August 19, 2012

THE DIRTY GUV'NAHS - SOMEWHERE BENEATH THESE SOUTHERN SKIES


THE DIRTY GUV'NAHS
''SOMEWHERE BENEATH THESE SOUTHERN SKIES''
AUG 14 2012
DUALTONE MUSIC
51:27

1. Can You Feel It/3:30
2. Don't Give Up On Me/4:08
3. Good Luck Charm/3:36
4. Temptation/4:08
5. Honey You/2:53
6. Live Forever/3:21
7. 3000 Miles/3:50
8. This Is My Heart/2:55
9. Fairlane/3:43
10. Lead Kindly Light/2:45
11. Dear Alice/4:13
12. Child/4:14
13. Goodnight Chicago/4:29
14. One Dance Left/3:42

LYRICS

CAN YOU FEEL IT?
(Jenkins/Trimble)
Can you feel it?
I think we said too much too soon
And now you got me reeling
Spinning circles round this room
Did you notice me
cause I’ve been standing out here waiting baby
for a long long time
I can tell that we gotta bigger plans so
don’t you dare go change your mind
not yet

I see you standing there
heart in your hands
everything you fear
I’ll be there
I know just where i belong
for you I’ll be strong
but please don’t make me wait on this
for too much longer

I see you’ve got a new friend
well he can’t love you like i do
I said I’m through with choosing… me
just wanna spend my life with you

I’ve been seeing things all wrong these days
these days
I know you, and you know me
Together we can make it
make it on time
you, you always told me to never give up
to never give up
to never give up

I see you standing there
heart in your hands
everything you fear
I’ll be there
I know just where i belong
for you I’ll be strong
but please don’t make me wait on this
for too much longer

DON’T GIVE UP ON ME
(Jenkins/Trimble)
First class, never had a ticket made
Whole life, living in the aisle way
Back row, the window if felt so cold
Last night, singing on the interstate
Released, feeling I could breathe again
Today, heaven it don’t feel close

All I really want is someone to tell me I’m wanted
Can you hear me? I’m longing to know tonight

Gimme an answer
I need a fighter
I’m a long way off, hanging on a little string
Hoping you notice
Loaded with questions
Old enough to know, young enough to still believe
Don’t give up on me

The story that i’m living in
It’s a story in my mind
Thought life it would be different
I thought i’d have more time
And control…
It’s hard to decide
When your soul…
Is caught inside your mind

All I really want is someone to tell me I’m wanted
Can you hear me? I’m longing to know tonight

So give me an answer
I need a fighter
I’m a long way off, hanging on a little string
Hoping you notice
Loaded with questions
Old enough to know, young enough to still believe
Don’t give up on me

You know I will, I’ll come running
You know I will, I’ll come running
You know I will, I’ll come running
Yeah, you know I will

Don’t give up on me

GOOD LUCK CHARM
(Jenkins/Trimble)
I drove here to tell you I’m sorry
I ain’t been sleeping
and there’s no good way to tell ya
but I’m leaving ya here tonight

I swear tonight with God as my witness
You were important to me
But sometimes love, it ain’t easy
I always confuse what I want and I need
yes indeed

You’re the sweetest, little secret
Yes, I’m mean to the bone
You’re my good luck charm
And baby I can’t leave you alone
Would you please, please forgive me?
For draggin you over stones?
You’re my good luck charm
And baby I can’t leave you alone

So I hide away and sleep for the weekend
And do some drinkin
Feeling lonely and silent
As I try to renew my mind

But then late at night alone in the darkness
I get the notion
for maybe one more rehearsal with circles
that we’ve been spinning and now we’re caught up again
oh, my friend

You’re the sweetest, little secret
Yes, I’m mean to the bone
You’re my good luck charm
And baby I can’t leave you alone
Would you please, please forgive me?
For draggin you over stones?
You’re my good luck charm
And baby I can’t leave you alone

You’re my good luck charm
and baby i can’t leave you alone
Oh, my little secret
and I can’t leave you alone
I’m sorry
I’m sorry

TEMPTATION
(Jenkins/Trimble)
I’m thankful that we’ve made it
I should be satisfied
But we need to be the way we were
At the start, we were bold
Our legs were strong
But weakness came and changed, changed our mind

Somewhere beneath all the running
Deeper we rolled in the lie
She tried to bribe me with money
But I won’t take her side

Temptation, I don’t need you

So, I’m up here watching over
Over everything I’ve done
And I swear, I can’t believe what I see
How on earth do I fall for every bribe, every time
Greed, she won’t stay silent

She’s gonna sing like a love song
She’s gonna sound like a prize
She’s gonna promise tomorrow
But I’m not trading mine

Temptation, I don’t need you

Oh, oh she wants to live inside your mind
Oh, oh she’ll try to stay
Oh, oh dig in deep you got to fight her
Hold on to me

Temptation, I don’t need you

HONEY YOU
(Jenkins/Trimble)
Target on your back
You best be payin’ ‘ttention
There’s a war going on
Rolling up my short sleeves
and dirty britches
Keepin my eyes on ya
My eyes on

The way you move
You oughta know
ewww – do me a favor

Honey you, you and me, we’re gonna have a good time
the good and the bad
you’re the best thing I ever had
yeah you make me surrender
Honey you

Surprising me at night in a cocktail
lookin like a maggie monroe
on my knees, itchin like a beggar
I can’t relax would ya leave me alone

Pinchin pennies, for my lunch
i’m outta gas and i’m hungry for love

Honey you, you and me, we’re gonna have a good time
the good and the bad
you’re the best thing I ever had
yeah you make me surrender
Honey you

LIVE FOREVER
(Jenkins/Trimble)
Like you told me
in that story
by the moonlight
all the glory
when you wrapped me
in those mighty arms of fate

There’s a cold rain
on my forehead
There’s a warning
in these 4 chords
Sometimes you can’t run away from what you’re meant for

I don’t wanna be waiting underneath

Every birthday
I get older
I still fumble
all my words
hoping one day
I’m gonna be finding just what I’m worth

Cause there’s a yearning
deep inside me
it’s been burning
long before
tonight I can’t make it wait
anymore

I don’t wanna be waiting underneath

I wanna live forever

3000 MILES
(Jenkins/Trimble)
Silence on the radio tonight
Feels just like the first time
Out here on my own
Away from all the cars and all the fistfights
Feels just like the first time
I’m on my own

If ya called, cause ya missed me
Then just say it, that’s you’re head’s exploding out
and you need a place to hide

I wanna believe it
I need to believe it
I wanna be where you are
And be there to see it all
I wanna be closer
I’m needin to hold ya
But there’s 3,000 miles between us
You’re waiting at home

If I’m honest I’m still not sure
Don’t know much anymore
Its harder and harder to keep it straight
Straight in my mind
And I apologize
Each and every one of the last three times
Its not ok to lie

If you go, will you miss me
Then just say it, will you ever believe in love?
Let me be your place to hide

I wanna believe it
I need to believe it
I wanna be where you are
And be there to see it all
I wanna be closer
I’m needin to hold ya
But there’s 3,000 miles between us
You’re waiting at home

Home

I wanna believe it
I need to believe it
But there’s 3,000 miles between us
You’re waiting at home

THIS IS MY HEART
(Jenkins/Trimble)
Come on, come out wherever your hiding
Lay your armor down
You can sing the song of your choosing
But please don’t push me around
You know love it ain’t the answer
If you guard it close
and You don’t learn to hear the music
Please don’t refuse it

This is my heart
This is my heart

Sometimes we got caught in the fighting
We forget just who we are
Yeah we bleed for affirmation
Just to feel the want
If we learn to lean on one another
With our lies exposed
Let our honesty be clearer than any mirror

This is my heart
This is my heart

This is my heart
Please don’t refuse it
We can tear these walls right down
Come on, yeah, do you feel it?
Tonight, tonight we can turn this thing around

FAIRLANE
(Jenkins/Trimble)
Going on vacation, got no destination
But you’re next to me
Pretending it was summer, wrapped up in a blanket
It was 40 degrees
We got holes and the floor’s coming loose
Got no money, but honey our love is the truth
You and me, gonna be the festival prize

I’m gonna love you in the Fairlane
I’m gonna try to keep you smiling
Don’t you worry bout the answers
To the worries on your mind
Come put your head upon my shoulder
And hang around til we get older
I’m gonna love you in the Fairlane
I’m gonna love you for a while

Dressin up to meet ya
The sunday morning preacher
With nothing to lose
Living on suspicion, got no ammunition
But we’re fighting for truth
I might be the wandering kind
Full of emotion and hungry for violence,
I’m a backseat of dreams
And you’re my bottle of wine

I’m gonna love you in the Fairlane
I’m gonna try to keep you smiling
Don’t you worry bout your problems
They’ll be plenty more to find
I know it won’t always be laughin
Oh, and honey it’s taken a while to decide
Would you love me in the Fairlane?
Would you be for me, my bride?

