September 6, 2015
JOHN MAYALL - FIND A WAY TO CARE
''FIND A WAY TO CARE''
2015
46:02
1 Mother In Law Blues 03:09
2 River's Invitation 03:43
3 Ain't No Gurarantees 03:21
4 I Feel So Bad 2 04:16
5 Find A Way To Care 03:39
6 Long Distance Call 04:28
7 I Want All My Money Back 03:17
8 Ropes And Chains 04:13
9 Long Summer Days 03:48
10 Drifting Blues 04:17
11 War We Wage 04:11
12 Crazy Lady 03:31
ABOUT THE ALBUM
By VVN Music, www.noise11.com
Produced by Mayall (who also did the graphic design and artwork for the album) and Forty Below’s Eric Corne, Find a Way to Care was recorded at the House of Blues Studio in Encino, California. In addition to Mayall (vocals, piano, Hammond organ, Wurlitzer, clavinet, guitar and harmonica), featured on the sessions are Rocky Athas (lead and rhythm guitar), Greg Rzab (bass) and Jay Davenport (drums), who collectively are now into their seventh year as John’s band. The group is also augmented by a horn section on several tracks.
About the new album, Eric Corne says, “I really wanted to feature John’s keyboard playing on this record. He’s truly one of the most lyrical, economical and underrated keyboardists around. We also wanted to change things up a bit after the success of A Special Life and the addition of a horn section on several tracks was a really fun way to do that. As good as the last album was, I think this one is even better.”
The even-dozen tracks on Find a Way to Care include a scintillating group of new songs and savvy covers of Mother in Law Blues (Don Robey), The River’s Invitation (Percy Mayfield), I Feel So Bad (Lightnin’ Hopkins), Long Distance Call (Muddy Waters), I Want All My Money Back (Lee Baker) and Drifting Blues (Charles Brown).
About his choice of cover songs on the new album, Mayall says, “Every time I make an album, I always feel I owe it to my fans to come up with fresh and varied interpretations of the blues. With this in mind, I chose an assemblage of songs that includes perhaps some slightly lesser-known bluesmen, and that all had either different beats or special instrumental treatments. I also found three songs that would be further enhanced by the addition of horns.”
Added to the mix are original songs that always feature Mayall’s take on the current human condition, as well as universal truths. “As always, I draw from my own experiences and thoughts about things in my life so that from album to album I create on ongoing musical diary of my life,” he explains. “The blues never lets me down!”
BIOGRAPHY/AMG
by Richie Unterberger
As the elder statesman of British blues, it is John Mayall's lot to be more renowned as a bandleader and mentor than as a performer in his own right. Throughout the '60s, his band, the Bluesbreakers, acted as a finishing school for the leading British blues-rock musicians of the era. Guitarists Eric Clapton, Peter Green, and Mick Taylor joined his band in a remarkable succession in the mid-'60s, honing their chops with Mayall before going on to join Cream, Fleetwood Mac, and the Rolling Stones, respectively. John McVie and Mick Fleetwood, Jack Bruce, Aynsley Dunbar, Dick Heckstall-Smith, Andy Fraser (of Free), John Almond, and Jon Mark also played and recorded with Mayall for varying lengths of times in the '60s.
Mayall's personnel has tended to overshadow his own considerable abilities. Only an adequate singer, the multi-instrumentalist was adept in bringing out the best in his younger charges (Mayall himself was in his thirties by the time the Bluesbreakers began to make a name for themselves). Doing his best to provide a context in which they could play Chicago-style electric blues, Mayall was never complacent, writing most of his own material (which ranged from good to humdrum), revamping his lineup with unnerving regularity, and constantly experimenting within his basic blues format. Some of these experiments (with jazz-rock and an album on which he played all the instruments except drums) were forgettable; others, like his foray into acoustic music in the late '60s, were quite successful. Mayall's output has caught some flak from critics for paling next to the real African-American deal, but much of his vintage work -- if weeded out selectively -- is quite strong; especially his legendary 1966 LP with Eric Clapton, which both launched Clapton into stardom and kick-started the blues boom into full gear in England.
