May 26, 2014
LED ZEPPELIN - Earls Court Arena London, England - 05/23/1975
Led Zeppelin
May 23, 1975
Earls Court Arena
London, England
Audience Recording
Demand Unprecedented In The History Of Rock Music (EVSD 101-104)
01. Introduction
02. Rock and Roll
03. Sick Again
04. Over The Hills and Far Away
05. In My Time Of Dying
06. The Song Remains The Same
07. The Rain Song
08. Kashmir
09. No Quarter
10. Tangerine
11. Going to California
12. That's The Way
13. Bron-Y-Aur Stomp
14. Trampled Under Foot
15. Moby Dick
16. Dazed and Confused
17. Stairway to Heaven
18. Whole Lotta Love
19. Black Dog
John Bonham's brother Mick recalls this night in his book 'My Brother John':
"Come May 23rd, Jacko (father), Debbie (sister) and myself, along with a good friend of mine set off to see for ourselves how the band had progressed since we had last seen them at Trentham Gardens. As soon as the band walked onstage, to rapturous applause, we were in awe at the whole bloody size of it. Showco had shipped in the PA system and light show that was used on their American tour and above the stage a huge video screen showing close up views of the band as they went about their business. For three and a half hours, we were treated to rock music from a band that you just know were glad to be home. Every enthusiastic move by the band was highlighted in a show that was second to none. Laser beams fired above the heads of the audience gave the effect of flaming arrows when they reflected off a mirror ball, filling the vast hall with snowflakes and stars..."
An excellent show ... "Good evening! Welcome to the show. Afer an absence of something like two years, I guess we're all ready for a little Physical Graffiti. Please welcome to Earl's Court ... Led Zeppelin! DJ David Jensen introduced the band in the great style Robert's voice is in strong shape (by 1975 standards) and the band rocks! "Last weekend we did a couple of warm-up gigs for these three. We believe these were the first three gigs to be sold out, so these must be the ones with the most energy stored up. You've been waiting!" Plant stated. Kashmir is thunderous and No Quarter contains some truly excellent improvisation from all three instrumentalists. The acoustic section is wonderful and Dazed And Confused and Stairway To Heaven are excellent version, though both will be bested the following night. The Whole Lotta Love encore has a really long jam leading into Black Dog, with the rhythm section cooking ferociously while Robert screams and ad-libs.
The band's third night at Earls Court begins with an enthusiastic introduction by David 'Kid' Jensen before Rock and Roll explodes out of the gate. Bonzo is like a thunderous stampede, hammering at his drums with incredible intensity. Page tears through the guitar solos during an aggressive Sick Again. In My Time of Dying is a wild cacophony. The band gets a bit lost in the melee at times. Plant hints at You Shook Me near the end of the song. Page's fingers are a bit sticky during The Song Remains the Same. Plant tells the crowd "my left arm is swollen beyond all proportion because I just had it chipped for cholera and smallpox and everything else that we might catch while we go hunting in the jungle for new words and new songs for a new album" following The Rain Song.
Jones is introduced as "Jonesy the maestro" before No Quarter. The electric piano intro is nearly inaudible due to PA problems, recovering before the first verse. Jones's ominous piano solo is followed by a long, wandering guitar solo from Page. Plant hints as When the Levee Breaks while introducing Tangerine as "a song of simple love, first love." That's the Way is beautiful. As the song ends, Bonzo announces "Robert Plant on vocals!" Plant tells the crowd "I think this evening is beginning to feel... silly!" before an explosive Trampled Underfoot. Bonzo is introduced as "a friend, a truly great percussionist, a man with a big heart" before Moby Dick.
Plant unleashes a spine-chilling scream at the beginning of the third verse of Dazed and Confused. The bow solo is preceded by a hauntingly heavy San Francisco interlude. Page shreds erratically through the guitar solo/workout section. The band nearly falls apart during the return to the main riff. The thunderous finale is punctuated by another blood-curdling scream from Plant. Stairway to Heaven is dedicated to journalist Chris Schaar Murray, who had recently described the band as "like a vibrator, it can get you off something ridiculous, but it can't kiss you goodnight." Page delivers an excellent guitar solo. The band closes the show with a devastatingly heavy Black Dog.
May 25, 2014
BRUCE SPRINGSTEEN & The E Street Band's concert at Hersheypark Stadium, Hershey, Pennsylvania - May 14th, 2014.
Artist: Bruce Springsteen
Performance Date: 2014-05-14
Venue: Hersheypark Stadium, Hershey, Pennsylvania
Official live recordings of Bruce Springsteen & The E Street Band's
concert at Hersheypark Stadium, Hershey, Pennsylvania May 14th, 2014.
