who get the most out of his recordings tend to have eclectic tastes themselves. If you're the sort of broad-minded listener who holds blues, rock, and jazz in equally high regard, Anthology: The Early Years is a musical feast. This two-CD set, which Avenue Jazz provided in 2001, looks back on recordings that the singer/guitarist/saxman made from 1972-1976 (when he was in his early to mid-20s). Even then, Ford was difficult to categorize -- those who insist on pigeonholing musicians wondered if he was really a blues-rock singer or a jazz instrumentalist at heart. And, truth be told, he wore both hats equally well. Anyone who loves down-and-dirty blues-rock cannot help but applaud his gutsy versions of Willie Dixon's "Little Red Rooster" and B.B. King's "Sweet Sixteen." But Ford is equally convincing as a jazz instrumentalist on "Softly Rolling," "Miss Miss," and Miles Davis' "Eighty One." Many of the instrumentals are shining examples of 1970s fusion, but Ford favors more of a post-bop approach on the standard "You Don't Know What Love Is" (which is one of the tunes that finds him on tenor sax and is very John Coltrane-minded). Anthology: The Early Years isn't the last word on Ford in the 1970s, but Avenue Jazz' picks are generally excellent -- and it is certainly among the places to go if you're exploring his early output for the first time.
BIOGRAPHY
by Scott Yanow
Robben Ford has had a diverse career. He taught himself guitar when he was 13 and considered his first influence to be Mike Bloomfield. At 18 he moved to San Francisco to form the Charles Ford Band (named after his father, who was also a guitarist) and was soon hired to play with Charlie Musselwhite for nine months. In 1971, the Charles Ford Blues Band was re-formed and recorded for Arhoolie in early 1972. Ford played with Jimmy Witherspoon (1972-1973), the L.A. Express with Tom Scott (1974), George Harrison, and Joni Mitchell. In 1977 he was a founding member of the Yellowjackets, which he stayed with until 1983, simultaneously having a solo career and working as a session guitarist. In 1986, Ford toured with Miles Davis and had two separate periods (1985 and 1987) with Sadao Watanabe, but he really seemed to find himself in 1992 when he returned to his roots: the blues. Ford formed a new group, the Blue Line, and subsequently recorded a couple of blues-rock dates for Stretch that are among the finest of his career. In 1999, he released Sunrise on Rhino and Supernatural on Blue Thumb. Ford signed to the Concord Jazz label in 2002 and released Blue Moon that same year, followed by Keep on Running in 2003 and Truth in 2007. That same year, he was a billed special guest on Larry Carlton's Live in Tokyo. He followed this with the predominantly live Soul on Ten in 2009. In 2013, Ford began his label association with Provogue, and issued the studio album Bringing It Back Home, comprised mostly of blues and R&B covers played by an all-star band.
http://fp.io/mfe4f9b1/
PAT BENATAR - Tower Theater, Upper Darby, PA Westwood One Superstars in Concert Show #CO 89-02
Pat Benatar
Tower Theater,
Upper Darby, PA
Westwood One Superstars in Concert
Show #CO 89-02
For Broadcast the weekend of February 3, 1989
01. Superstars CO 89-02 Intro
02. Commercial - Miller Lite
03. We Live For Love
04. Fire And Ice
05. Commercial - Miller Lite
06. Commercial - Greyhound
07. Westwood One - Steve Downes
08. We Belong
09. Cool Zero
10. Commercial - Greyhound
11. Commercial - Clorets
12. Commercial - Trident Gum
13. Westwood One - Steve Downes
14. Outlaw
15. Invincible
16. Heartbreaker
17. Commercial - Clorets
18. Commercial - Miller Lite
19. Commercial - Greyhound
20. Westwood One - Steve Downes
21. Promises In The Dark
22. All Fired Up
23. Commercial - Miller Lite
24. Commercial - Greyhound
25. Westwood One - Steve Downes
26. Shadows Of The Night
27. Hell Is For Children
28. Commercial - Trident Gum
29. Commercail - Miller LIte
30. Westwood One - Steve Downes
31. One Love
32. Let's Stay Together
33. Westwood One Outro
34. Superstars CO 89-02 Promo Spot http://fp.io/3mm2565e/
PETE TOWNSHEND - LIVE THE FILMORE - 1996
PETE TOWNSHEND
''LIVE THE FILMORE 1996,
OCTOBER 30 2000
112:14
DISC ONE
1 - Let My Love Open the Door/3:30
2 - English Boy/6:57
3 - Drowned/6:17
4 - The Shout/6:53