When Clapton joined the Bluesbreakers in 1965, Mayall had already been recording for a year, and been performing professionally long before that. Originally based in Manchester, Mayall moved to London in 1963 on the advice of British blues godfather Alexis Korner, who thought a living could be made playing the blues in the bigger city. Tracing a path through his various lineups of the '60s is a daunting task. At least 15 different editions of the Bluesbreakers were in existence from January 1963 through mid-1970. Some notable musicians (like guitarist Davy Graham, Mick Fleetwood, and Jack Bruce) passed through for little more than a cup of coffee; Mayall's longest-running employee, bassist John McVie, lasted about four years. The Bluesbreakers, like Fairport Convention or the Fall, were more a concept than an ongoing core. Mayall, too, had the reputation of being a difficult and demanding employer, willing to give musicians their walking papers as his music evolved, although he also imparted invaluable schooling to them while the associations lasted.
Mayall recorded his debut single in early 1964; he made his first album, a live affair, near the end of the year. At this point the Bluesbreakers had a more pronounced R&B influence than would be exhibited on their most famous recordings, somewhat in the mold of younger combos like the Animals and Rolling Stones, but the Bluesbreakers would take a turn for the purer with the recruitment of Eric Clapton in the spring of 1965. Clapton had left the Yardbirds in order to play straight blues, and the Bluesbreakers allowed him that freedom (or stuck to well-defined restrictions, depending upon your viewpoint). Clapton began to inspire reverent acclaim as one of Britain's top virtuosos, as reflected in the famous "Clapton is God" graffiti that appeared in London in the mid-'60s.
In professional terms, though, 1965 wasn't the best of times for the group, which had been dropped by Decca. Clapton even left the group for a few months for an odd trip to Greece, leaving Mayall to straggle on with various fill-ins, including Peter Green. Clapton did return in late 1965, around the time an excellent blues-rock single, "I'm Your Witchdoctor" (with searing sustain-laden guitar riffs), was issued on Immediate. By early 1966, the band was back on Decca, and recorded its landmark Bluesbreakers LP. This was the album that, with its clean, loud, authoritative licks, firmly established Clapton as a guitar hero, on both reverent covers of tunes by the likes of Otis Rush and Freddie King and decent originals by Mayall himself. The record was also an unexpected commercial success, making the Top Ten in Britain. From that point on, in fact, Mayall became one of the first rock musicians to depend primarily upon the LP market; he recorded plenty of singles throughout the '60s, but none of them came close to becoming a hit.
Clapton left the Bluesbreakers in mid-1966 to form Cream with Jack Bruce, who had played with Mayall briefly in late 1965. Mayall turned quickly to Peter Green, who managed the difficult feat of stepping into Clapton's shoes and gaining respect as a player of roughly equal imagination and virtuosity, although his style was quite distinctly his own. Green recorded one LP with Mayall, A Hard Road, and several singles, sometimes writing material and taking some respectable lead vocals. Green's talents, like those of Clapton, were too large to be confined by sideman status, and in mid-1967 he left to form a successful band of his own, Fleetwood Mac.
Mayall then enlisted 19-year-old Mick Taylor; remarkably, despite the consecutive departures of two star guitarists, Mayall maintained a high level of popularity. The late '60s were also a time of considerable experimentation for the Bluesbreakers, which moved into a form of blues-jazz-rock fusion with the addition of a horn section, and then a retreat into mellower, acoustic-oriented music. Mick Taylor, the last of the famous triumvirate of Mayall-bred guitar heroes, left in mid-1969 to join the Rolling Stones. Yet in a way Mayall was thriving more than ever, as the U.S. market, which had been barely aware of him in the Clapton era, was beginning to open up for his music. In fact, at the end of the 1960s, Mayall moved to Los Angeles. Released in 1969, The Turning Point, a live, all-acoustic affair, was a commercial and artistic high point.