Source: Official FLAC 16 Download via Demonoid
FLAC Files Converted To Mp320 With FLAC MP3 Converter v3.3 build 1058
FLAC Files Tested OK With TLH-Decodeable Without Error
FLAC Files SBE's Fixed-Removed From File Name
FLAC Files Tagged-Updated With Mp3Tag
FLAC Files CDDA (Lossless)
See more at: http://brucespringsteen.fanfire.com/cgi-bin/WebObjects/
Store.woa/wa/product?sourceCode=BSPWEBWWUSD&sku=BSPDE144F#sthash.JtG2VoYi.dpuf
Track list: (180:11) Times Approximate
01 Clampdown (3:52)
02 Badlands (6:08)
03 Wrecking Ball (6:23)
04 Hungry Heart (5:11)
05 Candy's Room (3:17)
06 Roulette (4:20)
07 Death To My Hometown (4:27)
08 High Hopes (6:35)
09 Be True (4:39)
10 E Street Shuffle (7:26)
11 Lost In The Flood (8:04)
12 For You (8:14)
13 Prove It All Night (9:00)
14 Promised Land (6:11)
15 Mary's Place (8:15)
16 Shackled And Drawn (7:25)
17 Waitin' On A Sunny Day (6:08)
18 The Ghost Of Tom Joad (8:14)
19 Lonesome Day (4:13)
20 The Rising (4:49)
21 Light Of Day (6:53)
22 Bruce Talk 01 (1:18)
23 Surprise Surprise (3:35)
24 Bruce Talk 02 (2:12)
25 The Wall (4:42)
26 Born To Run (5:39)
27 Bobby Jean (4:18)
28 Dancing In The Dark (7:43)
29 Tenth Avenue Freeze-Out (6:13)
30 Shout (6:19)
31 Bruce Talk 03 (1:06)
32 Thunder Road (7:22)
http://fp.io/44397ce6/
Performance Date: 2014-05-14
Venue: Hersheypark Stadium, Hershey, Pennsylvania
Official live recordings of Bruce Springsteen & The E Street Band's
concert at Hersheypark Stadium, Hershey, Pennsylvania May 14th, 2014.
Source: Official FLAC 16 Download via Demonoid
FLAC Files Converted To Mp320 With FLAC MP3 Converter v3.3 build 1058
FLAC Files Tested OK With TLH-Decodeable Without Error
FLAC Files SBE's Fixed-Removed From File Name
FLAC Files Tagged-Updated With Mp3Tag
FLAC Files CDDA (Lossless)
See more at: http://brucespringsteen.fanfire.com/cgi-bin/WebObjects/
Store.woa/wa/product?sourceCode=BSPWEBWWUSD&sku=BSPDE144F#sthash.JtG2VoYi.dpuf
Track list: (180:11) Times Approximate
01 Clampdown (3:52)
02 Badlands (6:08)
03 Wrecking Ball (6:23)
04 Hungry Heart (5:11)
05 Candy's Room (3:17)
06 Roulette (4:20)
07 Death To My Hometown (4:27)
08 High Hopes (6:35)
09 Be True (4:39)
10 E Street Shuffle (7:26)
11 Lost In The Flood (8:04)
12 For You (8:14)
13 Prove It All Night (9:00)
14 Promised Land (6:11)
15 Mary's Place (8:15)
16 Shackled And Drawn (7:25)
17 Waitin' On A Sunny Day (6:08)
18 The Ghost Of Tom Joad (8:14)
19 Lonesome Day (4:13)
20 The Rising (4:49)
21 Light Of Day (6:53)
22 Bruce Talk 01 (1:18)
23 Surprise Surprise (3:35)
24 Bruce Talk 02 (2:12)
25 The Wall (4:42)
26 Born To Run (5:39)
27 Bobby Jean (4:18)
28 Dancing In The Dark (7:43)
29 Tenth Avenue Freeze-Out (6:13)
30 Shout (6:19)
31 Bruce Talk 03 (1:06)
32 Thunder Road (7:22)
http://fp.io/44397ce6/
PHIL LESH & Friends - Terrapin Crossroads San Rafael, CA - 05/24/2014
Phil Lesh & Friends
May 24, 2014
Terrapin Crossroads
San Rafael, CA
TXR webcast rip
Set 1
The Golden Road (To Unlimited Devotion) >
I Don't Need No Doctor >
Cold Rain & Snow
Mississippi Half-Step Uptown Toodeloo >
Doin' That Rag
Cassidy
Cosmic Charlie
Set 2
Shakedown Street >
El Paso >
Unbroken Chain >
Viola Lee Blues >
Cumberland Blues >
Viola Lee Blues >
Friend of The Devil >
Cumberland Blues >
Viola Lee Blues >
Samson & Delilah >
Unbroken Chain
Eyes of The World >
Shakedown Street
Encore
Donor Rap
Ripple
Band: Phil Lesh, John Kadlecik, Joe Russo, John Scofield, John Medeski, Ross James, Jordan Levine
http://fp.io/37d4m7f1/
MARILLION - Teatro Caupolicán Santiago, Chile - 05/16/2014
Marillion - 2014-05-16, Santiago, Chile [FM]
Marillion
2014-05-16
Teatro Caupolicán
Santiago, Chile
Lineage : FM Broadcast -> Microlab recorder -> Sound Forge Audio Studio 10 (Normalization) -> CD Wave Editor 1.98 -> Flac level 8
Nice FM recording, lots of DJ chatting, but not to mess up completely the recording, really well mixed for a live broadcast. The FM reception is a little bit poor here, so you can hear a little static in the quieter parts.
