March 2, 2013
MOONALICE - Dave's Way EP Vol. 1-7
Moonalice
''Dave's Way EP Vol. 1, 2, 3''
2011
A Minor Label
Web
Download
The Moonalice Legend
Moonalice is a band of seasoned musicians who feel that live music should be a communal experience where the listener and musicians feed and derive inspiration from each other. Their songs try to speak to everyone, mixing a variety of genres with extended musical improvisations that evoke a sense of adventure and exploration.
Vol. 1
1 - It's 4:20 Somewhere 3:22
2 - Turk Street 3:30
3 - Red Crow 4:35
4 - American Dream Rag 3:59
5 - Break Out In Handcuffs 2:25
Vol. 2
1 - Foxtrot Uniform 4:51
2 - Who Can Say? 8:00
3 - Daylight 6:30
4 - Love To Remake 3:09
5 - Stella Blue 11:40
Vol. 3
1 - Fifteen Cadillacs 4:05
2 - Mr. Spaceman 7:31
3 - Joker's Lie 4:13
4 - Up In the Clouds 4:15
5 - Wish We Had 2:55
John Molo/Drums, Vocals (Bruce Hornsby & The Range, John Fogerty, Phil Lesh & Friends, The Other Ones).
Barry Sless/Lead Guitar, Pedal Steel Guitar, Bass (Phil Lesh & Friends, David Nelson Band, Kingfish, Cowboy Jazz).
Roger McNamee/Rhythm Guitar, Vocals, Bass Guitar. (Guff, The Engineers, Random Axes, Flying Other Brothers)
Ann McNamee/Keyboards, Vocals (Flying Other Brothers, Ann Atomic)
Pete Sears/Keyboards, Guitar, Vocals, Bass (Sam Gopal Dream, Rod Stewart, original Jefferson Starship, Hot Tuna, John Lee Hooker).
Big Steve Parish/Road Scholar, Medicine Man, Story Teller. (Grateful Dead crew for 26 years, co-founder of Jerry Garcia Band)
G.E.Smith/Guitar, Bass, Vocals
Moonalice
''Dave's Way EP Vol. 4, 5, 6''
2011
A Minor Label
Web
Download
The Moonalice Legend
Moonalice is a band of seasoned musicians who feel that live music should be a communal experience where the listener and musicians feed and derive inspiration from each other. Their songs try to speak to everyone, mixing a variety of genres with extended musical improvisations that evoke a sense of adventure and exploration.
Vol. 4
1 - Tall Enough 3:43
2 - You & Me 5:10
3 - Dreams In the Middle 3:24
4 - Silver Lining 4:54
5 - Ballad of Harry Ware 7:26
Vol. 5
1 - Nobody Knows 3:19
2 - Real Deal 3:57
3 - The Federal Express 4:19
4 - Sweet Rosie 5:02
5 - The Ride 3:56
Vol. 6
1 - Already Cried Those Tears 3:44
2 - Live To Love 7:15
3 - Lost At Sea 4:19
4 - Expiration Date 2:33
5 - Fair To Even Odds 6:07
John Molo/Drums, Vocals (Bruce Hornsby & The Range, John Fogerty, Phil Lesh & Friends, The Other Ones).
Barry Sless/Lead Guitar, Pedal Steel Guitar, Bass (Phil Lesh & Friends, David Nelson Band, Kingfish, Cowboy Jazz).
Roger McNamee/Rhythm Guitar, Vocals, Bass Guitar. (Guff, The Engineers, Random Axes, Flying Other Brothers)
Ann McNamee/Keyboards, Vocals (Flying Other Brothers, Ann Atomic)
Pete Sears/Keyboards, Guitar, Vocals, Bass (Sam Gopal Dream, Rod Stewart, original Jefferson Starship, Hot Tuna, John Lee Hooker).
Big Steve Parish/Road Scholar, Medicine Man, Story Teller. (Grateful Dead crew for 26 years, co-founder of Jerry Garcia Band)
G.E.Smith/Guitar, Bass, Vocals
http://fp.io/abc3c9me/
MOONALICE - MOONALICE
Moonalice
''Moonalice''
Mar 24, 2009
The Moonalice Legend
Moonalice is a band of seasoned musicians who feel that live music should be a communal experience where the listener and musicians feed and derive inspiration from each other. Their songs try to speak to everyone, mixing a variety of genres with extended musical improvisations that evoke a sense of adventure and exploration.
