Showing posts with label LEFT LANE CRUISER. Show all posts
Showing posts with label LEFT LANE CRUISER. Show all posts

April 4, 2014

LEFT LANE CRUISER – Slingshot


Left Lane Cruiser – Slingshot (2014)


Before they were melting the faces of appreciative crowds all across the country, before they were being featured on Breaking Bad and being touted beside bands like The Black Keys as one of best blues power duos of our generation, and before they were signed to powerhouse Deep Blues label Alive Records, Ft. Wayne, Indiana’s smash blues maestros Left Lane Cruiser put out a raw, unfettered debut album called Slingshot. Only 200 copies of this wicked blues affair were produced before it faded from sight, but now Hillgrass Bluebilly Records has remastered the album and is reissuing it to the delight of hungry Deep Blues fans.

http://fp.io/3b43d17b/

August 22, 2012

LEFT LANE CRUISER & James Leg – Painkillers


Left Lane Cruiser & James Leg – Painkillers (2012)

In case you wondered whatever became of the tradition of the blues jam, it was alive and kicking for a few days in Detroit when raw and rootsy guitar-and-drum duo Left Lane Cruiser headed into a recording studio with James Leg, the keyboard player and vocal howler from the Black Diamond Heavies, to lay down a set of high-octane cover tunes. Producer Jim Diamond sat in on bass and Harmonica Shah stopped by to blow some harp, and the result is Painkillers, a loud and rowdy collection of bluesy wailing for the 21st century. Like plenty of bands on the punk-blues axis, both Left Lane Cruiser and James Leg approach their music with the ferocity of a starving dog that’s been tossed a bloody steak, and if you’re looking for anything approaching subtlety, Painkillers is not for you. But the musicians on this date all seem to be on the same page — they want to get loud and boogie like they’re expecting to be taken to jail in the morning, and for a makeshift band, these performances are surprisingly tight and emphatic. Leg’s trademark “Tom Waits with a sore throat” growl is as over-the top as it’s always been, but in this context, it suits the material just fine, and his swirling organ and thickly distorted electric piano are rich and satisfying, while the manic slide guitar of Frederick “Joe” Evans IV and hard-stomping drumming of Brenn Beck are as greasy as a good burger and just as tasty. Diamond’s rock-solid bass work and full-bodied engineering is just the right icing on this particular cake, as are the primal harp blasts from Harmonica Shah, and if the set list — a list of blues and blues-rock standards ranging from Muddy Waters and John Lee Hooker to the Rolling Stones and Led Zeppelin — isn’t especially imaginative, these guys attack like the best sort of bar band, and the version of Bob Seger’s “Come to Poppa” suggests they were embracing the Detroit experience to the fullest. Painkillers suggests an overdriven, punk-infused variation on Canned Heat’s old formula, and if they’re never going to get to cut an album with John Lee Hooker, at least they have the good sense to see that their boogie isn’t endless, and for 35 minutes, this is a house party worth a visit.

Artist: Left Lane Cruiser & James Leg
Album: Painkillers
Release Date: 2012
Genres: Blues Rock
Format : Mp3 320
Size: 81 MB


Tracklist:
1 – Sad Days Lonely Nights
2 – She’s Gone
3 – Come To Poppa
4 – Red Rooster
5 – If 6 Was 9
6 – Shake It
7 – Ramblin On My Mind
8 – Chevrolet
9 – When The Levee Breaks
10 – Sway
http://fp.io/4ba974md/

November 11, 2011

LEFT LANE CRUISER - JUNKYARD SPEED BALL


Left Lane Cruiser – Junkyard Speed Ball (2011)

Artist: Left Lane Cruiser
Album: Junkyard Speed Ball
Released: 2011
Style: Blues-rock
Format: MP3 320Kbps
Size: 103 Mb


Tracklist:
01 – Lost My Mind
02 – Giving Tree
03 – Circus
04 – Shine
05 – Hip-Hop
06 – 24 Hr
07 – Weed Vodka
08 – Cracker Barrel
09 – Pig Farm
10 – Represent
11 – Road Again
12 – At The Denny?s

LEFT LANE CRUISER - ALL YOU CAN EAT




Yay! Left Lane Cruiser is back already with a new album. It’s called “All You Can Eat!!” and it’s filled once again with raw, dirty and distorted blues that tugs at your heartstrings and makes you dance.

They didn’t change a thing and they don’t have to because this two-man band sounds like there’s four of them anyway and their songwriting skills are top-notch. Just listen to opener Crackalacka“” or “Hard Luck” and agree with me here folks! Songs about being broke have never sounded this good!

In another life, Freddie J IV could have been a good ol' fingerpickin', porch-playin' blues guitarist. Basking away in the sun, he could have whiled away his time exploring the many shades of blues, from country hit whittling to Delta swamp wading. But there was fire in his belly and a flame in his soul, and in his hands the blues were transformed into an assault weapon. Bren "Sausage Paw" Beck was perhaps every mother's nightmare, a boy who seemingly just couldn't sit still. In a world pulsing with rhythm — from the blood pounding through our veins to the cacophony of traffic in our towns — Beck had to drum back in response at every turn, on anything and everything available. He is a continuous tattoo, battering out the beats of his own internal drums. Fatefully, one day the two met, and so was born Left Lane Cruiser, an astounding two-man blues band.