5 - I Put a Spell on You/Screamin' Jay Hawkins/3:52
6 - Cut My Hair/4:26
7 - Sheraton Gibson/3:08
8 - I'm One/5:07
9 - Heart to Hang Onto/5:09
10 - O'Parvardigar/7:13
11 - A Legal Matter/3:09
DISC TWO
1 - A Friend Is a Friend/7:50
2 - I Am an Animal/6:43
3 - All Shall Be Well/5:44
4 - Slit Skirts/5:25
5 - Eyesight to the Blind/Sonny Boy Wlliamson II/2:12
6 - Drifting Blues/Johnny Moore's Three Blazers, Charles Brown, Eddie Williams/2:56
7 - Now and Then/4:46
8 - Rough Boys/6:33
9 - I'm a Boy/5:06
10 - Magic Bus/8:26
Tracks By Townshend, Except As Indicated
REVIEW
by Dave Thompson
Recorded live at the Fillmore on April 30, 1996, this excellent disc captures Townshend stripping his career back to just guitar and keyboards (contributed by the great Jon Carin), and then running through 21 songs that could almost be a live recounting of the Scoop series. It's a staggeringly intimate performance, with Townshend exuding a warmth that rarely comes across on disc, but which here could heat your house all winter. The set is, as usual with Townshend's live outings, remarkable for its variety: anybody who has been patiently collecting his self-released live CDs will know by now that there's really no such thing as a surprise any longer, just songs that you never expected to hear him perform. "A Legal Matter," "Rough Boys," and a tremendous"I Put a Spell on You" are the strongest contenders for that honor on this night, although the roar that greets "I'm a Boy" proves that Townshend isn't the only person who reckons history often overlooks that song -- remember, without the proto-opera that he intended building around this tragic tale of juvenile cross-dressing in 1965, he might never have had the courage to create Tommy; speaking of which, how nice it is to go through an entire concert without the deaf, dumb and blind boy staggering into view and bumping into tables. Not until the last leg of the set does he even get considered, when Townshend unleashes a sharp "Eyesight to the Blind," and that's it for Tommy. "Won't Get Fooled Again," too, is conspicuous by its absence, but an energetic "Magic Bus" more than makes up for that.
BIOGRAPHY
by William Ruhlmann
Pete Townshend was the guitarist and primary songwriter for the Who from 1964 to 1982, also participating in the group's occasional reunions after its formal breakup. Best-known for his conceptual works, he wrote Tommy and Quadrophenia for the band, as well as the bulk of its other material. He made his first, tentative solo album, Who Came First, in 1972. Dedicated to his guru, Meher Baba, it continued themes pursued in Who's Next and like that album, contained material originally intended for an abortive conceptual work, Lifehouse, and it sold modestly. In 1976, he made a duo album, Rough Mix, with Ronnie Lane, formerly the bassist in the Small Faces.
Townshend's first full-fledged solo effort was Empty Glass (1980), which sold a million copies, reached the Top Five, and featured the Top Ten hit "Let My Love Open the Door," as well as the minor hits "A Little Is Enough" and "Rough Boys." He followed it in 1982 with All the Best Cowboys Have Chinese Eyes, which was less successful. Nevertheless, he felt he could no longer write for the Who, and at the end of the year, the group disbanded following a North American tour. Townshend released Scoop, a two-disc compilation of demos, in 1983 (a second volume appeared in 1987).
In 1985, he returned to thematic efforts with the album White City - A Novel, which included the Top 30 single "Face the Face." The same year, he published a book of short stories, Horse's Neck. As part of the White City project, he appeared in an accompanying film, for which he organized a band called Pete Townshend's Deep End. The unit played only a few gigs, but one was videotaped and recorded, resulting in the 1986 album Pete Townshend's Deep End Live! In 1989, he released an album based on poet Ted Hughes' children's story, The Iron Man. The record featured guest vocals by John Lee Hooker and Nina Simone, as well as two tracks featuring the three surviving members of the Who. Simultaneous with the album's release, Townshend embarked on a reunion tour with the Who, an event that overshadowed The Iron Man, which enjoyed only modest sales.