In America at least, Mayall continued to be pretty popular in the early '70s. His band was no more stable than ever; at various points some American musicians flitted in and out of the Bluesbreakers, including Harvey Mandel, Canned Heat bassist Larry Taylor, and Don "Sugarcane" Harris. Although he's released numerous albums since and remained a prodigiously busy and reasonably popular live act, his post-1970 output generally hasn't matched the quality of his '60s work. Following collaborations with an unholy number of guest celebrities, in the early '80s he re-teamed with a couple of his more renowned vets, John McVie and Mick Taylor, for a tour, which was chronicled by Great American Music's Blues Express, released in 2010. It's the '60s albums that you want, though there's little doubt that Mayall has over the past decades done a great deal to popularize the blues all over the globe, whether or not the music has meant much on record. Continuing to record and tour into his eighties, Mayall released A Special Life, recorded at Entourage Studios in North Hollywood and featuring a guest spot by singer and accordion player C.J. Chenier, in 2014.
https://www.filefactory.com/file/4bq920t97yrn/JMfc.zip
PHISH - DICK'S SPORTING GOODS PARK COMMERCE CITY, CO - 09/05/2015
05
2015
PHISH
DICK'S SPORTING GOODS PARK
COMMERCE CITY, CO
SET ONE
No Men In No Man's Land
7:48
Martian Monster
4:43
NICU
5:18
Stealing Time From the Faulty Plan
5:45
Bouncing Around the Room
4:05
555
6:29
Winterqueen
8:33
Split Open and Melt
11:23
Limb By Limb
7:20
Roggae
9:06
Character Zero
6:44
SET TWO
A Song I Heard The Ocean Sing
6:47
Chalk Dust Torture
16:23
Twist
8:27
Mercury
11:56
Light
10:53
Wingsuit
7:56
Rock and Roll
8:52
ENCORE
Sleeping Monkey
5:53
Harry Hood
10:00
A Day in the Life
5:42
https://www.filefactory.com/file/4i5g9zyxz7wn/Phish_2015-09-05%20Commerce%20City%2C%20CO.zip
September 5, 2015
PHISH - DICK'S SPORTING GOODS PARK COMMERCE CITY, CO - 09/04/2015
04
2015
PHISH
DICK'S SPORTING GOODS PARK
COMMERCE CITY, CO
SET ONE
Tube
5:13
Ghost
10:05
Halley's Comet
5:57
Undermind
8:14
Yarmouth Road
7:07
Bathtub Gin
11:54MP3
Waiting All Night
4:47
Horn
3:44
The Wedge
7:47
46 Days
10:23
Run Like an Antelope
11:13
SET TWO
Wolfman's Brother
12:56
Blaze On
14:30
Golden Age
16:02
Roses Are Free
5:45
Fuego
10:46
Wading in the Velvet Sea
6:05
Walls Of The Cave
13:04
ENCORE
Hold Your Head Up
1:24
Bike
5:29
Hold Your Head Up
2:28
Loving Cup
6:36
https://www.filefactory.com/file/4o86jnj6yrkl/phish_2015_09_04%20Commerce%20City%2C%20CO.rar
September 4, 2015
DEREK TRUCKS BAND - VisuLite Theatre Charlotte, NC - 01/13/2001
VisuLite Theatre
Charlotte, NC
1--13-2001
Soundboard
01. Preachin' Blues
02. Kam-Ma-Lay
03. B-2 Boogaloo
04. Ruthless
05. Shorter
06. Don't Change Horses
07. Maki Madni >
08. Yield Not to Temptation
09. Afro Blue
10. Like Anyone Else
11. Ain't That Lovin' You
12. Crawfish
13. Big Head Salsa