1 - Bleeding Of Love 4:20
2 - Unspoken Words 4:27
3 - I'm Glad You Think So 4:11
4 - Blink Of An Eye 5:21
5 - Eileen Aroon 6:01
6 - Kick It Open 3:35
7 - Listen To Those Eyes 2:28
8 - I Ain't Ever Satisfied 3:58
9 - Dance Inside The Lightning 3:39
10 - Dusty Streets Of Cairo 5:37
11 - This Changes Everything 2:55
John Molo/Drums, Vocals (Bruce Hornsby & The Range, John Fogerty, Phil Lesh & Friends, The Other Ones).
Barry Sless/Lead Guitar, Pedal Steel Guitar, Bass (Phil Lesh & Friends, David Nelson Band, Kingfish, Cowboy Jazz).
Roger McNamee/Rhythm Guitar, Vocals, Bass Guitar. (Guff, The Engineers, Random Axes, Flying Other Brothers)
Ann McNamee/Keyboards, Vocals (Flying Other Brothers, Ann Atomic)
Pete Sears/Keyboards, Guitar, Vocals, Bass (Sam Gopal Dream, Rod Stewart, original Jefferson Starship, Hot Tuna, John Lee Hooker).
Big Steve Parish/Road Scholar, Medicine Man, Story Teller. (Grateful Dead crew for 26 years, co-founder of Jerry Garcia Band)
G.E.Smith/Guitar, Bass, Vocals
http://fp.io/56f2c27b/
BOB DYLAN & The Band 1966-04-13 Sydney Stadium Sydney,AUS
+-+F.jpg)
+-+R.jpg)
Bob Dylan And The Band - Tales Of A Mexican Painter
Bob Dylan & The Band
1966-04-13
Sydney Stadium
Sydney,AUS
Tales Of A Mexican Painter
Disc 1:
65:35 (acoustic set)
1. She Belong`s To Me 3:53
2. Fourth Time Around 5:05
3. Visions Of Johanna 8:02
4. It's All Over Now, Baby Blue 6:18
5. Desolation Row 11:08
6. Just Like A Woman 6:03
7. Mr. Tambourine Man 25:17
8. Intermission
Disc 2: 47.25
(electric set)
1. Tell Me, Momma 5:30
2. I Don't Believe You (She Acts Like We Never Have Met) 6:14
3. Baby Let Me Follow You Down 6:00
4. Just Like Tom Thumb's Blues 6:02
5. Leopard-Skin Pill-Box Hat 4:47
6. One Too Many Mornings 3:37
7. Ballad Of A Thin Man7:20
8. Positively 4th Street 5:36
320kbit/s
Soundboard Recording!
TOLER/TOWNSEND BAND - TOLER/TOWNSEND BAND
TOLER/TOWNSEND BAND
''TOLER/TOWNSEND BAND''
MARCH 12 2008
35:13
1. Loneliness/4:50
2. Sorry's Not Enough/4:04
3. Novato Moon/5:00
4. Full Time Fool/3:44
5. Ali Shuffle/6:15
6. Just Let Go/4:46
7. Ugly Rumors/3:59
8. Love Never Felt Like This/4:15
9. Good Love Goes Bad/4:18
10. Dark Clouds/4:36
11. Living in Your Past/5:53
Dan Toler/Guitar; B-3 Organ on track 2; Bass on track 11
Johnny Townsend/Vocals
David "Frankie" Toler/Drums, Percussion
Bruce Waibel/Bass
Mark Petty/Keyboards, Synths, Trumpet on tracks 1 & 9
Dave Dubas/Bass on track 5
Tony Perrino/B-3 Organ on tracks 5 & 11; Piano on track 11; Background Vocals on track 11
Taylor Caldwell/Piano on track 5; Lead & Background Vocals on track 11
"DANGEROUS" DAN TOLER
reflects on his spectacular career in music.....
I started playing guitar in my hometown of Connersville, Indiana at age 12. I had many influences ranging from Johnny Smith to Chet Atkins. After seeing Chet play once on the Grand Ole Opry, I set about attempting to learn his style of play. Lonnie Mack was another early influence. His instrumental version of Memphis was a guitar player"s dream song and when I finally learned how to play the solo I was ecstatic. R&B was also the thing in those days and I loved that music.
Bill Lakes and the Playboys, a local band, was one of my first bands in which I had the opportunity to grow as a young player. We played a lot of R&B and Blues, which was a great training ground for any guitar player. I also enjoyed playing country music, as long as they had a decent pedal steel player. I got pretty adept at picking out the chord formations and playing along in harmony.