Tracklist
1 - Gaza
2 - Easter
3 - Beautiful
4 - Power
5 - You're Gone
6 - Man of a Thousand Faces
7 - No One Can
8 - Warm Wet Circles
9 - That Time of the Night (The Short Straw)
10 - Cover My Eyes (Pain and Heaven)
11 - The Uninvited Guest
12 - Hooks in You
Encore:
13 - Ocean Cloud
Encore 2:
14 - Kayleigh
15 - Lavender
16 - Heart of Lothian
Encore 3:
17 - Sugar Mice
18 - Neverland http://fp.io/15f6mf54/
SOUTHSIDE JOHNNY AND THE ASBURY JUKES - Playlist: The Very Best of Southside Johnny & The Asbury Jukes (2013)
Southside Johnny – Playlist: The Very Best of Southside Johnny & The Asbury Jukes (2013)
Southside JohnnyWhen Bruce Springsteen gave the green light to officially release his 1973 recording of “The Fever” on 1999’s 18 Tracks, The Boss’ decision was rightfully greeted with acclaim. But many of us Jersey boys were in on a secret: Bruce wrote it, but “The Fever” belonged to Southside Johnny and his Asbury Jukes. Springsteen’s torrid evocation of a burning blue-collar romance, as produced by “Miami” Steve Van Zandt, was the centerpiece of the band’s 1976 Epic Records debut I Don’t Want to Go Home. And it’s one of fourteen freshly remastered slabs of red-hot R&B – both live and in the studio – on Playlist: The Very Best of Southside Johnny and the Asbury Jukes.
“The Fever” – with its unforgettable bass vocals from a pseudonymous Clarence Clemons – is one of three tracks from I Don’t Want to Go Home on the new anthology. Playlist focuses just a single five-year period of Southside Johnny and the Asbury Jukes’ long career, but during those years of 1976-1981, it was entirely possible that the Jersey shore was the epicenter of pure rock and roll. And the sound of the Jersey shore was, in large part, the sound of the Jukes as fully formed on I Don’t Want to Go Home, the first of three landmark Epic albums. It was an exultant open invitation to a bar that never closes, with Lyon (vocals/harmonica), Kenny “Popeye” Pentifallo (drums/vocals), Kevin Kavanaugh (keyboards/vocals), Billy Rush (guitar), Alan Berger (bass), Carlo Novi (tenor saxophone), the future Little Steven (guitars/vocals) and The Miami Horns providing the blood, sweat and tears. (The Jukes’ lineup would be fluid on the albums represented in this set with innumerable guest musicians and singers popping in.)
The band’s spirit was epitomized in the opening lines of that LP’s title track written by Van Zandt and reprised here: “Oh I know that it’s getting late, but I don’t want to go home/I’m in no hurry, baby, time can wait/’Cos I don’t want to go home/Listen to the man sing his song/But I don’t want to go home/I don’t mind if they take all night long/’Cos I don’t want to go home!” Southside’s whiskey-soaked rasp instantly conjures up the time and place. In the year of Born to Run, Lyon, Springsteen, Van Zandt, engineer Jimmy Iovine and co. were synthesizing Stax horns, Drifters strings, Four Seasons pathos, and The Rascals’ blue-eyed soul into a vibrant style that either transcended the familiar tag of “bar band” or significantly raised the, um, bar for all of the other such groups out there!
It’s no slight to Southside Johnny to state the importance of his friend Springsteen’s role in shaping his music. Five of the fourteen songs on Playlist came from The Boss’ pen (either in full or in part), but they weren’t mere cast-offs. Springsteen and Lyon shared a similar musical sensibility, and both men found an ideal foil in Steven Van Zandt. For The Jukes’ three Epic albums – the crux of this compilation – Van Zandt served as singer, songwriter, arranger, guitarist and general foil to Lyon. Steve and Johnny once claimed to have shared the stage in 48 (!) bands together prior to finding mainstream success. Their paths crossed often with Springsteen’s. Individually and collectively, the three men created a true alternative to disco as well as punk. Lyrically, these songs were often in a good-time vein, with empathy for the underdog, but there was also a real underpinning in the blues of “rhythm and,” as evidenced by the cover version here of Solomon Burke’s “Got to Get You Off My Mind” from the Jukes at the Bottom Line promotional LP. Another of the many highlights here is “Broke Down Piece of Man,” with Lyon and Van Zandt more than respectably subbing for Sam and Dave.
Persistent piano and scorching guitars join with the exuberant horns for Van Zandt’s raucous “This Time It’s For Real,” the title song of the band’s 1977 sophomore effort. But the most iconic song off that set might be another Springsteen/Van Zandt co-write “Love on the Wrong Side of Town.” It’s heard in a live performance from Los Angeles’ Roxy just days after the song’s single release. While the choice of a live version over the studio original might keep this disc from being a so-called “definitive” collection, the Jukes always came to life before an audience, and this track (first aired in the 2007 box set Jukebox) is no exception. A kiss-off to a cheating lover never sounded as delicious as it does here, with the tasty sax solo doffing its melodic hat to “Up on the Roof.”
In his new track-by-track liner notes penned especially for Playlist, Lyon recalls hearing Aretha Franklin perform “Without Love” at a New Jersey supper club. He attended Franklin’s concert with Springsteen, Van Zandt and Garry Tallent, and “saw Stevie’s eyes light up” during the song. Its boisterous Jersey shore makeover from This Time It’s for Real is another one of the well-chosen cover versions included here.
Three highlights have been plucked from the Jukes’ Epic swansong, 1978’s Hearts of Stone. That album showed off the various sides of the band but was very much a transitional album. Van Zandt and the Jukes would soon part ways, and Hearts was very much Miami Steve’s parting gift. He had a hand in writing every track other than two solo offerings from Springsteen, in addition to his usual producing and arranging duties. “Trapped Again,” by the Lyon/Van Zandt/Springsteen team (“I wrote a lyric, Steve and Bruce straightened it out and revamped the song,” writes Lyon) is a tight, crisp rocker about another painful relationship, while the breakneck “Talk to Me” is Springsteen at his most pop-oriented. Bruce was also tapped for the sublimely soulful title track, sung by Lyon with an ache in his voice as Van Zandt supports him on sympathetic lead guitar. “This is the last dance, the last chance,” Lyon croons in the song. It’s a fitting valedictory for the Epic years.