In 1993, Townshend delivered Psychoderelict, another conceptual work, to mixed reviews and poor sales. By that time, however, he had successfully reinvented himself as a Broadway tunesmith -- the theatrical production entitled The Who's Tommy had become a runaway hit, earning him a Tony Award and prompting him to pursue more stage musicals. None of these came to fruition during the rest of the 1990s, though, and by the end of the decade, he was releasing live and archival recordings (notably the long-delayed Lifehouse) through his website and planning another reunion with the Who.
http://fp.io/6e7829a5/
LOTUS - Freebird Live, Jacksonville, FL - 02/23/2013
Lotus
2013-02-23
Freebird Live, Jacksonville, FL
Set I:
Bellwether
Ashcon
Grayrigg
Neon Tubes
Greet the Mind
Let Me In
Disappear
Jump Off
Set II:
Kodiak
Flower Sermon >
Dowrn
Sodium Vapor
Through the Mirror >
Moonset >
Flower Sermon
Marisol
We Are Now Connected
Encore:
Cloud 9
Age of Inexperience
http://fp.io/d3c8a6f9/
LOTUS - Trees, Dallas, TX - 02/15/2013
Lotus
2013-02-15
Trees, Dallas, TX
Set I:
Grayrigg (8:14)
Banter (:26)
Massif (5:00)
Banter (:27)
Middle Road (9:20)
128 (12:09)
Uffi (6:33)
Another World (4:31)
Bubonic Tonic (12:53)
Age of Inexperience (9:03)
Banter (:16)
Set II:
Break Build Burn (4:38)
Suitcases (10:40)
Shimmer and Out (9:20)
Arupa (9:37)
Shimmer and Out (2:51)
Ersatz (5:06)
Greet the Mind (9:37)
Sodium Vapor (6:48)
Spiritualize (13:04)
Crowd Banter (2:24)
Encore:
Cain and Abel (4:47)
Blacklight Sunflare (6:33)
Banter (:18)
http://fp.io/fc998225/
February 27, 2013
THE BLACK CROWES – BC Roadshow, Wichita, KS (August 13, 2008)
The Black Crowes – BC Roadshow, Wichita, KS (August 13, 2008)
1. Movin’ On Down The Line [09:39]
2. Evergreen [04:49]
3. Nebakanezer [12:20]
4. Cosmic Friend [06:40]
5. Sister Luck [06:56]
6. Locust Street [04:52]
7. Driving Wheel [08:59]
8. Whoa Mule [06:34]
9. You Don’t Miss Your Water [06:12]
10. Poor Elijah [08:14]
11. God’s Got It [04:33]
12. Forty Four Blues [09:26]
13. Oh Josephine [08:03]
14. Remedy [05:44]
15. Wounded Bird [05:05]
16. Show Me [05:50]
17. Keep A Knockin’ [05:27]
http://fp.io/3491fmdm/
STEVE MARRIOTT - LEND US A QUID
STEVE MARRIOTT
''LEND US A QUID
JULY 13 2010
140:50
DISC ONE
1/Think/3:47
2/Shake
Sam Cooke/2:43
3/Charlene
Steve Marriott/4:13
4/High and Happy
Steve Marriott/2:36
5/Star in My Life
Steve Marriott/2:42
6/Snakes and Ladders
Steve Marriott/3:57
7/Lend Us a Quid
Steve Marriott/3:54
8/Midnight of My Life
Steve Marriott/4:02
9/Be My Baby
Jeff Barry / Ellie Greenwich / Phil Spector/2:36
10/Hambone
Steve Marriott/2:45
11/Rain
John Lennon / Paul McCartney/5:52
12/Cocaine
Steve Marriott/3:41
13/To Ramona
Bob Dylan/3:28
14/Think [Version 2]/3:35
15/Anyhow, I Love You [Rehearsal Take 1]/8:04
16/Anyhow, I Love You [Rehearsal Take 2]/8:32
DISC TWO
1/Whatcha Gonna Do About It/6:06
2/Fool for a Pretty Face
Steve Marriott/7:12
3/Hallelujah I Love Her So
Ray Charles/5:46
4/Walking the Dog
Rufus Thomas/4:10
5/Five Long Years/14:34
6/The Fixer
Steve Marriott/7:35
7/Drum Solo/5:12
8/Thirty Days in the Hole
Steve Marriott/9:39
9/I Don't Need No Doctor
Nick Ashford / Valerie Simpson/14:09
REVIEW
by Mark Deming
In 1975, Humble Pie had broken up (at least for a while) and Steve Marriott decided it was time to make a solo album; with that in mind, he retreated to the recording studio he'd built on his estate and invited some friends to help him lay down some tracks, including Boz Burrell, Ian Wallace, Joe Brown, Jimmy McCullough, and Clem Clempson. The material Marriott and his pals came up was tough, hard rock with a funky edge, especially when they dove into covers of James Brown's "Think" and Sam Cooke's "Shake." These sessions were never released, and a different, more polished set of material was released as Marriott's first solo album (titled, in a burst of inspiration, Marriott), but Wapping Wharf, a label affiliated with a Small Faces fanzine, have finally given the material an authorized release as Lend Us a Quid. Lend Us a Quid has an admirably rough and tumble sound that suits Marriott's voice well, and his hard-driven, bluesy roar is shown to better advantage on this material than much of his later work