The Allman Brothers Band – The Allman Brothers Band (1969, MFSL 2012)
Mastered from the original master tapes, Mobile Fidelity’s 180g LP of The Allman Brothers Band joins the unparalleled reissue imprint’s other Allman titles in presenting the inimitable group’s music in the most lifelike, uncompromising fidelity anyone has ever heard. Opening up the dynamic contrasts, clearing direct paths for the frequency ranges, and ensuring optimal balances and neutrality, this edition takes listeners to the producer’s chair at New York’s Atlantic Studios as the sessions went down. The Allman Brothers Band has never sounded so crisp, clear, or defined.
Having already cut its collective teeth via live shows throughout the South, the Allman Brothers Band was properly vetted for its initial major-label foray. In particular, Gregg and Duane Allman had done stints in several other collectives that recorded a handful of long-forgotten records. Duane, too, established himself as a go-to whiz-kid slide and lead guitarist, becoming a session instrumentalist for Muscle Shoals’ FAME Studios and playing with the likes of Aretha Franklin, Percy Sledge, Wilson Pickett, and others.
He and organist/vocalist Gregg’s deft touch and innate knack for soulful tonalities help define his namesake group’s eponymous debut, notched with raw-boned R&B and purifying gospel motifs that seeped into the duo’s consciousness while growing up in Jacksonville. Complemented by likeminded lead guitarist Dickey Betts and a trio of similarly minded masters, the siblings quickly changed history on this 1969 set famous for stunningly resonant blues, spirit-moving soul, and polyrhythmic rock.
Entering with a memorable one-two punch in which fluid jazz lines mutate into an anguished 12-bar blues exchange between Gregg and Duane, continuing with an edgy and worthy take of Muddy Waters’ “Trouble No More,” and closing with the landscape-shifting workout “Whipping Post,” a preview of things to come, The Allman Brothers Band contains no flaws. Then there’s the aching of “Dreams,” a melodic 12/8-time piece showcasing slide-guitar voodoo and psychedelic aftertastes. Don’t miss this stellar work.
1. Don’t Want You No More
2. It’s Not My Cross to Bear
3. Black Hearted Woman
4. Trouble No More
5. Every Hungry Woman
6. Dreams
7. Whipping Post
Hannl “limited” Record Cleaning Machine with Rotating Brush
TT: Bergmann Audio “Magne” (with air-bearing platter)
Tonearm: Bergmann Magne (tangential/linear air-bearing tonearm)
Cartridge: Ortofon MC A 90
Phono Amp: Nagra BPS (battery driven pre amp; 100 Ohm load)
Interconnects by Silent Wire (NF-7)
Benchmark ADC 1 USB
Interconnects by ViaBlue
AC connects by Goldkabel
Wavelab 6.1 recording software (recording & manual click removal)
iZotope RX Advanced 2.0 (resampling & audio restoration)
Traders Little Helper (SBE fix on 16/44.1)
Vacuum Cleaning > Bergmann Magne > Nagra BPS > Laptop > Wavelab 6.1 (24/96) > manual click removal analyze (no clipping, no DC Bias offset) > resample to 16/44.1 > split into individual Tracks > FLAC encoded (Vers. 1.21)
No silence been removed, please burn gapless to match original tracklayout.
Rip by aksman.