Two tracks have been licensed from Mercury, one from each of the band’s first two post-Epic albums. The brassy “All I Want is Everything,” written by Lyon and fellow Juke Billy Rush, is one of the more in-your-face tracks here, and “Why is Love Such a Sacrifice” is tough and dramatic. “Everything” was produced by renowned keyboardist Barry Beckett for the self-titled The Jukes, and recorded south of the Mason-Dixon Line at Beckett’s home base in Muscle Shoals, Alabama. Beckett brought a more polished, less rough-and-tumble sound to The Jukes. The band returned to New Jersey for the West Orange-recorded Love is a Sacrifice, with Patti Scialfa and Soozie Tyrell among the participants. Jukes guitarist Billy Rush was the group’s principal songwriter by this point, but inspiration wasn’t in the air. These two songs are both solid inclusions, but they’re the “odd men out” as they’re sonically removed from the previous cuts.
Playlist reprises nine of the ten songs issued on the 1979 compilation Havin’ a Party, but it’s a few short of the 19 tracks that featured on 1992’s Epic/Legacy release The Best of Southside Johnny and the Asbury Jukes. That disc offered one choice B-side and more highlights from the Bottom Line, and included the entirety of Hearts of Stone save one song. For a packed overview of the Jukes’ post-Epic career, Rhino’s 1993 All I Want is Everything is still the ultimate collection, with 18 songs from 1979-1991. Playlist is a solid retrospective of the Epic years plus, and a must-have for the new and long overdue remastering by Mark Wilder. Johnny’s notes are also a welcome addition.
http://fp.io/dfd8c16d/
Southside JohnnyWhen Bruce Springsteen gave the green light to officially release his 1973 recording of “The Fever” on 1999’s 18 Tracks, The Boss’ decision was rightfully greeted with acclaim. But many of us Jersey boys were in on a secret: Bruce wrote it, but “The Fever” belonged to Southside Johnny and his Asbury Jukes. Springsteen’s torrid evocation of a burning blue-collar romance, as produced by “Miami” Steve Van Zandt, was the centerpiece of the band’s 1976 Epic Records debut I Don’t Want to Go Home. And it’s one of fourteen freshly remastered slabs of red-hot R&B – both live and in the studio – on Playlist: The Very Best of Southside Johnny and the Asbury Jukes.
“The Fever” – with its unforgettable bass vocals from a pseudonymous Clarence Clemons – is one of three tracks from I Don’t Want to Go Home on the new anthology. Playlist focuses just a single five-year period of Southside Johnny and the Asbury Jukes’ long career, but during those years of 1976-1981, it was entirely possible that the Jersey shore was the epicenter of pure rock and roll. And the sound of the Jersey shore was, in large part, the sound of the Jukes as fully formed on I Don’t Want to Go Home, the first of three landmark Epic albums. It was an exultant open invitation to a bar that never closes, with Lyon (vocals/harmonica), Kenny “Popeye” Pentifallo (drums/vocals), Kevin Kavanaugh (keyboards/vocals), Billy Rush (guitar), Alan Berger (bass), Carlo Novi (tenor saxophone), the future Little Steven (guitars/vocals) and The Miami Horns providing the blood, sweat and tears. (The Jukes’ lineup would be fluid on the albums represented in this set with innumerable guest musicians and singers popping in.)
The band’s spirit was epitomized in the opening lines of that LP’s title track written by Van Zandt and reprised here: “Oh I know that it’s getting late, but I don’t want to go home/I’m in no hurry, baby, time can wait/’Cos I don’t want to go home/Listen to the man sing his song/But I don’t want to go home/I don’t mind if they take all night long/’Cos I don’t want to go home!” Southside’s whiskey-soaked rasp instantly conjures up the time and place. In the year of Born to Run, Lyon, Springsteen, Van Zandt, engineer Jimmy Iovine and co. were synthesizing Stax horns, Drifters strings, Four Seasons pathos, and The Rascals’ blue-eyed soul into a vibrant style that either transcended the familiar tag of “bar band” or significantly raised the, um, bar for all of the other such groups out there!
It’s no slight to Southside Johnny to state the importance of his friend Springsteen’s role in shaping his music. Five of the fourteen songs on Playlist came from The Boss’ pen (either in full or in part), but they weren’t mere cast-offs. Springsteen and Lyon shared a similar musical sensibility, and both men found an ideal foil in Steven Van Zandt. For The Jukes’ three Epic albums – the crux of this compilation – Van Zandt served as singer, songwriter, arranger, guitarist and general foil to Lyon. Steve and Johnny once claimed to have shared the stage in 48 (!) bands together prior to finding mainstream success. Their paths crossed often with Springsteen’s. Individually and collectively, the three men created a true alternative to disco as well as punk. Lyrically, these songs were often in a good-time vein, with empathy for the underdog, but there was also a real underpinning in the blues of “rhythm and,” as evidenced by the cover version here of Solomon Burke’s “Got to Get You Off My Mind” from the Jukes at the Bottom Line promotional LP. Another of the many highlights here is “Broke Down Piece of Man,” with Lyon and Van Zandt more than respectably subbing for Sam and Dave.
