April 21, 2016

BRUCE SPRINGSTEEN - MODA CENTER PORTLAND, OR - 03/22/2016

MODA CENTER
PORTLAND, OR
Bruce Springsteen – Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan – Piano, electric keyboards; Jake Clemons – Saxophones, percussion, vocal; Charlie Giordano – Organ, electric keyboards; Nils Lofgren – Electric and acoustic guitar, pedal steel, vocal; Patti Scialfa –  vocal, acoustic guitar, percussion; Garry Tallent – Bass; Soozie Tyrell – Acoustic guitar, violin, percussion, vocal; Stevie Van Zandt – Electric guitars, mandolin, vocal; Max Weinberg – Drums

SET ONE

1.
MEET ME IN THE CITY06:45
2.
THE TIES THAT BIND03:43
3.
SHERRY DARLING04:42
4.
JACKSON CAGE03:16
5.
TWO HEARTS04:14
6.
INDEPENDENCE DAY06:07
7.
HUNGRY HEART06:14
8.
OUT IN THE STREET05:58
9.
CRUSH ON YOU03:22
10.
YOU CAN LOOK (BUT YOU BETTER NOT TOUCH)03:35
11.
I WANNA MARRY YOU10:03
12.
THE RIVER06:53
13.
POINT BLANK09:21
14.
CADILLAC RANCH06:15
15.
I'M A ROCKER04:04
16.
FADE AWAY05:38
17.
STOLEN CAR05:32
18.
RAMROD05:39
19.
THE PRICE YOU PAY06:18
20.
DRIVE ALL NIGHT11:01
21.
WRECK ON THE HIGHWAY05:09
22.
BADLANDS05:41
23.
LONESOME DAY04:23
24.
THE PROMISED LAND05:47
25.
BECAUSE THE NIGHT05:25
26.
BRILLIANT DISGUISE04:22
27.
THE RISING05:22
28.
THUNDER ROAD07:56
29.
BORN TO RUN05:22
30.
DANCING IN THE DARK06:30
31.
ROSALITA (COME OUT TONIGHT)08:35
32.
TENTH AVENUE FREEZE-OUT06:00
33.
SHOUT09:08
https://www.filefactory.com/file/4tgosdsv9owx/bs32216-84c99b.zip

DAVID BOWIE & STEVIE RAY VAUGHAN - Space Oddity: F.M. Broadcast 1983



David Bowie & Stevie Ray Vaughan – Space Oddity: F.M. Broadcast 1983 (2016)



From the rare Dallas Moonlight sessions, the legendary Stevie Ray Vaughan brings a new life to some classic Bowie songs.

Tracklist:

1. Star (3:24)
2. Heroes (5:06)
3. What In The World (3:56)
4. Look Back In Anger (3:02)
5. Joe The Lion (3:01)
6. Wild Is The Wind (5:00)
7. Golden Years (4:15)
8. Fashion (3:22)
9. Lets Dance (5:23)
10. Red Sails (3:56)
11. Breaking Glass (3:09)
12. Life On Mars (3:52)
13. Sorrow (2:46)
14. Cat People (Putting Out Fire) (4:20)
15. China Girl (5:36)
16. Scary Monsters (Super Creeps) (3:53)
17. Rebel Rebel (2:26)
18. I Can’t Explain (2:41)
19. White Light White Heat (4:40)

https://www.filefactory.com/file/69is6fnfknu3/David_Bowie%20%26%20Stevie%20Ray%20Vaughan%20-%20Space%20Oddity-%20F.M.%20Broadcast%201983%20%282016%29.rar

April 20, 2016

BRUCE SPRINGSTEEN - LOS ANGELES MEMORIAL SPORTS ARENA LOS ANGELES, CA - 03/19/2016



LOS ANGELES MEMORIAL SPORTS ARENA
LOS ANGELES, CA

Bruce Springsteen – Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan – Piano, electric keyboards; Jake Clemons – Saxophones, percussion, vocal; Charlie Giordano – Organ, electric keyboards; Nils Lofgren – Electric and acoustic guitar, pedal steel, vocal; Patti Scialfa –  vocal, acoustic guitar, percussion; Garry Tallent – Bass; Soozie Tyrell – Acoustic guitar, violin, percussion, vocal; Stevie Van Zandt – Electric guitars, mandolin, vocal; Max Weinberg – Drums

PERFORMED:March 19, 2016

SET ONE

1.
MEET ME IN THE CITY07:22
2.
THE TIES THAT BIND03:45
3.
SHERRY DARLING04:53
4.
JACKSON CAGE03:17
5.
TWO HEARTS04:17
6.
INDEPENDENCE DAY06:32
7.
HUNGRY HEART05:58
8.
OUT IN THE STREET06:23
9.
CRUSH ON YOU03:29
10.
YOU CAN LOOK (BUT YOU BETTER NOT TOUCH)03:43
11.
I WANNA MARRY YOU10:18
12.
THE RIVER06:52
13.
POINT BLANK09:22
14.
CADILLAC RANCH06:29
15.
I'M A ROCKER04:30
16.
FADE AWAY05:47
17.
STOLEN CAR05:54
18.
RAMROD05:52
19.
THE PRICE YOU PAY06:38
20.
DRIVE ALL NIGHT11:48
21.
WRECK ON THE HIGHWAY05:14
22.
PROVE IT ALL NIGHT05:21
23.
MY LOVE WILL NOT LET YOU DOWN05:25
24.
BADLANDS06:43
25.
TOUGHER THAN THE REST06:13
26.
BECAUSE THE NIGHT05:53
27.
JUNGLELAND11:19
28.
THUNDER ROAD08:52
29.
WRECKING BALL06:13
30.
BORN TO RUN05:26
31.
DANCING IN THE DARK07:24
32.
ROSALITA (COME OUT TONIGHT)08:08
33.
TENTH AVENUE FREEZE-OUT06:11
34.
SHOUT07:19
35.
BOBBY JEAN05:05
https://www.filefactory.com/file/4gbk6nwxu3tt/bruce%20springsteen%20%202016-03-19.rar

BRUCE SPRINGSTEEN - LOS ANGELES MEMORIAL SPORTS ARENA LOS ANGELES - 03/17/2016



LOS ANGELES MEMORIAL SPORTS ARENA
LOS ANGELES, CA

Bruce Springsteen – Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan – Piano, electric keyboards; Jake Clemons – Saxophones, percussion, vocal; Charlie Giordano – Organ, electric keyboards; Nils Lofgren – Electric and acoustic guitar, pedal steel, vocal; Patti Scialfa –  vocal, acoustic guitar, percussion; Garry Tallent – Bass; Soozie Tyrell – Acoustic guitar, violin, percussion, vocal; Stevie Van Zandt – Electric guitars, mandolin, vocal; Max Weinberg – Drums

PERFORMED:March 17, 2016

SET ONE

1.
MEET ME IN THE CITY06:46
2.
THE TIES THAT BIND03:47
3.
SHERRY DARLING05:09
4.
JACKSON CAGE03:16
5.
TWO HEARTS04:12
6.
INDEPENDENCE DAY06:31
7.
HUNGRY HEART05:52
8.
OUT IN THE STREET06:11
9.
CRUSH ON YOU03:15
10.
YOU CAN LOOK (BUT YOU BETTER NOT TOUCH)03:33
11.
I WANNA MARRY YOU11:40
12.
THE RIVER06:47
13.
POINT BLANK09:34
14.
CADILLAC RANCH06:20
15.
I'M A ROCKER04:09
16.
FADE AWAY05:48
17.
STOLEN CAR05:22
18.
RAMROD05:47
19.
THE PRICE YOU PAY06:20
20.
DRIVE ALL NIGHT10:56
21.
WRECK ON THE HIGHWAY05:00
22.
BADLANDS05:44
23.
DEATH TO MY HOMETOWN04:10
24.
PROMISED LAND05:52
25.
BACKSTREETS08:31
26.
BRILLIANT DISGUISE04:29
27.
THE RISING05:11
28.
THUNDER ROAD08:02
29.
AMERICAN LAND04:28
30.
BORN TO RUN05:22
31.
DANCING IN THE DARK06:20
32.
ROSALITA (COME OUT TONIGHT)08:32
33.
TENTH AVENUE FREEZE-OUT06:00
34.
SHOUT10:53
https://www.filefactory.com/file/3r2fxd0h2g7v/bs2016-03-17%20LA%20Sports%20Arena.zip

CHEAP TRICK - Rockford, Illinois, USA October 31st, 1977

Cheap Trick
Rockford, Illinois, USA
October 31st, 1977

Soundboard Recording


Track List:
01 - Hello There
02 - Come On Come On
03 - Elo Kiddies
04 - Taxman Mr. Thief
05 - You're All Talk
06 - Southern Girls
07 - Downed
08 - Radio Announcer
09 - Loser
10 - Ain't That A Shame
11 - Please Mrs. Henry
12 - I Want You To Want Me
13 - Down By The Bay
14 - Goodnight Now                                                                                                             https://www.filefactory.com/file/4uzc13yiveyz/ch3aptr1ck19771031-YUP.rar