with the reunited Humble Pie or as a solo act. However, a lot of these tracks sound like demos rather than finished tracks, and while the slightly chaotic feel is right up Marriott's alley, the clanky drum machines that set the tempo on some tunes really should be lower in the mix, the oddball audio effects are sometimes intrusive, and the playing, while generally quite good, sounds as if the musicians were still working the kinks out of the material. It doesn't help that most of these tracks were clearly sourced from tapes a few generations away from the original masters, and the tinny, smeary sound of a few tracks suggest they were taken from old cassettes. And the final selections, two takes of Marriott and a guitarist struggling through "Anyhow, I Love You," are a chore for anyone except the most devoted fan. The bonus disc, which captures a Humble Pie gig from 1983, is raucous and energetic but finds Marriott sounding more than a little drunk and pretty obnoxious between tunes, even by his Bad Boy standards. Judging from what's here, Lend Us a Quid could have been a much stronger and more interesting album than Marriott, but these tapes needed some work, and in this release, the flaws are every bit as obvious as the strengths; this is for Marriott completists only.
BIOGRAPHY
by Jason Ankeny
The frontman for British hitmakers the Small Faces and Humble Pie, singer/guitarist Steve Marriott was born January 30, 1947 in London; a successful child actor, he played the role of the Artful Dodger in the musical Oliver! as a teen, but by the mid-'60s, he was working in a local music shop. There he met bassist Ronnie Lane, agreeing to jam with his band the Pioneers; Marriott soon joined the group full-time and, after adopting a sound influenced by American R&B and a look inspired by Mod fashions, they rechristened themselves the Small Faces. Though best-known in the U.S. for their hit "Itchycoo Park," at home, the Small Faces enjoyed much greater success, reeling off a series of smashes including "All or Nothing," "My Mind's Eye," and "Lazy Sunday" as well as the 1968 classic LP Ogden's Nut Gone Flake. The chart popularity of "Lazy Sunday" rankled Marriott, however -- he'd recorded the song as a joke and it was released despite his objections -- and when the more thoughtful "The Universal" failed to crack the Top 20, his dissatisfaction only increased.
Marriott's tenure with the Small Faces ended after he stalked offstage during a New Year's Day 1969 performance; he soon recruited ex-Herd guitarist Peter Frampton to form the hard rock combo Humble Pie, and after months of woodshedding at Marriott's Essex cottage, the group issued its debut single, "Natural Born Boogie," cracking the U.K. Top Five. The LP As Safe as Yesterday Is followed, but again American success eluded Marriott until the release of the 1971 Humble Pie live album Performance: Rockin' the Fillmore, which went gold. Although Frampton left the band soon after, 1972's Smokin' was a smash, reaching the U.S. Top Ten; subsequent efforts failed to achieve the same heights, however, and Humble Pie disbanded in 1975. After the release of the solo Marriott, in 1976, he joined in a Small Faces reunion, then four years later re-formed Humble Pie with original drummer Jerry Shirley; after two LPs, the group again dissolved. Marriott spent the better part of the decade in seclusion, but was planning to reunite with Frampton when he lost his life in a house fire on April 20, 1991.
http://fp.io/mc94d2e8/
JANIS JOPLIN - Big Brother & The Holding Company 1968-05-03,04 Shrine Exposition Center Los Angeles,CA
Big Brother & The Holding Company
1968-05-03,04
Shrine Exposition Center
Los Angeles,CA
Some people loved her, others didn`t:
Janis Joplin!
May 3rd and 4th, 1968
01. Down On Me 3:00
02. All Is Loneliness/Drum Solo 13:16
03. Ball And Chain 9:07
May 4th, 1968
01. I Know You Rider 3:38
02. Ball And Chain 9:57
03. Call On Me 4:08
04. Combination Of The Two 6:35
05. Blow My Mind 5:33
http://fp.io/1f7474e6/
DEREK TRUCKS BAND - Live at WFMU - August 4, 2003 Jersey City, NJ
Derek Trucks Band - Live at WFMU
August 4, 2003
Jersey City, NJ
FM Source
Derek plays his 1936 National...