The first National act that I joined was The Melting Pot Band on Capricorn Records in 1969 replacing the guitar player who had been injured. In late 1975 I was living in St. Petersburg, Florida and making three-dollars a night playing for the door. Two guys from the band I was playing with got a call from Dickey Betts and went to join him to start the Dickey Betts and Great Southern Band. They said he was looking for a guitar player and that they would try to get me an audition. I didn't feel I had a chance at an audition, let alone the gig. But a few days later, I was coming in from the pool and the phone was ringing from a booth just outside our apartment door, it kept ringing and ringing. Finally I'd had enough and answered it. A voice on the other end said, "I am looking for Dan Toler, this is Dickey Betts calling" and I said "yeah right" and hung up the phone. Fortunately, he called back. We talked for a while and during the conversation, he offered to fly me to Macon, Georgia for a look see.
I gave 'em my best stuff at the audition and it must've paid off because a few days later, I was part of the band. Over the next few years I played with Dickey and the band on two Great Southern records, "Dangerous" and "Atlanta's Burning Down". In 1979 the Allman Brothers Band was auditioning players in Macon at the Capricorn Records Picnic. I was asked to play. When I got home the next day Dickey called me and said they wanted to make me be an Allman Brother. I was with the Brothers for the next three Allman Brothers records. "Enlightened Rogues" in 1979, "Reach For The Sky" in 1980 and "Brothers Of The Road" the next year. In 1982, Gregg Allman was starting to sour on his contract with Arista Records. That January Gregg, myself and my brother Frankie left the Allman Brothers and formed the Gregg Allman Band. After five years of gigging, writing and recording the band was able to land a deal with Epic Records. In 1987 we recorded the album, "I'm No Angel" In 1988 we recorded the album "Just Before The Bullets Fly". The success of those two records propelled us through 1989 with "I'm no Angel" going gold.. In 1990 when Gregg reformed the Allman Brothers Band, my brother and I decided to do our own project, The Toler Brothers Band. We toured extensively with acts like Black Oak Arkansas, Southern Rock All-Stars, Radio Tokyo and Molly Hatchet. In '95 Gregg approached me about playing with him again as Gregg Allman and Friends.
It was during this time I reconnected with Johnny Townsend. Johnny, my brother David (Frankie) Toler and I had been playing with the Gregg and Friends band in California. In no time Johnny and I hit it off and we started writing songs together. Even after the tour ended, I would send tapes to John and he would write lyrics to my music. Very soon we had composed a number of great tunes. I first met Johnny Townsend when I was working with Gregg's band, playing on the West Coast in the 1980s. Johnny would come sit-in with us and sing tunes like "Stormy Monday Blues" and he would absolutely mesmerize the audiences and get standing ovations. He just blew us all away. I think Johnny Townsend is a powerful vocalist with a great talent for lyrics and chord changes and I'm proud to stand on stage with him.
Writing music with Johnny and playing in a band together... it doesn't get any better than that for me. My Brother David and I had been doing some recording in Sarasota Florida at Telstar Studio with our friend and engineer Bud Snyder. We recorded four of five instrumental tracks and decided to send them to Johnny. The lyrics Johnny came up with were absolutely incredible and Johnny's vocals were exactly what we needed to make our band complete. We continued to work on the music on and off for several years. This project would eventually become our first CD, "The Toler/Townsend Band". I continued to play with other bands periodically like The Outlaws, Marshall Tucker Band, Charlie Daniels, Stevie Ray Vaughn, Johnny Hiland, Nick Moroch, Lonnie Mack, Matt Guitar Murphy, Warren Haynes, Derrick Trucks, Jimmy Herring, Altar Bridge, Three Doors Down and Steve Gorman of The Black Crows, doing some touring and guest appearances.
In 2002 I was approached by Dicky Betts again to play with Great Southern. During this time we recorded an acoustic album called "The Collectors # 1". I stayed with Dickey until I got a call from my old friend George McCorkle from Marshal Tucker Band. George wanted to put together Southern Rock Legends band. We called that band "The Renegades". We were joined by Johnny Townsend and Jack Hall from Wet Willie. We toured the U.S. with acts like Blue Oyster Cult, Foghat and The Outlaws. It was a lot of fun but the whole time that band was together, all me and Johnny could talk about was the music we had been making as The Toler/Townsend Band.