BOB DYLAN - DYLAN REVISITED: ALL TIME BEST

BOB DYLAN
''DYLAN REVISITED: ALL TIME BEST, DISC ONE''
2016
384:12
**********
DISC ONE
01 - Song To Woody 02:41
02 - Blowin' In The Wind 02:46
03 - Don't Think Twice, It's All Right 03:38
04 - A Hard Rain's A-Gonna Fall 06:50
05 - The Times They Are A-Changin' 03:12
06 - One Too Many Mornings 02:38
07 - All I Really Want To Do 04:03
08 - It Ain't Me Babe 03:33
09 - My Back Pages 04:22
10 - Subterranean Homesick Blues 02:19
11 - Maggie's Farm 03:55
12 - Mr. Tambourine Man 05:25
13 - Like A Rolling Stone 06:07
14 - Highway 61 Revisited 03:25
15 - Queen Jane Approximately 05:26
16 - Positively 4th Street 04:08
17 - Stuck Inside Of Mobile With The Memphis Blues Again 07:03
18 - Rainy Day Women #12 & 35 04:34
*****
DISC TWO
01 - I Want You 03:05
02 - Just Like A Woman 04:50
03 - All Along The Watchtower 02:32
04 - I'll Be Your Baby Tonight 02:38
05 - I Threw It All Away 02:23
06 - Lay Lady Lay 03:18
07 - Tonight I'll Be Staying Here With You 03:22
08 - This Wheel's On Fire 03:49
09 - You Ain't Goin' Nowhere 02:42
10 - Wigwam 03:07
11 - If Not For You 02:40
12 - The Man In Me 03:05
13 - I Shall Be Released 03:02
14 - Watching The River Flow 03:34
15 - Knockin' On Heaven's Door 02:29
16 - On A Night Like This 02:56
17 - Forever Young (Slow Version) 04:55
18 - Most Likely You Go Your Way (And I'll Go Mine) 04:14
19 - Tangled Up In Blue 05:40
20 - Simple Twist Of Fate 04:16
21 - Hurricane 08:32
*****
DISC THREE
01 - Mozambique 03:00
02 - One More Cup Of Coffee 03:44
03 - Changing Of The Guards 06:36
04 - Gotta Serve Somebody 05:24
05 - Precious Angel 06:30
06 - Jokerman 06:15
07 - Sweetheart Like You 04:33
08 - The Groom's Still Waiting At The Altar 04:03
09 - Every Grain Of Sand 06:13
10 - Tight Connection To My Heart 05:20
11 - Brownsville Girl 11:02
12 - Silvio 03:05
13 - Everything Is Broken 03:13
14 - Ring Them Bells 03:00
15 - Most Of The Time 05:03
*****
DISC FOUR
01 - Under The Red Sky 04:08
02 - Dignity 05:35
03 - Not Dark Yet 06:27
04 - Trying To Get To Heaven 05:20
05 - Things Have Changed 05:07
06 - Make You Feel My Love 03:31
07 - Summer Days 04:51
08 - Po' Boy 03:04
09 - Someday Baby 04:53
10 - When The Deal Goes Down 05:00
11 - Workingman's Blues #2 06:05
12 - Beyond Here Lies Nothin' 03:49
13 - I Feel A Change Comin' On 05:23
14 - Duquesne Whistle 05:41
15 - Long And Wasted Years 03:45
16 - That Lucky Old Sun 03:34
*****
DISC FIVE
01 - Dink's Song 04:38
02 - Worried Blues 02:37
03 - Mama, You Been On My Mind 02:55
04 - Farewell, Angelina 05:25
05 - I'll Keep It With Mine 03:44
06 - Lay Down Your Weary Tune 04:34
07 - It Takes A Lot To Laugh, It Take A Train To Cry 03:27
08 - Tell Me, Momma 04:49
09 - All You Have To Do Is Dream (Take 2) 03:19
10 - Pretty Saro 02:15
11 - Blind Willie McTell 05:51
12 - Abandoned Love 04:27
13 - Series of Dreams 06:23
14 - Born In Time 04:11
15 - Cold Irons Bound 05:43
16 - Mississippi 06:03
17 - High Water (For Charley Patton) (Live) 06:42
**********
BIOGRAPHY/AMG
Stephen Thomas Erlewine
Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives. As a vocalist, he broke down the notion that a singer must have a conventionally good voice in order to perform, thereby redefining the vocalist's role in popular music. As a musician, he sparked several genres of pop music, including electrified folk-rock and country-rock. And that just touches on the tip of his achievements. Dylan's force was evident during his height of popularity in the '60s -- the Beatles' shift toward introspective songwriting in the mid-'60s never would have happened without him -- but his influence echoed throughout several subsequent generations, as many of his songs became popular standards and his best albums became undisputed classics of the rock & roll canon. Dylan's influence throughout folk music was equally powerful, and he marks a pivotal turning point in its 20th century evolution, signifying when the genre moved away from traditional songs and toward personal songwriting. Even when his sales declined in the '80s and '90s, Dylan's presence rarely lagged, and his commercial revival in the 2000s proved his staying power.

For a figure of such substantial influence, Dylan came from humble beginnings. Born in Duluth, Minnesota, Bob Dylan (b. Robert Allen Zimmerman, May 24, 1941) was raised in Hibbing, Minnesota, from the age of six. As a child he learned how to play guitar and harmonica, forming a rock & roll band called the Golden Chords when he was in high school. Following his graduation in 1959, he began studying art at the University of Minnesota in Minneapolis. While at college, he began performing folk songs at coffeehouses under the name Bob Dylan, taking his last name from the poet Dylan Thomas. Already inspired by Hank Williams and Woody Guthrie, Dylan began listening to blues while at college, and the genre wove its way into his music. He spent the summer of 1960 in Denver, where he met bluesman Jesse Fuller, the inspiration behind the songwriter's signature harmonica rack and guitar. By the time he returned to Minneapolis in the fall, he had grown substantially as a performer and was determined to become a professional musician.

The Freewheelin' Bob Dylan
Dylan made his way to New York City in January of 1961, immediately making a substantial impression on the folk community of Greenwich Village. He began visiting his idol Guthrie in the hospital, where he was slowly dying from Huntington's chorea. Dylan also began performing in coffeehouses, and his rough charisma won him a significant following. In April, he opened for John Lee Hooker at Gerde's Folk City. Five months later, Dylan performed another concert at the venue, which was reviewed positively by Robert Shelton in The New York Times. Columbia A&R man John Hammond sought out Dylan on the strength of the review, and signed the songwriter in the fall of 1961. Hammond produced Dylan's eponymous debut album (released in March 1962), a collection of folk and blues standards that boasted only two original songs. Over the course of 1962, Dylan began to write a large batch of original songs, many of which were political protest songs in the vein of his Greenwich Village contemporaries. These songs were showcased on his second album, The Freewheelin' Bob Dylan. Before its release, Freewheelin' went through several incarnations. Dylan had recorded a rock & roll single, "Mixed Up Confusion," at the end of 1962, but his manager, Albert Grossman, made sure the record was deleted because he wanted to present Dylan as an acoustic folkie. Similarly, several tracks with a full backing band that were recorded for Freewheelin' were scrapped before the album's release. Furthermore, several tracks recorded for the album -- including "Talking John Birch Society Blues" -- were eliminated from the album before its release.

Comprised entirely of original songs, The Freewheelin' Bob Dylan made a huge impact in the U.S. folk community, and many performers began covering songs from the album. Of these, the most significant were Peter, Paul and Mary, who made "Blowin' in the Wind" into a huge pop hit in the summer of 1963 and thereby made Bob Dylan into a recognizable household name. On the strength of Peter, Paul and Mary's cover and his opening gigs for popular folkie Joan Baez, Freewheelin' became a hit in the fall of 1963, climbing to number 23 on the charts. By that point, Baez and Dylan had become romantically involved, and she was beginning to record his songs frequently. Dylan was writing just as fast.

The Times They Are A-Changin'
By the time The Times They Are A-Changin' was released in early 1964, Dylan's songwriting had developed far beyond that of his New York peers. Heavily inspired by poets like Arthur Rimbaud and John Keats, his writing took on a more literate and evocative quality. Around the same time, he began to expand his musical boundaries, adding more blues and R&B influences to his songs. Released in the summer of 1964, Another Side of Bob Dylan made these changes evident. However, Dylan was moving faster than his records could indicate. By the end of 1964, he had ended his romantic relationship with Baez and had begun dating a former model named Sara Lowndes, whom he subsequently married. Simultaneously, he gave the Byrds "Mr. Tambourine Man" to record for their debut album. The Byrds gave the song a ringing, electric arrangement, but by the time the single became a hit, Dylan was already exploring his own brand of folk-rock.

Bringing It All Back Home
Inspired by the British Invasion, particularly the Animals' version of "House of the Rising Sun," Dylan recorded a set of original songs backed by a loud rock & roll band for his next album. While Bringing It All Back Home (March 1965) still had a side of acoustic material, it made clear that Dylan had turned his back on folk music. For the folk audience, the true breaking point arrived a few months after the album's release, when he played the Newport Folk Festival supported by the Paul Butterfield Blues Band. The audience greeted him with vicious derision, but he had already been accepted by the growing rock & roll community. Dylan's spring tour of Britain was the basis for D.A. Pennebaker's documentary Don't Look Back, a film that captures the songwriter's edgy charisma and charm.