Set List
1. Interview
2. Preachin' Blues
3. talkin'
4. Killing Floor
5. talkin'
6. Sierra Leone
7. talkin'
8. Leavin' Trunk
9. talkin'
10. Drown In My Own Tears
11. talkin'
12. Feel So Bad
13. talkin'
14. Afro Blue
http://fp.io/8dc52367/
GEORGE THOROGOOD and the Destroyers The Boarding House San Francisco, CA - November 23, 1977
George Thorogood Boarding House 11-23-77 complete
George Thorogood and the Destroyers
The Boarding House
San Francisco, CA
November 23, 1977
KSAN-FM
MOOSE TRACKS TAPE + GWH TAPE VERSION
My friend GWH taped the Thorogood show from the KSAN broadcast. His version is the source of the versions that begin with "Cocaine Blues."
A few years back, the Moose Tracks tape turned up on the late, lamented Quality Bootz website (Hi, Dave!)...but it was still not complete.
The MOOSE TRACKS tape had the missing songs. However, the Moose Tracks tape had a minor edit at the transition of "Wanted Man/Picture from Life's Other Side," and was missing over a minute of "So Much Trouble." It also cut out the DJ banter at the end, where KSAN DJ Tony Kilbert does a very laid-back mid-70s FM dj-hipster outro that helps define the era.
So I combined the Moose Tracks version + the GWH version to make a complete version of the broadcast.
If you've never heard it...Thorogood is still in "bar band" mode, reminding patrons to tip their bartenders and waitresses, calling out for a dance contest on one song, a "ladies choice" dance on another, and he rocks like crazy. This is one of my favorite live shows of all time, and now it's pretty much perfect.
These are flac files of wavs.
Setlist:
01. Baby Please Set A Date
02. New Hawaiian Boogie
03. Barbeque Blues
04. Move It On Over
05. Cocaine Blues
06. banter
07. Wanted Man
08. A Picture From Life's Other Side
09. One Bourbon, One Scotch, One Beer
10. So Much Trouble
11. I'm Ready
12. Ride On Josephine
13. No Particular Place To Go
14. I'm Just Your Good Thing
15. It Wasn't Me
16. Boogie Chillin'
http://fp.io/af4ba467/
JIMI HENDRIX - Studio Sessions & Mixes New Rising Sun: All Along The Watchtower / Come On
Jimi Hendrix
Studio Sessions & Mixes
New Rising Sun: All Along The Watchtower / Come On (Pt.1)
What to say about this?
"The Great (one of the greats!) thing in this AATW session, is to hear Jimi being very happy, into working on it, and be honest and being so shy tellin “ho yeah, that was MY fault”… during a take… his Fault!! Ha ha ha great Jimi!"by longjam at crosstown torrents
"It amazes me, but some of the Come On outtakes were used as a filler on a Berkeley tape I obtained through a Dutch radio show back in the eighties. Never knew what I had it appears… But basically, I am overjoyed that new material still surfaces after so many decades…"by Ezy Rider at crosstown torrents
New Rising Sun: 23rd October 1968 TTG Studios 1441 North McCadden Place CA
All Along The Watchtower: Takes: 21st Jan ‘68. Mixes: 26th Jan ‘68 Olympic Studios London
Come On (Pt 1): 27th/28th August ‘68 Record Plant New York
Watchtower takes 6-13 Jimi & Dave Mason acoustic guitars Mitch drums (takes 14-19 add piano - Brian Jones)
Watchtower Mix 1 Bass, Drums, Percussion, Acoustic Guitar
Watchtower Mix 2 Bass, Drums, Percussion, Acoustic Guitar, Electric Lead Guitar with unheard solo in place of the “wah” bit towards the end.
Watchtower Mix 3 Full mix, Vocals, Bass, Drums, Percussion Acoustic Guitar, Electric Lead with final wah solo towards the end.
Watchtower Mix 1 #2, Mix 2 #2, Mix 3 #2, same as above but a bit slower (same speed as on the LP) & channels reversed. (NB)
Come On #12 (take 9, Lifelines mix) (3). Straight rip from Lifelines. (Reprise Records - 926435-2)
NB: the few gaps (approx 0.05 seconds each) on this tape were/are on the original transfer media from the master tapes
224kbit/s
http://fp.io/e8ac9m61/
Studio recordings!