Persistent piano and scorching guitars join with the exuberant horns for Van Zandt’s raucous “This Time It’s For Real,” the title song of the band’s 1977 sophomore effort. But the most iconic song off that set might be another Springsteen/Van Zandt co-write “Love on the Wrong Side of Town.” It’s heard in a live performance from Los Angeles’ Roxy just days after the song’s single release. While the choice of a live version over the studio original might keep this disc from being a so-called “definitive” collection, the Jukes always came to life before an audience, and this track (first aired in the 2007 box set Jukebox) is no exception. A kiss-off to a cheating lover never sounded as delicious as it does here, with the tasty sax solo doffing its melodic hat to “Up on the Roof.”
In his new track-by-track liner notes penned especially for Playlist, Lyon recalls hearing Aretha Franklin perform “Without Love” at a New Jersey supper club. He attended Franklin’s concert with Springsteen, Van Zandt and Garry Tallent, and “saw Stevie’s eyes light up” during the song. Its boisterous Jersey shore makeover from This Time It’s for Real is another one of the well-chosen cover versions included here.
Three highlights have been plucked from the Jukes’ Epic swansong, 1978’s Hearts of Stone. That album showed off the various sides of the band but was very much a transitional album. Van Zandt and the Jukes would soon part ways, and Hearts was very much Miami Steve’s parting gift. He had a hand in writing every track other than two solo offerings from Springsteen, in addition to his usual producing and arranging duties. “Trapped Again,” by the Lyon/Van Zandt/Springsteen team (“I wrote a lyric, Steve and Bruce straightened it out and revamped the song,” writes Lyon) is a tight, crisp rocker about another painful relationship, while the breakneck “Talk to Me” is Springsteen at his most pop-oriented. Bruce was also tapped for the sublimely soulful title track, sung by Lyon with an ache in his voice as Van Zandt supports him on sympathetic lead guitar. “This is the last dance, the last chance,” Lyon croons in the song. It’s a fitting valedictory for the Epic years.
Two tracks have been licensed from Mercury, one from each of the band’s first two post-Epic albums. The brassy “All I Want is Everything,” written by Lyon and fellow Juke Billy Rush, is one of the more in-your-face tracks here, and “Why is Love Such a Sacrifice” is tough and dramatic. “Everything” was produced by renowned keyboardist Barry Beckett for the self-titled The Jukes, and recorded south of the Mason-Dixon Line at Beckett’s home base in Muscle Shoals, Alabama. Beckett brought a more polished, less rough-and-tumble sound to The Jukes. The band returned to New Jersey for the West Orange-recorded Love is a Sacrifice, with Patti Scialfa and Soozie Tyrell among the participants. Jukes guitarist Billy Rush was the group’s principal songwriter by this point, but inspiration wasn’t in the air. These two songs are both solid inclusions, but they’re the “odd men out” as they’re sonically removed from the previous cuts.
Playlist reprises nine of the ten songs issued on the 1979 compilation Havin’ a Party, but it’s a few short of the 19 tracks that featured on 1992’s Epic/Legacy release The Best of Southside Johnny and the Asbury Jukes. That disc offered one choice B-side and more highlights from the Bottom Line, and included the entirety of Hearts of Stone save one song. For a packed overview of the Jukes’ post-Epic career, Rhino’s 1993 All I Want is Everything is still the ultimate collection, with 18 songs from 1979-1991. Playlist is a solid retrospective of the Epic years plus, and a must-have for the new and long overdue remastering by Mark Wilder. Johnny’s notes are also a welcome addition.
http://fp.io/dfd8c16d/
BROTHERS PAST - Catskill Chill - Hancock, NY - 09/07/2013
9/7/13 - Catskill Chill - Hancock, NY
by Brothers Past
1.
Words Like Weapons > 14:08
2.
Year of the Horse 13:55
3.
Squeeze 17:36
4.
banter / happy birthday Rick 02:17
5.
State Police > 07:20
6.
Boy 09:19
http://fp.io/b91cccf1/
MOE. - Civic Theatre, New Orleans, LA - 04/26/2014
MOE. 04/26/14 Civic Theatre, New Orleans, LA
DISC ONE
SET ONE
Y.O.Y.
(8:18)
She
(17:08)
Mar De Ma
(5:16)
The Pit
(11:00)
Don't Fuck With Flo
(13:36)
Big World
(7:03)
Ricky Marten
(7:32)
DISC TWO
Time Ed
(16:48)
SET TWO
Zed Nought Z
(7:58)
Rainshine
(6:09)
Suck A Head
(4:29)
Buster
(16:10)
Overlude
(8:47)
DISC THREE
Yodelittle
(20:28)
Bearsong
(15:13)
Billygoat
(9:55)
ENCORE
Alnouncements
(3:10)
Time
(5:19)
Jerry Garcia Symphonic Celebration Warren Haynes w/Keith Lockhart & The Boston Pops Symphony Hall, Boston MA 05-14-2014
Jerry Garcia Symphonic Celebration
Warren Haynes w/Keith Lockhart & The Boston Pops
Symphony Hall, Boston MA 05-14-2014
Set One
Dark Star
Bird Song
Crazy Fingers
Scarlet Begonias
Russian Lullabye
Shakedown Street
Morning Dew
Set Two
Attics of My Life
Comes A Time
China Cat
Jam
West LA Fadeaway
Black Peter
Terrapin Station
Field: Sony PCM-M10 – Internal Mics, 24/96 FOB/DFC
Post: Fades in Audacity, Downsample in R8Brain, Track Splits in CDWav,
FLAC’ed and Torrent in TLH, Tags in Media Monkey.