Highway 61 Revisited
Dylan made his breakthrough to the pop audience in the summer of 1965, when "Like a Rolling Stone" became a number two hit. Driven by a circular organ riff and a steady beat, the six-minute single broke the barrier of the three-minute pop single. Dylan became the subject of innumerable articles, and his lyrics became the subject of literary analyses across the U.S. and U.K. Well over 100 artists covered his songs between 1964 and 1966; the Byrds and the Turtles, in particular, had big hits with his compositions. Highway 61 Revisited, his first full-fledged rock & roll album, became a Top Ten hit shortly after its summer 1965 release. "Positively 4th Street" and "Rainy Day Women #12 & 35" became Top Ten hits in the fall of 1965 and spring of 1966, respectively. Following the May 1966 release of the double album Blonde on Blonde, he had sold over ten million records around the world.

During the fall of 1965, Dylan hired the Hawks, formerly Ronnie Hawkins' backing group, as his touring band. The Hawks, who changed their name to the Band in 1968, would become Dylan's most famous backing band, primarily because of their intuitive chemistry and "wild, thin mercury sound," but also because of their British tour in the spring of 1966. The tour was the first time the British had heard the electric Dylan, and their reaction was disagreeable and violent. At the Manchester concert (long mistakenly identified as the show from London's Royal Albert Hall), an audience member called Dylan "Judas," inspiring a positively vicious version of "Like a Rolling Stone" from Dylan and the band. The performance was immortalized on countless bootleg albums (an official release finally surfaced in 1998), and it indicates the intensity of Dylan in the middle of 1966. He had assumed control of Pennebaker's second Dylan documentary, Eat the Document, and was under deadline to complete his book Tarantula, as well as record a new record. Following the British tour, he returned to America.

The Basement Tapes
On July 29, 1966, he was injured in a motorcycle accident outside of his home in Woodstock, New York, suffering injuries to his neck vertebrae and a concussion. Details of the accident remain elusive -- he was reportedly in critical condition for a week and had amnesia -- and some biographers have questioned its severity, but the event was a pivotal turning point in his career. After the accident, Dylan became a recluse, disappearing into his home in Woodstock and raising his family with his wife, Sara. After a few months, he retreated with the Band to a rented house, subsequently dubbed Big Pink, in West Saugerties to record a number of demos. For several months, Dylan and the Band recorded an enormous amount of material, ranging from old folk, country, and blues songs to newly written originals. The songs indicated that Dylan's songwriting had undergone a metamorphosis, becoming streamlined and more direct. Similarly, his music had changed, owing less to traditional rock & roll, and demonstrating heavy country, blues, and traditional folk influences. None of the Big Pink recordings was intended to be released, but tapes from the sessions were circulated by Dylan's music publisher with the intent of generating cover versions. Copies of these tapes, as well as other songs, were available on illegal bootleg albums by the end of the '60s; it was the first time that bootleg copies of unreleased recordings became widely circulated. Portions of the tapes were officially released in 1975 as the double album The Basement Tapes.

John Wesley Harding
While Dylan was in seclusion, rock & roll had become heavier and artier in the wake of the psychedelic revolution. When Dylan returned with John Wesley Harding in December of 1967, its quiet, country ambience was a surprise to the general public, but it was a significant hit, peaking at number two in the U.S. and number one in the U.K. Furthermore, the record arguably became the first significant country-rock record to be released, setting the stage for efforts by the Byrds and the Flying Burrito Brothers later in 1969.

Nashville Skyline
Dylan followed his country inclinations on his next album, 1969's Nashville Skyline, which was recorded in Nashville with several of the country industry's top session men. While the album was a hit, spawning the Top Ten single "Lay Lady Lay," it was criticized in some quarters for uneven material. The mixed reception was the beginning of a full-blown backlash that arrived with the double album Self Portrait. Released early in June of 1970, the album was a hodgepodge of covers, live tracks, re-interpretations, and new songs greeted with negative reviews from all quarters of the press. Dylan followed the album quickly with New Morning, which was hailed as a comeback.

Dylan [1973]
Following the release of New Morning, Dylan began to wander restlessly. He moved back to Greenwich Village, he finally published Tarantula in November of 1970, and he performed at the Concert for Bangladesh in August 1971. During 1972, he began his acting career by playing Alias in Sam Peckinpah's Pat Garrett and Billy the Kid, which was released in 1973. He also wrote the soundtrack for the film, which featured "Knockin' on Heaven's Door," his biggest hit since "Lay Lady Lay." The Pat Garrett soundtrack was the final record released under his Columbia contract before he moved to David Geffen's fledgling Asylum Records. As retaliation, Columbia assembled Dylan, a collection of Self Portrait outtakes, for release at the end of 1973. Dylan only recorded two albums -- including 1974's Planet Waves, coincidentally his first number one album -- before he moved back to Columbia. The Band supported Dylan on Planet Waves and its accompanying tour, which became the most successful tour in rock & roll history; it was captured on 1974's double live album Before the Flood.

Blood on the Tracks
Dylan's 1974 tour was the beginning of a comeback culminating with 1975's Blood on the Tracks. Largely inspired by the disintegration of his marriage, Blood on the Tracks was hailed as a return to form by critics and it became his second number one album. After jamming with folkies in Greenwich Village, Dylan decided to launch a gigantic tour, loosely based on traveling medicine shows. Lining up an extensive list of supporting musicians -- including Joan Baez, Joni Mitchell, Ramblin' Jack Elliott, Arlo Guthrie, Mick Ronson, Roger McGuinn, and poet Allen Ginsberg -- Dylan dubbed the tour the Rolling Thunder Revue and set out on the road in the fall of 1975. For the next year, the Rolling Thunder Revue toured on and off, with Dylan filming many of the concerts for a future film. During the tour, Desire was released to considerable acclaim and success, spending five weeks on the top of the charts. Throughout the Rolling Thunder Revue, Dylan showcased "Hurricane," a protest song he had written about boxer Rubin Carter, who had been unjustly imprisoned for murder. The live album Hard Rain was released at the end of the tour. Dylan released Renaldo and Clara, a four-hour film based on the Rolling Thunder tour, to poor reviews in early 1978.

Street Legal
Early in 1978, Dylan set out on another extensive tour, this time backed by a band that resembled a Las Vegas lounge act. The group was featured on the 1978 album Street Legal and the 1979 live album At Budokan. At the conclusion of the tour in late 1978, Dylan announced that he was a born-again Christian, and he launched a series of Christian albums that following summer with Slow Train Coming. Though the reviews were mixed, the album was a success, peaking at number three and going platinum. His supporting tour for Slow Train Coming featured only his new religious material, much to the bafflement of his long-term fans. Two other religious albums -- Saved (1980) and Shot of Love (1981) -- followed, both to poor reviews. In 1982, Dylan traveled to Israel, sparking rumors that his conversion to Christianity was short-lived. He returned to secular recording with 1983's Infidels, which was greeted with favorable reviews.

Real Live
Dylan returned to performing in 1984, releasing the live album Real Live at the end of the year. Empire Burlesque followed in 1985, but its odd mix of dance tracks and rock & roll won few fans. However, the five-album/triple-disc retrospective box set Biograph appeared that same year to great acclaim. In 1986, Dylan hit the road with Tom Petty & the Heartbreakers for a successful and acclaimed tour, but his album that year, Knocked Out Loaded, was received poorly. The following year, he toured with the Grateful Dead as his backing band; two years later, the souvenir album Dylan & the Dead appeared.

The Traveling Wilburys, Vol. 1
In 1988, Dylan embarked on what became known as "the Never-Ending Tour" -- a constant stream of shows that ran on and off into the late '90s. That same year, he appeared on The Traveling Wilburys, Vol. 1 -- by the supergroup also featuring George Harrison, Roy Orbison, Tom Petty, and Jeff Lynne -- and released his own Down in the Groove, an album largely comprising covers. The Never-Ending Tour received far stronger reviews than Down in the Groove (the Traveling Wilburys album fared much better), but 1989's Oh Mercy was his most acclaimed album since 1975's Blood on the Tracks, due in part to Daniel Lanois' strong production. However, Dylan's 1990 follow-up, Under the Red Sky (issued the same year as the second album by the Traveling Wilburys, now a quartet following the death of Roy Orbison shortly after the release of the Wilburys' first long-player in 1988), was received poorly, especially when compared to the enthusiastic reception for the 1991 box set The Bootleg Series, Vols. 1-3 (Rare & Unreleased), a collection of previously unreleased outtakes and rarities.

Good as I Been to You
For the remainder of the '90s, Dylan divided his time between live concerts, painting, and studio projects. He returned to recording in 1992 with Good as I Been to You, an acoustic collection of traditional folk songs. It was followed in 1993 by another folk record, World Gone Wrong, which won the Grammy for Best Traditional Folk Album. After the release of World Gone Wrong, Dylan released a greatest-hits album and a live record.

Time Out of Mind
Dylan released Time Out of Mind, his first album of original material in seven years, in the fall of 1997. Time Out of Mind received his strongest reviews in years and unexpectedly debuted in the Top Ten, eventually climbing to platinum certification. Such success sparked a revival of interest in Dylan, who appeared on the cover of Newsweek and began selling out concerts once again. Early in 1998, Time Out of Mind received three Grammy Awards -- Album of the Year, Best Contemporary Folk Album, and Best Male Rock Vocal.