One day you’ll see it and i’m hoping it’s soon
One day you’ll see me the way I see you….
Sometimes, I feel like the sun… chasin the moon
I feel the pulse between our fingers, late in the night
Beneath the cedars, and we’re synchronized
My heart is beating, to the tune of your lingering eyes

I’m gonna love you in the Fairlane
I’m gonna try to keep you smiling
Don’t you worry bout your problems
They’ll be plenty more to find

LEAD KINDLY LIGHT
(A. Hoskins/Trimble)
Lead me on
Out into the dark
I’ll try to hold the spark
Amid the circling gloom
Keep my feet
I do not ask to see
The far or distant scenes
One step enough for me

Oh, Oh, Oh, Oh (Are you ready?)
My arms are open
but my heart is scared to move
Hard times are coming
only honesty will do
My love

Life
Mine but only slight
A gift to be invited
Into the world at bloom
This my path
Mine, but not by choice
Born with just one voice
One thing set to do, sing it

Oh, Oh, Oh, Oh (Are you ready?)
My arms are open
but my heart is scared to move
Hard times are coming
only honesty will do
I wanna know where i belong
I wanna feel powerful
I wanna know if I belong
to you

Lead, Kindly Light
Do not fear
I’m homesick for a place… I’ve never known

DEAR ALICE
(Jenkins/Trimble)
I remember the words that you said when we left for Alaska
Let’s pack our bags in the truck with our love and go drive for a while
I can’t understand all the mysteries in this old Bible
But the closer we get, well, the harder we hurt when we fall
I can’t win them all

But I still want you
and I’m hoping deep down that you want me too
Are we worth it?
Are we worth what I put you through?
I can’t earn it
I can’t earn it, you’ve got to choose
Oh, oh, oh, oh, oh
And I burn for you

My brother he called and said I should get back home
Out in East Tennessee where it’s prettiest there in the fall
They say that true love tells the truth even if it’s a burden
Well, I guess I’m still learning
Cause most of the time I just talk
and fill up these walls with half-hearted tunes

I’m a good man with bones that bruise
I’m not perfect
But I’m learning to tell the truth
Show me some mercy
Cause I’m hurtin, for hurtin you
Oh, Oh, Oh, Oh, Oh
Oh, Oh

All that I wanted was never enough
All that I needed was more of your love
Please come home to me
Please come home to me
Please come home to me

CHILD
(Doody)
Gather round in the living room
Been awhile since you told her “I’ll see you soon”
Mark the ground and we’ll cover your body today

Papa’s words were they all a lie?
I heard the truth from a blackbird in the sky
It’s never easy when you bury a man to be free

It’s a blind, crying shame
When you deal, and you feel, only pain
So I lie to myself, yes I bleed down the middle
The gift that you made is worth more than a little
She’s a child, running wild and free

Faded letters laying on a shelf
Memories that were only for herself
Light a match now, leave em and light em on fire

What’s a child ever gonna say
Bout a man gone twenty years to the day
Let the light come and carry you back to your home

It’s a blind, crying shame
When you deal, and you feel, only pain
So I lie to myself, yes I bleed down the middle
The gift that you made is worth more than a little
She’s a child, running wild and free

Tell me where’s your pride
And did you ever think to miss
The ones you cast aside?

GOODNIGHT CHICAGO
(Jenkins/Trimble)
Goodnight Chicago
hope to see you soon
this whole revival
we came here just for you
don’t trade your skies
for the seas
you got the wind
but got to learn to breathe
what’s right in front of you

Wake up, Virginia
I love to watch you move
new york is just a day away
Tennessee is too
don’t leave your dreams
up in the sky
oh, you got an astronaut’s mind
honey I do too

One day we’ll all take center stage
Raise glass, join hands, and give thanks
But until then just be where you are
Sing a song for me
And we won’t give up on you

ONE DANCE LEFT
(J. Hoskins/Jenkins/Trimble)
I was gonna run my fingers through your hair
but I sold myself short again
I was making plans to grow it old with you
but I never really showed i cared

I’m alright, at least that’s what I’m selling
I still like the late nights after dark
there’s one dance left and I’m willing
two hands that need a second start

I was gonna save these feelings all for you
but I sold myself short again
the lines are blurry, but as is just won’t do
when you’re wantin to be more than just friends

I’m alright, at least that’s what I’m selling
I still like the late nights after dark
there’s one dance left and I’m willing
two hands that need a second start

and you know, you know desperate it ain’t pretty
when you feel just like you’re dying deep inside
there’s one dance left and I’m willing
two hands that need a place to hide… a place to hide

BIOGRAPHY
by Steve Leggett
A classic-sounding Southern rock band out on Knoxville, Tennessee, the Dirty Guv'nahs (frontman James Trimble, Hammond organist Chris Doody, pianist Michael Jenkins, guitarists Michael Jenkins and Cozmo Holloway, and brothers Justin and Aaron Hoskins on bass and drums, respectively) create an energized musical blend that recalls the Black Crowes, Lynyrd Skynyrd, and the Allman Brothers Band, with a dose of Americana and the Band tossed in for seasoning. The band formed when the members were attending university in Knoxville, and what was initially supposed to be just a couple of occasional gigs really took off, and the band quickly developed a loyal local following. the Dirty Guv'nahs' energetic and inspired live shows earned them opening spots for acts like the Zac Brown Band, Wilco, and the Levon Helm Band, among others, and a performance slot at Bonnaroo -- a show that led to a recording session in 2009 at Levon Helm Studios. Two independent releases followed, 2009's The Dirty Guv'nahs and 2010's Youth Is in Our Blood. The band continued to evolve its sound on its third album, Somewhere Beneath These Southern Skies, which was produced by Ross Copperman, engineered by Richie Biggs, and released in 2012 through a distribution deal with Dualtone Music.

THE DIRTY GUV'NAHS - THE DIRTY GUV'NAHS


THE DIRTY GUV'NAHS
''THE DIRTY GUV'NAHS''
AUG 11 2009
DUALTONE MUSIC
53:06

1. We'll Be The Light/3:16
2. Brown Little Bird/3:15
3. Borrowed Time/4:39
4. Afternoon Eyes/5:59
5. Born To Thieves/3:39
6. Saguaro/3:48
7. Common People/4:24
8. Quiet Tigers/3:43
9. Oh, Jericho/2:53
10. Lovely Bones/6:00
11. Leaving Roads/3:41
12. Permaneo Dies/5:55
13. In The End/1:54

LYRICS

WE’LL BE THE LIGHT
(Jenkins/Trimble)
summer’s gone but it won’t take long to look back
my girl had a big sky to consume, yes she did
i cried, like a brother had
been raised up from the pain again
i found myself a way to fall for you

put your hand in my pocket
i’ll be your favorite song
we’ll be the light and the diamond as well
need my name in the springtime
yes, you will.

we’re learning to take our time with the ones we love
time will tell if it makes a change
arrived, but turning back to
brave it all just for your hand
i’ll try my best to be right there
where you want to be, where you want to be

BROWN LITTLE BIRD
(Jenkins/Trimble)
hey, you wear me out, and you ease my mind
i was up on stage with the Mavis Family 3
but the crow’s gone rogue
and the murder cries
left his home and needs a family
brown little bird

hey, i need your wings
my morning song is just for you
your wagon’s full
of criminals
that paved the way for thieves like me

i said that boy got saved like a man
walkin down to the front row of a stage
cassette babe, this is the mad dog show, my way.
but when the charges come, he leaves his home
he wants to go back, but they can’t take a loan
and they never bruise… brown little bird

BORROWED TIME
(Jenkins/Trimble)
sympathy rises to meet me
says “what’s my name?”
change is coming i don’t wanna feel a thing.
murder me with a camera in my living room
telephone it keeps me happy; times are strange…
mirror’s buried, so i bought my neighbor’s frame
we’ve been borrowing time here for a little while

mary, would you meet me?
i believe it but it just can’t be true
jesus, would you lead us,
to the land where i just work for you?
i’m trying my best
but i just can’t confess
to things that i didn’t do.
nervous man with a warning
“all is vain, ‘less i’m loving you.”

nervous man comes round the corner
says “what’s the speech?”
voices blazing but the profits they don’t reach
well the people on the front row they been crying for days.
manhattan says they had it coming;
just a bit more!
but he’s got what he just don’t want
and he just can’t give, but he don’t know why
the people; they’re meager, but they feel the same

AFTERNOON EYES
(Jenkins/Trimble/J. Hoskins)
heard my name down on your footstep, i was blind
she was fallin in my shoes
minor stranger says she wants to take me round
got no time for her noose
she says “i’ve got a feeling, you’ve got the crown
you ain’t the man on the tram.”
say what you want about living this way
i ain’t got time for it

got my finger to the bone
grow up in the sky
you can’t put your finger on love
if you’re always quiet
got your arms all round a stranger
who was never alive
you can’t put your finger on love
with your afternoon eyes

nighttime and i was a singer
in a 14 piece rock and roll band
made a truce with my jailer
heard his feelings while i tried my own hand
he’ll tell, “have no doubt,
there’s a man he’s lookin for me…”
but he just don’t know, I might never change.
take me out of this crosstown scene
i got dreams of the stage.

it don’t mean nothing, nothing at all
did you see me laughin’? laughin’ it off?

BORN TO THIEVES
(Jenkins/Trimble/J. Hoskins)
fortunately, I was born to thieves
in a rage that was colored in shine
nightingales are not for sale
to my demise

i grin and bare, but my feelings show
a boy is out in the cold
it’s hard to show your teeth
when you’re feeling old

they made a mess
but we can clean it up
don’t you hold out on me
just give me your arm
and don’t apologize
for the things that they’ve done

fantasy is the strangest thing
when your name has been replaced
night’s like these will make me sleep for days

i’m a citizen in a foreign place
i’ve abandoned by my rights
a basket and a baby
on the riverside

SAGUARO
(Jenkins/Trimble)
climb up here, and shake this tree
the devil, he tries to get on me
steal my shade, and burn my name
the devil, he tries to get on me
the devil, he tries to get on me

we push and shove, but dream of love
the devil, he tries to get on me
we speak of peace, but fight for greed
the devil, he tries to get on me
the devil, he tries to get on me

so we try to hide, this fear inside
the devil, he tries to get on me
kick and scream, til we’re on our knees
the devil, he tries to get on me
the devil, he tries to get on me

hallelujah, i can’t hide
hallelujah, i can’t hide
hallelujah, i can’t hide.
hallelujah, hallelujah.