When The Renegades went their separate ways, Johnny and I revived our music and started posting it in selected places online and within forty-eight hours we started getting interest from people in the European community. Reviews and magazine interviews followed and then interest from a European record company. We're very excited to announce that we've recently signed with Music Avenue and our CD, "The Toler/Townsend Band", was released overseas in march 2009.
http://fp.io/9d8744fd/
TGZ - ''LIVING DANGEROUSLY''
TGZ
''LIVING DANGEROUSLY''
2006
45:25
1. Your Smile/3:43
2. Heart & Soul/4:59
3. Living Dangerously/6:10
4. Summerwind/3:48
5. Ronreekay/3:49
6. Rabbit Got the Gun/4:00
7. Pour Me Another Tall One/5:21
8. Song for Debby/5:29
9. One Last Set/4:17
10. Summerwind for Lauren/3:49
Dan Toler/Acoustic & Electric Guitars
Ron Gary/Piano, Synths, Vocals, Percussion
Ed Zinner/Electric & Acoustic Guitars, Vocals, Percussion
Avon Lucas/Bass & Midi Bass
Taylor Caldwell/Hammond B-3 Organ, Vocals, Synths
John McKnight/Drums, Vocals, Percussion
Tony Green/Vocals, Percussion
Floyd Miles/Vocals, Percussion
Special Guests:
Tony Perrino/Hammond B-3 Organ on tracks 3, 4 & 7
John Schaffer/Harmonica on track 10
David "Frankie" Toler/Drums on tracks 3 & 8
Viktor Krauss/Upright Bass on tracks 4 & 10
"DANGEROUS" DAN TOLER
reflects on his spectacular career in music.....
I started playing guitar in my hometown of Connersville, Indiana at age 12. I had many influences ranging from Johnny Smith to Chet Atkins. After seeing Chet play once on the Grand Ole Opry, I set about attempting to learn his style of play. Lonnie Mack was another early influence. His instrumental version of Memphis was a guitar player"s dream song and when I finally learned how to play the solo I was ecstatic. R&B was also the thing in those days and I loved that music.
Bill Lakes and the Playboys, a local band, was one of my first bands in which I had the opportunity to grow as a young player. We played a lot of R&B and Blues, which was a great training ground for any guitar player. I also enjoyed playing country music, as long as they had a decent pedal steel player. I got pretty adept at picking out the chord formations and playing along in harmony.
The first National act that I joined was The Melting Pot Band on Capricorn Records in 1969 replacing the guitar player who had been injured. In late 1975 I was living in St. Petersburg, Florida and making three-dollars a night playing for the door. Two guys from the band I was playing with got a call from Dickey Betts and went to join him to start the Dickey Betts and Great Southern Band. They said he was looking for a guitar player and that they would try to get me an audition. I didn't feel I had a chance at an audition, let alone the gig. But a few days later, I was coming in from the pool and the phone was ringing from a booth just outside our apartment door, it kept ringing and ringing. Finally I'd had enough and answered it. A voice on the other end said, "I am looking for Dan Toler, this is Dickey Betts calling" and I said "yeah right" and hung up the phone. Fortunately, he called back. We talked for a while and during the conversation, he offered to fly me to Macon, Georgia for a look see.
I gave 'em my best stuff at the audition and it must've paid off because a few days later, I was part of the band. Over the next few years I played with Dickey and the band on two Great Southern records, "Dangerous" and "Atlanta's Burning Down". In 1979 the Allman Brothers Band was auditioning players in Macon at the Capricorn Records Picnic. I was asked to play. When I got home the next day Dickey called me and said they wanted to make me be an Allman Brother. I was with the Brothers for the next three Allman Brothers records. "Enlightened Rogues" in 1979, "Reach For The Sky" in 1980 and "Brothers Of The Road" the next year. In 1982, Gregg Allman was starting to sour on his contract with Arista Records. That January Gregg, myself and my brother Frankie left the Allman Brothers and formed the Gregg Allman Band. After five years of gigging, writing and recording the band was able to land a deal with Epic Records. In 1987 we recorded the album, "I'm No Angel" In 1988 we recorded the album "Just Before The Bullets Fly". The success of those two records propelled us through 1989 with "I'm no Angel" going gold.. In 1990 when Gregg reformed the Allman Brothers Band, my brother and I decided to do our own project, The Toler Brothers Band. We toured extensively with acts like Black Oak Arkansas, Southern Rock All-Stars, Radio Tokyo and Molly Hatchet. In '95 Gregg approached me about playing with him again as Gregg Allman and Friends.