Love and Theft
Another album of original material, Love and Theft, followed in 2001 and went gold. Soon after its release, Dylan announced that he was making his own film, to star Jeff Bridges, Penelope Cruz, John Goodman, Val Kilmer, and many more. The accompanying soundtrack, Masked and Anonymous, was released in July 2003. Dylan opted to self-produce his new studio album, Modern Times, which topped the Billboard charts and went platinum in both America and the U.K. It was Dylan's third consecutive album to receive praise from critics and support from consumers, and it was followed three years later in 2009 by Together Through Life, another self-produced effort (as Jack Frost) that also featured contributions from David Hidalgo of Los Lobos and Mike Campbell of Tom Petty & the Heartbreakers. He capped off the year with an old-fashioned holiday effort, Christmas in the Heart. Proceeds from the album were donated to various charities around the world.

Tempest
Dylan released the self-produced (again as Jack Frost) Tempest on September 11, 2012; it debuted at three on both the Billboard 200 and the U.K. charts. The next two years brought acclaimed entries in the ongoing Bootleg Series -- 2013 saw the release of Another Self Portrait (1969-1971), which restored the reputation of a much-maligned era, and 2014 saw the long-awaited appearance of The Basement Tapes Complete -- and then Dylan threw a curveball for his next studio album. Released in February 2015, Shadows in the Night found the singer/songwriter devoting himself to selections from the Great American Songbook in the pre-rock & roll era. Every one of the ten songs had previously been recorded by Frank Sinatra, and Dylan's album was his version of Sinatra's saloon songs, arranged by his own touring band. Shadows in the Night debuted at seven in the U.S. and at number one in the U.K. It was followed in the autumn by the next installment in The Bootleg Series, The Cutting Edge 1965-1966. Available in three editions -- a double-disc distillation, a comprehensive six-disc box, and a complete, limited-edition 18-CD set -- The Cutting Edge 1965-1966 collected unreleased (and unbootlegged) outtakes from the recording of Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde.
https://www.filefactory.com/file/i7mkeozwn0b/BOB%20DYLAN%20-%20DYLAN%20REVISITED_%20ALL%20TIME%20BEST%2C%282016%29.rar

April 14, 2016

BRUCE SPRINGSTEEN - Coliseum Night Nassau Coliseum, Uniondale, New York, USA - Monday December 29th, 1980




Bruce Springsteen
'Coliseum Night'
(1995 Crystal Cat Records : CC 351-53)
Nassau Coliseum, Uniondale, New York, USA
Monday December 29th, 1980
Soundboard Recording


Disc 1:
01. Night
02. Out In The Street
03. Tenth Avenue Freeze-Out
04. Who'll Stop The Rain
05. Darkness On The Edge Of Town
06. Factory
07. Intro
08. Independence Day
09. Two Hearts
10. Prove It All Night
11. The Promised Land
12. This Land Is Your Land
13. The River
14. Badlands
15. Thunder Road
Disc 2:
01. Cadillac Ranch
02. Sherry Darling
03. Hungry Heart
04. Merry Christmas Baby
05. Fire
06. Candy's Room
07. Because The Night
08. 4th Of July, Asbury Park (Sandy)
09. For You
10. Stolen Car
11. Wreck On The Highway
Disc 3:
01. Point Blank
02. The Ties That Bind
03. Ramrod
04. You Can Look (But You Better Not Touch)
05. Incident On 57th Street
06. Rosalita (Come Out Tonight)
07. Santa Claus Is Coming To Town
08. Jungleland
09. Born To Run
10. Devil With A Blue Dress
11. Good Golly Miss Molly
12. C.C. Rider
13. Jenny Take A Ride
14. I Hear A Train / Devil With A Blue Dress (Reprise)                                                 https://www.filefactory.com/file/5aww4swtfhyn/bruc3Spr1ngste19801229-YUP.rar

HAWKWIND – The Machine Stops

                                          Hawkwind – The Machine Stops (2016)



Cherry Red Records are pleased to announce the release of the new album by the legendary Hawkwind. A concept studio album and a live stage show, The Machine Stops is based on E.M. Forster’s Sci-fi classic. His dystopian vision of the future is brought to life with characteristic Hawkwind style. An atmospheric, musical interpretation beginning in tunnels deep beneath the earth, where every need is controlled and catered for by the machine. The struggle to escape and find a way to reach the outer surface is a utopian dream, which could prove to be the most deadly dream of all. Forster’s visionary masterpiece provides a chilling warning of the dangers of isolation, reliance on computer technology and the effects upon society.

https://www.filefactory.com/file/nz88bcxc3bp/Hawkwind.rar

DEEP BANANA BLACKOUT - ROWDY DUTY




1 Bump & Sway
2 Breakfast At Volo'S
3 Stiff Pickin'
4 Memphis
5 Tug
6 Getchall in the Mood

Disc 2
1 Trip
2 Rocker
3 Hear My Song
4 International Blues
5 Pure Gravity
6 God Made U
7 Boot!

https://www.filefactory.com/file/7608j0w8fjdj/Deep_Banana%20Blackout%20-%20Rowdy%20Duty%20%5Bv0%5D.rar

April 13, 2016

THE DOORS - The Complete 1968 Stockholm Tapes' Konserthuset, Stockholm, Sweden September 20th, 1968


http://yup-yup-mark.blogspot.ca/

The Doors
The Complete 1968 Stockholm Tapes'
Konserthuset, Stockholm, Sweden
September 20th, 1968

Soundboard Recordings
Encoded: 320 Kbps MP3

Track List: (Artwork Included)
-Early Show:
01 - Five To One
02 - Love Street
03 - Love Me Two Times
04 - When The Music's Over
05 - A Little Game
06 - The Hill Dwellers
07 - Light My Fire/Persian Night
08 - The Unknown Soldier
-Late Show:
01 - Five To One
02 - Alabama Song/Mack The Knife
03 - Back Door Man/I Feel Pretty Good
04 - You're Lost Little Girl
05 - Love Me Two Times
06 - When The Music's Over
07 - Wild Child
08 - Money
09 - Wake Up!
10 - Light My Fire
11 - The End

Mega-rare restored 3LP set "The Complete Stockholm 68 Tapes" Konserthuset Stora Salen,
Stockholm Sweden 1968-09-20 incredible soundboard.

These two performances are an eye-opener if you've never heard them before. What you get is a wowser recording of an in-shape, ready to kill you Jim Morrison. The man is out for blood and it shows. The only thing wrong here, and it's the ONLY thing is that Jim is off mike for the first "When The Music's Over". The recording is clear enough that you can just about hear him, but alas there is nothing that can be done about that now. The material itself is stellar and the band is in top form. Enjoy this show, it's a mind-ripper.

This version of these shows is known lineage from a pre-broadcast source and does not have vinyl or bootleg CD in the lineage. It is also a bit less edited than the most recent torrent (the top link listed), with a few more seconds at the beginning of the early show before the announcer intro and some additional announcer comments and tuning in track 108.
END CONTRAST CLAUSE

CD1 - early show - 44:00
101 [04:49] announcer > Five To One
102 [03:09] Love Street >
103 [03:27] Love Me Two Times
104 [09:54] When The Music's Over
105 [01:35] A Little Game >
106 [02:46] The Hill Dwellers
107 [11:02] Light My Fire
108 [01:58] announcer, tuning and talk
109 [05:20] The Unknown Soldier

CD2 - late show - 70:08
201 [06:07] Five To One
202 [03:02] Alabama Song [with Mack The Knife lyrics]
203 [04:22] Back Door Man
204 [03:15] You're Lost Little Girl
205 [03:37] Love Me Two Times
206 [13:27] When The Music's Over
207 [03:22] Wild Child
208 [03:14] Money
209 [01:44] Celebration of The Lizard
210 [11:23] Light My Fire
211 [01:43] talk and tuning
212 [14:52] The End

Lineage: Pre-broadcast Radio Stockholm reel > reel > my Dolby B encoded reel.
Transfer: Tandberg 9241XD (Dolby B decoded) > Macintosh with Digidesign Audiomedia III sound card > Pro Tools (minor "nip and tuck" edits, normalization and tracking) > AIFF > xACT (flac level 8 files with sector boundaries verified).

Notes: This is the first time this source has been torrented. The sound quality is superior to other copies of these shows that I have heard - specifically clearer-sounding with much better bass and none of the scratchiness of the vinyl sources. There are still some imperfections though including some noticeable wow and flutter in the early show and over-modulation of some vocals in the late show. Nevertheless this is a really nice copy overall and well worth comparing the many other sources of these shows out there. As usual, if anyone can share a better copy than this, PLEASE DO…
Enjoy and SHARE! -Original         https://www.filefactory.com/file/2ubz7xamxzfn/do0rs19680920complete-YUP.rar

THE DOORS - East Afton Farm 'The Isle Of Wight Festival' (Complete) Isle Of Wight, England Saturday August 29th, 1970





The Doors
East Afton Farm
'The Isle Of Wight Festival' (Complete)
Isle Of Wight, England
Saturday August 29th, 1970

Complete DAT Master
Soundboard Recording
Encoded: 320 Kbps MP3

http://www.setlist.fm/setlist/the-doors/1970/afton-down-freshwater-isle-of-wight-england-63d2ea17.html

Track List: (Artwork Included)
01. Introduction   0:18
02. Back Door Man   4:18
03. Break On Through   4:53
04. When The Music's Over   13:31
05. Ship Of Fools   7:37
06. Roadhouse Blues   6:07
06. Light My Fire   14:21
07. The End   18:18

A previously unsurfaced audio recording.
For years, The Doors' performance at the Isle Of Wight has only been available in an edited or incomplete form. The most popular release, "Palace Of Exile," is missing over a minute in the middle of "The End" and the intro to "When The Music's Over" is severly edited. Audience recordings of the show are missing "Roadhouse Blues." Previously on this site someone offered a matrix of the audience and soundboard sources in order to recreate the complete concert in the best quality available. Now for the first time, we have a master DAT source for the COMPLETE Isle Of Wight concert in perfect soundboard quality. At almost 70 minutes total, this is as good as it gets until an official release gets made -- if one is ever made.