COMMON PEOPLE
(Jenkins/Trimble)
all you want is a rescue scene
rebelled from the ones you love
please forgive me
your only child,
this well is a fillin’ up.

everything is mystery
we will meet in homecoming.

silence leads to madness
when you’re feelin’ like you made mistakes
angel won’t you help me?
i’m a stranger, but family.

where the weak will come to see, let them lead the homecoming.
you better help yourself

QUIET TIGERS
(Doody)
we’ve been gathering to hear your tune
and find a better place to fly
old levi must have heard you singing bout my shame
while he traveled down the road where I would die

lions everywhere, i search the ground for stones
“it ain’t my blood that dipped your robes”
dust filled fairy tales, lead us all to sleep
a tired mind, that comfort left so closed

gather round down by the ringside
c’mon let me, find some peace of mind
awake the quiet tigers
i won’t be your happy night

now your moving on to something new
common folk won’t speak your name
and what a shape we made with all the lines we’ve drawn
but never heard that we were raised by fame

she took a stand out in the courtyard
while the jesters, came to claim her throne
awake the lonely riders
lord don’t let me, burn this town alone

OH, JERICHO
(Jenkins/Trimble)
some folks get nervous when they hear of a change
some people, they put their faith in jesus
some girls make big mistakes
and fall for boys that dream
well that ain’t so obscene, to me

oh me, oh my
in your arms i’m not alone
we all need, family
walking around jericho

this lane, it lets everyone in, so take your place
my well’s full of wishes that I can’t keep
you caught me thinking
that you could still love me
imagine how we’d sing
oh the sound.

LOVELY BONES
(Jenkins/Trimble)
save a seat at the table
i’ll be right behind
walk our way to the kingdom
lovely bones will rise

night time is a man’s great escape
today the wheel is coming off
no one, no one has to know
a compromise is born

and i cry, nobody’s watching
asleep beneath your crimes
time, it just creeps, and we can’t find no peace
our days are burning wild.

we’re learning, keep looking up
don’t fight it, it’s never enough

we gotta stand for something, and learn to draw a line
a new dawn fades and we have all been changed by the light
that’s in each other’s eyes
lovely bones will rise

LEAVING ROADS
(Jenkins/Trimble)
time will tell, even where i’ve been
just don’t waste your time with me
leaving roads never lead you home
need you where you want to be

with a warning, i raise my hand
weeping over right now
ashes floating on the riverbend
as an orphan smiles

PERMANEO DIES
(Jenkins/Trimble)
all we are, is all we got
so pay your attention to me
take your time, with the ones that you love
as we wait for the turn of the sea
but we want the answers, and we don’t wanna wait..
and time makes us change, as we labor our lives
all we are, is all we got
so pay your attention to me

IN THE END
(Jenkins/Trimble)
all we are, is all we got
all we are, in the end

BIOGRAPHY
by Steve Leggett
A classic-sounding Southern rock band out on Knoxville, Tennessee, the Dirty Guv'nahs (frontman James Trimble, Hammond organist Chris Doody, pianist Michael Jenkins, guitarists Michael Jenkins and Cozmo Holloway, and brothers Justin and Aaron Hoskins on bass and drums, respectively) create an energized musical blend that recalls the Black Crowes, Lynyrd Skynyrd, and the Allman Brothers Band, with a dose of Americana and the Band tossed in for seasoning. The band formed when the members were attending university in Knoxville, and what was initially supposed to be just a couple of occasional gigs really took off, and the band quickly developed a loyal local following. the Dirty Guv'nahs' energetic and inspired live shows earned them opening spots for acts like the Zac Brown Band, Wilco, and the Levon Helm Band, among others, and a performance slot at Bonnaroo -- a show that led to a recording session in 2009 at Levon Helm Studios. Two independent releases followed, 2009's The Dirty Guv'nahs and 2010's Youth Is in Our Blood. The band continued to evolve its sound on its third album, Somewhere Beneath These Southern Skies, which was produced by Ross Copperman, engineered by Richie Biggs, and released in 2012 through a distribution deal with Dualtone Music.
http://fp.io/da2b64f2/

THE DIRTY GUV'NAHS - YOUTH IS IN OUR BLOOD


THE DIRTY GUV'NAHS
''YOUTH IS IN OUR BLOOD''
JUL 20 2010
THE DIRTY GUV'NAHS
51:55

1. Baby We Were Young/4:27
2. Wide Awake/4:40
3. Walk With Me/3:24
4. We'll Be The Light/3:13
5. Song For My Beloved/2:39
6. New Salvation/3:40
7. It's Dangerous/4:46
8. Courage/5:49
9. The Country/3:06
10. Blue Rose Stroll/4:15
11. Ain't It Strange/3:03
12. Seeds On The Rise/Chris Doody/4:08
13. Recovery/Aaron Hoskins/4:45
Tracks By Michael Jenkins, James Trimble, Except As Indicated

LYRICS

BABY WE WERE YOUNG
(Jenkins/Trimble)
Young love, won’t you come and sit real close to me?
For the first time, I’ve got you by my side
Darling, don’t you know that you’ve got the shaky knees?
Gotta roll the windows down inside your mind

Love was the shape we made
Love was the breath we drew
Youth was in our blood
and baby we were young

Nineteen and twenty-three, with just four years between
We fell in love on a tuesday in july
You’re daddy lives so far away, down in memphis, tennessee
One day, you’re be my bride
That’s right

Love was the name we gave
But love is a shaky thing
You’re not the one to blame
Cause baby we were young

WIDE AWAKE
(Jenkins/Trimble)
I’m leaving today
Coming to find you
Not taking anything
Or wasting time
I’m dizzy
I’m dizzy and I’m spinning
You’re all I want to know
You’re all I want to know

Maybe
Everything
Is happening
In front of our eyes
Standing
Standing right beside you
Right beside you

You know me
You know me well
And where I’ve been
You know me well
So be patient
Cause baby there’s still time
and I’m wide awake inside
I”m wide awake inside

I’m wide awake
and you’re beside
and everything
in front my eyes

WALK WITH ME
(Jenkins/Trimble)
Come inside and love me the man I am before I walk away
Take a chance, the world it’s so beautiful
All I need is space
But if you can’t see then stand in my doorway
And let me tell you everything
Lizzy baby I’m wearing it on my sleeve
And I’m a blank page

Walk with me
Show me your secret
Wake up please
Sing it out
The good and the bad
Well, they all get together
Got to open your eyes
And stay awhile

Yellow beam it hangs in her hair
But her eyes well they keep me awake
Sunshine is on the backseat
And we’re losing our way again
If I laid down
Would you let the engine die?
Do you love me or the car ride?
Lizzy baby, I know it ain’t easy see
But I ain’t lookin for a good time

Oh I think you know it,
Yeah I think you got a secret
Bout to make your big mistake
Honey please, believing isn’t everything
You got to walk the way
And if you can’t see
Then stand in my doorway
Oh I think you know the way you play
Lizzy baby, the timing is everything
You got to stay awake

WE’LL BE THE LIGHT
(Jenkins/Trimble)
Summer’s gone but it won’t take long to look back
My girl had a big sky to consume, yes she did
And I cried, like a brother had been raised up from the pain again
I found myself a way to fall for you

Put your hand in my pocket
I’ll be your favorite song
We’ll be the light and the diamond as well
Need my name in the springtime, yes you will

We’re learning to take our time with the ones we love
But time will tell if it makes a change
Arrived, but turning back to brave it all just for your hand
I’ll do my best, right to be where you want to be, you want to be

SONG FOR MY BELOVED
(Jenkins/Trimble)
Come out to the place where it is quiet
And lay your body down beside my love
Surrender to my warm embrace and know that
You’re the one that I’ve been thinking of

Amy, I can’t keep you happy
And I can’t make you disappear
But I promise not to leave you anywhere alone
Let my love replace your fear

You doubt the truth I told you in the silence
Don’t you know that you’re the one I chose
And every night that we let pass behind us
Is wasted if we hide behind our clothes

NEW SALVATION
(Jenkins/Trimble)
All I was lookin for was a goodnight kiss
Instead I walked away with a bigger wish
You’re everything I want, so baby look at me
Use your imagination, I’ll give you anything

Come on, come on
Salvation
You need
What I’m making
Down on my knees
I’ve been waiting around
Oh, No
Beggin you please
Be patient
Believe
What I’m Saying
Baby we’ll get better in time
Oh, No

Don’t know what you’re lookin for, so it will never come
And you’re standing there waiting like sand in the sun
Out there lookin’ for a melody with fortune telling eyes
I’ll be your fascination, baby be mine

IT’S DANGEROUS
(Jenkins/Trimble)
You found me, by the marquee
I was foolin around
On a bar stool, well you told me
Promised me that we’d work out
You had your hands on my silver clasp locket
Young love, on parade
You know exactly when you flaunt it
Oh, yeah you’ll settle for anything

Are you happy now?
Are you happy now?
Using me so you can be amused?
Are you happy now?
Are you happy now?
Oh, we just wanted love to make us happier

I’m feelin, hesitation
Seems like we’ve run out of road
It’s a long time til the state line
City limits were long ago
You had your hands on my silver clasp locket
A picture frame of love we’d made
We’re not the same as when we started
Oh, yeah we’ll settle for anything

It’s dangerous, the first time
You’ll fall for anybody, to say you’re in love

COURAGE
(Jenkins/Trimble)
What you want is never enough
What you got will leave you in want
Where you stand, you’re waiting in a line
So put your hand in mine

Courage moves within me
Makes me shake
Looking for an ending
Without the way

A weary flash, a picture out of tune
Stand right next to me in the same room
You try to ignore, and try to just pretend
Take your hands and step away

THE COUNTRY
(Jenkins/Trimble)
Met her halfway to Birmingham
Leaving middle Tennessee
Made a speech to say inside my head
Swore that I’d say everything

“I’ve been giving you my life, and I’m always on time
Four years are enough to decide, whether I’m you’re kind.”