It was during this time I reconnected with Johnny Townsend. Johnny, my brother David (Frankie) Toler and I had been playing with the Gregg and Friends band in California. In no time Johnny and I hit it off and we started writing songs together. Even after the tour ended, I would send tapes to John and he would write lyrics to my music. Very soon we had composed a number of great tunes. I first met Johnny Townsend when I was working with Gregg's band, playing on the West Coast in the 1980s. Johnny would come sit-in with us and sing tunes like "Stormy Monday Blues" and he would absolutely mesmerize the audiences and get standing ovations. He just blew us all away. I think Johnny Townsend is a powerful vocalist with a great talent for lyrics and chord changes and I'm proud to stand on stage with him.
Writing music with Johnny and playing in a band together... it doesn't get any better than that for me. My Brother David and I had been doing some recording in Sarasota Florida at Telstar Studio with our friend and engineer Bud Snyder. We recorded four of five instrumental tracks and decided to send them to Johnny. The lyrics Johnny came up with were absolutely incredible and Johnny's vocals were exactly what we needed to make our band complete. We continued to work on the music on and off for several years. This project would eventually become our first CD, "The Toler/Townsend Band". I continued to play with other bands periodically like The Outlaws, Marshall Tucker Band, Charlie Daniels, Stevie Ray Vaughn, Johnny Hiland, Nick Moroch, Lonnie Mack, Matt Guitar Murphy, Warren Haynes, Derrick Trucks, Jimmy Herring, Altar Bridge, Three Doors Down and Steve Gorman of The Black Crows, doing some touring and guest appearances.
In 2002 I was approached by Dicky Betts again to play with Great Southern. During this time we recorded an acoustic album called "The Collectors # 1". I stayed with Dickey until I got a call from my old friend George McCorkle from Marshal Tucker Band. George wanted to put together Southern Rock Legends band. We called that band "The Renegades". We were joined by Johnny Townsend and Jack Hall from Wet Willie. We toured the U.S. with acts like Blue Oyster Cult, Foghat and The Outlaws. It was a lot of fun but the whole time that band was together, all me and Johnny could talk about was the music we had been making as The Toler/Townsend Band.
When The Renegades went their separate ways, Johnny and I revived our music and started posting it in selected places online and within forty-eight hours we started getting interest from people in the European community. Reviews and magazine interviews followed and then interest from a European record company. We're very excited to announce that we've recently signed with Music Avenue and our CD, "The Toler/Townsend Band", was released overseas in march 2009.
http://fp.io/emad561d/
THE TOLER BROTHERS - YEAR IF TEARS
THE TOLER BROS.
''YEAR IF TEARS''
2002
49:56
1 - Year Of Tears/5:01
2 - Living In Your Past/5:55
3 - A Show Of Courage/5:12
4 - This Time/4:49
5 - Broken Promises/4:08
6 - Holding On/4:30
7 - Infinity In Sight/4:11
8 - Aki Shuffle/6:13
9 - Stay For Me/4:50
10 - Gold In Your Eyes/4:41
Dan Toler/Guitar, Bass, Acoustic Guitar, Piano, Background Vocals
Tony Perrino/Organ, Piano, Synthesizer, Drums, Vocals, Background Vocals, Percussion
David Toler/Drums, Percussion
Taylor Caldwell/Piano on track 8, Vocals, Background Vocals
Dave Dubas/Bass on track 8
John Schwenke/Bass on track 4
"DANGEROUS" DAN TOLER
reflects on his spectacular career in music.....
I started playing guitar in my hometown of Connersville, Indiana at age 12. I had many influences ranging from Johnny Smith to Chet Atkins. After seeing Chet play once on the Grand Ole Opry, I set about attempting to learn his style of play. Lonnie Mack was another early influence. His instrumental version of Memphis was a guitar player"s dream song and when I finally learned how to play the solo I was ecstatic. R&B was also the thing in those days and I loved that music.
Bill Lakes and the Playboys, a local band, was one of my first bands in which I had the opportunity to grow as a young player. We played a lot of R&B and Blues, which was a great training ground for any guitar player. I also enjoyed playing country music, as long as they had a decent pedal steel player. I got pretty adept at picking out the chord formations and playing along in harmony.