Enjoy.
http://fp.io/8f752ca6/
Warren Haynes w/Keith Lockhart & The Boston Pops
Symphony Hall, Boston MA 05-14-2014
Set One
Dark Star
Bird Song
Crazy Fingers
Scarlet Begonias
Russian Lullabye
Shakedown Street
Morning Dew
Set Two
Attics of My Life
Comes A Time
China Cat
Jam
West LA Fadeaway
Black Peter
Terrapin Station
Field: Sony PCM-M10 – Internal Mics, 24/96 FOB/DFC
Post: Fades in Audacity, Downsample in R8Brain, Track Splits in CDWav,
FLAC’ed and Torrent in TLH, Tags in Media Monkey.
Enjoy.
http://fp.io/8f752ca6/
PHIL LESH & Friends - Terrapin Crossroads - 05/23/2014
Phil Lesh & Friends
May 23, 2014
Terrapin Crossroads
TXR webcast rip
Set 1
After Midnight
Bertha
Althea
Pride of Cucamonga >
He's Gone >
Pride of Cucamonga
Tumbling Dice >
Casey Jones
Set 2
Scarlet Begonias >
Fire on the Mountain
Just a Little Light
Dark Star >
The Other One >
Truckin' >
The Other One >
Dark Star >
Like a Hurricane >
Morning Dew
Encore
Donor Rap
Not Fade Away
Band: Phil Lesh, John Kadlecik, Joe Russo, John Scofield, John Medeski, Grahame Lesh
http://fp.io/8b8bd22d/
May 23, 2014
Terrapin Crossroads
TXR webcast rip
Set 1
After Midnight
Bertha
Althea
Pride of Cucamonga >
He's Gone >
Pride of Cucamonga
Tumbling Dice >
Casey Jones
Set 2
Scarlet Begonias >
Fire on the Mountain
Just a Little Light
Dark Star >
The Other One >
Truckin' >
The Other One >
Dark Star >
Like a Hurricane >
Morning Dew
Encore
Donor Rap
Not Fade Away
Band: Phil Lesh, John Kadlecik, Joe Russo, John Scofield, John Medeski, Grahame Lesh
http://fp.io/8b8bd22d/
May 24, 2014
THE GRATEFUL DEAD - Edmundson Pavilion University of Washington Seattle, WA - 05/21/1974
Grateful Dead
1974-05-21
Edmundson Pavilion
University of Washington
Seattle, WA
Soundboard Recording
320 kbps
1st Set:
01. Me & My Uncle
02. Brown Eyed Women
03. Beat It On Down The Line
04. Deal
05. Mexicali Blues
06. It Must've Been The Roses
07. The Race Is On
08. Scarlet Begonias
09. El Paso
10. Row Jimmy
11. Money Money
12. Ship Of Fools
13. Weather Report Suite Prelude >
14. Weather Report Suite Part One >
15. Let It Grow >
16. China Doll
2nd Set:
01. Playing in the Band 02. U.S. Blues
03. Big River
04. Stella Blue
05. Around & Around
06. Eyes Of The World >
07. Wharf Rat >
08. Sugar Magnolia
Encore:
01. Johnny B. Goode
gd74-05-21.sbd.patched-weir.22801.sbeok.flac16
SBD (shnid=2597) patched with AUD (shnid=10150)
SBD SOurce (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
AUD Patch source (shnid=10150)
AudMC > WAV > SHN
Sony ECM18N mics > Sony 152SD deck, recorded by Pat Lee, hand held mics in right balcony
Patches SHN> WAV> CE Pro (patching)> sector boundary correction (CE Pro & shntool v1.2.3)>
SHN V3 encoding (shntool) by Charles Wier
SBEs fixed manually and with shntool, as the crowd is cut between most songs on both the SBD and AUD master. Transitions are smooth, but not continual due to missing crowd. Minor cut at beginning of JBG also cut on AUD and could not be patched.
*1 patch beginning ~0:13.8 w/ aud; 0:12.6 of silence removed from end
*2 trim silence from end
*3 patch w/ aud; -2 dB to R ch & trim/fade crowd
*4 10 dB boost to R ch fadein for 1st 5 secs (barely detectable)
http://fp.io/5984e677/
May 23, 2014
PHIL LESH & Friends - Terrapin Crossroads San Rafael, CA - 05/22/2014
Phil Lesh & Friends
May 22, 2014
Terrapin Crossroads
San Rafael, CA
TXR webcast rip
Set 1
Jack Straw
Broken Arrow
Crazy Fingers >
Reuben and Cerise
Stagger Lee
Look out Cleveland >
Goin' Down The Road Feeling Bad
Set 2
Box Of Rain >
I Know You Rider >
So Many Roads
Terrapin Station
Help On The Way >
Slipknot! >
Wind And Roses >
Slipknot! >
Franklin's Tower
Encore
Donor Rap
Brown-Eyed Women
Band: Phil Lesh, John Kadlecik, Joe Russo, John Scofield, John Medeski, Grahame Lesh, Alex Koford
http://fp.io/mm9dcfb4/
May 22, 2014
Terrapin Crossroads
San Rafael, CA
TXR webcast rip
Set 1
Jack Straw
Broken Arrow
Crazy Fingers >
Reuben and Cerise
Stagger Lee
Look out Cleveland >
Goin' Down The Road Feeling Bad
Set 2
Box Of Rain >
I Know You Rider >
So Many Roads
Terrapin Station
Help On The Way >
Slipknot! >
Wind And Roses >
Slipknot! >
Franklin's Tower
Encore
Donor Rap
Brown-Eyed Women
Band: Phil Lesh, John Kadlecik, Joe Russo, John Scofield, John Medeski, Grahame Lesh, Alex Koford
http://fp.io/mm9dcfb4/
May 22, 2014
PHIL LESH & Friends Terrapin Crossroads San Rafael, CA - 05/21/2014
Phil Lesh & Friends
May 21, 2014
Terrapin Crossroads