This comes direct from the multi-track master recording. Quality is near perfect. The only downside is that the stereo separation isn't very good. It sounds like it's an unmixed copy of the multi-track master. So you'll hear Ray's organ more in the center than it should be and Ray's vocals are mixed way down so you don't hear them at all during "Break On Through" and other songs. (A good thing for some?) Still, I would place the overall quality as better than "Palace Of Exile." Little to no hiss. Bass level is much more reasonable. Sharper sound quality overall.

Now just what did I do to the original recording before posting it here? Thankfully, not much. There were a handful of clicks/pops throughout the recording that I removed individually using Adobe Audition. (The glitch during the announcer's introduction is on the original tape and couldn't be repaired without cutting it down.) I also swapped the channels so that Robby's guitar is in the right channel where it should be. The biggest change I made was balancing the channel levels and bringing everything up. This small change really punched up the sound compared to the original transfer. There was no EQ or other tricky business involved. Sounds pretty damn good, if I do say so myself. If anyone wants the original transfer, I'm open to trades.

One small note: About 4:29 into "The End," the music drops out for about 5 seconds and you only hear Jim's voice. Not sure why, but "Palace" doesn't have this mixing error.

The Doors' manager Jeff Jampol recently made the silly statement that the reason they haven't released the Isle Of Wight recording officially is due to audio problems with the master recording. Well here it is, folks. Unmixed and raw. Please tell me if you find any noticeable problems that would prevent this show from being released. I'm dying to know just what errors he believes exist. Another reason why and another obvious lie from The Doors office.

A big thank you to the Doors fan who shared this rare tape. He/She wishes to remain anonymous on this one. I'm merely acting as middleman, and I'm happy to do so.  -Porsche (Original)

https://www.filefactory.com/file/61dnr7dgsmv9/doors19700829complete-YUP.rar

April 12, 2016

DOPAPOD - Howlin' Wolf, New Orleans, LA - 03/26/2015

                                           2015​-​03​-​26 Howlin' Wolf, New Orleans, LA

 
 


1.
Cloud World 08:33
2.
Give It A Name 10:09
3.
Donkey Kong Country Theme 14:04
4.
Brookline Bridge w/ Eric Bloom 07:40
5.
Braindead 10:15
6.
Bubble Brain 10:22
7.
Picture in Picture 20:44
8.
Indian Grits 11:04
9.
My Elephant vs. Your Elephant 12:01
10.
Roid Rage 07:35
11.
Job for a Man 05:38
12.
Onionhead 11:18
13.
Black and White 11:18
about
3/26/15- Howlin' Wolf, New Orleans LA

I: Cloud World, Give It A Name, Donkey Kong Theme, Brookline Bridge#, Braindead, Bubble Brain.

II: Picture in Picture* -> Indian Grits, My Elephant Vs. Your Elephant, Roid Rage, Job for a Man, Onionhead

E: Black and White

#with Eric Bloom of Lettuce on Trumpet

*unfinished

SOURCE INFO

Lineage: Midas PRO 2C (96k 24bit) > RPM Dynamics TB-248 > MacBook Pro > Reaper (Mastering and tracking) > FLAC >Bandcamp
credits
released March 29, 2015

Dopapod is:

Eli Winderman - Keys, Vocals
Rob Compa - Guitar, Vocals
Chuck Jones - Bass
Scotty Zwang - Drums, Vocals

https://www.filefactory.com/file/39qti8aifvvn/Dopapod%20-%202015-03-26%20Howlin%27%20Wolf-%20New%20Orleans-%20LA.rar

BRUCE SPRINGSTEEN - LOS ANGELES MEMORIAL SPORTS ARENA LOS ANGELES, CA - 03/15/2016

                                LOS ANGELES MEMORIAL SPORTS ARENA
                                LOS ANGELES, CA
Bruce Springsteen – Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan – Piano, electric keyboards; Jake Clemons – Saxophones, percussion, vocal; Charlie Giordano – Organ, electric keyboards; Nils Lofgren – Electric and acoustic guitar, pedal steel, vocal; Patti Scialfa –  vocal, acoustic guitar, percussion; Garry Tallent – Bass; Soozie Tyrell – Acoustic guitar, violin, percussion, vocal; Stevie Van Zandt – Electric guitars, mandolin, vocal; Max Weinberg – Drums

PERFORMED:March 15, 2016

SET ONE

1.
MEET ME IN THE CITY06:42
2.
THE TIES THAT BIND03:44
3.
SHERRY DARLING04:41
4.
JACKSON CAGE03:15
5.
TWO HEARTS04:10
6.
INDEPENDENCE DAY06:05
7.
HUNGRY HEART05:13
8.
OUT IN THE STREET05:57
9.
CRUSH ON YOU03:07
10.
YOU CAN LOOK (BUT YOU BETTER NOT TOUCH)03:30
11.
I WANNA MARRY YOU10:51
12.
THE RIVER06:44
13.
POINT BLANK09:12
14.
CADILLAC RANCH05:55
15.
I'M A ROCKER04:01
16.
FADE AWAY05:40
17.
STOLEN CAR05:11
18.
RAMROD05:45
19.
THE PRICE YOU PAY06:15
20.
DRIVE ALL NIGHT10:31
21.
WRECK ON THE HIGHWAY04:50
22.
BADLANDS05:51
23.
WRECKING BALL06:59
24.
LONESOME DAY04:25
25.
HUMAN TOUCH06:33
26.
BECAUSE THE NIGHT05:22
27.
SHE'S THE ONE05:08
28.
THE RISING05:09
29.
THUNDER ROAD07:56
30.
NO SURRENDER05:01
31.
BORN TO RUN05:20
32.
DANCING IN THE DARK06:56
33.
ROSALITA (COME OUT TONIGHT)08:08
34.
TENTH AVENUE FREEZE-OUT05:41
35.
SHOUT08:51
https://www.filefactory.com/file/6avv6q56gsdd/Bruce%20Springsteen%202016-03-15.rar

DOPAPOD - Park Street Saloon, Columbus, OH - 04/09/2016

                                          2016-04-09 Park Street Saloon, Columbus, OH

1.
Ooze Weapon 03:56
2.
Nuggy Jawson 08:17
3.
Keep On Growing 05:37
4.
Cloud World 10:45
5.
November 07:13
6.
Bubble Brain 13:16
7.
Sonic 15:50
8.
Trapper Keeper 13:25
9.
Vol 3 #86 17:47
10.
Upside of Down 08:40
11.
Bluetooth 10:12
12.
Picture in Picture 11:03
13.
Bluetooth 01:20
14.
I Am (Whale Song) 08:33
15.
Weird Charlie 13:46
16.
Freight Train 10:14
about
4/9/16- Park Street Saloon, Columbus OH

I: Ooze Weapon, Nuggy Jawson, Keep on Growing* > Cloud World, November%, Bubble Brain, Sonic&

II: Trapper Keeper#, Vol. 3 #86@ > Upside of Down, Bluetooth -> Picture in Picture -> Bluetooth, I Am (Whale Song) > Weird Charlie

E: Freight Train Filled with Dynamite$

*Derek and the Dominoes cover
%new song; debut
&contained Stranglehold teases
#stiltwalkers dressed as schoolgirls walked through the crowd carrying trapper keepers
@contained Billy Jean teases
$contained teases of Get Ready for This, FABA, Bahbi, and Bats in Cave


SOURCE INFO

Lineage: Midas PRO 2C (96k 24bit) > RPM Dynamics TB-248 > MacBook Pro > Waves Tracks Live > Cockos REAPER > FLAC >Bandcamp
credits
released April 12, 2016

Dopapod is:

Eli Winderman - Keys, Vocals
Rob Compa - Guitar, Vocals
Chuck Jones - Bass
Scotty Zwang - Drums, Vocals

https://www.filefactory.com/file/1cub023qs611/Dopapod_2016-04-09%20Park%20Street%20Saloon%2C%20Columbus%2C%20OH.rar

DOPAPOD - Park Street Saloon, Columbus, OH - 04/08/2016

                                      2016-04-08 Park Street Saloon, Columbus, OH
1.
Turnin' Knobs 15:08
2.
Weedie 04:16
3.
Present Ghosts 08:59
4.
Cure 10:10
5.
Test of Time 07:10
6.
Dracula's Monk 12:10
7.
Onionhead 17:15
8.
Super Bowl 07:47
9.
Off the Cuff (w/ Dave Loss) 13:34
10.
Psycho Nature 12:06
11.
Piazole 05:20
12.
French Bowling 02:50
13.
Piazole 01:26
14.
French Bowling 00:43
15.
Braindead 09:52
16.
Give It A Name 13:20
17.
Donkey Kong Country Theme 07:02
about
4/8/16- Park Street Saloon, Columbus OH