14. For My Brother
15. Soul Serenade > Rastaman Chant
16. Joyful Noise
17. Cissy Strut
Lively Up Yourself is from another show
https://www.filefactory.com/file/1z4ziyrvo5f7/Derek_Trucks%20Band%202001-10-13.rar
YES - Orpheum Theater, Boston, MA - 12/11/1999
Orpheum Theater
December 11, 1999
Boston, MA
Jon Anderson - vocals
Steve Howe - guitar, vocals
Chris Squire - bass, vocals
Alan White - drums
Igor Khoroshev - keyboards, vocals, percussion
Billy Sherwood - guitars, vocals
Soundboard/Audience Matrix
Soundboarad Part: Unknown sounboard > FLAC > WAV
Audience Part: Unknown > CDR > EAC (Secure> WAV > Wavelab 6.1 (EQ)
Matrix : Wavelab 6.1 > FLAC
Disc One
Set One
1.01 Firebird Suite (3.29)
1.02 Yours Is No Disgrace (13.37)
1.03 Time And A Word (0.59)
1.04 Homeworld (10.02)
1.05 Perpetual Change (12.09)
1.06 Lightning Stikes (6.26)
1.07 The Messenger (7.31)
1.08 Nous Sommes Du Soleil (0.47)
1.09 And You And I (11.23)
Disc Two
2.01 It Will Be A Good Day (8.00)
2.02 Face To Face (6.05)
2.03 Hearts (8.35)
2.04 Awaken (20.15)
2.05 I've Seen All Good People (8.23)
2.06 Cinema (2.03)
2.07 Owner Of A Lonely Heart (6.46)
2.08 Roundabout (7.40)
https://www.filefactory.com/file/61omt0krqlh3/yes%20%201999-12-11%20-%20The%20Ladder%20Tour%20Boston%20Mass.%20-%20KLD%20Matrix.rar
YES - LUNA PARK STADIUM, BUENOS AIRES, ARGENTINA - 09/12/1999
1.02 Yours Is No Disgrace (12.46)
1.03 America (11.34)
1.04 Lightning Strikes (4.37)
1.05 Excerpt From 'Time And A Word' (1.02)
1.06 New Language (9.30)
1.07 Excerpt From 'Survival' (0.27)
1.08 Perpetual Change (11.03)
1.09 Interviews 1 (5.19)
2.01 Excerpts From 'Nous Sommes Du Soleil' (0.38)
2.02 Homeworld (9.10)
2.03 It Will Be A Good Day (6.15)
2.04 Nine Voices (3.26)
2.05 Owner Of A Lonely Heart (5.54)
2.06 Roundabout (8.40)
2.07 I've Seen All Good People (8.06)
2.08 Interviews 2 (8.38) https://www.filefactory.com/file/249uqn6d66l/yes%20%201999-09-12%20-%20Luna%20Park%201999%20-%20Buenos%20Aires.rar
YES - LADDERS ON THE STRIP - 10/31/1999
1.02 Yours Is No Disgrace (13.02)
1.03 Time And A Word (1.03)
1.04 Homeworld (9.51)
1.05 Perpetual Change (11.36)
1.06 Lightning Strikes (5.25)
2.01 The Messenger (7.04)
2.02 Ritual (Nous Sommes Du Soleil) (0.54)
2.03 And You And I (11.32)
2.04 Close To The Edge (22.12)
2.05 It Will Be A Good Day (5.18)
2.06 Face To Face (5.48)
3.01 Hearts (9.40)
3.02 Awaken (19.02)
3.03 I've Seen All Good People (8.05)
3.04 Cinema (2.03)
3.05 Owner Of A Lonely Heart (6.39)
3.06 Roundabout ~ Las Vegas Jam (8.50) https://www.filefactory.com/file/1q56hxfns9kx/yes%20%201999-10-31%20-%20Ladders%20On%20The%20Strip%20-%20Las%20Vegas.rar
YES - Oakdale Theater Wallingford, CT - 11/28/1999
November 28 1999
Oakdale Theater
Wallingford, CT
sharp 702 minidisk recorder, core sound binaural microphones, bass roll-off filter
disc 1
1.01 Firebird Suite (2.57)
1.02 Yours Is No Disgrace (13.10)
1.03 Time And A Word - Homeworld (10.51)