“And I’ve been thinkin’ bout the country
Thinking bout you and me.
I’ve been thinking where I do belong
And why, you belong with me.”

In frustration she had bowed her head
And I could hardly breathe
Reminisced on the times we had
But said that she would have to leave

“It’s hard, hard to walk away from you
But we don’t live at the same speed.
You’re gonna make somebody happy.
But that someone, ain’t me.”

“Cause when you’re thinking bout the country
You’re just trying to be with me
Seasons change the way that we are
and spring changed me.”

Met her halfway to Birmingham
Leaving middle Tennessee
Made a speech to say inside my head
Swore that I’d say anything, to keep you here.

BLUE ROSE STROLL
(Jenkins/Trimble)
Down at the Blue Rose Stroll, well they like to shake a thing
Looks like a bunch of monkeys on a tight rope string
And you know, that Madeline will do you right
From Tuscaloosa, Alabama to Theta, Tennessee
Oh, the juke is always jumpin when the people start the dee
So grab your neighbor and get on in line

Tell your mama, and tell your daddy
that you’re never coming home
You’re gonna lay the licks and get your fix down on the floor
If you got a dollar lay it down
And tell your baby, “Spin me around!”
You gotta move your feet if you wanna make it out alive

You know the rich folks, they can’t dance like us
They holler so much, but they can’t ride the bus
And you know, my baby’s riding for free
Well they keep on keepin’ but don’t know what’s going on
Down here in the holler, where the whiskey people roam
That’s where I wanna be

AIN’T IT STRANGE
(Jenkins/Trimble)
Cast your fears
and your tired eyes
All aside and let’s work awhile
They’ll be no handouts or conspiracies
This is the world that we wanna see
Times they’re not changing
They never do
Good and bad, well it goes around
Tell me baby, you want the truth?
We want the truth and we want it loud

Ain’t it strange?
Ain’t it crazy?
We’re all looking for the same thing
Ain’t it strange?
Ain’t it crazy?
Everybody sing

Can’t ignore
Next door neighbors
And pray for rain on the rest of us
I was born beside a trailer
Noah lives down at the funeral
So raise up your hands
And your tired eyes
Times aren’t changing
They never do
Good and bad, well it goes around
The rest is up to you

SEEDS ON THE RISE
(Doody)
Got your news today
It’s been awhile since you’ve gone
This old place never changed
Only us, moved on
Yes, I want to believe
We’re not seeds on the rise
We’re not thrown to the wind
and we don’t go where it flies

So burn down my answers
And forgive my crimes
And sing me a song from the past
Cause I’ve got no reasons
And you’ve got no time
Waiting for something to last

And I think that it’s strange
People look to the sky
Cause it ain’t where you’ve been
And it ain’t where you smiled
And we’re only here for a time

Now there’s hope for a plain man
Now there’s hope for a thief
Living life in a strange land
Feelin lonely, and brief

RECOVERY
(A. Hoskins)
Lately I’m not who I’m supposed to be
Thoughts and words are acting differently
Where do you even begin when you’re too lost to see
the beginning or end?

I don’t want a cure to leave behind this part of me
I hide on a stage
Inside a dream

You don’t always do what you’re supposed to
But it’s what you do next that will define you
I just want to be free
Let it die, this old part of me
Bring your fury inside
Red turns to white, and leave all the lies behind

Alone we aren’t much
Just lost in a crowd
Alone we aren’t much
But together we’re loud

BIOGRAPHY
by Steve Leggett
A classic-sounding Southern rock band out on Knoxville, Tennessee, the Dirty Guv'nahs (frontman James Trimble, Hammond organist Chris Doody, pianist Michael Jenkins, guitarists Michael Jenkins and Cozmo Holloway, and brothers Justin and Aaron Hoskins on bass and drums, respectively) create an energized musical blend that recalls the Black Crowes, Lynyrd Skynyrd, and the Allman Brothers Band, with a dose of Americana and the Band tossed in for seasoning. The band formed when the members were attending university in Knoxville, and what was initially supposed to be just a couple of occasional gigs really took off, and the band quickly developed a loyal local following. the Dirty Guv'nahs' energetic and inspired live shows earned them opening spots for acts like the Zac Brown Band, Wilco, and the Levon Helm Band, among others, and a performance slot at Bonnaroo -- a show that led to a recording session in 2009 at Levon Helm Studios. Two independent releases followed, 2009's The Dirty Guv'nahs and 2010's Youth Is in Our Blood. The band continued to evolve its sound on its third album, Somewhere Beneath These Southern Skies, which was produced by Ross Copperman, engineered by Richie Biggs, and released in 2012 through a distribution deal with Dualtone Music.

THE DIRTY GUV'NAHS - DON'T NEED NO MONEY


THE DIRTY GUV'NAHS
''DON'T NEED NO MONEY''
DEC 2007
THE DIRTY GUV'NAHS
43:20

1. Get Together/4:34
2. Get Down Mama/5:02
3. Eli/7:43
4. Blue Rose Stroll/4:20
5. Take a Ride/4:23
6. Believer/3:19
7. Fly Me Up to Heaven/5:48
8. Amie Mae/4:03
9. Saguaro/4:08

BIOGRAPHY
by Steve Leggett
A classic-sounding Southern rock band out on Knoxville, Tennessee, the Dirty Guv'nahs (frontman James Trimble, Hammond organist Chris Doody, pianist Michael Jenkins, guitarists Michael Jenkins and Cozmo Holloway, and brothers Justin and Aaron Hoskins on bass and drums, respectively) create an energized musical blend that recalls the Black Crowes, Lynyrd Skynyrd, and the Allman Brothers Band, with a dose of Americana and the Band tossed in for seasoning. The band formed when the members were attending university in Knoxville, and what was initially supposed to be just a couple of occasional gigs really took off, and the band quickly developed a loyal local following. the Dirty Guv'nahs' energetic and inspired live shows earned them opening spots for acts like the Zac Brown Band, Wilco, and the Levon Helm Band, among others, and a performance slot at Bonnaroo -- a show that led to a recording session in 2009 at Levon Helm Studios. Two independent releases followed, 2009's The Dirty Guv'nahs and 2010's Youth Is in Our Blood. The band continued to evolve its sound on its third album, Somewhere Beneath These Southern Skies, which was produced by Ross Copperman, engineered by Richie Biggs, and released in 2012 through a distribution deal with Dualtone Music.

August 18, 2012

ARLO GUTHRIE - Pine Street Theatre Portland, Oregon - November 2, 1988


Arlo Guthrie
Pine Street Theatre
Portland, Oregon
November 2, 1988


Soundboard > Maxell XLII > Nakamichi Dragon > Olympus LS-10 @ 24/48 > SoundForge 9 > TLH > 16/44.1 level 8 FLAC


First Set
01 Story: Band's Got The Blues
02 Keys To The Highway
03 Freight Train
04 Story: 20 Years Of Tuning
05 The Motorcycle Song
06 Story: The Rolling Blunder Review
07 Oh Mom
08 Story: They're All Laughing At Me
09 Coming Into Los Angeles
10 Banter: Harp Holder Troubles
11 My Front Pages
12 Darkest Hour
13 Story: The UAW
14 I'm Changing My Name To Chrysler

Second Set
01 Banter: Weird Night
02 Alice's Restaurant Massacre
03 City Of New Orleans
04 Story: Songwriting
05 When A Soldier Makes It Home
06 Story: My Movie Career
07 Gabriel's Mother's Hiway Ballad #16 Blues
08 This Land Is Your Land
09 Amazing Grace
10 Banter: Tuning Bugs
11 Highway In The Wind


Arlo Guthrie - vocals, guitar, keys, harmonica
http://fp.io/2d7e649d/

MOE. - Granada Theater, Dallas , TX - 11/04/2011


moe.
2011-11-04
Granada Theater, Dallas , TX
Source:
USB SBD Stick(MP3(cbr320)

Set I:
Dr. Graffenberg
Gone
Timmy Tucker >
Skrunk
Time Again >
Captain America

Set II:
Tambourine
Shoot First
Suck A Lemon
Puebla >
Smoke >
Tubing The River Styx >
The Pit >
Rebubula
Encore:
Okayalright
She

http://fp.io/634fmfmf/




MOE. - Theatre, Boston, MA - 12/31/2010


12/31/10 Theatre, Boston, MA



DISC ONE
SET ONE
Akimbo
(7:33)
Paper Dragon
(11:07)
Faker
(16:23)
The Road
(12:09)
Water
(11:20)
Happy Hour Hero
(9:53)
DISC TWO
SET THREE
Intro
(2:48)
Puebla
(15:57)
Lazarus
(11:40)
Nebraska
(5:38)
Auld Lang Syne
(3:02)
Celebration
(8:10)
DISC THREE
Wind It Up
(8:07)
George
(20:07)
ENCORE
Banter
(2:25)
Down Boy
(7:11)
Rebubula
(19:02)                                                                                                                                                   http://fp.io/m1ed4142/

