THE WAYBACKS - LOADED

THE WAYBACKS
''LOADED''
MARCH 25 2008
54:56

1 /City Boy/3:59
James Nash
2 /Nice To Be Alone
Warren Hood/3:46
3 /The River/5:13
James Nash
4 /Good Enough
Warren Hood/3:22
5 /Loaded/5:57
James Nash
6 /Savannah
Warren Hood/4:19
7 /Conjugal Visit/3:48
James Nash
8 /Tired of Being Right
Warren Hood / Willie Pipkin/3:02
9 /Lowdown/5:30
Warren Hood
10 /Beyond the Northwest Passage
James Nash/5:36
11 /Black Cat/5:33
Warren Hood
12 /Russell County Gorge
James Nash/4:51

Travis Book /Guest Artist, Vocals (Background)
Sam Bush /Guest Artist, Mandolin
Cindy Cashdollar /Guest Artist, Guitar (Steel)
Jesse Cobb /Guest Artist, Vocals (Background)
Andy Falco /Guest Artist, Vocals (Background)
Jeremy Garrett /Guest Artist, Vocals (Background)
Charles Hamilton /Drums, Percussion, Vocals (Background)
Warren Hood /Fiddle, Mandolin, Vocals, Vocals (Background)
Byron House /Guest Artist, Keyboards, Maracas, Producer, Vocals (Background)
Erick Jaskowiak /Guest Artist, Vocals (Background)
Fats Kaplin /Accordion, Button Accordion, Guest Artist, Pedal Steel
Eamon McLoughlin /Fiddle, Guest Artist, Vocals (Background)
John Mock /Guest Artist, Tin Whistle
James Nash /Guitar (Acoustic), Guitar (Electric), Mandolin, Vocals, Vocals (Background)
Chris Pandolfi /Guest Artist, Vocals (Background)
Kym Warner /Guest Artist, Vocals (Background)
Reese Wynans /Guest Artist, Organ (Hammond)

REVIEW
by Jason MacNeil
Steeped in Americana, West Coast outfit the Waybacks are able to meld Appalachian or mountain music with a summery "jam band" feeling for most of this record. Whether it is the somewhat catchy "City Boy," with its somewhat odd bridge, or the mellow "Nice to Be Alone," the group is content to let the melodies do most of the work. But sometimes the laid-back Jack Johnson-ish melodies don't quite measure up, especially on the winding and somewhat meandering "The River," which has some fleeting quality moments. Thankfully, things get back on track with the leaner pop-country of "Good Enough," bringing Jimmy Buffett or Dire Straits to mind. Meanwhile, the group seems to shine during the tranquil, placid "Savannah" with its swinging Django-like hue, and the honky tonk effort "Tired of Being Right." Probably the dark horse or sleeper on this folk-pop album is the swaying waltz-like Celtic-leaning number "Beyond the Northwest Passage," in the vein of the Pogues or Flogging Molly. Following the cinematic violin introduction of "Black Cat," the Waybacks move into a klezmer-meets-bluegrass feel with interesting results.

BIOGRAPHY
by Craig Harris
The traditional sounds of old-timey string band music is only element of the musical tapestry woven by San Francisco-based quintet the Waybacks. Roots Town Music Magazine called them "a dream combination of punk vandalism and hyper-intelligent, seldom heard, humoristic musicality," while the Winnipeg Free Press praised them for their "unpretentious musicality." Describing their musical approach, www.shoprecords.com wrote, "it's everything from 'Kumbaya'-like folk and cowboy jazz, space jam, celtoid, agnostic gospel, beat poetry, Grappelli-esque swing, and acoustic originals." The Waybacks' sound represents the combined efforts of lead guitar, mandolin player, and vocalist James Nash; fiddle, mandolin, guitar, and Humanatone player and vocalist Chojo Jacques; and rhythm, fingerpicked and Weissenborn slide guitar player, and vocalist Stevie Coyle. A native of Nashville, Nash has been playing guitar since the age of nine. Throughout high school, he studied with renowned Nashville session guitarist Jerry Kimbrough. Relocating to the San Francisco area to attend Stanford University, he became a member of the alt-rock band Occam's Razor. Increasingly drawn to traditional Southern music, he taught himself to play mandolin. In addition to working with the Waybacks, he performs as a soloist and with Lane & the Badass Chicken Bones. Although he initially studied piano and viola, Jacques found his natural voice on the guitar. The instrument was only one step, however, on his musical journey. After playing guitar in a truck stop bar band in East Missoula, MO, he began studying fiddle with the Montana Fiddlers Association. Two years later he added the mandolin, which he played with the Lost Highway Band. Moving to Austin, he became involved with the city's thriving music scene for eight years. At the suggestion of David Grisman, he moved to San Francisco in 1982. In the nearly two decades since, Jacques has become an in-demand session player. The lengthy list of artists with whom he's worked includes Ramblin' Jack Elliott, Johnny Paycheck, Frank Wakefield, and Michael Hedges. Much of the Wayback's irreverent approach is stirred by Coyle, whose resumé includes emceeing killer whale shows, doing standup comedy as one-half of the Reagan Brothers, and performing with satirical folk bands the Foremen and the Frontmen. The Wayback's rhythm section features double bass player and vocalist Joe Kyle, Jr. and drummers Chuck Hamilton, who tours with the group, and Peter Tucker, who performs with the band in the San Francisco area.
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