Lo-fi is a totally inadequate term to describe their sound, a sizzling mix of Beck's pusillanimous drums, claps, percussion, and hoots and hollers and Freddie J's blistering guitar and husky vocals. This is the blues in their purest form, rough and ragged, rubbed raw by too much hard living and too many tough breaks. The blues' African-American progenitors could bare the pain in their souls, but dared not express the anger that underlay it. Cruiser, however, are under no such constraints, and on the trio of songs that close the set the music bristles with barely repressed rage that immediately brings the Stooges to mind. In contrast, the exuberant crash and bash of "Wash It," the dizzy stomp of "KFD," and the gleeful hook of "G Bob" all roil with a grand joie de vivre, with the exhilarating "Set Me Down" the perfect band anthem. Then again, every track on Bring Yo' Ass to the Table ripples with energy and an electric charge of creative frisson. Whether celebrating a plate of "Pork n' Beans," "Big Momma"'s delights, or "G Bob"'s steel guitar playing, the Cruisers rumble through the back streets of life, focusing on the small details, although the scathing "Amerika" does look at the bigger picture. A thoroughly unique journey down a well-traveled road; best now to sit yo' ass down a spell and listen to this stunning album.

Left Lane Cruiser's "Bring Yo Ass To The Table" is some pretty raw stuff by the duo of guitarist/vocalist Freddy J IV and Drummer Brenn "Sausage Paw" Beck. The resophonic guitar work by Freddy J IV is commanding and his vocals probably obscene (if we could tell for sure). But setting it off on tunes like "Wash It," "Pork N' Beans," "G Bob," and "Mr. Johnson" are Beck's simple back-and-forth grooves, from double-time to half-time, heads barely tightened on, cymbals cranked, cowbells stung on the off beats, metal scraped, and cardboard trashed.

01. Crackalacka
02. Hillgrass Bluebilly
03. Ol’ Fashion (We Are Going To Leave
04. Hard Workin Man
05. Black Lung
06. Hard Luck
07. Broke Ass Blues
08. Putain!
09. Poopdeflex
10. Waynedale                                                                                                                                  http://www.fileserve.com/file/jSJUMUq

LEFT LANE CRUISER - BRING YO' ASS TO THE TABLE


LEFT LANE CRUISER
''BRING YO' ASS TO THE TABLE''
JAN 8, 2008
ALIVE RECORDS

1/Wash It/3:16
2/Set Me Down/3:01
3/Pork n' Beans/2:54
4/KFD/4:07
5/Justify/3:21
6/G Bob/3:02
7/Big Momma/3:12
8/Busket/3:19
9/Amerika/3:04
10/Amy's in the Kitchen/3:28
11/Mr. Johnson/3:36
12/Heavy/4:31

Freddie J IV/Vocals, Guitars
Brenn "Sausage Paw" Beck/Drums, Trash, Hollerin'

REVIEW
by Jo-Ann Greene
In another life, Freddie J IV could have been a good ol' fingerpickin', porch-playin' blues guitarist. Basking away in the sun, he could have whiled away his time exploring the many shades of blues, from country hit whittling to Delta swamp wading. But there was fire in his belly and a flame in his soul, and in his hands the blues were transformed into an assault weapon. Bren "Sausage Paw" Beck was perhaps every mother's nightmare, a boy who seemingly just couldn't sit still. In a world pulsing with rhythm -- from the blood pounding through our veins to the cacophony of traffic in our towns -- Beck had to drum back in response at every turn, on anything and everything available. He is a continuous tattoo, battering out the beats of his own internal drums. Fatefully, one day the two met, and so was born Left Lane Cruiser, an astounding two-man blues band. Lo-fi is a totally inadequate term to describe their sound, a sizzling mix of Beck's pusillanimous drums, claps, percussion, and hoots and hollers and Freddie J's blistering guitar and husky vocals. This is the blues in their purest form, rough and ragged, rubbed raw by too much hard living and too many tough breaks. The blues' African-American progenitors could bare the pain in their souls, but dared not express the anger that underlay it. Cruiser, however, are under no such constraints, and on the trio of songs that close the set the music bristles with barely repressed rage that immediately brings the Stooges to mind. In contrast, the exuberant crash and bash of "Wash It," the dizzy stomp of "KFD," and the gleeful hook of "G Bob" all roil with a grand joie de vivre, with the exhilarating "Set Me Down" the perfect band anthem. Then again, every track on Bring Yo' Ass to the Table ripples with energy and an electric charge of creative frisson. Whether celebrating a plate of "Pork n' Beans," "Big Momma"'s delights, or "G Bob"'s steel guitar playing, the Cruisers rumble through the back streets of life, focusing on the small details, although the scathing "Amerika" does look at the bigger picture. A thoroughly unique journey down a well-traveled road; best now to sit yo' ass down a spell and listen to this stunning album.

BIOGRAPHY
by Steve Leggett
Specializing in a raw hillbilly punk-blues style that roars like a modal, tweaking chainsaw, Left Lane Cruiser is a two-piece band comprised of Frederick “Joe” Evans IV on slide guitar and Brenn Beck on drums. The pair came out of Fort Wayne, IN but their sound has the swampy feel of North Mississippi hill country blues à la Junior Kimbrough and R.L. Burnside, with a good dose of snarling garage punk tossed into the mix. A self-released album, Gettin’ Down on It, was released on the group’s own Hillgrass Bluebilly Records in 2006, and the following year, they signed to Alive Records. Bring Yo’ Ass to the Table appeared from the imprint in 2008, followed by All You Can Eat in 2009 and Junkyard Speed Ball in 2011.

http://www.fileserve.com/file/vsFm4vE
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