The first National act that I joined was The Melting Pot Band on Capricorn Records in 1969 replacing the guitar player who had been injured. In late 1975 I was living in St. Petersburg, Florida and making three-dollars a night playing for the door. Two guys from the band I was playing with got a call from Dickey Betts and went to join him to start the Dickey Betts and Great Southern Band. They said he was looking for a guitar player and that they would try to get me an audition. I didn't feel I had a chance at an audition, let alone the gig. But a few days later, I was coming in from the pool and the phone was ringing from a booth just outside our apartment door, it kept ringing and ringing. Finally I'd had enough and answered it. A voice on the other end said, "I am looking for Dan Toler, this is Dickey Betts calling" and I said "yeah right" and hung up the phone. Fortunately, he called back. We talked for a while and during the conversation, he offered to fly me to Macon, Georgia for a look see.
I gave 'em my best stuff at the audition and it must've paid off because a few days later, I was part of the band. Over the next few years I played with Dickey and the band on two Great Southern records, "Dangerous" and "Atlanta's Burning Down". In 1979 the Allman Brothers Band was auditioning players in Macon at the Capricorn Records Picnic. I was asked to play. When I got home the next day Dickey called me and said they wanted to make me be an Allman Brother. I was with the Brothers for the next three Allman Brothers records. "Enlightened Rogues" in 1979, "Reach For The Sky" in 1980 and "Brothers Of The Road" the next year. In 1982, Gregg Allman was starting to sour on his contract with Arista Records. That January Gregg, myself and my brother Frankie left the Allman Brothers and formed the Gregg Allman Band. After five years of gigging, writing and recording the band was able to land a deal with Epic Records. In 1987 we recorded the album, "I'm No Angel" In 1988 we recorded the album "Just Before The Bullets Fly". The success of those two records propelled us through 1989 with "I'm no Angel" going gold.. In 1990 when Gregg reformed the Allman Brothers Band, my brother and I decided to do our own project, The Toler Brothers Band. We toured extensively with acts like Black Oak Arkansas, Southern Rock All-Stars, Radio Tokyo and Molly Hatchet. In '95 Gregg approached me about playing with him again as Gregg Allman and Friends.
It was during this time I reconnected with Johnny Townsend. Johnny, my brother David (Frankie) Toler and I had been playing with the Gregg and Friends band in California. In no time Johnny and I hit it off and we started writing songs together. Even after the tour ended, I would send tapes to John and he would write lyrics to my music. Very soon we had composed a number of great tunes. I first met Johnny Townsend when I was working with Gregg's band, playing on the West Coast in the 1980s. Johnny would come sit-in with us and sing tunes like "Stormy Monday Blues" and he would absolutely mesmerize the audiences and get standing ovations. He just blew us all away. I think Johnny Townsend is a powerful vocalist with a great talent for lyrics and chord changes and I'm proud to stand on stage with him.
Writing music with Johnny and playing in a band together... it doesn't get any better than that for me. My Brother David and I had been doing some recording in Sarasota Florida at Telstar Studio with our friend and engineer Bud Snyder. We recorded four of five instrumental tracks and decided to send them to Johnny. The lyrics Johnny came up with were absolutely incredible and Johnny's vocals were exactly what we needed to make our band complete. We continued to work on the music on and off for several years. This project would eventually become our first CD, "The Toler/Townsend Band". I continued to play with other bands periodically like The Outlaws, Marshall Tucker Band, Charlie Daniels, Stevie Ray Vaughn, Johnny Hiland, Nick Moroch, Lonnie Mack, Matt Guitar Murphy, Warren Haynes, Derrick Trucks, Jimmy Herring, Altar Bridge, Three Doors Down and Steve Gorman of The Black Crows, doing some touring and guest appearances.
In 2002 I was approached by Dicky Betts again to play with Great Southern. During this time we recorded an acoustic album called "The Collectors # 1". I stayed with Dickey until I got a call from my old friend George McCorkle from Marshal Tucker Band. George wanted to put together Southern Rock Legends band. We called that band "The Renegades". We were joined by Johnny Townsend and Jack Hall from Wet Willie. We toured the U.S. with acts like Blue Oyster Cult, Foghat and The Outlaws. It was a lot of fun but the whole time that band was together, all me and Johnny could talk about was the music we had been making as The Toler/Townsend Band.
When The Renegades went their separate ways, Johnny and I revived our music and started posting it in selected places online and within forty-eight hours we started getting interest from people in the European community. Reviews and magazine interviews followed and then interest from a European record company. We're very excited to announce that we've recently signed with Music Avenue and our CD, "The Toler/Townsend Band", was released overseas in march 2009.
http://fp.io/8m5abb95/
Subscribe to:
Posts (Atom)