MOE. - Snoe.Down, Spartan Arena, Rutland, VT - 03/25/2011


moe.
2011-03-25
snoe.down, Spartan Arena, Rutland, VT

Set I:
1. Stranger Than Fiction
2. Time Again
3. Dr. Graffenberg>
4. Paper Dragon
5. Mar-DeMa
6. Bearsong

Set II:
1. Haze>
2. Wormwood>
3. Okayalright*
4. The Harder They Come*
5. Puebla>
6. Kyle's Song>
7. George

Encore:
1. -al.nouncements-
2. Buster

Notes:
*- w/ Keller Williams on acoustic guitar and vocals

http://fp.io/9bde9b2b/

THE GRATEFUL DEAD - Cumberland County Civic Center, Portland, ME - 03/27/1986


Grateful Dead
1986-03-27
Cumberland County Civic Center, Portland, ME

Set I:
d1t01 - Tuning
d1t02 - Jack Straw >
d1t03 - Peggy-O
d1t04 - New Minglewood Blues
d1t05 - Revolutionary Hamstrung Blues >
d1t06 - Bertha
d1t07 - Wang Dang Doodle
d1t08 - Big Railroad Blues
d1t09 - Supplication Jam >
d1t10 - Promised Land

Set II:
d1t11 - China Cat Sunflower >
d1t12 - I Know You Rider
d2t01 - Estimated Prophet >
d2t02 - Eyes Of The World >
d2t03 - Drums >
d2t04 - Space >
d2t05 - Spanish Jam >
d2t06 - Truckin' >
d2t07 - Wharf Rat >
d2t08 - Sugar Magnolia
Encore:
d2t09 - Keep Your Day Job


Recording Info:
SBD > Cassette Master > Reel > Dat > ? > Dat > CD

Transfer Info:
CD > Adobe Audition v3.0 > Samplitude Professional v11.2.1 > FLAC
(2 Discs Audio / 1 DVD FLAC)

All Transfers & Mastering By Charlie Miller
August 16, 2012

Patch Info:
(FOB) Neumann U87 > Cassette Master > CD (shnid=24029) supplies:
Drums (complete track)
Wharf Rat (4:18 - 4:26)
Keep Your Day Job (complete track)

Notes:
-- Disc change is seamless
-- This is a remaster of shnid=26347
-- Thanks to Joe B. Jones for his help with the pitch correction

http://fp.io/5cmm6e38/

KISS - Karton: The Klassic Vinyl Collection - 1974-1978



Kiss - 1974-1978 - Karton: The Klassic Vinyl Collection
Kiss
1974-1978
Karton:  The Klassic Vinyl Kollection
(Godfather Records GRBOX 07)


KISS Fans……You Wanted The Best and You Got It. The Hottest Box In The World ! When I first got a copy of the flyer for this new box set I was on the edge of my seat in anticipation. It promised to give the deluxe treatment to a number of Klassic Kiss Bootlegs and after close examination is exceeds all expectations and in my mind is THE BEST box set released by Godfathers thus far. The box itself has a great cover with all four members of the band, a detailed song breakdown on the rear and cool captions around the spine.

There is an excellent 16 booklet that has very accurate liner notes by one Vincent Cusano (Vinnie Vincent’s real name) and a slew of wonderful pictures and ticket stubs and concert posters. The are also 8 cards that feature the bootleg album covers, the old fashion kind where the LP’s were house in a white sleeve with a paper inserts.

The discs are broken into three sets of two and are all gatefold style sleeves with relevant pictures for each set, the picture in the center of the Takes Tokyo is similar to the ALIVE II record and is a favorite. But it is all about the musical content and this is where the fun begins, not only do we get the concerts themselves in best ever sound quality but the bonus songs are worth the price of admission, just look at the disc times.

Godfather gives us incredible value for the money and all praise must go their way, this is one of the most well thought out and produced box sets either officially or un officially that I own. This set should easily appeal to collectors everywhere and with the holidays around the corner this is a no brainier to recommend and I would suggest to get your copy while you can.


Fried Alive!
Long Beach Auditorium, Long Beach, Ca, USA May 31 1974 KNAC Broadcast

101. Intro & Deuce        
102. Nothing To Lose        
103. She & Solo Ace Frehley        
104. Firehouse        
105. Strutter        
106. 100.000 Years        
107. Black Diamond        
108. Baby, Let Me Go        

The Parthenon Theatre, Hammond, In, USA October 18 1974

109. Firehouse        
110. She & Solo Ace Frehley        
111. 100.000 Years        
112. Black Diamond        
113. Let Me Go, Rock & Roll        
114. Cold Gin    

The Long Beach gig was originally released on vinyl as Fried Alive on Duck Records, Dragonfly Records, Idle Mind Production, and First Kiss in Long Island on Worlds Records and on compact disc as Alive Zero from YU 52. The source is a radio broadcast done by local radio station KNAC, the source tape is a very good soundboard with all instruments and vocals well balanced, in keeping with the spirit of the box set the CD starts off with the Dirty Harry intro of “Did he fire six shots…” as did the original vinyl release. The band was opening for Manfred Mann and Savoy Brown and at the sets conclusion the DJ says there is still time to get down to the venue to see the other acts.

The set list is comprised of songs from the debut record along with She, the Wicked Lester leftover, that would appear on Dressed to Kill and features the strongest material with the bands best opener Deuce leading things off. It is interesting to hear the early gigs, they tune the instruments between songs and you can hear Peter count in the beginning of Nothing To Lose and Paul greets the crowd “Long Beach…We’re KISS” .

There is a festive mood in the arena, the crowd is receptive to the band and you can hear loud air horns going off. She is slow and ponderous and the band delivery a heavy version of the song with excellent lead playing from Ace, the band gets into a groove and he solo’s over it in a very effective fashion and is much different to the solo we all know and love from ALIVE!.

Most of the songs have the slower tempo like the versions on the first record and the sound improves slightly during Strutter. Gene has a brief bass introduction to a brutal 100,000 Years and the introduction to Black Diamond has a almost melancholy feel to it. The last song, Baby Let Me Go is really Let Me Go, Rock And Roll and is slightly lesser in quality.

The Hammond gig was recently released on vinyl as 9TeenSventy4 on The Swinging Pig records and Nothing To Lose and Parasite from this recording and show can be found on Drive You Crazy on Godfatherecords G.R 554. The bonus tracks here feature the rest of the know recording, an excellent soundboard from very early on the tour to support Hotter Than Hell and it looks like the second part of the bands set. As with the previous show the band’s playing is aggressive and confident sounding, She is heavy and Ace is starting to expand his solo with familiar passages and 100,000 Years features a drum solo.

Paul clearly says Hammond during his Do you believe in rock and roll rap, the recording is a bare bones and the audience is faintly heard clapping along. The band is making an impact and you can clearly hear the audience again feverishly clapping for the band as they let go with a rollicking Let Me Go, Rock And Roll.

Second Kiss In Long Beach
Calderone Concert Hall, Hempstead, Ny, USA August 23 1975

201. Intro        
202. Deuce        
203. Strutter        
204. Got To Choose        
205. Hotter Than Hell        
206. Firehouse        
207. She        
208. Solo Ace Frehley        
209. Nothing To Lose        
210. C’Mon & Love Me        
211. Solo Gene Simmons        
212. 100.000 Years        
213. Solo Peter Criss/100.000 Years -cont-        
214. Black Diamond        
215. Cold Gin        
216. Rock & Roll All Nite        
217. Let Me Go, Rock & Roll        
 
Fremd High School Gymnasium, Palatine, Ill, USA April 19 1975

218. Room Service        
 
The Bayou, Georgetown, Washington D.C., USA March 25 1974 (evening show)

219. Love Theme From KISS

The bulk of the second disc is made up of the Hempstead NJ show from 75, released on vinyl as Second KISS in Long Beach on World Records and surprisingly makes its debut on silver CD on this set. It is an very good near excellent slightly distant recording that captures the band really hitting their stride after more than a year of almost constant touring. All instruments and vocals are perfectly balanced and is a recording that demands to be played loud.

The band had recorded several shows the previous month that would be issued as KISS ALIVE ! so this recording is very similar in performance with that record. The ALIVE ! record was reportedly heavily altered in the studio, listening to this one has to wonder how much. The band plays incredibly tight, they plow through the opening of Deuce and Strutter with ease.

Got To Choose has always been a favorite of mine and, as with many of their songs, is better live. ” This is off Dressed to Kill, its something a little slower its something a lot heavier its called She”….is Paul’s intro and an obvious understatement. The song has a great groove, Ace is in top form and his first solo he seems to wring it out some fast and furious notes but is just getting ready for his main solo spot.

The distance between the recorder and band really comes into play hear and you can appreciate not only his playing but the effects he utilizes. After the songs conclusion there is a audience member who shouts out for Rock Bottom and the first thing that came to mind was UFO but the band go into a great Nothing To Lose, Peter sings the hell out of it, simple but very effective. Paul tells the audience that there is plenty of room down front and the band play arguably one of their better songs, Cmon And Love Me, the song has a great lyric and Ace nails the solos.

There are two songs that never fail to get me going, the first is She and the second is 100,000 Years, tonight the latter is played at an almost marshall tempo and begins with the Gene bass solo and blood spitting. The tempo is fast and furious and leads into a greater Peter Criss solo who keep a non stop pace, he even throws cowbell in for good measure before Paul goes into a long ”Believe in Rock and Roll rap”.