I: Turnin' Knobs*, Weedie, Present Ghosts > Cure, TOT > Dracula

II: Onionhead -> Get Ready for This^ -> Onionhead$ > Super Bowl, Off the Cuff#, Psycho Nature, Piazole -> French Bowling -> Piazole -> French Bowling > Braindead$, Give it a Name

E: Donkey Kong Theme

*contained teases of Kitty Chaser by Aqueous
^2 Unlimited cover (from Jock Jams Vol. 1)
$contained Get Ready for this teases
#w/ Dave Loss from Aqueous on guitar

SOURCE INFO

Lineage: Midas PRO 2C (96k 24bit) > RPM Dynamics TB-248 > MacBook Pro > Waves Tracks Live > Cockos REAPER > FLAC >Bandcamp
credits
released April 12, 2016

Dopapod is:

Eli Winderman - Keys, Vocals
Rob Compa - Guitar, Vocals
Chuck Jones - Bass
Scotty Zwang - Drums, Vocals

https://www.filefactory.com/file/3i6rssmhuymb/Dopapod_2016-04-08%20Park%20Street%20Saloon%2C%20Columbus%2C%20OH.rar

BRUCE SPRINGSTEEN - ORACLE ARENA OAKLAND, CA - 03/13/2016

ORACLE ARENA
OAKLAND, CA
Bruce Springsteen – Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan – Piano, electric keyboards; Jake Clemons – Saxophones, percussion, vocal; Charlie Giordano – Organ, electric keyboards; Nils Lofgren – Electric and acoustic guitar, pedal steel, vocal; Garry Tallent – Bass; Soozie Tyrell – Acoustic guitar, violin, percussion, vocal; Stevie Van Zandt – Electric guitars, mandolin, vocal; Max Weinberg – Drums
Growin' Up with Steven Strauss on vocals.

SET ONE

1.
MEET ME IN THE CITY06:32
2.
THE TIES THAT BIND03:46
3.
SHERRY DARLING04:43
4.
JACKSON CAGE03:16
5.
TWO HEARTS04:08
6.
INDEPENDENCE DAY06:06
7.
HUNGRY HEART05:59
8.
OUT IN THE STREET06:13
9.
CRUSH ON YOU03:11
10.
YOU CAN LOOK (BUT YOU BETTER NOT TOUCH)03:27
11.
I WANNA MARRY YOU10:00
12.
THE RIVER06:51
13.
POINT BLANK09:09
14.
CADILLAC RANCH05:53
15.
I'M A ROCKER04:00
16.
FADE AWAY05:39
17.
STOLEN CAR05:17
18.
RAMROD05:33
19.
THE PRICE YOU PAY06:12
20.
DRIVE ALL NIGHT10:45
21.
WRECK ON THE HIGHWAY04:55
22.
BADLANDS05:33
23.
PROVE IT ALL NIGHT04:39
24.
LONESOME DAY04:14
25.
CANDY'S ROOM03:08
26.
BECAUSE THE NIGHT05:27
27.
SHE'S THE ONE05:10
28.
THE RISING05:13
29.
THUNDER ROAD07:40
30.
GROWIN' UP04:11
31.
BORN TO RUN05:16
32.
DANCING IN THE DARK06:20
33.
ROSALITA (COME OUT TONIGHT)08:23
34.
TENTH AVENUE FREEZE-OUT05:37
35.
SHOUT08:36
https://www.filefactory.com/file/6gigmqon1lb7/Bruce%20Springsteen%20Oakland%203-13-2016.rar

BRUCE SPRINGSTEEN - TALKING STICK RESORT ARENA PHOENIX, AZ - 03/10/2016

                                             TALKING STICK RESORT ARENA
                                              PHOENIX, AZ
Bruce Springsteen – Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan – Piano, electric keyboards; Jake Clemons – Saxophones, percussion, vocal; Charlie Giordano – Organ, electric keyboards; Nils Lofgren – Electric and acoustic guitar, pedal steel, vocal; Garry Tallent – Bass; Soozie Tyrell – Acoustic guitar, violin, percussion, vocal; Stevie Van Zandt – Electric guitars, mandolin, vocal; Max Weinberg – Drums

SET ONE

1.
MEET ME IN THE CITY06:15
2.
THE TIES THAT BIND03:44
3.
SHERRY DARLING04:42
4.
JACKSON CAGE03:16
5.
TWO HEARTS04:06
6.
INDEPENDENCE DAY06:08
7.
HUNGRY HEART05:23
8.
OUT IN THE STREET06:30
9.
CRUSH ON YOU03:10
10.
YOU CAN LOOK (BUT YOU BETTER NOT TOUCH)03:23
11.
I WANNA MARRY YOU10:15
12.
THE RIVER06:51
13.
POINT BLANK09:08
14.
CADILLAC RANCH05:39
15.
I'M A ROCKER04:01
16.
FADE AWAY05:33
17.
STOLEN CAR05:09
18.
RAMROD05:38
19.
THE PRICE YOU PAY06:17
20.
DRIVE ALL NIGHT10:37
21.
WRECK ON THE HIGHWAY04:52
22.
BADLANDS05:42
23.
NO SURRENDER05:07
24.
LONESOME DAY04:09
25.
CANDY'S ROOM03:09
26.
BECAUSE THE NIGHT05:14
27.
SHE'S THE ONE05:14
28.
THE RISING05:14
29.
THUNDER ROAD08:00
30.
GLORY DAYS04:52
31.
BORN TO RUN05:20
32.
DANCING IN THE DARK06:17
33.
ROSALITA (COME OUT TONIGHT)08:07
34.
TENTH AVENUE FREEZE-OUT05:56
35.
SHOUT08:47
https://www.filefactory.com/file/6ohftw6wp951/Bruce%20Springsteen%202016-03-10.rar

April 11, 2016

JOHNNY WINTER – My Father’s Place, Old Roslyn


Johnny Winter – My Father’s Place, Old Roslyn (2015)


My Father’s Place was a music venue located in Roslyn, New York. Many of the concerts organized and broadcast by the FM radio station WLIR were recorded at the club, some of them are available as official releases and bootlegs. During its 16-year run (May 1971-May 1987), the club hosted an estimated 3,000 artists performing 6,000 shows! Johnny Winter got taped just after the release of his classic 1978 album White, Hot & Blue. This epic performance at My Father’s Place on September 8, 1978, captures the Texan blues great in fiery form, backed by new cohorts Jon Paris (bass, harmonica) and Bobby Torello (drums). Winter turns in remarkably extended performances of numerous tracks, including what might just be the longest version of “Bony Moronie” ever recorded! The complete original radio broadcast is presented here with digitally remastered sound, and comes complete with background notes and rare images. The sound is not perfect but it’s good and better than a bootleg recorded in the audience.

CD 1:
01. Hideaway (20:12)
02. Sensation (15:22)
03. Last Night (18:39)
04. Bony Moronie (20:37)

CD 2:
01. Susie Q (22:51)
02. Come On In My Kitchen (24:06)
03. Walking By Myself (14:35)

CD 3:
01. Wipe Out: Drums (10:56)
02. Wipe Out (Reprise) (2:03)
03. Rave On (4:00)
04. Every Day I Have The Blues (13:31)
05. Country Blues Medley: Mississippi Blues/Kind Hearted Woman/Me & The Dev (31:02)
06. Wlir Credits And Announcements (2:14)
https://www.filefactory.com/file/62ibyqgq6my5/Johnny_Winter.rar

SANTANA - ''SANTANA IV''


SANTANA
''SANTANA IV''