FURTHUR - 1st Bank Center, Broomfield, CO - 02/23/2013
2013-02-23
1st Bank Center, Broomfield, CO
Set I:
01. Music Never Stopped > 9:01
02. Standing on Shaky Ground > 2:57
03. Music Never Stopped 0:00
04. Althea 12:12
05. Looks Like Rain 10:33
06. Just A Little Light > 5:53
07. West LA Fadeaway 10:19
08. Peaceful Valley > 7:29
09. Touch Of Grey 7:45
Set II:
01. Help On The Way > 6:06
02. Slipknot! > 5:56
03. Cassidy > 12:33
04. Mountains Of The Moon > 14:56
05. Let It Grow > 13:47
06. Slipknot! > 2:53
07. Standing On The Moon > 9:16
08. I Know You Rider 11:33
09. Uncle John's Band > 10:00
10. Slipknot! > 3:45
11. Franklin's Tower 8:30
12. Donor Rap 1:21
Encore:
13. One More Saturday Night 5:55
http://fp.io/mb364aa8/
February 26, 2013
THE GRATEFUL DEAD - Winterland Arena - San Francisco, CA - 02/24/1974
Grateful Dead - February 24, 1974
Winterland Arena - San Francisco, CA
Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 3, 2011
Notes:
-- All disc changes are seamless
-- Numerous flaws were cleaned up
-- There is a Spanish Jam in Dark Star
-- Tape flips in Row Jimmy and Dark Star
-- Thanks to David Gans for lending me his Dats
-- Thanks to Joe B. Jones for his help with the pitch correction
Set 1:
d1t01 - Introduction
d1t02 - U.S. Blues
d1t03 - Mexicali Blues
d1t04 - Brown Eyed Women
d1t05 - Beat It On Down The Line
d1t06 - Candyman
d1t07 - Jack Straw
d1t08 - China Cat Sunflower ->
d1t09 - I Know You Rider
d1t10 - El Paso
d1t11 - Loser
d2t01 - Playing In The Band
Set 2:
d2t02 - Cumberland Blues
d2t03 - It Must Have Been The Roses
d2t04 - Big River
d2t05 - Bertha
d2t06 - Weather Report Suite ->
d2t07 - Row Jimmy
d2t08 - Ship Of Fools
d3t01 - Promised Land
d3t02 - Dark Star ->
d3t03 - Morning Dew
d3t04 - Sugar Magnolia ->
d3t05 - Not Fade Away ->
d3t06 - Goin' Down The Road Feeling Bad ->
d3t07 - Not Fade Away
Encore:
d3t08 - It's All Over Now, Baby Blue
http://fp.io/4m6b437a/ MP3 http://fp.io/e151m546/ M4A
LOTUS - Culture Room, Ft. Lauderdale, FL - 02/22/2013
2/22/13 Culture Room, Ft. Lauderdale, FL
DISC ONE
SET ONE
Blacklight Sunflare
(7:12)
Suitcases
(11:28)
Middle Road
(9:11)
Blue Giant
(8:12)
Massif
(5:26)
Sid
(7:00)
Hammerstrike
(8:45)
DISC TWO
SET TWO
What Did I Do Wrong
(6:07)
Spiritualize
(13:31)
In an Outline
(5:01)
Cannon in the Heavens
(4:59)
Lead Pipe
(8:43)
Intro to a Cell
(10:53)
DISC THREE
Behind Midwest Storefronts
(5:54)
Harps
(6:20)
Crowd
(1:11)
ENCORE
Caywood
(8:38)
Bush Pilot
(6:57)
GOV'T MULE - Parco Delia Musica Rome, Italy - 07/16/2006
Gov't Mule - 2006/07/16 Parco Delia Musica Rome, Italy
7/16/2006
Parco Delia Musica
Rome, Italy
1st Set: Grinnin' In Your Face, Thorazine Shuffle, Fool's Moon, Larger Than Life, That's What Love Will Make You Do, Effigy > Folsom Prison Blues jam > Effigy, Child Of The Earth, No Need To Suffer, Drivin' Rain
2nd Set: No Quarter, Streamline Woman, Mother Earth, 32-20 Blues > Drums > Fallen Down > The Other One jam, Mule, Soulshine
Encore: Rockin' In The Free World
http://fp.io/8462c786/
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