1.04 Perpetual Change (11.48)
1.05 Lightning Strikes (5.38)
1.06 The Messenger (7.00)
1.07 Nous Sommes Du Soleil - And You And I (13.06)
1.08 It Will Be A Good Day (6.19)
disc 2
2.01 Face To Face (7.10)
2.02 Hearts (8.14)
2.03 Awaken (19.39)
2.04 I've Seen All Good People (10.16)
2.05 Cinema (2.03)
2.06 Owner Of A Lonely Heart (8.38)
2.07 Roundabout - Thank You Jam (8.33) https://www.filefactory.com/file/h1bk18mgntn/yes%20%201999-11-28%20-%20Oakdale%20Music%20Theatre%20-%20Wallingford.rar
September 2, 2015
YES - Cardiff International Arena - Feb 11 2000
Cardiff International Arena
Feb 11 2000
CD1
1. Firebird Suite
2. Yours Is No Disgrace
3. Time And A Word
4. Homeworld
5. Perpetual Change
6. Lightning Strikes
7. The Messenger
8. Nous Sommes Du Soleil
9. And You And I
10. It Will Be A Good Day (The River)
CD2
1. Face To Face
2. Hearts
3. Awaken
4. I've Seen All Good People
5. Clap
6. Cinema
7. Owner Of A Lonely Heart
8. Roundabout
9. Thank You Jam Session
Recorded on Sonic Studios DSM-6 mics->Sony TCD-D7
Transferred to .wav on a Phillips CDR deck (model unknown)
.wav files converted to FLAC8 via Trader's Little Helper
An EBR Recording
==========================================================
1.01 Firebird Suite (3.30)
1.02 Yours Is No Disgrace (12.56)
1.03 Time And A Word (0.58)
1.04 Homeworld (9.47)
1.05 Perpetual Change (11.53)
1.06 Lightning Strikes (5.23)
1.07 The Messenger (7.12)
1.08 Nous Sommes Du Soleil (0.50)
1.09 And You And I (12.31)
1.10 It Will Be A Good Day (6.17)
2.01 Face To Face (7.08)
2.02 Hearts (8.34)
2.03 Awaken (20.35)
2.04 I've Seen All Good People (8.43)
2.05 The Clap (3.40)
2.06 Cinema (2.05)
2.07 Owner Of A Lonely Heart (6.20)
2.08 Roundabout (5.30)
2.09 Thank You Jam Session (4.19) https://www.filefactory.com/file/1uhri4i7l7ct/yes%20%202000-02-11%20-%20The%20Ladder%20Tour%20-%20Cardiff.rar
DEVO - Orpheum Theater - Jul 17th 1980
Jul 17th 1980
FM
Freedom of Choice Theme
Whip It
Snowball
It's not right
Girl U Want
Planet Earth
SIB
Secret Agent Man
Pink Pussycat
Blockhead
Satisfaction
Uncontrollable Urge
Mongoloid
Be Stiff
Gates of steel
Freedom of Choice
Jocko Homo
Smart Patrol-Mr. DNA
Gut feeling-slap your mommy
Come back jonee https://www.filefactory.com/file/3ts4bbj8r3nz/DEVO.1980-07-17.Boston.rar
YES - De Montfort Hall Leicester UK - Nov.25th 1980
Yes
De Montfort Hall
Leicester UK
Nov.25th 1980
Audience recording.
Quality B.
.
This Drama show is slightly different,all the tracks fade in and out.
I think someone had been listening to Exit Stage Left.
Geoff Downes (Keyboards)
Trevor Horn (Vocals)
Steve Howe (Guitars)
Chris Squire (Bass)
Alan White (Drums)
Disc 1.
1.01 Close Encounters Intro - Does It Really Happen? (7.44)
1.02 Yours Is No Disgrace (11.51)
1.03 Into The Lens (9.06)
1.04 The Clap (6.24)
1.05 And You And I (10.51)
1.06 Go Through This (5.40)
1.07 Man In A White Car Suite (7.54)
1.08 We Can Fly From Here (6.39)
Disc 2.