75:24
**********
01 - Yambu 03:26 (Karl Perazzo, Carlos Santana)
02 - Shake It 04:44 (Michael Carabello, Karl Perazzo, Gregg Rolie, Neal Schon)
03 - Anywhere You Want To Go 05:04 (Gregg Rolie)
04 - Fillmore East 07:43 (Michael Carabello, Karl Perazzo, Benny Rietveld, Gregg Rolie, Carlos Santana, Neal Schon, Michael Shrieve)
05 - Love Makes The World Go Around (Feat. Ronald Isley) 04:20 (Thierry Fournel, Nuru Kane, Carlos Santana)
06 - Freedom In Your Mind (Feat. Ronald Isley) 05:29 (Ken Okulolo, Carlos Santana)
07 - Choo Choo 04:09 (Michael Carabello, Igor Len, Gregg Rolie, Carlos Santana, Neal Schon)
08 - All Aboard 02:03 (Carlos Santana)
09 - Sueños 05:14 (Benny Rietveld, Carlos Santana)
10 - Caminando 04:20 (Michael Carabello, Karl Perazzo, Carlos Santana, Neal Schon)
11 - Blues Magic 04:25 (Gregg Rolie, Carlos Santana, Neal Schon)
12 - Echizo 03:52 (Neal Schon, Michael Shrieve)
13 - Leave Me Alone 03:58 (Gregg Rolie, Carlos Santana, Michael Shrieve)
14 - You And I 04:19 (Gregg Rolie)
15 - Come You As Are 04:50 (Michael Carabello, Karl Perazzo, Gregg Rolie, Carlos Santana, Neal Schon)
16 - Forgiveness 07:20 (Gregg Rolie, Carlos Santana, Neal Schon)
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Michael Carabello/Congas, Percussion, Vocals (Background)
Ronald Isley/Vocals On 05, 06
Karl Perazzo/Percussion, Timbales, Vocals
Benny Rietveld/Arranger, Bass, Programming
Gregg Rolie/Arranger, Hammond B3, Keyboards, Vocals
Carlos Santana/Arranger, Guitar, Vocals
Neal Schon/Guitar, Vocals
Michael Shrieve/Drums
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ABOUT THE ALBUM
SANTANA IV Reunites Legendary Band Lineup
First Single “Anywhere You Want To Go” to be released February 5, 2016
April 15, 2016 marks the release date of Santana IV, the wildly anticipated studio album that reunites the revered early ‘70s lineup of guitar icon Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, lead vocals), Neal Schon (guitar, vocals), Michael Carabello (percussion) and Michael Shrieve (drums). The album signifies the first time in 45 years – since 1971’s multi-platinum classic Santana III – that the quintet has recorded together.
Santana IV features 16 all-new tracks written and produced by the band that burst with the same unparalleled energy and superlative musicianship that made Santana a pioneering force in world music and a household name across the globe. Joining the core Santana IV band in the studio are current Santana members Karl Perazzo (percussion) and Benny Rietveld (bass), with the legendary vocalist Ronald Isley guesting on two cuts.
The origins for the reunion go back several years, when Schon suggested that he and Carlos Santana record together. Santana liked the idea but went one better, proposing that they recruit Rolie, Shrieve and Carabello for what would be called Santana IV. After initial writing sessions and rehearsals took place in 2013, the group recorded throughout 2014 and 2015, amassing 16 spellbinding tracks that combined all their signature elements – Afro-Latin rhythms, soaring vocals, electrifying blues-psychedelic guitar solos, and irrepressibly jubilant percussion work – with widescreen hooks and melodies that will lodge themselves in the thicket of listeners’ senses and stay there.
“It was magical,” Santana says. “We didn’t have to try to force the vibe – it was immense. From there, we then needed to come up with a balance of songs and jams that people would immediately identify as Santana.”
The band’s signature sound arrives forcefully on the album opener “Yambu,” a righteously gritty and soulful stomper teeming with swirling B3 organ hooks and walloping guitar crunch.
The first single, “Anywhere You Want to Go,” is destined to storm the pantheon of Santana classics. Written by Gregg Rolie, it’s a sexy, body-shaking winner and an unmistakable tip of the hat to the inescapable cha-cha/Latin jazz charms of “Oye Como Va.”
Special guest, Ronald Isley’s, vocals highlight the feverishly impassioned Latin-rock workout “Love Makes the World Go Round” and the hard-edged and funky “Freedom in Your Mind.”
Guitar fans expecting fireworks from Santana and Schon will cherish Santana IV from front to back. “All Aboard” is a no-holds-barred guitar jam of the highest order, as is the slinky, soulful metal cruncher “Caminando,” which explodes with tectonic axe force. And on the unabashedly British blues-tinged “Shake It,” the two go toe to toe on not one but two extended solo runs that will have lovers of unhinged fretboard work rejoicing.
“Carlos and I feel more connected than ever,” says Schon. “We get super-aggressive when we play, but also melodic and poetic. We have an incredible dialog with each other on our guitars.”
Santana’s recurring themes of love and tolerance are common threads throughout Santana IV, most dramatically on the epic tone poem album closer “Forgiveness,” a languid and breathtakingly gorgeous atmospheric groover.
Music fans familiar with the “roaring lion” artwork on Santana’s 1969 debut album will instantly greet Heather Griffin’s graphic for Santana IV as a gloriously realized update of that iconic image. “I really think the music goes along with the cover, and vice versa,” says Santana. “It all fits together beautifully.”
Few bands can pick up a musical dialog after 45 years apart, but on Santana IV each band member reaches a new level of virtuosity and communal intuition on a collection of songs that easily stands side-by-side with the group’s treasured early work.
“When you can go back and break new ground with joy and determination – and  some whoop-ass energy – it gets you going,” says Santana. “I think we achieved something very rare. This music was screaming to come out of us. It wasn’t about nostalgia. It was about passion.”
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REVIEW/AMG
Thom Jurek
Two years in the making, Santana IV marks the reunion of almost all members of what was arguably the band's greatest lineup. Carlos Santana is joined here by Neal Schon, Greg Rolie, Michael Shrieve, Michael Carabello (who all played on Santana III), as well as percussionist Karl Perazza and longtime bassist Benny Lietveld. The first single, "Anywhere You Want to Go," was written by keyboardist/lead vocalist Rolie and displays the band's signature groove-laden Latin blues-rock. Soul legend Ronald Isley contributes lead vocals to two tracks, "Love Makes the World Go Round" and "Freedom in Your Mind."
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BIOGRAPHY/AMG
William Ruhlmann
Supernatural
Santana is the primary exponent of Latin-tinged rock, particularly due to their combination of Latin percussion (congas, timbales, etc.) with bandleader Carlos Santana's distinctive, high-pitched lead guitar playing. The group was the last major act to emerge from the psychedelic San Francisco music scene of the 1960s and enjoyed massive success at the end of the decade and into the early '70s. The musical direction then changed to a more contemplative and jazzy style as the band's early personnel gradually departed, leaving the name in the hands of Carlos Santana, who guided the group to consistent commercial success over the next quarter-century. By the mid-'90s, Santana seemed spent as a commercial force on records, though the group continued to attract audiences for its concerts worldwide. But the band made a surprising and monumental comeback in 1999 with Supernatural, an album featuring many guest stars that became Santana's best-selling release and won a raft of Grammy Awards.

Live at the Fillmore 1968
Mexican native Carlos Santana (born July 20, 1947, in Autlan de Navarro, Mexico) moved to San Francisco in the early '60s, by which time he was already playing the guitar professionally. In 1966, he formed the Santana Blues Band with keyboard player and singer Gregg Rolie (born June 17, 1947, in Seattle, Washington) and other musicians, the personnel changing frequently. The group was given its name due to a musicians' union requirement that a single person be named a band's leader and it did not at first indicate that Carlos was in charge. Bass player David Brown (born February 15, 1947, in New York, New York) joined early on, as did Carlos' high-school friend conga player Mike Carabello (born November 18, 1947, in San Francisco), though he did not stay long at first. By mid-1967, the band's lineup consisted of Carlos, Rolie, Brown, drummer Bob "Doc" Livingston, and percussionist Marcus Malone. The name was shortened simply to Santana and the group came to the attention of promoter Bill Graham, who gave it its debut at his Fillmore West theater on June 16, 1968. Santana were signed to Columbia Records, who sent producer David Rubinson to tape the band at a four-night stand at the Fillmore West December 19-22, 1968. The results were not released until almost 30 years later, when Columbia/Legacy issued Live at the Fillmore 1968 in 1997.

Santana
Livingston and Malone left the lineup in 1969 and were replaced by Carabello and drummer Michael Shrieve (born July 6, 1949, in San Francisco), with a second percussionist, Jose "Chepito" Areas (born July 25, 1946, in Leon, Nicaragua) making Santana a sextet. The band recorded its self-titled debut album and began to tour nationally, making an important stop at the Woodstock festival on August 15, 1969. Santana was released the same month. It peaked in the Top Five, going on to remain in the charts over two years, sell over two million copies, and spawn the Top 40 single "Jingo" and the Top Ten single "Evil Ways." Santana's performance of "Soul Sacrifice" was a highlight of the documentary film Woodstock and its double-platinum soundtrack album, which appeared in 1970.

Abraxas
The band's second album, Abraxas, was released in September 1970 and was even more successful than its first. It hit number one, remaining in the charts more than a year and a half and eventually selling over four million copies while spawning the Top Five hit "Black Magic Woman" and the Top Ten hit "Oye Como Va." By the end of the year, the group had added a seventh member, teenage guitarist Neal Schon (born February 27, 1954).

Santana III
Santana's third album, Santana III, was performed by the seven bandmembers (and marked guitarist Neil Schon's debut with the group), though several guest musicians were also mentioned in the credits, notably percussionist Coke Escovedo, who played on all the tracks. Released in September 1971, the album was another massive hit, reaching number one and eventually selling over two million copies while spawning the Top Ten hit "Everybody's Everything" and the Top 20 hit "No One to Depend On." But it marked the end of the Woodstock-era edition of Santana, which broke up at the end of the tour promoting it, with Carlos retaining rights to the band name.

Carlos Santana & Buddy Miles! Live!
Following a tour with Buddy Miles that resulted in a live duo album (Carlos Santana & Buddy Miles! Live!), Carlos reorganized Santana and recorded the fourth Santana band album, Caravanserai; each track featured individual musician credits. From the previous lineup, Rolie, Shrieve, Areas, and Schon appeared, alongside pianist Tom Coster, percussionist James Mingo Lewis, percussionist Armando Peraza, guitarist/bassist Douglas Rauch, and percussionist Rico Reyes, among others. (Rolie and Schon left to form Journey.) The album was released in September 1972; it peaked in the Top Five and was eventually certified platinum. It was nominated for a Grammy Award for Best Pop Instrumental Performance with Vocal Coloring. Carlos, who had become a disciple of the guru Sri Chinmoy and adopted the name Devadip (meaning "the eye, the lamp, and the light of God"), next made a duo album with John McLaughlin, guitarist with the Mahavishnu Orchestra (Love Devotion Surrender).