San Rafael, CA
TXR webcast rip
Set 1
Mason's Children >
Alabama Getaway
Deal
Peggy-O >
Lazy River Road
China Cat Sunflower >
Liberty
Set 2
Dear Mr. Fantasy >
New Speedway Boogie
Bird Song
St. Stephen >
Playin' In The Band >
The Wheel
Uncle John's Band >
Let it Ride >
Playin' In The Band (reprise)
Encore
Donor Rap
U.S. Blues
Band: Phil Lesh, John Kadlecik, Joe Russo, John Scofield, John Medeski, Grahame Lesh, Alex Koford
http://fp.io/d5656b8b/
May 21, 2014
Terrapin Crossroads
San Rafael, CA
TXR webcast rip
Set 1
Mason's Children >
Alabama Getaway
Deal
Peggy-O >
Lazy River Road
China Cat Sunflower >
Liberty
Set 2
Dear Mr. Fantasy >
New Speedway Boogie
Bird Song
St. Stephen >
Playin' In The Band >
The Wheel
Uncle John's Band >
Let it Ride >
Playin' In The Band (reprise)
Encore
Donor Rap
U.S. Blues
Band: Phil Lesh, John Kadlecik, Joe Russo, John Scofield, John Medeski, Grahame Lesh, Alex Koford
http://fp.io/d5656b8b/
May 21, 2014
JOHN MAYALL - A Special Life
John Mayall – A Special Life (2014)
John MayallJohn Mayall has been doing this blues thing now for over five decades (he released his first single in 1964), exploring the form in all of its incarnations, from gutbucket country blues to the more urbane jazz side of things, and amazingly, he’s always sounded pretty much like John Mayall, a blues everyman who has always surrounded himself with the best bands and players, a big part of the reason he is still a successful touring act in his eighties.
Mayall’s put out 60 some albums since 1964, and while he’s slowed down a bit in recent years, he’s still good for a new album or live set every couple of years or so. A Special Life, recorded in November 2013 at Entourage Studios in North Hollywood, features Mayall’s current band — guitarist Rocky Athas, bassist Greg Rzab and drummer Jay Davenport — with singer and accordion player C.J. Chenier sitting in on a couple of tracks. It’s a typical Mayall album, featuring a couple of classic blues covers (including Albert King’s “Floodin’ in California” here) and several Mayall originals (most of which unfortunately fall lyrically into the generic), all punctuated by piercing harmonica runs and solid ensemble playing. The opener, a cover of Clifton Chenier’s “Why Did You Go Last Night,” is one of the highlights, a Jimmy Reed-like shuffle given warmth, poignancy, and depth by Clifton’s son C.J.’s accordion swells. Although it is built on a fairly generic blues progression in D, Mayall’s own “World Gone Crazy” stands out because of its subject matter, which pretty much puts the responsibility for war at the feet of religions, most of which are rigidly intolerant of other religions. It’s certainly not one’s run of the mill blues theme. This is what Mayall does. He plays blues right down the middle of the road, never straying too far from the classic Chicago blues model, but he adds embellishments now and then, and when they work, he gently bumps the blues into an interesting side alley.
Tracklist:
01 – Why Did You Go Last Night 04:54
02 – Speak Of The Devil 03:26
03 – That's All Right 03:19
04 – World Gone Crazy 04:15
05 – Floodin' In California 04:37
06 – Big Town Playboy 04:19
07 – A Special Life 04:10
08 – I Just Got To Know 04:08
09 – Heartache 04:48
10 – Like A Fool 04:03
11 – Just A Memory 06:39
http://fp.io/5ffc2d21/
LES CLAYPOOL - Les Claypool's Rat Brigade :: Bridgeport, CT Gathering Of The Vibes - 06/24/2000
The Frog Brigade is also noted for Claypool's being accepted into the jam band scene.[6] Live Frogs Set 1 won "Best Live Album" at the second annual Jammys. Jay Lane and Jeff Chimenti are both members of Bob Weir's band Ratdog. Claypool performed with "The Rat Brigade" when opening for Ratdog once in 2000 and again in 2007. The Rat Brigade includes Claypool, drummer Lane and keyboardist Chimenti, with guest appearances by saxophonist Kenny Brooks and Bob Weir. Both years Claypool also guested on the Ratdog set.[citation needed]
Les Claypool's Rat Brigade
June 24th, 2000
Bridgeport, CT
Gathering Of The Vibes
Soundboard
1. Taxman >
2. Tommy the Cat (w/ Play That Funky Music quotes) >
3. Rapper's Delight / Another One Bites the Dust >
4. Wynona's Big Brown Beaver > Jam >
5. Hello Skinny
6. In The Flesh intro (aborted)
7. The Awakening > [Kenny Brooks enters] Jam (w/ Thank You quotes) >
8. Shattering Song (w/ Riders On The Storm verse)
[Bob Weir enters]
9. Tommorrow Never Knows (w/ The Wondrous Boat Ride verse) >