He hits all the bases and has the crowd on their feet and clapping loudly, keep in mind Peter is drumming through out before the band slowly enters and destroys the audience. No time is wasted as the solemn opening chords of Black Diamond are begun and Paul’s opening line of “Out on the streets for a living” are greeted with a giant round of applause. The harmonizing vocals really shine during this version as does Ace’s solo playing, he is in top form and is just smoking the whole show.

This disc has a couple of great songs to close out the disc. The first is Room Service from Dressed To Kill and the recording is good to very good with a little bit of distortion but for the most part clear and very enjoyable and is from early on in the DTK tour. I am not sure how many live versions are out there but it is a great addition to this set. The second song is Love Theme from KISS, a song that was originally called Acrobat. It sounds like a small intimate style venue and Paul is in conversation with the crowd and is saying “I Think their drunk…I think their high…” and the band kick into the song. It is definitely a soundboard recording that is easily in the near excellent range for its age with just a slight amount of distortion but since there are few recordings in circulation. The instrumental features some nice bass lines from Gene and a nice fat riff but is short, just over two and a half minutes long before it fades out.

Blitz London
Hammersmith Odeon, London, England May 16 1976

301. Intro        
302. Deuce        
303. Strutter        
304. Flaming Youth        
305. Hotter Than Hell        
306. Firehouse        
307. She        
308. Solo Ace Frehley        
309. Nothing To Lose        
310. Shout It Out Loud        
311. Black Diamond        
312. Detroit Rock City        
 
San Diego Sports Arena, San Diego, Ca, USA February 27 1976

313. Rock & Roll All Nite        

L.A. Forum, Los Angeles, Ca, USA August 28 1977

314. I Stole Your Love        
315. Firehouse        
316. Love Gun        
317. Hooligan        
318. Christine Sixteen        
319. Shock Me        
320. Solo Ace Frehley        
321. Calling Dr. Love

Originally released on vinyl as KISS Blitz London on Dragonfly Records and re issued on such labels as
Ruthless Rhymes, GLC Records, and Hot Tub records. Strangely enough it was never pressed onto CD until now. In the mid to late eighties I used to frequent record conventions and spend hours digging through the boxes of bootleg LP and dream of owning such titles.

There was one dealer who would transfer vinyl to cassette them sell a tape for five bucks,this is where I got my first taste of this concert (any many others). The source is a very good audience recording that is clear and very enjoyable with a good balance of instruments and vocals. There are some sound fluctuations through out but does not distract from the listening experience. Of course this is from the bands first trip to Europe and Godfathers second release from the tour, the first was the Nuits Parisiennes The Godfatherecords G.R. 662 from a week later in Paris.

From what I have read the band did not enjoy the tour and felt that the accommodations were poor and the band would not return to Europe for four years. If that is the case you would not know it, the band put on a tight, professional show full of energy and the commitment not to disappoint. “Alright London…You wanted the best and you got it……..KISS” is the opening, right before the announcer says KISS many in the audience say it for him in obvious anticipation.

The band storm the stage with the soon to be dropped combination of Deuce and Strutter, Ace is on target and his solo in Strutter is rock solid. The band are still using the ALIVE ! stage and costumes and have not fully integrated the Destroyer set up as they would for the US tour soon after the European jaunt. They have been playing most of the songs for a couple of years and they are honed to perfection so the highlights are the newer songs, the first of which is Flaming Youth.

“This is from Destroyer its called Flaming Youth ” is Paul’s intro, he gives a great howl during the opening riff and the song works very well, its hard to believe the band would not make it part of the regular set list. Again the background harmonized vocals give the song a fullness and this version is very nice indeed. It is also worth noting the difference between American audiences and the crowd in London.

The London crowd are total into it and follow the band but seem like they are there to watch and listen intently where American audiences are loud and boisterous and the experience of being there is as important as what is going on musically. One is not better than the other it just gives a different vibe as the London audience has done their homework and is ready for what they get.

Hotter Than Hell and firehouse work great together and the playing is effortless, the crowd roars its approval after the latter in awe of Gene’s fire breathing routine. She is always a welcome song and is on its last days in the set and again features Ace’s solo spot, its fast at the start but soon gives way for an echoed expansion of the ear drums as he reaches for the outer limits….his solo’s are much shorter than they would be in the next few years. Black Diamond is book ended by two new songs, the first is Shout It Out Loud.

Sounding very close in tempo to the recorded version on Destroyer its well played and received and since Rock And roll All Nite is not present it fills the anthem section well. Paul tells the crowd how rock and roll they are, the band is enjoying themselves and its obviously good vibes are surrounding the gig. The respond with a huge cheer as he introduced Detroit Rock City. The song is spot on and has a fresh feel to it and sounds very close to the recorded version, Ace and Paul’s harmonizing guitar solo is perfect and the songs ends with a crash sounding noise followed by a huge cheer from the audience.

Since that is all we have of the London show, we get the encore from earlier in the year on the ALIVE ! tour. The version of Rock And Roll All Nite is a distant but clear well balanced recording from San Diego the previous February. There is a small amount of hiss but it does not interfere with the music. The rest of the disc is made up from the last night of a three night run at the LA Forum in 1977, all of which were recorded for the ALIVE II record.

The audience recording is very good, slightly distant and sounds great, there is a minimal amount of audience noise directly around the taper, the audience sound loud and in heat for the band. Godfathers wisely chose to focus on the newer songs in the set, I Stole Your Love is a natural opener and get the crowd going, of course it takes little to get the capacity crowd in the mood. There are shouts and screams of “SIT DOWN” after Firehouse and the crowd sounds like caged animals, the band instantly hits them with Love Gun.

The song is indeed a power house live, its just a little more powerful live and Ace delivers a fatal shot in the form of a solo that gets a cheer from the audience. Paul announces Peter Criss who songs his song from Love Gun, Hooligan is an obvious ode to his teenage years. While not a personal favorite it cool to hear as it was only played on this tour. Christine sixteen is played a faster tempo than the official version but is still effective, the band nail the section where Gene almost raps the lyrics while the band harmonize with the chorus.

Paul thanks the LA crowd for three nights of support, their reward is Ace and Shock Me. The song is kinds like his coming out party for him, it established him as a equal to Paul and Gene. The song is well played and is a perfect vehicle for his solo spot. There is a loud explosion early in his solo, I was trying to figure put if it came from the stage is is from the audience. His solo is as much about the visual as it is a musical statement, the crowd cheers his smoking guitar and levitation and the notes echo in the hall….classic stuff.

Destroys Anaheim
Anaheim Stadium, Anaheim, Ca, USA August 20 1976

401. Pre-show Announcements        
402. Intro/Detroit Rock City        
403. King Of The Nigh Time World        
404. Let Me Go Rock & Roll        
405. Strutter        
406. Hotter Than Hell        
407. Nothing To Lose        
408. Cold Gin/Solo Ace Frehley        
409. Shout It Out Loud        
410. Do You Love Me?        
411. Solo Gene Simmons/God Of Thunder/Solo Peter Criss        
412. Rock & Roll All Nite        
413. Deuce        
414. Firehouse        
415. Black Diamond        

Lafayette’s Music Room, Memphis, Tn, USA April 18 1974 WMC-FM-100 Broadcast

416. You’re Much Too Young        

Music Hall, Cleveland, Oh, USA June 21 1975

417. Let Me Know        

Mid South Coliseum, Memphis, Tn, USA December 2 1976

418. Strutter        
419. Hard Luck Woman        

The most famous night of the Destroyer tour, sometimes referred to as the Spirit Of 76 tour, was August 20 1976 as the band headlined a day long even at the Anaheim Stadium to 42,000 fans with support from Ted Nugent and Bob Seger. The concert was recorded by some enterprising audience members and was eventually bootlegged under the title KISS Destroys Anaheim, a single LP release on labels such as Dragonfly Records, Canyon Records and Idle Minds and spawned a slew of re issues and colored vinyl sets.

The rest of the show was eventually pressed as Destroys Anaheim Part 2 and eventually two record sets with the complete show. The concert has had CD releases under titles Cold Gin (Black Cat Records) Unnecessary Evil (Deep Records) and Unauthorized Vol. 2 (Joker Prod.). Because of the nature of the event large video screens were employed and a video does exist, I have it on KISSOLOGY Companion Vol. 1 (Apocalypse Sound AS 158).

The audience recording is very good with little interference close to the taper and the little you have just adds to the ambiance and experience of this legendary show. The recording starts with an announcer asking fans to back up…”These screens are huuuge” and says to start with the Stevie Wonder looking guy. The crowd begins the “WE WANT KISS” chants and the announcer introduces each member by name and screams “KISS” and the place goes bonkers. The opening Of Detroit rock City has the crowd frantically clapping and from the first note you realize KISS will do what the record states, Destroy Anaheim.

By the time they play King Of The Night Time World you feel as though you are amongst the audience. The set is made up of the classics along with five songs from the newly released Destroyer record. Paul greets the crowd with a huge “Hello Anaheim” and the set continues at a fast pace with Let Me Go, Rock And Roll and Strutter. It is easy to imagine the band in action with the signature synchronized moves and the crowd eats it up. Hotter Than Hell is followed directly by Nothing To Lose and gives a different vibe as you are so used to hearing Firehouse, Peter gets in his first vocal of the night and turns in a strong performance.

Since She is no longer in the set Ace gets his solo spot during raucous Cold Gin (yes California audience love to get high) and the crowd goes wild as his guitar starts to smoke as he unleashes a flurry of notes and is finally left center stage with a glowing pick up, classic stuff. A combo that works well together is Do You Love Me? and Nothing To Lose, Paul sounds almost sweet and Gene just wants to….well you know. Then best solo spot goes to Peter Criss, he has a large drum kit and utilizes all it, at times standing, the crowd reacts by clapping and cheering him on and Gene has some nasty distorted vocals during God Of Thunder. The crowd is in heat by now as the band plows though Rock And Roll All Nite and a frenzied Deuce and the house if brought down with Black Diamond, all around excellent concert.