Welcome
Meanwhile, the lineup of Santana continued to fluctuate. On Welcome, the band's fifth album, released in November 1973, it consisted of Carlos, Shrieve, Areas, Coster, Peraza, Rauch, keyboard player Richard Kermode, and singer Leon Thomas. The album went gold and peaked in the Top 20. In May 1974, Lotus, a live album featuring the same lineup, was released only in Japan. (It was issued in the U.S. in 1991.) Carlos continued to alternate side projects with Santana band albums, next recording a duo LP with John Coltrane's widow Alice Coltrane (Illuminations). Columbia decided to cash in on the band's diminishing popularity by releasing Santana's Greatest Hits in July 1974. The compilation peaked in the Top 20 and eventually went double platinum.

Borboletta
The sixth new Santana album, Borboletta, followed in October. The band personnel for the LP featured Carlos, Shrieve, Areas, Coster, Peraza, a returning David Brown, saxophonist Jules Broussard, and singer Leon Patillo, plus guest stars Flora Purim, Airto Moreira, and Stanley Clarke. Borboletta peaked in the Top 20 and eventually went gold. Carlos steered Santana back to a more commercial sound in the mid-'70s in an attempt to stop the eroding sales of the band's albums. He enlisted Santana's original producer, David Rubinson, to handle the next LP. The band was streamlined to a sextet consisting of himself, Coster, Peraza, Brown, drummer Ndugu Leon Chancler (Shrieve having departed to work with Stomu Yamashta), and singer Greg Walker.

Amigos
The result was Amigos, released in March 1976, which returned Santana to the Top Ten and went gold. The band was back only nine months later with another Rubinson production, Festival, for which Santana consisted of Carlos, Coster, returning members Jose "Chepito" Areas and Leon Patillo, drummer Gaylord Birch, percussionist Raul Rekow, and bass player Pablo Telez. This album peaked in the Top 40 and went gold. Never having issued a live album in the U.S., Santana made up for the lapse with Moonflower, released in October 1977; that band consisted of Carlos, Coster, Areas, Rekow, Telez, returning member Greg Walker, percussionist Pete Escovedo, drummer Graham Lear, and bass player David Margen. The album peaked in the Top Ten and eventually went platinum, its sales stimulated by the single release of a revival of the Zombies' "She's Not There" that peaked in the Top 20, Santana's first hit single in nearly six years.

Inner Secrets
Turning to producers Dennis Lambert and Brian Potter, Santana returned to the studio for Inner Secrets, released in October 1978. The revamped lineup this time was Carlos, Rekow, Walker, Lear, Margen, and returning members Coke Escovedo and Armando Peraza, keyboard player Chris Rhyne, and guitarist/keyboard player Chris Solberg. The album was quickly certified gold, and a revival of the Classics IV hit "Stormy" made the Top 40, but Inner Secrets peaked disappointingly below the Top 20. Once again adopting his guru name of Devadip, Carlos issued his first real solo album (Illuminations/Oneness) in February 1979. Marathon, the tenth Santana band studio album, followed in September, produced by Keith Olsen; the band here comprised Carlos, Rekow, Lear, Margen, Peraza, Solberg, singer Alex Ligertwood, and keyboard player Alan Pasqua. The album equaled the success of Inner Secrets, peaking outside the Top 20 but going gold, with "You Know That I Love You" becoming a Top 40 single. Again, Carlos followed in the winter with another solo effort (The Swing of Delight).

Zebop!
Santana (Carlos, Rekow, Lear, Margen, Peraza, Ligertwood, keyboard player Richard Baker, and percussionist Orestes Vilato) spent some extra time on their next release, not issuing Zebop! until March 1981, and the extra effort paid off. Paced by the Top 20 single "Winning," the album reached the Top Ten and went gold. The band lavished similar attention on Shango, which was released in August 1982. The same lineup as that on Zebop! was joined by original member Gregg Rolie, who also co-produced the album. A music video helped Santana enjoy their first Top Ten single in more than a decade with "Hold On," but that did not translate into increased sales for the album, which peaked in the Top 20 but became the band's first LP not to at least go gold. Carlos followed with another solo album (Havana Moon), but did not release a new Santana band album until February 1985 with Beyond Appearances, produced by Val Garay. By now the lineup consisted of Carlos, Rekow, Peraza, Ligertwood, Vilato, returning member Greg Walker, bass player Alphonso Johnson, keyboard player David Sancious, drummer Chester C. Thompson, and keyboard player Chester D. Thompson. "Say It Again," the album's single, reached the Top 40, but that was better than the LP did.

Freedom
Santana staged a 20-year anniversary reunion concert in August 1986 featuring many past bandmembers. The February 1987 album Freedom marked the formal inclusion of Buddy Miles as a member of Santana, alongside Carlos, Rekow, Peraza, Vilato, Johnson, Chester D. Thompson, and returning members Tom Coster and Graham Lear. The album barely made the Top 100. Carlos followed in the fall with another solo album (Blues for Salvador), winning his first Grammy Award in the process (Best Rock Instrumental Performance for the title track). In 1988, he added Wayne Shorter to the band for a tour, then put together a reunion edition of Santana that featured Areas, Rolie, and Shrieve beside Johnson, Peraza, and Thompson. In October, Columbia celebrated the 20-year anniversary of the band's signing to the label with the retrospective Viva Santana! The next new Santana album was Spirits Dancing in the Flesh, released in June 1990, for which the band was Carlos, Peraza, Thompson, returning member Alex Ligertwood, drummer Walfredo Reyes, and bass player Benny Rietveld. A modest seller that made only the lower reaches of the Top 100, it marked the end of the band's 22-year tenure at Columbia Records.

Milagro
In 1991, Santana signed to Polydor Records, which, in April 1992, released the band's 16th studio album, Milagro. The lineup comprised Carlos, Thompson, Ligertwood, Reyes, Rietveld, and percussionist Karl Perazzo. Polydor was not able to reverse the band's commercial decline, as the album became Santana's first new studio release not to reach the Top 100. The group followed in November 1993 with Sacred Fire: Live in South America, which featured Carlos, Thompson, Ligertwood, Reyes, Perazzo, singer Vorriece Cooper, bass player Myron Dove, and guitarist Jorge Santana, Carlos' brother. The album barely made the charts. In 1994, Carlos, Jorge, and their nephew Carlos Hernandez released Santana Brothers, another marginal chart entry. The same year, Areas, Carabello, Rolie, and Shrieve formed a band called Abraxas and released the album Abraxas Pool, which did not chart.

Santana left Polydor and signed briefly to EMI before moving to Arista, run by Clive Davis, who had been president of Columbia during the band's heyday. Carlos and Davis put together Supernatural, which was stuffed with appearances by high-profile guest stars including Wyclef Jean, Eric Clapton, Lauryn Hill, Rob Thomas (Matchbox Twenty), and Dave Matthews. Arista released the album in June 1999, followed by the single "Smooth" featuring Thomas. The album and single hit number one and in 2000, a second single, "Maria Maria," also topped the charts. Supernatural's sales exploded; its sales exceeded ten million copies. The album garnered 11 Grammy nominations, and Carlos himself took eight awards: Record of the Year ("Smooth"), Album of the Year; Best Pop Performance by a Duo or Group with Vocal ("Maria Maria"); Best Pop Collaboration with Vocals ("Smooth"); Best Pop Instrumental Performance ("El Farol"); Best Rock Performance by a Duo or Group with Vocal ("Put Your Lights On"); Best Rock Instrumental Performance ("The Calling"); and Best Rock Album. "Smooth," written by Thomas with Itaal Shur, also won the Grammy for Song of the Year.

Shaman
The follow-up, Shaman, appeared in 2002 with appearances from Macy Gray, Michelle Branch, and Chad Kroeger (Nickelback), among many others. While it was not a blockbuster on the level of Supernatural, it sold over two million copies in the U.S. Three years later, All That I Am arrived with yet another assortment of collaborators, including Steven Tyler, Branch, Big Boi, Joss Stone, and Bo Bice. Guitar Heaven appeared in 2010 and featured Carlos with several guest vocalists taking on some of the most popular guitar-based rock tracks of all time, including "Whole Lotta Love" (with Chris Cornell), "Sunshine of Your Love" (with Thomas), and "Photograph" (with Chris Daughtry). While it peaked at number five on the Billboard 200, it failed to reach gold status. In 2012, the guitarist switched gears with Shape Shifter, the debut recording for his own Starfaith label. Carlos wrote or co-wrote all but two of its 13 tracks (all but one an instrumental), and produced the sessions. One year later, he announced the re-formation of Santana's classic late-'60s lineup, including Neal Schon, Gregg Rolie, Mike Shrieve, Mike Carabello, and Marcus Malone (the last of whom had been homeless until being discovered by a reporter and reunited with the guitarist). Santana's next solo album, 2014's Corazón, again placed him in a duets context, this time with an A-list of vocalists and musicians from the world of Latin music, including Gloria Estefan, Juanes, Pitbull, Los Fabulosos Cadillacs, and Lila Downs.

Santana IV
In a 2013 interview, Carlos Santana revealed that he was pursuing a reunion of the personnel that recorded Santana III. Nearly two years later, the guitarist, Rolie, Schon, Shrieve, and Carabello reconvened in a studio -- only Jose "Chepito" Areas was absent -- with bassist Benny Rietveld and percussionist Karl Perazzo. "Anywhere You Want to Go" written by Rolie, was issued as a pre-release single in March 2016, followed by Santana IV in April.
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