2.01 Tempus Fugit (6.12)
2.02 Amazing Grace - The Fish (13.59)
2.03 Machine Messiah (11.16)
2.04 Starship Trooper (11.49)
2.05 Roundabout (8.02)
YES - Sports Arena, Los Angeles October 4, 1980
Sports Arena, Los Angeles
October 4, 1980
audience recording
1.01 Young Person's Guide To The Orchestra (3.27)
1.02 Does It Really Happen? (7.20)
1.03 Yours Is No Disgrace (11.18)
1.04 Into The Lens (8.58)
1.05 The Clap (5.25)
1.06 And You And I (11.21)
1.07 Go Through This (4.32)
1.08 Man In A White Car Suite (7.24)
1.09 We Can Fly From Here (6.27)
2.01 Tempus Fugit (6.38)
2.02 Whitefish (12.19)
2.03 Machine Messiah (11.25)
2.04 Starship Trooper (cuts out) (10.39)
2.05 Roundabout (8.17)
Trevor Horn - Vocals
Geoff Downes - Keyboards
Steve Howe - Guitars, vocals
Chris Squire - Bass, bass pedals, vocals
Alan White - Drums
https://www.filefactory.com/file/3hcj0ups3aa9/yes%20%201980-10-04%20-%20Los%20Angeles%20Memorial%20Sports%20Arena.rar
YES - Madison Square Garden New York City NY - 09/04/1980
Madison Square Garden New York City NY
Drama Tour
Audience Recording
Quality C.
Trevor Horn
Chris Squire
Steve Howe
Geoff Downes
Alan White
The first of three nights at Madison Square Garden 1980 Drama Tour.
And what a show, shame about the quality..........
Great moment as Steve begins And You And I
The cheering is so loud he pauses for about 6 Seconds.
And You And I is split into 2 tracks so the second part named as
The Preacher The Teacher.
Disc 1
1.01 Intro (2.43)
1.02 Does It Really Happen? (Slight cut in the middle) (7.05)
1.03 Yours Is No Disgrace (11.04)
1.04 Into The Lens (8.42)
1.05 The Clap (4.18)
1.06 And You And I Part 1 (6.17)
1.07 And You And I Part 2 (3.48)
1.08 Go Through This (4.57)
1.09 Man In A White Car Suite (4.34)
1.10 Parallels (6.16)
1.11 We Can Fly From Here (6.53)
1.12 Tempus Fugit (5.23)
Disc 2
2.01 Amazing Grace ~ The Fish (9.02)
2.02 Machine Messiah (12.28)
2.03 Starship Trooper (10.39)
2.04 Roundabout (8.35)
https://www.filefactory.com/file/424go356xlcb/yes%20%201980-09-04%20-%20Madison%20Square%20Garden%20-%20New%20York%20City.rar
September 1, 2015
DWEEZIL ZAPPA - Via Zammata’
For more than a decade, Dweezil Zappa has been fully immersed in the music of his father, the late Frank Zappa. In 2004, he began to study Frank’s immense library, and had to completely re-learn the way he played guitar — completely re-envision the neck of the guitar — to perform passages that no one had ever played.
In 2006, Dweezil put together Zappa Plays Zappa, with a team of immensely talented musicians, and for the last several years Zappa Plays Zappa has toured the world over performing some of Frank’s classic albums, taking the music of Frank Zappa to a new generation of audiences and paying homage to a man that many say was the Mozart of the 20th century.
For this upcoming tour, Zappa Plays Zappa will dust off the 1975 Frank Zappa & The Mothers of Invention album One Size Fits All, as well as a set of “fan favorites or things that might be expected” from the span of Frank’s career. The album itself — the last for the Mother’s of Invention — features one of Zappa’s most intricate tracks, “Inca Roads,” and has a song that Frank Zappa himself never played live — the one minute, five second whimsical vocal and piano interlude “Evelyn, A Modified Dog.” “It’s very much a studio song, and I don’t know of any live version ever existing.” Zappa said during a recent interview with The Marquee.