The bonus tracks start out with the song You’re Much To Young, the songs introduction is the riff from Acrobat. The complete recording was released on Rockin’ in Memphis 1974 (CD 74, Hooker and Tate) and is good quality that shows a little age but is essential listening and is great to have on this set.

The Cleveland Music Hall show was recorded for the ALIVE ! record and a few songs appeared on the Live In Hell (Oh Boy Records), Let Me Know was a rarely played song from the first record. Closing out the CD are two songs from early in the Rock And Roll Over tour, Strutter and a rare version of Hard Luck Woman. The recording is good and the instruments and vocals can be clearly heard but there is a lot of crowd chatter commotion near the taper but the song can be appreciated.

Takes Tokyo
Nippon Budokan, Tokyo Japan, April 1 1977

501. Intro / Detroit Rock City        
502. Take Me        
503. Let Me Go Rock & Roll        
504. Ladies Room        
505. Firehouse        
506. Makin' Love        
507. I Want You        
508. Cold Gin        
509. Solo Ace Frehley        
510. Do You Love Me?        
511. Nothing To Lose        
512. Solo Gene Simmons        
513. God Of Thunder        
514. Solo Peter Criss/God Of Thunder -cont-        
515. Rock & Roll All Nite        
516. Shout It Out Loud        
517. Beth        
518. Black Diamond         .

National Guard Armory Rockford, Rockford, Ill, USA November 15 1975

519. Ladies In Waiting        

Roosevelt Stadium, Jersey City, Nj, USA July 10 1976

520. Watching You/Solo Peter Criss        
521. Flaming Youth

Takes Tokyo was released on vinyl by such companies as Ruthless Rhymes, Dragonfly Records and GLC (Great Live Concerts) and as Mama Weer All Crazee Now on the Cartoon Label and finally Live In Japan on Quicktype records. This release also represents the debut of the audience recording on CD (the soundboard has many releases). The audience source is very good, near excellent recording with very minimal crowd noise and is a pleasure to listen to. The tour in support of Rock And Roll Over finds the band dropping a lot of the older stage favorites and has a refreshing mix of songs from the last two records with a few oldies in the mix

The Japanese leg can at the end of a four month tour but there is little fatigue showing, tha band is energized by their first trip to the Far East and the overwhelming support from the fans who worship the band like Gods, the respond with rock and roll. The band hit the stage with Detroit rock City and then go into Take Me, the transition is flawless but you expend the wining of King of the Night Time World. As with other recordings Paul keeps his stage raps simple and minimal, preferring to let the universal language of music to do the talking.

The first half of the show is filled with new songs, Ladies Room, Makin’ Love and I Want You are well received by the audience, Ace is in great shape and his playing is inspired and fluent, again his solo comes during Cold Gin. There are several pauses of the recording, no music is lost and I wonder if the taper was trying conserve tape or battery life, it does not interfere and sounds smooth and natural.

Gene’s blood spitting received screams and shrills from the audience. The encore have the crowd clapping in time and Shout It Out Loud is very effective but it is Beth that brings the house down. The audience quietly claps (is there such a thing?) and adds to the gentleness of the songs, Peter must have loved singing this song live, just him and the audience.

The first bonus track is from The Armory in Rockford in 1975, I have always wanted to hear KISS’ set from this night. The opening band was Rush and fans know that the person who recorded the KISS set also recorded them and gave us collections a holy grail, the only known live version of the complete Necromancer. The KISS song here is a rarity also, a live version of the Dressed To Kill classic Ladies In Waiting.

The sound is good but unfortunately the vocals are buried but the instruments are pretty well defined and is great to hear. The last two tracks are from the New Jersey gig early in the tour and have been released on the New Jersey Jews (Roaring Mouse Records). We have the rarely played Watching You (in 1976) complete with a Peter Criss drum solo and Flaming Youth. The recording quality is good and there is some crowd noise but does not interfere with ones enjoyment.

Sneak Attack
L.A. Forum, Los Angeles, Ca, USA August 26 1977

601. Intro / I Stole Your Love        
602. Take Me        
603. Ladies Room        
604. Firehouse        
605. Love Gun        
606. Hooligan        
607. Makin' Love        
608. Christine Sixteen        
609. Shock Me        
610. Solo Ace Frehley        
611. I Want You        
612. Calling Dr. Love        
613 Shout It Out Loud        
614. Solo Gene Simmons        
615. God Of Thunder        
616. Solo Peter Criss/God Of Thunder -cont-        
617. Rock & Roll All Nite        
618. Detroit Rock City        
619. Beth        
620. Black Diamond        

Roberts Municipal Stadium, Evansville, In, USA January 23 1978
621. Deuce

KISS played three nights at the LA Forum in August 1977 and recorded the shows for what would become the ALIVE II record. The audience recording was issued early on vinyl as Sneak Attack on such labels as Ruthless Rhymes, Dragonfly Records and GLC and as KISS My Axe on Canyon records and is making its CD debut on this set. The audience source is very good bordering on excellent, there is a nice mix of audience noise present that captures the party atmosphere perfectly.

With the focus on recording a live album the band chose to play a majority of new material, The band arrive onstage to the sound of bombs going off and rip into I Stole Your Love and Take Me, effective as openers and get the crowd on their side instantly. The crowd is rowdy and there are some almost desperate sounding wails from some nearby females. The title track to the bands most recent album is very effective, Love Gun is better live than on record and the band kill everything in site (just listen to the girls at the songs conclusion), Ace nails the solo perfectly.

Peter does a fine version of Hooligan, one has to wonder why it did not make the cut and was left of the live record. The aggressive concert continues with a fast paced Makin’ Love and the tempo does not slow for Christine Sixteen ! Paul has a surprise, something they haven’t done before, he turns the microphone over the Ace and Shock Me. The taper must be in the Ace Frehley fan section and the girls scream for him, he responds with inspired playing, his solo flows easily from his finger tips and is in fine voice to boot !

The crowd is in a complete state of frenzy mid solo as the notes echo through the building, Ace is in his prime and literately smokes the solo, great stuff indeed. The crowd goes almost docile as the opening chords of I Want You are played and for a moment the pain they sound in is relieved. Paul has a great rap about the security trying to get people to sit down and its a bunch of bullshit and its a rock and roll concert and revives the audience with Shout It Out Loud.

Gene’s bass solo has an almost mechanized sound to it and the audience takes in his solo spot and the blood letting that occurs. God Of Thunder is built for the stage, evil and aggressive and a perfect vehicle for the Demon persona. One common thread through this box set for me is the drum solos, during my initial listens to this box set I read the KISS And Make Up book by Gene Simmons. While I enjoyed the book I felt he took a few too many shots a Criss, upon further sonic evaluation you hear just how integral he was to the early KISS sound and a key part of their success.

He played with incredible passion and during every single one of the shows on this box his solo gets the crowd off their asses and on their feet clapping cheering every time (sorry for the soapbox moment).

Another thing I enjoyed listening to is Rock And Roll All Nite, thanks to FM radio it is over played but hearing these old recordings and the excitement it generated gave me new perspective for the song. There is no stopping now….Detroit Rock City…Beth…Black Diamond wring every last bit if energy from the band and audience.

The lone bonus track is a rare version of Deuce from the ALIVE II tour, it is a fair to good sounding audience recording with minimal crowd noise. Having given the song a break for a couple years the band do not skip a beat, Ace certainly has not as he plays a great solo. By the time you reach the end you feel the need to go back to the first CD and do it all again, This box set will be in my player for some time.


PART 1  http://fp.io/1a24544d/
PART 2  http://fp.io/73ec32db/

MUNGO JERRY - COOL JESUS









Ray Dorset's present backing band (of Martin, Luederwaldt, Troike) creates faithfully here the good time music & sounds that Mungo Jerry first came out with in the early 70s. The recordings were made under live studio conditions which produces a beautiful vibe. There were a couple of the pure skiffle type offerings that I was not so keen on, but otherwise there are many excellent pieces here. There's nothing particularly new about it, but there is enough variety from jug band to rock'n'roll to 50s doo-wop to pure pop to rock to folk protest to skiffle, plus with an overall excellent performance like this, manages to straddle all age groups & countries. Certainly you can imagine this sounding forth from a German beer festival along with the sounds of thumping beer glasses. Less blues orientated than Mungo's previous album from 2003, & though there is still that, here it is really back to pure Mungo (Dorset's guitar playing & vocals seem ageless) & whose more purist fans should surely love. - amazon.com

15 Ray Dorset songs and 3 standards that make up this set of songs that many people think have some of the strongest Mungo Jerry tracks ever released.