10. Barney Miller Theme > Batman Theme > Barney Miller Theme
11. Stairway To Heaven (acapella coda)
Les Claypool - bass, vocals
Jay Lane - drums
Jeff Chimenti - keys
Guests:
Kenny Brooks - sax
Bob Weir - guitar
http://fp.io/c1425m5f/
Les Claypool's Rat Brigade
June 24th, 2000
Bridgeport, CT
Gathering Of The Vibes
Soundboard
1. Taxman >
2. Tommy the Cat (w/ Play That Funky Music quotes) >
3. Rapper's Delight / Another One Bites the Dust >
4. Wynona's Big Brown Beaver > Jam >
5. Hello Skinny
6. In The Flesh intro (aborted)
7. The Awakening > [Kenny Brooks enters] Jam (w/ Thank You quotes) >
8. Shattering Song (w/ Riders On The Storm verse)
[Bob Weir enters]
9. Tommorrow Never Knows (w/ The Wondrous Boat Ride verse) >
10. Barney Miller Theme > Batman Theme > Barney Miller Theme
11. Stairway To Heaven (acapella coda)
Les Claypool - bass, vocals
Jay Lane - drums
Jeff Chimenti - keys
Guests:
Kenny Brooks - sax
Bob Weir - guitar
http://fp.io/c1425m5f/
THE WHO - Charlton Athletic Football Ground, London, UK - 05/18/1974
The Who
1974-05-18
Charlton Athletic Football Ground,
London, UK
Soundboard Recording
320 kbps
CD 1:
01. Young Man Blues
02. Behind Blue Eyes
03. Pinball Wizard
04. See Me, Feel Me
05. Magic Bus
06. My Generation
07. Substitute
08. I’m A Boy
09. Tattoo
10. Boris The Spider
CD 2:
01. Drowned
02. Bell Boy
03. Dr. Jimmy
04. Won’t Get Fooled Again
05. Summertime Blues
06. Baba O’Riley
07. Naked Eye > Let’s See Action
08. My Generation Blues http://fp.io/9adab69d/
LED ZEPPELIN - Memorial Auditorium Dallas, Texas - 05/18/1973
Led Zeppelin,
1973-05-18
Memorial Auditorium
Dallas, Texas
Soundboard Recording
320 kbps
01. Rock and Roll
02. Celebration Day
03. Black Dog
04. Over The Hills and Far Away
05. Misty Mountain Hop
06. Since I've Been Loving You
07. No Quarter
08. The Song Remains the Same
09. The Rain Song
10. Dazed and Confused
11. Stairway to Heaven
http://fp.io/4cb61fc1/
PAUL McCARTNEY - National Car Rental Center Ft Lauderdal, FL - 05/18/2002
Paul mcCartney
2002-05-18
National Car Rental Center
Ft Lauderdal, FL
Soundboard Recording
01. Hello Goodbye*
02. Jet*
03. All My Loving*
04. Getting Better*
05. Coming Up*
06. Let Me Roll It*
07. Lonely Road
08. Driving Rain
09. Your Loving Flame
10. Blackbird
11. Every Night
12. We Can Work It Out
13. Mother Nature's Son
14. Vanilla Sky
15. You Never Give Me Your Money
16. The Fool On The Hill
17. Here Today
18. Something
19. Eleanor Rigby
20. Here, There And Everywhere
21. Band On The Run
22. Back In The USSR
23. Maybe I'm Amazed
24. C Moon
25. My Love
26. Can't Buy Me Love
27. Freedom
28. Live And Let Die
29. Let It Be
30. Hey Jude
1st Encore:
31. The Long And Winding Road
32. Lady Madonna
33. I Saw Her Standing There
2md Encore:
34. Yesterday
35. Sgt. Pepper's Lonely Hearts Club Band />
*audience source
May 20, 2014
NEIL YOUNG - Rock am Ring Festival Nürburgring Racetrack Eifel, Germany - 05/18/2002
Neil Young
2002-05-18
Rock am Ring Festival
Nürburgring Racetrack
Eifel, Germany
Soundboard Recording
320 kbps
CD 1"
01. When You Dance I Can Really Love
02. The Loner
03. Differently
04. Sleeps With Angels
05. Are You Passionate?
06. Goin' Home
07. Cinnamon Girl
08. Cortez the Killer
09. Let's Roll
10. Powderfinger
11. Quit (Don't Say You Love Me)
CD 2:
01. She's a Healer
02. All Along the Watchtower
03. Two Old Friends
04. Mr.Soul
05. Down by the River
Encore
06. Fuckin' Up
07. Helpless
Neil Young -- vocals, guitar, harmonica
Frank 'Poncho' Sampedro -- guitar, backing vocals, piano on "Helpless"
Donald 'Duck' Dunn -- bass guitar
Booker T. Jones -- hammond organ
Steve 'Smokey' Potts -- drums
Astrid Young -- backing vocals, piano on "Quit" and "She's a Healer"
Pegi Young -- backing vocals
Larry Cragg* -- additional bass guitar on "Let's Roll"
*Neil's guitar tech
source:
TV (satellite) > Sony SBM-1 (@ 44.1 kHz) > Sony TCD-D100
genealogy:
tv>dat-m>shn (no DAE)
dat>shn:
Sony PCM-R300 > coax cable (custom made) > DiO 2448
> Cool Edit Pro 1.2a > CDWave 1.6 > mkwACT 0.97b1 > shn
(see flac info below)
Comments: Recorded at the Nürburgring Racetrack, Eifel, Germany and aired on "Rockpalast" TV after a 2 hour delay. This is the typical "Rockpalast Mix" that combines both stage and audience mics for a very open sounding recording that at times sounds like both a pure soundboard or a pure audience recording.
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