Zappa would know if a version existed somewhere, as he frequently combs the vault so that he and his band can learn the complex material that his father wrote. “We go through every score at the house, but if it’s not in Frank’s handwriting we always need to make sure that whoever did the transcription did it correctly, so we have to reference it to recordings. We never just find a piece of music with a lead sheet and a melody on it and say ‘Hey yeah, there it is.’ We double-triple check everything, because the point of it is to play the music as it’s written and if we don’t have the actual page with the correct notes we go to the recording and transcribe stuff. Sometimes the music is too difficult to determine from a stereo recording and then we go to the master tape vault and go track by track and figure out what’s on there.”
It’s a miraculous feat for any musician, but for the self-taught guitarist Dweezil, who is the only member of Zappa Plays Zappa who doesn’t read music, it’s not only a labor of love but the greatest musical education anyone could ask for. Not surprisingly it’s lead to him recording a new album of all original music. Via Zammata, his first album in nearly 10 years, will be released just days after his Denver show this month.
Despite his immersion in Frank’s material though, Dweezil said that the album will certainly highlight some influences of his, but that it’s a very different album than his father would have made. “It has elements of everything that got me interested in music to begin with. Not one song from the record is cut from the same cloth. So there are a lot of different influences that come out,” he said. “I think people will be surprised because oddly enough this record, more than any other record I’ve ever made, is in many ways more of a straight forward pop record, except that the songs are much more quirky than a standard pop arrangement.”
Via Zammata is named after a road in Partinico, Sicily from where his father’s family emigrated. (The road, by the way, was recently renamed Via Frank Zappa), but Dweezil explained that the album is a nod to his roots, as well as a step forward as a musician. “I visited there a few years ago and part of the experience of traveling there was imagining what it would be like to leave there and come to a new place and how all of that changed what would happen. That connection sparked the interest in making a record that takes a similar type of journey,” Zappa said.
https://www.filefactory.com/file/4m0a6swh3bm1/Dweezil%20Zappa%20.rar
BRUCE SPRINGSTEEN - The Sports Arena Los Angeles CA - 08/24/1981
1981-08-24
The Sports Arena
Los Angeles CA
Soundboard Recording
320 kbps
01. Cadillac Ranch
02. Sherry Darling
03. Growin' Up
04. Point Blank
05. Johnny Bye Bye
06. Candy's Room
07. Ramrod
08. Rosalita (Come Out Tonight)
09. Jersey Girl (with Tom Waits)
10. Jungleland
11. Born To Run
12. Devil With The Blue Dress Medley
13. Good Golly Miss Molly
14. CC Rider
15. Jenny Take A Ride
16. You Can't Sit Down
17. Sweet Soul Music
18. Shake
19. Twist And Shout
Bonus tarcks
1981-07-08
Brendan Byrne Arena
East Rutherford NJ
20. Follow that Dream
21. Johnny Bye Bye
22. Jersey Girl
23. Trapped
24. I Don't Wanna Go Home
Source: Soundboard
Sound Quality A-
* Bonus Tracks: the Meadowlands Arena, East Rutherford NJ, July 8, 1981
Source: Soundboard
Sound Quality A-
August 31, 2015
STS9 - ARTPARK :: LEWISTON, NY - 07/08/2015
STS9
ArtPark - Lewiston, NY - SET: This Us > Frequencies Peace 2 > Frequencies Peace 3 > Kamuy, Oil & Water, Equinox, World Go Round, Somesing, Grow, T.W.E.L.V.E., Golden Gate, When The Dust Settles E: Life's Sweet Breath. We had so much fun to at Artpark, that we decided to give this one away for FREE. Enjoy!
1.
This, Us (4:27)
2.
Frequencies Peace 2 > 3 (9:25)
3.
Kamuy (11:39)
4.
Oil & Water (7:59)
5.
Equinox (10:55)
6.
World Go Round (8:52)
7.
Somesing (9:53)
8.
Grow (12:38)
9.
T.W.E.L.V.E. (7:50)
10.
Golden Gate (6:55)
11.
When The Dust Settles (13:29)
12.
Life's Sweet Breath (7:04)
https://www.filefactory.com/file/65eucbgcxg0l/sts9_2015-07-08.rar
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