01. Cool Jesus
02. John Henry
03. Far Away
04. Let's Rock
05. Give Us A Song
06. Hello Baby
07. Just Her Way
08. Going Up the River
09. You Can Get It If You Want It
10. I Lie Awake
11. Red Leather And Chrome
12. Lucky Girl
13. I Wanna Live In The Sun
14. We Are The Same
15. Praying So Hard
16. He's Got The Whole World In His Hands
17. Mama Dont' Allow
18. Give Us A Song (Refrain)                                                                                                                    http://fp.io/b1156511/

LED ZEPPELIN - Osaka Festival Hall Osaka, Japan - 09/29/1971





Sep 29, 1971

Osaka Festival Hall
Osaka, Japan


    Immigrant Song
    Heartbreaker
    Since I've Been Loving You
    Black Dog
    Dazed and Confused (incl Pennies From Heaven)
    Stairway to Heaven
    Celebration Day
    That's the Way
    Going to California
    Tangerine
    Friends
    Smoke Gets In Your Eyes
    What Is and What Should Never Be
    Moby Dick
    Whole Lotta Love (incl Boogie Woogie / Tossin' and Turnin' / Twist and Shout / Fortune Teller / Good Times Bad Times / You Shook Me)
    Communication Breakdown
    Organ Solo / Thank You
    Rock and Roll


The last show of the 1971 Japan tour is a tour de force! The energy and virtuosity are unbelievable, and Robert's voice is amazing, sustaining all of his high range notes and going low ... a most commanding vocal performance. "We spent two weeks in wonderful, glorious Japan which has been incredible. Great hotels, great bars, great people and without giving you any bullshit, this is our last night in Japan and we're gonna have a good time and I think you will!" said Plant during the show. Dazed And Confused is very long and includes some great jams in the middle, including Pennies From Heaven! Stairway To Heaven has a great solo from Jimmy, Celebration Day is fast and furious and this may be the best acoustic set I have ever heard! That's The Way, Going To California, and Tangerine all have amazing improvs within them, especially from Jones on the mandolin. Friends has it sonly live premier here too! Moby Dick is inventive and neat and Whole Lotta Love features some obscure and great references, and Robert is a joy to listen to. The encores are wonderful too, including a throat-tearing rendition of Rock And Roll (still untitled).                                      http://fp.io/ddecede1/

LED ZEPPELIN - Best For Hard 'n' Heavy Leicester University - November 25th 1971






LED ZEPPELIN
Best For Hard 'n' Heavy
Leicester University November 25th 1971
Empress Valley Supreme Disc
Original Silvers>CDR [1]>EAC test and copy secure mode>WAV>MKW>SHN>WAV>FLAC8

Disc 1;
1.Introduction
2.Immigrant Song
3.Heartbreaker
4.Black Dog
5.Since I've Been Loving You
6.Celebration Day
7.Going To California
8.That's The Way
9.Tangerine
10.Bron-Yr-Aur Stomp

Disc 2;
1.Dazed & Confused
2.Stairway To Heaven

Disc3;
1.What Is And What Should Never Be
2.Whole Lotta Love (includes Just A Little Bit,I'm Going Down,
Boogie Chillun',Hello Mary Lou,Rave On,Mess O' Blues,
Me And The Devil Blues,Squeeze My Lemon)
3.Rock And Roll
4.Communication Breakdown
Notes:

Press Review: Led Zeppelin – Best For Hard ‘n Heavy

Playing with a power and aggression that the last three years have clearly done little to diminish, Led Zeppelin demonstrated at Leicester University last night why they have remained supreme exponents of heavy music, in the face of increasing competition.

The efforts of fellow travelers like Black Sabbath, Uriah Heap, and Grand Funk seem puny when compared to the sledgehammer sound of Page, Plant, Bonham and Jones erupting into their version of Communication Breakdown.

To a great extent, Zeppelin are the innovators of hard ‘n heavy and they’re still the best. They themselves are derivative of earlier bands, like Jeff Beck and of course, The Cream.

But only Zeppelin have succeeded in perfecting the technique of riff-rock. Their attack is basic enough, but deadly effective.

Jimmy Page usually opens up the numbers by picking out a biting guitar line, or a sharp chord, and then after a few bars bassist John Paul Jones and drummer John Bonham – who work as one – contribute the drive and depth.

Finally, the anguished blues shouting of Robert Plant cuts in through the instrumentation.

It’s certainly not music for the faint-hearted. Zeppelin emanates such force and intensity that it can be physically painful at times. But the generated energy consumes the audience. The group plays real gut music that grips the bowels and involuntarily twitches the muscles.

Zeppelin played most of their best known numbers, including Whole Lotta Love, Since I’ve Been Loving You, a 15-minute version of Dazed and Confused, featuring a brilliant solo from Page, and tracks from the fourth album which is shaping up to be another mammoth seller.

Their appeal is heightened by the fact that even after three years on the road, and a couple of world tours, the four members obviously still enjoy making music.

They were on stage for two-and-a-half hours last night and the pace hardly slackened.

As an indication of Zeppelin’s incredible popularity at the moment I’d just add that this concert sold out within hours of the campus box-office opening. I’m certain the same thing would happen if the group came back next week. (P.B.)


Yet another great and extended show from Winter 1971 tour. After a brief pause, Page begins Tangerine, only to stop dead after 40 seconds. In Page's defense, it is immediately followed by a loud buzz, perhaps the sound of a guitar cord being re-plugged into an amplifier or guitar after being found to not be fully inserted. He restarts and Tangerine is performed without incident. Again, Dazed And Confused contains an amazing improvisation on the Shaft theme and Whole Lotta Love medley is well worth listening too. This show closes with Communication Breakdown, containing a soulful, Band Of Gypsies-style solo and a funky break before accelerating to a racing finish.


http://fp.io/278ama2f/

LED ZEPPELIN - SNOWBLIND







Led Zeppelin - 1975 - Snowblind (EVSD - Soundoard)
Led Zeppelin
1975
Snowblind
(Empress Valley Supreme Disc)


March 19, 1975
Pacific Coliseum
Vancouver
British Columbia


101 - Rock And Roll
102 - Sick Again
103 - Over The Hills And Far Away
104 - In My Time Of Dying
105 - The Song Remains The Same
106 - The Rain Song
107 - Kashmir

201 - No Quarter
202 - Trampled Underfoot
203 - Moby Dick

301 - Dazed & Confused (includes Woodstock)
302 - Stairway To Heaven
303 - Whole Lotta Love/The Crunge
304 - Black Dog

This is something like a prelude to the following evening's show. The playing is on top form and overall all the songs were performed with furiosity. Pagey is in decent form tonight, with especially fine playing on Sick Again, In My Time Of Dying and The Song Remains The Same; Plant is not in fine form, though, with his best vocals coming from the songs that demanded the least from him, such as No Quarter and Whole Lotta Love; Bonham does bring the bang, with awesome drumming on Over The Hills And Far Away, Kashmir and Trampled Underfoot. Ironically, it is Jones that makes this show awesome, with amazing bass playing and great keyboards from start to finish. Kashmir was dedicated to "...Richard Cole, our tour manager - a good upright British citizen" and Dazed And Confused to "...our manager, Peter Grant, who's made so many things possible. He's the man who gives us the blow job in the dressing room". Obviously the whole band had a great time during these two Vancouver shows.


March 20, 1975
Pacific Coliseum
Vancouver
British Columbia


101 - Rock And Roll
102 - Sick Again
103 - Over The Hills And Far Away
104 - In My Time Of Dying
105 - The Song Remains The Same
106 - The Rain Song
107 - Kashmir

201 - No Quarter
202 - Trampled Underfoot
203 - Moby Dick

301 - Dazed And Confused
302 - Stairway To Heaven
303 - Whole Lotta Love
304 - Heartbreaker


A very heavy and overall, good performance. Plant apologise for the last concert they played in Vanvouver two years ago, and he said: "Last night it was quite a peculiar show actually. Something strange happened to me that evening. I found the light show to be amazing and I wondered what the name of the group was!" No Quarter is absolutely beautiful and Dazed And Confused rocks really hard and is led by Jimmy's amazing guitar prowess. Stairway To Heaven really lifts off during the guitar solo and the heavily improvised and dynamic encores close out this really heavy, powerful and exciting show, which in itself would prove to be nothing compared to the next night! Listen to the Whole Lotta Love encore for Lickin' Stick followed by the riffs from Ozone Baby, three years before it's recording! s on the previous night, the band members are in glorious humours and that caused of few very funny introductions

The two concerts in Vancouver are almost cancelled, due to a strike by radio station CKLG-FM.

3-18-75: "CUPE local 1004 (Canadian Union of Public Employees) at the PNE and two other unions involved would have boycotted the concert if CUPE local 686, representing the CKLG strikers, had so wished. But CUPE spokesman Ole Johnson said the concert is “definitely on.”

“We felt it was in the best public interest to allow the concert to be held," he said, “We aren’t intertested in hurting the over 20,000 people who have already bought tickets."
http://filepost.com/files/727d89ab/LED_ZEPPELIN__1975-03-19.rar/
http://filepost.com/files/4b2dm22e/LZ1975-03-20.rar/

PHISH - BILL GRAHAM CIVIC AUDITORIUM - 08/17/2012


Set One...
Disc L:
AC/DC Bag (6:35)  
The Moma Dance (7:15)  
Possum (10:37)  
Corinna (5:33)  
Sand (8:04)  
Halley's Comet (6:01)  
Funky **** (6:16)  
Sample in a Jar (6:31)  
Roses Are Free (5:50)  
My Friend, My Friend (5:50)  
Slave to the Traffic Light (9:33)  

Set Two...
Disc II:
Down with Disease (16:20)  
Birds of a Feather (5:55)  
Tweezer (14:48)  
Twist (7:47)  
Wading in the Velvet Sea (7:19)  

Disc III:
Chalk Dust Torture (7:06)  
Joy (5:42)  
Run Like an Antelope (9:07)  
Encore:
Shine A Light (7:29)


Notes:
"Shine a Light" contained a brief "Wading in the Velvet Sea" tease. At the beginning of the encore, Page thanked the crowd and mentioned how happy they were to be playing in San Francisco and "this room."


http://fp.io/71a46b26/
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